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Collected Poems - Sri Aurobindo Ashram

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726 <strong>Collected</strong> <strong>Poems</strong><br />

journal Mother India in April 1974. The editors have verified and<br />

corrected this transcription using images made by means of infrared<br />

photography, scanning and imaging software. Several words in the text<br />

remain somewhat doubtful.<br />

Surrealist. Circa 1936. One handwritten manuscript, written before<br />

28 December 1936, when <strong>Sri</strong> <strong>Aurobindo</strong> mentioned it in a letter to a<br />

disciple.<br />

Surrealist <strong>Poems</strong>. Circa 1943. (The Moro River, mentioned in the second<br />

poem, is a river in Italy that was the site of a battle between<br />

Canadian and German forces in December 1943; the notebook in<br />

which the poem is written was in use during the early 1940s.) One<br />

handwritten manuscript, consisting of two pages of a “Bloc-Memo”<br />

pad. <strong>Sri</strong> <strong>Aurobindo</strong> first wrote, in the upper left hand corner, “Parody”,<br />

then, as title, “Surrealist <strong>Poems</strong>”. Beneath the first poem, he wrote a<br />

tongue-in-cheek explanation within his own square brackets, then,<br />

after “2”, the title and text of the second poem.<br />

Incomplete <strong>Poems</strong> from Manuscripts, circa 1927 – 1947<br />

Thou art myself. No title in the manuscript. 1927 – 29. One handwritten<br />

manuscript, jotted down in a notebook used otherwise for diary<br />

entries, essays, etc. In the manuscript, the word “Or”, presumably the<br />

beginning of an unwritten second stanza, comes after the fourth line.<br />

Vain, they have said. No title in the manuscript. Circa 1927. Although<br />

written, like “Ahana”, in rhymed dactylic hexameter couplets, these<br />

lines do not seem to have been intended for inclusion in that poem. (The<br />

phrase “to infinity calling” does occur both here and in “The Descent<br />

of Ahana”, but in different contexts.) One handwritten manuscript.<br />

Pururavus. Circa 1933. Several handwritten drafts in a single notebook.<br />

It would appear from the manuscript that <strong>Sri</strong> <strong>Aurobindo</strong> began<br />

this passage as a proposed revision to the opening of the narrative<br />

poem “Urvasie”. The passage developed on different lines, however,<br />

and <strong>Sri</strong> <strong>Aurobindo</strong> soon stopped work on it.<br />

The Death of a God [1]. Circa 1933. Two handwritten manuscripts; a<br />

third manuscript is published as “The Death of a God [2]”.<br />

The Death of a God [2]. Circa 1933. One handwritten manuscript.<br />

The Inconscient and the Traveller Fire. Circa 1934. Two handwritten

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