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import your database with mobile<br />
numbers construct the message<br />
and click ‘<strong>send</strong>’<br />
The system is flexible and comes<br />
with options You may choose to<br />
communicate with female<br />
customers only make changes to<br />
the database at your time<br />
compose messages and change it<br />
anytime <strong>send</strong> messages at a<br />
predetermined date and time<br />
Happy birthday!<br />
But the topofmind issue is<br />
perhaps cost given that some of<br />
these services and their<br />
possibilities may seem<br />
overwhelming to the uninitiated<br />
A basic module from MNC<br />
requires an investment of RM<br />
and a monthly fee of RM The<br />
package comes with free<br />
SMS messages Anything more<br />
and the meter chugs along at <br />
to cents per SMS<br />
‘Numerous retailers use our<br />
system as well Their data is<br />
maintained on excel format The<br />
information can be imported into<br />
our module and the usual is done<br />
to <strong>send</strong> messages’ explained<br />
Jasmine<br />
And of late the increasing interest<br />
in interactive solutions has MNC<br />
spoton in the arena ‘TV<br />
commercials aid brand exposure<br />
while interactive is more tactical<br />
and can be used to make TVCs<br />
work harder and deliver’ said<br />
Jasmine<br />
For instance a graphical<br />
embedded in a TVC may<br />
encourage viewers to SMS to a<br />
number (or short code) for a mini<br />
recipe or vote for their favorite<br />
artist or receive health tips and so<br />
on The possibilities seem limitless<br />
but creativity is called for to take<br />
advantage of opportunities<br />
24 BRAND BRANDEQUITY<br />
BRAND<br />
‘One of our tools ‘ GO!ITV’ helped<br />
viewers to chat on TV during<br />
Euro ’ said Jasmine<br />
Times are certainly going to<br />
change and brand builders need to<br />
be up to speed about them<br />
Jasmine explained that MMS or<br />
multimedia messaging services is<br />
the area that is set to explode<br />
‘SMS accounts for of<br />
business generated within the<br />
mobile marketing environment<br />
By the end of the year we expect<br />
this to be : in favor of MMS<br />
And with MMS we are already<br />
talking about realtime classified<br />
ads picture catalogues and more’<br />
said Jasmine<br />
Perhaps its about time brand<br />
builders asked themselves if they<br />
are up to speed on the limitless<br />
possibilities offered by the mobile<br />
marketing environment<br />
Jasmine can be contacted at<br />
jasmine@mnccommy
Financial Financial Services<br />
Services<br />
* Consumers can access their bank<br />
accounts anywhere anytime<br />
* Transfer funds between<br />
accounts request for cheque<br />
book status<br />
* Get daily account notifications<br />
balances and recent transactions<br />
* Cross sell products by offering<br />
text quotes to customers<br />
* Keep customers informed on<br />
progress of mortgage<br />
applications<br />
* Inform customers of monthly or<br />
annual premium amounts<br />
* Drive customers to their web<br />
site<br />
* Keep customers energised with<br />
regular text to win competitions<br />
Car Car Car Dealers Dealers / / Manufacturers Manufacturers /<br />
/<br />
Service Service Centres<br />
Centres<br />
* Car ready for collection<br />
* Service reminders<br />
* Courtesy/thank you messages<br />
* Questionnaire followup<br />
* Sales lead generation<br />
* Part in stock<br />
* Tyres are probably due to be<br />
changed now<br />
Real Real Estate Estate / / Property Property Agencies<br />
Agencies<br />
* Buyers can SMS to obtain<br />
additional information anytime<br />
* Agencies can dedicate precious<br />
time to a genuinely interested<br />
public<br />
* Alert services are ideal for clients<br />
looking for investment<br />
properties<br />
* Potential buyers will be able to<br />
view property in a relatively<br />
short period of time by simply<br />
A Sampling of Mobile Marketing<br />
Possibilities by Industry<br />
(Supplied by MNC Wireless)<br />
stating what they are looking<br />
for their budget and if and when<br />
a property corresponding to<br />
