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No Brain No Pain, glass sculpture 2003. The visible invisible I have searched for the possibilities of translating these immaterial concepts. Both for the individual synesthete and for those who do not recognize what is being described and look to attain greater insight. What does this procedure imply, and is it even possible? First and foremost I can observe that it apparently is not possible, but that the possibilities are found in the will of one who wants to translate, who is not satisfied. The procedure demands a definite presentation ability, detailed source information and descriptions. I will admit that since undertaking it, I have difficulty ignoring people’s extra senses. When I know about someone’s synesthetic system, it becomes a part of my image of them. For example, I know someone who has 24
conceptual synesthesia - that is, a spatial perception of time. I let myself hear how she has a kind of time archive on top of her head where she systematically puts everything having to do with time. That archive looks - or rather I imagine it does as soon as she comes into the room - like a construction, a scaffolding or invisible hat she has on. 25
Page 1: WHY IS GREEN A RED WORD? Ditte Lyng
Page 4 and 5: Synesthesia Synesthesia is just one
Page 6 and 7: Video stills Study of questions. 20
Page 8 and 9: What the Hell does Purgatory Look L
Page 10 and 11: What does it mean when science can
Page 12 and 13: it is meaning that activates words,
Page 14 and 15: Video stills from Study of objects,
Page 16 and 17: As a synesthete, the colors on my w
Page 18 and 19: The dictionary explanation: “Pard
Page 20 and 21: What gets us to believe in synesthe
Page 22 and 23: Where do the color come from? Goeth
Page 24 and 25: As far as presenting a synesthetic
Page 29 and 30: Bibliography • Cytowic, Richard E

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