FILM FILM - University of Macau Library
FILM FILM - University of Macau Library
FILM FILM - University of Macau Library
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140 Transition and Transformation<br />
14. Ibid., 56.<br />
15. Ibid., 130.<br />
16. Ibid., 125.<br />
17. Manuscript <strong>of</strong> informal reminiscences 1, Victor Sjöström Archives, vol 7, Swedish<br />
Film Institute Archive.<br />
18. Lindqvist, 127.<br />
19. Manuscript <strong>of</strong> informal reminiscences 4, Hollywood c. Hollywood II, Victor<br />
Sjöström Archives, vol 7, Swedish Film Institute Archive.<br />
20. Kristin Thompson, “Early Alternatives to the Hollywood Mode <strong>of</strong> Production”,<br />
Film History, vol 5, no4, 1993, 388.<br />
21. Forslund, 270.<br />
22. Agreement between Victor Sjosthom [sic] and Goldwyn Pictures Corporation,<br />
January 25, 1923, Bengt Forslund’s archive concerning Victor Sjöström, vol 7,<br />
Swedish Film Institute Archive.<br />
23. Sabine Hake, Passions and Deceptions: The Early Films <strong>of</strong> Ernst Lubitsch, Princeton, NJ:<br />
Princeton <strong>University</strong> Press, 1992, 62.<br />
24. The Master <strong>of</strong> Man, Complete Continuity by Paul Bern, May 14, 1923, Scene 1.<br />
25. Thompson & Bordwell, 145.<br />
26. Thomas Schatz, The Genius <strong>of</strong> the System: Hollywood Film-Making in the Studio Era,<br />
London: Faber & Faber, 1996, 60 ff.<br />
27. “Röda Kvarns public hyllar Victor Sjöström”, Filmnyheter 9, 1924, 1.<br />
28. “Victor Sjöströms amerikanska film”, Filmjournalen 6, 7, 1924, 122.<br />
29. Carl-Gerhard Wallman, “Ett vittnesbörd”, Filmjournalen, 6, 1924, 60.<br />
30. Ibid.<br />
31. Frank A. Tilley, “With Seastrom in Culver City”, Pictures and Picturegoer, vol 6, no<br />
35, November 1923, 8.<br />
32. “Amerikanska ord om Victor Sjöström”, Filmnyheter 7, 1924, 7.<br />
33. Petrie, 133.<br />
34. Victor Sjöström, Letter to Edith Erast<strong>of</strong>f, April 8, 1923, Victor Sjöström’s Archives,<br />
vol 21, Swedish Film Institute Archive.<br />
35. Körkarlen, script II, scene 110, Swedish Film Institute Archive.<br />
36. As is well known, this shot inspired Stanley Kubrick in The Shining (1980). I<br />
discuss this at more length in my dissertation, Florin, 1997, 168 ff.<br />
37. Noel Burch, “Film’s Institutional Mode <strong>of</strong> Representation and the Soviet Response”,<br />
October, vol 11, no102, Winter 1979, 91. See also: Vladimir Nizhny, Lessons with<br />
Eisenstein, trans. and ed. by Ivor Montagu & Jay Leyda, New York: Da Capo Press,<br />
1979, 80.<br />
38. Film History, vol 11, no2, 1999, 59.<br />
39. The Master <strong>of</strong> Man, Complete Continuity by Paul Bern, scene 202.<br />
40. Name the Man, Silent Cutting Continuity, Part 4, Scenes 91-93; Petrie, 133.<br />
41. The Master <strong>of</strong> Man, Complete Continuity by Paul Bern, Scene 154.<br />
42. Körkarlen Script II, Scenes 201-202, Swedish Film Institute Archive.<br />
43. Thompson, 1996, 295.
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