their requirements comes onto<br />
the market they will<br />
automatically be informed via<br />
SMS giving brief details of the<br />
property<br />
* The system will automatically<br />
revert with lots of info about the<br />
house that’s available<br />
* Send customised SMS and<br />
images to your targeted buyers<br />
right away!<br />
Recruitment Recruitment Recruitment Agencies<br />
Agencies<br />
* Within a few minutes of a job<br />
being made available a text to<br />
top candidates inviting them to<br />
apply can be sent<br />
* Send new Job alerts<br />
* Database cleansing eg ‘Are you<br />
still looking for work? To receive<br />
instant text alerts for future<br />
positions reply ‘job’ to this text<br />
and we’ll keep you informed of<br />
all the latest opportunities’<br />
* Day to day client contact<br />
* Drive applicants to web site to<br />
apply for positions online<br />
Hospitals<br />
Hospitals<br />
* Remind patients about routine<br />
outpatient and scan<br />
appointments<br />
* Sexual health clinics allowing<br />
patients to get advice without<br />
having to talk facetoface about<br />
sensitive issues including<br />
abortion contraceptives and<br />
sexually transmitted infections<br />
* Hospital can use SMS to protect<br />
its staff members If they are on<br />
house calls and they don’t<br />
respond to an automatically<br />
generated text message within<br />
a certain amount of time an<br />
alarm is raised<br />
* Doctor can <strong>send</strong> daily SMS<br />
update especially for intensive<br />
care unit cases where patient’s<br />
designated contact relative<br />
receive information about<br />
patient’s condition how he or<br />
she was responding to<br />
treatment and what tests were<br />
scheduled later in the day if any<br />
* Patients can schedule<br />
appointments and reserve out<br />
patient service in advance<br />
through SMS They can then<br />
visit the doctor at the reserved<br />
date and time<br />
* Doctors can cut down waiting<br />
times for medical results by text<br />
messaging to communicate with<br />
patients<br />
Leisure Leisure Sector<br />
Sector<br />
* Text alerts Send text bulletins<br />
and offers to existing customers<br />
* Text clubs Create a text club<br />
that offers members special<br />
offers bulletins and unique<br />
benefits<br />
* Text to win competitions <br />
Enhance response to your<br />
campaigns by offering text to<br />
win prizes<br />
BRAND BRAND BRANDEQUITY BRAND<br />
25
GO!SMS(tm)<br />
GO!SMS(tm)<br />
A DIY SMS marketing tool that<br />
includes<br />
* SMS Broadcast for <strong>send</strong>ing mass<br />
SMS messages anytime or in a<br />
recurrent manner with<br />
personalised messages or brand<br />
your SMS messages by replacing<br />
the short code with your brand<br />
name<br />
* SMS Mailbox to receive and<br />
automatically manage all<br />
information sent by your<br />
customers The info can be<br />
personal details contest entries<br />
* SMS IOD to provide customers<br />
with information / via an<br />
informationondemand service<br />
such as movie schedules<br />
26 BRAND BRANDEQUITY<br />
BRAND<br />
The MNC<br />
Repertoire<br />
GO!ITV(tm)<br />
GO!ITV(tm)<br />
A cost effective measurable and targeted<br />
SMS marketing tool that enables<br />
viewers<br />
* Post their opinions on air via<br />
SMS<br />
* Vote their favorite music videos<br />
* Support their favorite game<br />
shows<br />
* Participate in contests<br />
* Take part in fully animated<br />
interactive games<br />
GO!CPA(tm)<br />
GO!CPA(tm)<br />
A SMS gateway solution that allows<br />
aspiring content providers to start<br />
lucrative premium SMS businesses<br />
without the need to manage the<br />
complexities of connecting to the mobile<br />
network operators’ billing infrastructure<br />
GO!CONTENT GO!CONTENT SUITE(tm)<br />
SUITE(tm)<br />
An ASPbased (application service<br />
provider) content management platform<br />
that enables content developers without<br />
technology knowhow to embark on a<br />
mobile content and services business
By Seelen Sakran<br />
THE HOLY GRAIL THESE DAYS<br />
in marketing communications is<br />
