FROM CHINAMWALI TO CHILANGIZO:

FROM CHINAMWALI TO CHILANGIZO: FROM CHINAMWALI TO CHILANGIZO:

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as well as preventing it from falling down when dancing. 13 189 It took some time for the music and the drumming to resume in order for the girls to continue dancing. After a few rounds of dancing they stopped again, and three anamkungwi went to the middle ofthe ground and danced. They ended in a line in front ofthe chiefs and performed a few displays - dance, bow, and slightly kneeling down. The chiefs gave them some money. As the women walked away from the ground, the girls and their tutors also came in and did likewise, performing in front of the chiefs, and in the end they were also given money. That marked the end ofthe afternoon's event. All the people were leaving, but the initiates were kneeling at one place with their tutors standing by. A group of about ten anamkungwi were also standing in one place. I stayed to see what was next. It was getting darker and I did not want to raise any suspicion, so I moved to the chiefs house and sat on a verandah overlooking the ground. Then I saw the girls move to where the women were standing. I could not see nor hear anything. I knew they wanted to take off the crowns from the girls' heads. Eventually I gave up and went home. I was then told that they were waiting to make sure it is quite safe for them to remove the head crowns from the girls. It was also at the mock chinamwali that I observed how they take offthe crown from the head. They put a cloth on clear ground and let the girl lie down and roll her head on the cloth, dropping every bit of the artefacts on it. The tutor rolls the cloth and gives it to the girl's mother, who, while covering herself with a cloth, carries it and hides it for disposal later. She would have to be careful with it for evil people may steal it or any piece from it and use as chizimba (an activating agent.) The belief is that if any piece from the artefacts is picked up and used by evil men, the girl may become sick, barren, or die. Hence every precaution is taken to make sure that initiates are protected. Many informants testified that the mkangali ceremony is very dangerous because girls can become barren if the deterrents are not strong enough to protect them from witchcraft. The fourth day's activities ended with another vigil for the girls with the zirombo. All the information concerning this ceremony was from oral sources. Since the nyau dance is an integral part of the Chewa culture and represent the ancestral spirits, the initiates must learn from them too. The zirombo, called anamkanya (representing spirits who come to punish people'), spend the night with the girls, instructing them,

frightening them, or punishing them, especially if any ofthe initiates is reported to be rude. The tutors stay close and rescue the girls by giving money to the zirombo. It really depends on the zirombo themselves to decide what to do with the initiates. The initiates may be buried in the ground, and the zirombo dance around them until their tutors redeem them. They may be told to climb a tree, while the zirombo light a fire underneath and put either tobacco leaves, or chillies on the fire. The girls are not supposed to run away but to persevere, again until they are redeemed. Sometimes the zirombo hold a rope or a stick and the girls hold the other end and pull against each other. The zirombo then pull hard until the girls fall down. They continue pulling them until they are redeemed. During the same night the girls are taken to liunde and shown the nyau structures. They are taken into the elephant structure (njobvu) to see what it is made of but severely warned never to reveal what they have seen and been taught. In the past, the vigil would end early in the morning when the zirombo would go with the girls to a nearby dam. The zirombo begin to dip themselves in the water, followed by the girls and their tutors. After the ritual bath, the zirombo would go their way back to the dambwe, and the girls would go back to the tsimba. On this particular day I heard some singing early in the morning. I was informed that another chirombo, Sara had came to the ground. As soon as the zirombo, anamkanya saw Sara coming, they ran to the liunde, and the girls were also to run to their tsimba. Then the Sara went to where the beer was to be drunk. The song was: 70. Sara kuendera mowa de, de Kuendera gule wamaliro, e Sarah go and visit the beer, de, de, Go and visit the funeral 'dance' They went round the village to every home that had beer to collect monetary gifts. DAY FIVE: TSIKU LAKUMWA MOWA (THE FINAL DAY) The last day ofthe Mkangali ceremony was marked by feasting - eating and drinking, and dancing - mnjeza by the chiefs and their wives and instructresses, and gule 190

as well as preventing it from falling down when dancing. 13<br />

189<br />

It took some time for the<br />

music and the drumming to resume in order for the girls to continue dancing. After a<br />

few rounds of dancing they stopped again, and three anamkungwi went to the middle<br />

ofthe ground and danced. They ended in a line in front ofthe chiefs and performed a<br />

few displays - dance, bow, and slightly kneeling down. The chiefs gave them some<br />

money. As the women walked away from the ground, the girls and their tutors also<br />

came in and did likewise, performing in front of the chiefs, and in the end they were<br />

also given money. That marked the end ofthe afternoon's event. All the people were<br />

leaving, but the initiates were kneeling at one place with their tutors standing by. A<br />

group of about ten anamkungwi were also standing in one place. I stayed to see what<br />

was next. It was getting darker and I did not want to raise any suspicion, so I moved<br />

to the chiefs house and sat on a verandah overlooking the ground. Then I saw the<br />

girls move to where the women were standing. I could not see nor hear anything. I<br />

knew they wanted to take off the crowns from the girls' heads. Eventually I gave up<br />

and went home. I was then told that they were waiting to make sure it is quite safe for<br />

them to remove the head crowns from the girls.<br />

It was also at the mock chinamwali that I observed how they take offthe crown from<br />

the head. They put a cloth on clear ground and let the girl lie down and roll her head<br />

on the cloth, dropping every bit of the artefacts on it. The tutor rolls the cloth and<br />

gives it to the girl's mother, who, while covering herself with a cloth, carries it and<br />

hides it for disposal later. She would have to be careful with it for evil people may<br />

steal it or any piece from it and use as chizimba (an activating agent.) The belief is<br />

that if any piece from the artefacts is picked up and used by evil men, the girl may<br />

become sick, barren, or die. Hence every precaution is taken to make sure that<br />

initiates are protected. Many informants testified that the mkangali ceremony is very<br />

dangerous because girls can become barren if the deterrents are not strong enough to<br />

protect them from witchcraft.<br />

The fourth day's activities ended with another vigil for the girls with the zirombo. All<br />

the information concerning this ceremony was from oral sources. Since the nyau<br />

dance is an integral part of the Chewa culture and represent the ancestral spirits, the<br />

initiates must learn from them too. The zirombo, called anamkanya (representing<br />

spirits who come to punish people'), spend the night with the girls, instructing them,

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