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FILM FILM - University of Macau Library

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146 Transition and Transformation<br />

11. The Masks <strong>of</strong> the Devil, Daily Production Report.<br />

12. Forslund, 233.<br />

13. Ibid.<br />

14. Ibid.<br />

15. Spes. (Sven Stolpe), “Kungar i landsflykt – Viktor [sic] Sjöströms tredje Amerikafilm”,<br />

Filmjournalen 8, 1, 1926, 8.<br />

16. See, for example, Filmnyheter 2, 1923.<br />

17. Fullerton, 53.<br />

18. Florin, 1997, 100.<br />

19. Gunning, 3.<br />

20. Iampolski, 35.<br />

21. Ibid., 35-47.<br />

22. Bruno, 150.<br />

23. Mordaunt Hall, “A Swedish Story”, The New York Times, 28 September 1925.<br />

24. Ibid.<br />

25. A. S. “The Tower <strong>of</strong> Lies”, Photoplay, November 1925.<br />

26. Forslund, 234.<br />

27. Ibid., 236.<br />

28. Ibid., 235.<br />

29. Ibid.<br />

30. The Tower <strong>of</strong> Lies, Cutting Continuity Script.<br />

31. Iampolski, 37.<br />

32. Ibid.<br />

33. em> Spes. (Sven Stolpe), “Kejsaren av Portugallien”, Filmjournalen, vol 8,no16, 1926,<br />

505.<br />

34. Ibid.<br />

35. The Divine Woman, Cutting Continuity Script, Reel 8, Scenes 66-93.<br />

36. Forslund, 260.<br />

37. T. V. “En gudomlig kvinna”, Filmjournalen 10, 5, 1928, 18.<br />

38. Ibid.<br />

39. Bruno, 152.<br />

40. The Divine Woman, Cutting Continuity Script, Reel 3, Scenes 84-85.<br />

41. Ibid.<br />

42. “The Actress’s Old Love”, The New York Times, January 16, 1928.<br />

43. The Divine Woman, Cutting Continuity Script, Reel 7, Scene 37.<br />

44. The Masks <strong>of</strong> the Devil, Daily Production Report.<br />

45. Ibid.<br />

46. Ibid.<br />

47. Ibid.<br />

48. Mordaunt Hall, “Satan’s Ruse”, The New York Times, 26 November 1928.<br />

49. “Film <strong>of</strong> Play is Effective”, The New York Times, 1 March 1930.<br />

50. The Masks <strong>of</strong> the Devil, Cutting Continuity Script, Reel 1, Scene 14.<br />

51. Inter-Office Communication from Paul Bern to Mr Thalberg (c/o Miss Marion), 6<br />

June, 1928, Bengt Forslund’s archive concerning Victor Sjöström, Swedish Film<br />

Institute Archive. Forslund quotes Einar Lauritzen, who in turn quotes a speech by<br />

Sjöström in 1949, about the fact that Sjöström and Thalberg saw the O’Neill play on<br />

Broadway.

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