the ability to provide onestop<br />
marketing solutions for the clients<br />
business problem that maximises<br />
business results and return on<br />
investment Chicago<br />
headquartered Arc Worldwide’s<br />
(Arc) believes it has the answer<br />
In fact this marketing services<br />
company aligned with advertising<br />
powerhouse Leo Burnett<br />
Worldwide recently established<br />
its AsiaPacific office in down town<br />
KL to initiate its combined<br />
Multidisciplinary<br />
ROI-centric<br />
Communications<br />
Arc Worldwide rolls out a slew of<br />
communication disciplines to deliver<br />
potent results for aspiring brands<br />
marcom (marketing<br />
communications) specialist<br />
services offering<br />
These are event and promotional<br />
management direct marketing<br />
interactive marketing and Shopper<br />
Marketing all under one roof<br />
Arc’s AsiaPacific President<br />
Charles Cadell who is also Leo<br />
Burnett Malaysia’s CEO feels that<br />
the Arc model is the solution<br />
‘Separated or siloed specialist<br />
marketing companies are the<br />
current model but this model is<br />
broken Clients are looking for<br />
integrated marketing solutions<br />
that utilise all the required contact<br />
points and this is best served by a<br />
company that has all the<br />
specialists working under one roof<br />
against a central objective and a<br />
central idea’<br />
Cadell went on to point out that<br />
Arc is the only company in the<br />
world to offer such specialised<br />
Charles Charles Charles Charles Charles Cadell Cadell Cadell<br />
Cadell Cadell<br />
services together ‘Specialisation<br />
should not mean separation but<br />
unfortunately for most Clients it<br />
does Fundamentally successful<br />
marketing is a result of great ideas<br />
brilliantly executed through the<br />
range of required contact points<br />
Having this centrally managed and<br />
controlled ensures a maximisation<br />
and efficiency in Client budgets as<br />
well as a greater control over the<br />
end product<br />
Perhaps most important is the<br />
BRAND BRAND BRANDEQUITY BRAND<br />
27<br />
ContemporaryCommunications
examples and case studies of best<br />
practice ‘But we also rely on<br />
them’ he adds ‘In the marketing<br />
services field the best ideas can be<br />
globally shared and quickly<br />
reapplied and we ensure that<br />
each month we track and share the<br />
world’s best examples in each of<br />
the disciplines across all our<br />
offices’<br />
Arc is no new kid on the block<br />
however It has been formed by<br />
taking global specialist entities in<br />
DM Promotions Shopper and<br />
Interactive and merging them<br />
together They boast over <br />
Clients across Asia Pacific with<br />
centres of excellence in Singapore<br />
28 BRAND BRANDEQUITY<br />
BRAND<br />
Australia Malaysia Philippines<br />
and Taiwan<br />
Cadell believes there is immense<br />
opportunity for Clients to<br />
maximise the collection of their<br />
marketing spends ‘I find it strange<br />
that while Asia Pacific boasts the<br />
best media platforms and<br />
emergent technology available<br />
we so rarely ever see world class<br />
integrated campaigns come from<br />
Asia instead it is the US and<br />
Europe that are lauded The big<br />
ideas here seem to be so often one<br />
dimensional for the majority of<br />
marketers such as TV print and<br />
maybe a promotion and some<br />
interactive But few are really<br />
using all contacts points to make<br />
the big ideas come alive and<br />
taking it all the way down to the<br />
store level’<br />
‘A truly integrated approach in<br />
engaging customers across all<br />
contact points is where the<br />
opportunity lies and we feel Arc is<br />
able to accomplish this The<br />
changes that are going to affect us<br />
all as marketers in the next few<br />
years are going to be tremendous<br />
old rules will cease to apply We<br />
all need to buckle up for the ride<br />
ahead’<br />
Cadell cites some examples of the<br />
changing world ‘We now know<br />
that if given a choice teenagers<br />
would rather have a mobile phone<br />
than a television We know that<br />
