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January 2008 Newsletter - United Burmese Cat Fanciers

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Rock-Land cattery and begged her for a kitten, although I<br />

had no extra money with me at the time, as the New York<br />

show proved quite expensive. The cats in the kitten’s pedigree<br />

were not familiar, but I did acquire the kitten, which<br />

I named Rock-Land’s Sand and Sable, on a trade. When<br />

I got home and traced the pedigree, my eyes bugged out<br />

because she went back to GC Brierwood’s Babe, who was<br />

a national winner and not seen in many pedigrees. Sandy<br />

had huge eyes like saucers and could go from placid to fight<br />

in three seconds or less.<br />

I made a wonderful friend with Susan Beshears of<br />

WhoDat in the 80’s, and we maintain that friendship<br />

today although she is no longer in cats. Susan and Ralph<br />

Beshears had many winners in UBCF in past years, and I<br />

was lucky enough to acquire some of their lines going back<br />

to Puma Lair, Shawnee, and old Midwestern lines as well.<br />

A cat from Susan Mundell of Risu cattery and some lines<br />

from Dodie Granger of Yasmin blended in with lines I had<br />

acquired from Pat Swihart, who also ran a traditional breeding<br />

program as well as her contemporary program. Pat had<br />

some lovely Jeske lines as well as Tse Mau from Eileen<br />

Dunn in California, but the lines I loved the most were the<br />

lines coming from GC Koro’s Beau Brummel. His type<br />

was so deeply ingrained in the lines that it reappeared generations<br />

later. He was the key male in my early breeding<br />

years in my lines, and I thrilled to see GC Fongin Chop Soy<br />

through several different descending cats in his pedigree.<br />

The nineties were a time of pedigree research for me.<br />

I met Claudia LaGrippe, through Pat, who had developed<br />

the initial database sold with Compuped. I acquired some<br />

of her old pedigrees . . . quite a few actually, and made my<br />

own data base inputting the data by hand. The notes on the<br />

pedigrees were very interesting. Some of the old cats listed<br />

as sable were not really “sable” but colors, which were<br />

considered disreputable at that time so they were listed as<br />

sable. During this time I visited a friend in Arizona and<br />

while there met Marie Zeiner, one of the pioneers in dilute<br />

breeding. She told me that at one time she had a chart<br />

of the colors of Siamese used in the <strong>Burmese</strong> breeding<br />

program with Wong Mau, but a flood had destroyed much<br />

of her personal effects including this chart. Marie was a<br />

wonderful hostess and entertained me with explanations on<br />

the definite difference between the champagnes originating<br />

from the Brierwood cats and the ones from the Pomona<br />

lines. I got to see her Pomona male, and my only regret is<br />

I didn’t use him but at the time it was just so far to ship. I<br />

think he was the last of the Pomona males.<br />

I had a wonderful database on my computer in the late<br />

90’s and early 2000’s, and about four or five different <strong>Burmese</strong><br />

files on pedigrees. And, one year in the 90’s I won the<br />

Linechaser’s Ribbon for researching the most pedigrees for<br />

that club (in Europe). I made friends with Rosemary Hale<br />

and other Europeans through Linechasers and eventually<br />

sold Hilde Frank cats for her traditional Bombay breeding<br />

program in Germany. I also worked with Anni Hemme of<br />

Chandigarah and received two gorgeous cats back from her<br />

from cats that had gone to Germany. I took a pale platinum<br />

male to Silvia Roll-Becker for Martha McMillan of Ineedakat<br />

cattery in Pittsburgh, although I almost had to fold<br />

up Ineedakat’s Lover Boy to fit him in the carrier he was<br />

so large. Eventually I was the happy recipient<br />

of one of his offspring Vom Silvan’s Silverado<br />

of Stagelight. I was very happy to have these<br />

lines of Martha’s as I don’t think too many got<br />

them.<br />

I showed a good bit in the 80’s and 90’s,<br />

but haven’t of late because of my stressful<br />

job, some health issues of my own, and my<br />

mother’s advanced age. However, I would like<br />

to do a bit more showing in the next few years.<br />

I have been working on outcrossing lines and<br />

acquiring type so that my cats are competitive<br />

with what is being shown in the Southern<br />

Region.<br />

CH Stagelight’s Daniel My Brother<br />

© Twisted River Photography<br />

Shirley D. Storey<br />

Stagelight <strong>Cat</strong>tery<br />

UBCF <strong>January</strong> <strong>2008</strong> Page 11

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