over of all SMS marketing<br />
messages are read and a reponse<br />
rate of approximately is<br />
common We know that some<br />
internet sites and brands are more<br />
trusted by their customers than<br />
their own family (Google /<br />
Amazon / ebay) and we know that<br />
approximately of all purchase<br />
decisions in the FMCG category<br />
are made in store We know a lot<br />
the question is what are we as<br />
marketers doing about it since the<br />
implications are enormous for<br />
how we should be talking to our<br />
customers’<br />
Cadell is especially excited in the<br />
Shopper Marketing discipline a<br />
new concept to many Asian<br />
markets but a discipline that is of<br />
vast focus in the US and England<br />
Cadell explains that with Shopper<br />
Marketing Arc is able to help<br />
marketers turn shoppers into<br />
profitable brand buyers<br />
‘The potential is enormous’ he<br />
says ‘Marketers in the FMCG<br />
category on average spend about<br />
of their total marketing<br />
budget in the trade This may be<br />
on promotions discounting or<br />
simply buying facings Yet they<br />
have virtually no idea how this<br />
money is working for them Take<br />
this against the say they may<br />
spend on Television advertising<br />
that is often researched and<br />
measured to death and it makes no<br />
sense There is an art and a science<br />
to understanding the customer in<br />
the store environment and<br />
ensuring all elements of the mix<br />
are syncronised to get our product<br />
in the basket versus our<br />
competitors This is what Arc<br />
offers through our Shopper<br />
Marketing specialists’<br />
Why? Cadell further explains ‘The<br />
research is staggering in this field<br />
Product advertising plays a very<br />
very small role in the actual<br />
purchase decision when that<br />
customer gets in front of that<br />
shelf There is a very discrete path<br />
to purchase that a consumer<br />
treads in each of the different<br />
retail environments and<br />
communication must be adapted<br />
at each point of the way This<br />
requires good understanding and<br />
insights of the shopper the<br />
category they are buying in and<br />
the retail store type’<br />
Cadell believes that Malaysia is still<br />
relatively young with only about
of trade is done via the<br />
modern trade ‘However if you<br />
look at the retail explosion in<br />
Shopping centres especially in<br />
Kuala Lumpur there is much to be<br />
done Shopper marketing is not<br />
just about working with products<br />
to promote in store it is also about<br />
working with retailers to improve<br />
store layout and design to<br />
maximise total sales’<br />
“There is still much to be done in<br />
Malaysia The shopper ‘experience’<br />
which is so vital for sale<br />
maximisation is poorly understood<br />
as a discipline We work with<br />
Carrefour WalMart Tescos and<br />
Sainsburys on a global basis as well<br />
as doing store design for the likes<br />
of McDonalds Even while they are<br />
the largest in their fields they also<br />
have much to learn’<br />
‘I find Shopper Marketing the most<br />
interesting To garner the insights<br />
we conduct our own independent<br />
research using in store cameras<br />
and home interviews of shoppers<br />
pre and post shop and it is<br />
fascinating The stark differences<br />
in how we all shop dependent on<br />
age sex and outlook is deeply<br />
human and for most people the<br />
choices and actions are hidden<br />
deep within the subconscious It is<br />
more a study of psychology than<br />
marketing’ he notes<br />
Incidentally Cadell has been<br />
working with Leo Burnett for the<br />
last years covering various<br />
markets and positions including<br />
group brand director brand<br />
management director in Bangkok<br />
and Hong Kong His clients<br />
included both multinational and<br />
local companies across the Asia<br />
Pacific region such as McDonald’s<br />
Procter & Gamble and Kellogg’s<br />
Cadell started his career in London<br />
in where he has worked with<br />
Kraft Pepsi and Mercedes Benz<br />
Currently Arc has more than <br />
employees in offices in <br />
countries In Malaysia its smart<br />
partnership with Leo Burnett has<br />
culminated in clients such as<br />
Malaysia Airlines Petronas<br />
McDonald’s YTL Corporation<br />
Procter & Gamble and Bumiputra<br />
Commerce Bank<br />
Virgin Credit Card<br />
Arc Arc in in Australia Australia delivers delivers for for Virgin’s Virgin’s new new credit<br />
credit<br />
card card with with a a bang<br />
bang<br />
OBJECTIVE<br />
OBJECTIVE<br />
To generate accounts<br />
within months at $ Cost Per<br />
Account The singleminded focus<br />
was to acquire new accounts at a<br />
minimal cost per acquisition<br />
STRATEGY<br />
STRATEGY<br />
It was crucial to monitor and<br />
adjust all the communication<br />
mediums in order to maximise<br />
reach and efficiency to meet the<br />
set objectives<br />
BRAND BRAND BRANDEQUITY BRAND<br />
29
This involved:<br />
* Testing all elements of<br />
communication prior to roll out<br />
* Monitoring all activities to<br />
ensure that the cost per account<br />
did not exceed $<br />
* Adjusting media and channel<br />
scheduling targeting and<br />
creative work on a weekly basis<br />
as the campaign unfolded<br />
WORK<br />
WORK<br />
An integrated campaign was<br />
launched using DM television<br />
press & magazine inserts and<br />
radio Each piece of<br />
communication carried a strong<br />
and compelling call to action<br />
Work maintained Virgin’s brand<br />
values (irreverent humour) while<br />
ensuring a strong sell The concept<br />
employed took tongueincheek<br />
approach to elicit the interest of<br />
the target audience<br />
RESULTS<br />
RESULTS<br />
a) Business<br />
The launch of the Virgin Credit<br />
Card succeeded across all media<br />
* TV beat objectives by <br />
* Press by <br />
* Mail results by <br />
Campaign targets were exceeded<br />
by with over cards<br />
issued in the first months<br />
To paraphrase the Virgin Money<br />
Managing Director ‘another<br />
amazing milestone <br />
customers; the fastest rate of<br />
growth ever for a new card in<br />
Australia; the most successful <br />
month period for any card ever<br />
with two months to spare and no<br />
previous customer base!’<br />
30 BRAND BRANDEQUITY<br />
BRAND<br />
b) Industry<br />
* John Caples International<br />
First Prize<br />
* Echo Direct Marketing<br />
Diamond Award Campaign of<br />
the Year<br />
* Echo Direct Marketing<br />
Gold Award<br />
* ADMA DM Grand Prix<br />
* / Australian DM<br />
Awards<br />
* Media Asia <strong>Brand</strong><br />
Effectiveness Best Idea<br />
* Cannes Gold Lions (x)<br />
Direct Marketing<br />
* Won Report Most<br />
Awarded Global DM Campaign
<strong>Brand</strong>Law<br />
By Benjamin J Thompson<br />
THIS ARTICLE WHICH WILL BE<br />
the final article on copyright we<br />
will continue examining the<br />
boundaries of protection afforded<br />
by Copyright law to better<br />
understand how copyright can be<br />
used to protect your brand<br />
identifiers or product features<br />
How much of a person’s work can<br />
you imitate or adapt without<br />
actually infringing their<br />
copyright? To further understand<br />
let’s look at just a few of the<br />
exceptions under the Copyright<br />
Act in more detail<br />
Copyright<br />
Consequences<br />
32 BRAND BRANDEQUITY<br />
BR BRAND BRAND BR BRAND<br />
AND ANDEQUITY<br />
AND<br />
Presenting the ninth in a<br />
series for defending<br />
brand value right from<br />
creation<br />
&<br />
Exception Exception Exception <br />
<br />
“fair dealing for the purposes of<br />
nonprofit research private study<br />
criticism review or the reporting<br />
of current events SUBJECT to the<br />
condition that if such use is public<br />
it is accompanied by an<br />
acknowledgement of the title of<br />
the work and its authorship<br />
What is ‘fair’ dealing? As can be<br />
imagined this is a very subjective<br />
term The factors which are often<br />
taken into account in deciding if<br />
an action falls into the ambit of the<br />
exception are:<br />
The purpose and character of<br />
the dealing eg was it used for<br />
nonprofit research or one of<br />
the other purposes set out in<br />
the Copyright Act?
* Whether it is of a commercial<br />
nature or for nonprofit<br />
educational use eg was it<br />
used by a trainer to avoid<br />
having to make his own<br />
materials for a seminar or used<br />
by a study group at a university<br />
for one of their study sessions?<br />
* The nature of the copyright<br />
work eg literary work artistic<br />
work musical work etc;<br />
* The amount and substantiality<br />
of the parts taken eg were<br />
many quotations taken or was<br />
it just a single but definitive part<br />
of the work which was taken?<br />
* The effect of the dealing on the<br />
work eg did it impact the<br />
value of the work or the ability<br />
of the copyright owner to<br />
profitably deal with it<br />
subsequently; and<br />
* The availability of the work in<br />
the market eg was it<br />
something widely available or a<br />
work that was out of<br />
circulation?<br />
Similarly other terms such as<br />
“private study” have been<br />
interpreted according to the<br />
circumstances of each case<br />
One other thing must be borne in<br />
mind An exception does not arise<br />
just because a particular industry<br />
practice or custom has for many<br />
years ignored copyright<br />
That means even if you think that<br />
no one in your industry has been<br />
sued for copyright infringement<br />
despite a particular method of<br />
dealing with the works of third<br />
parties it does not mean that their<br />
use is excusable or accepted ‘fair<br />
dealing’<br />
It could be copyright<br />
infringement and if you are<br />
unfortunate enough to be sued for<br />
unauthorised use in this manner<br />
it will not matter that ‘everyone<br />
else is doing it’<br />
Exception Exception <br />
<br />
“the doing of any of the acts <br />
by way of parody pastiche or<br />
caricature”<br />
‘Parody’ is defined in the dictionary<br />
as ‘a composition in which the<br />
characteristic turns of thought and<br />
phrase of an author are mimicked<br />
and made to appear ridiculous<br />
especially by applying them to<br />
ludicrously inappropriate subjects’<br />
Obviously since a parody is based<br />
on or derived from an existing<br />
work to come within the scope of<br />
the exception the new work must<br />
indeed fulfil the quality of a<br />
parody If not it will not be able<br />
to claim the exception and the<br />
work will be an infringement<br />
Exception Exception Exception <br />
<br />
“the reproduction and<br />
distribution of copies of any<br />
artistic work permanently situated<br />
in a place where it can be viewed<br />
by the public”<br />
If you recall from the previous<br />
articles artistic works include<br />
graphic works photographs<br />
sculptures buildings and works of<br />
artistic craftsmanship This<br />
exception therefore allows any<br />
one to say take photographs of<br />
the Twin Towers or the Mona Lisa<br />
painting (assuming it is<br />
permanently situated in a place<br />
where it can be viewed by the<br />
public) and sell those photographs<br />
without reference to the owners<br />
of the copyright<br />
So we can see from the above that<br />
there are specific areas into which<br />
a person’s copyright will not<br />
extend As an owner of a brand<br />
identifier protected by copyright<br />
it is important for you to know<br />
which exceptions apply to your<br />
own case<br />
If you have a situation and would<br />
like to know whether you fall into<br />
any of the exceptions under the<br />
Copyright Act it is a good idea to<br />
get the advice of a copyright<br />
lawyer<br />
He will be able to provide you with<br />
definite advice after performing<br />
research on the way Courts have<br />
interpreted the application of the<br />
exceptions in situations such as<br />
yours<br />
We shall commence discussion on<br />
a new topic on how to protect<br />
your brand identifiers or product<br />
features in our next instalment<br />
EDITOR’S EDITOR’S EDITOR’S NOTE:<br />
NOTE:<br />
We apologize for the error in last<br />
issue’s article which resulted in the<br />
article being wrongly headed<br />
“Protecting Industrial Designs” The<br />
actual title which appeared correctly<br />
in the index was “Copyright &<br />
Consequences” We apologize to<br />
readers for the confusion it may have<br />
caused<br />
NOTE:<br />
NOTE:<br />
This article is merely intended to<br />
create awareness of Intellectual<br />
Property rights It should not be relied<br />
on without the benefit of specific<br />
advice from an Intellectual Property<br />
practitioner Logos and graphics<br />
displayed are for illustrative and<br />
educational purposes only and are the<br />
Intellectual Property of their<br />
respective owners<br />
Ben Thompson is a Registered<br />
Trademark Patents & Industrial<br />
Designs Agent<br />
Feedback is welcome at<br />
brandlaw@thompsoncommy<br />
Readers who would like the column to<br />
discuss particular <strong>Brand</strong>law issues are<br />
welcome to write in<br />
BRAND BRAND BRANDEQUITY BRAND<br />
33
The Proof of<br />
the Pudding<br />
By Salim Khubchandani<br />
WHEN ASKED TO COMMENT ON<br />
the subject we Direct Marketers<br />
invariably end up talking about the<br />
fact that it is ‘measurable’ This is<br />
indeed one important<br />
characteristic of Direct which also<br />
makes it such an interesting<br />
subject and a science<br />
For soon after the communication<br />
has gone out we wait with bated<br />
breath to receive the responses<br />
and evaluate the success of the<br />
program dissect and analyze the<br />
results to try and improvise for<br />
subsequent programs<br />
Marketers on the other hand often<br />
comment on it being ‘too<br />
expensive’ This perception of<br />
Marketers on numerous occasions<br />
has been corrected once the<br />
results are available and the<br />
programs’ success has been<br />
measured<br />
This article tries to look at some<br />
of the various parameters and<br />
metrics for measurement of Direct<br />
Marketing programs and<br />
highlights the importance of such<br />
parameters for different<br />
programs can be measured<br />
differently for success depending<br />
on the objectives<br />
Depending on the objective of the<br />
program there can be various<br />
parameters towards measuring its<br />
success More importantly<br />
unfortunately while it is not often<br />
practiced it helps greatly to<br />
outline action standards or<br />
program measurement metrics<br />
before commencement of the<br />
exercise<br />
This helps to evaluate the degree<br />
of success of the program as<br />
against methods that may have<br />
been practiced before the program<br />
was executed<br />
For example in the case of a Bto<br />
B program wherein the sales force<br />
may have been making cold calls<br />
as a part of the sales process the<br />
role or objective of the program<br />
may be to actually support sales<br />
in their job and generate qualified<br />
leads for them In such a case it<br />
would help immensely to do a<br />
calculation of the current cost per<br />
lead through the cold calling<br />
process<br />
This does require the organization<br />
to do a fair bit of number<br />
crunching by taking into account<br />
average time spent before a lead<br />
is generated and costing out the<br />
time However the effort and<br />
time taken does pay off in the long<br />
run<br />
Once we have the ‘cost per lead’<br />
generated through the cold calling<br />
process when embarking on a<br />
Direct approach we already have<br />
a benchmark set which needs to<br />
be bettered in order to claim<br />
success for the Direct Marketing<br />
exercise And metrics agreed as<br />
part of the brief even helps the<br />
agency in its strategic<br />
recommendations with regard to<br />
the media vehicles offer etc<br />
In evaluating the strategy and<br />
before embarking on the program<br />
one obviously then takes the<br />
approach which is most efficient<br />
BRAND BRAND BRANDEQUITY BRAND<br />
35<br />
RelationshipMarketing
with regards to the ‘cost per lead’<br />
metric Where the program uses<br />
various media vehicles or offers to<br />
achieve what it had set out to do<br />
and in such cases we can test the<br />
various messages media or offers<br />
and determine what works better<br />
through the measurement<br />
metrics<br />
Just as we have discussed cost per<br />
lead as a possible parameter<br />
above there are several other<br />
metrics for measuring the success<br />
of Direct Marketing programs<br />
Cost per conversion: Often the<br />
role of the Direct program could<br />
extend towards conversion In<br />
such cases it helps to take into<br />
account the cost towards the<br />
offer fulfillment costs etc to<br />
ultimately arrive at the cost for<br />
each conversion<br />
Once we have the cost for each<br />
conversion comparing this or<br />
calculating what percentage it<br />
forms of the cost or contribution<br />
of the product we can actually see<br />
for ourselves whether it makes the<br />
program worthwhile and whether<br />
the product would be able to<br />
support the program<br />
Cost per Member and Lifetime<br />
Value: The latter part of the<br />
Relationship Marketing Cycle<br />
deals with retention and<br />
development of acquired<br />
customers Loyalty programs are<br />
one of the more commonly used<br />
tools towards retention whilst<br />
there may also be other methods<br />
at hand<br />
As discussed in one of the earlier<br />
articles loyalty is not a ‘one night<br />
stand’ and needs to be looked at<br />
from a more long term<br />
prospective In such a case<br />
obviously the investments<br />
required may be substantial and<br />
it is best to ascertain them even<br />
before embarking on the loyalty<br />
36 BRAND BRANDEQUITY<br />
BRAND<br />
journey We therefore evaluate<br />
the total cost of the program over<br />
a period of time and also the cost<br />
per customer retained or cost per<br />
member<br />
This could even dictate the<br />
strategy to a great extent whereby<br />
the numbers may go to indicate<br />
segmentation of customers as<br />
heavy medium or light with<br />
different levels of investments and<br />
approaches for the three different<br />
types of customers In fact in case<br />
of a segment of retained<br />
customers being seen as non<br />
profitable over a period of time<br />
exit or ‘leavethemalone’<br />
strategies may be charted out<br />
In evaluating whether it is worth<br />
embarking on a retention<br />
program the ‘cost per member’<br />
metric may not be considered in<br />
isolation An additional important<br />
factor to be taken into account is<br />
the customer’s ‘Lifetime Value’ To<br />
arrive at the lifetime value of the<br />
customer we take into account<br />
estimated value of consumption<br />
over a reasonable period of time<br />
based on realistic consumption<br />
patterns<br />
Furthermore should there be<br />
opportunities to crosssell across a<br />
basket of products from the same<br />
brand or manufacturer it may be<br />
reasonable to even take into<br />
account additional consumption<br />
values out of the crosssell to<br />
determine the Lifetime Value<br />
Comparing the cost per member<br />
metric against lifetime value gives<br />
a much better idea as an indicator<br />
whether the retention program<br />
appears feasible or not<br />
As emphasized earlier the<br />
measurement criteria is largely<br />
dictated by the objectives of the<br />
program and the role that Direct<br />
is to achieve Importantly the<br />
results must be measured in the<br />
right context to help ascertain<br />
whether the activity has delivered<br />
For example cost per member<br />
seen in isolation and in absolute<br />
terms may appear high but needs<br />
to be measured in comparison to<br />
the lifetime value before a<br />
judgement is made whether it<br />
appears high or low<br />
The above are only some of the<br />
more standard parameters and<br />
there could be numerous other<br />
metrics towards measuring the<br />
success of programs It is indeed<br />
most appropriate if these<br />
parameters and their action<br />
standards can be agreed upon at<br />
the commencement of the<br />
program<br />
It must be borne in mind that there<br />
are several intangibles that a<br />
Direct Marketing program could<br />
impart through a<br />
communication’s strategy and the<br />
various contact points<br />
Having the action standards<br />
however sets a finite goal post as<br />
ultimately in Direct we often<br />
proclaim that the proof of the<br />
pudding lies in its eating<br />
Salim Khubchandani is a<br />
Relationship Marketing<br />
practitioner with almost two<br />
decades of experience in the<br />
field both with clients as<br />
well as agencies<br />
Currently Salim runs his<br />
own outfit and is<br />
contactable at<br />
salim@myontargetcom or
<strong>Brand</strong> Ambassador It’s<br />
All<br />
In The Stars<br />
By Seelen Sakran<br />
JUST FLIP THE NEWSPAPERS<br />
Chances are you will get to see<br />
local actresses like Joanna Bassey<br />
or singers like Siti Nurhaliza on its<br />
pages in various sensational poses<br />
Not the fact that their pretty faces<br />
splashed across the pages raises an<br />
eyebrow or two but the fact that<br />
they have become the latest icons<br />
or buzz themes to products as<br />
brand ambassadors<br />
38 BRAND BRANDEQUITY<br />
BRAND<br />
‘<strong>Brand</strong>ing is after all, a mind game. A<br />
brand, whether it is a product or country<br />
brand is a collection of perceptions. This<br />
is why he feels brand ambassadors in<br />
general are worth investing in’<br />
So what is the fuss about this new<br />
rising trend among our local or<br />
international product<br />
manufacturers on brand<br />
ambassadors?<br />
In actuality the fuss is not about<br />
their faces per se but rather if the<br />
huge amounts of ringgit spent on<br />
them is worth the return on<br />
investment for these companies?<br />
Or even if it is worth the<br />
investment does the brand<br />
ambassador’s face make any<br />
difference or creates value for the<br />
product such that a consumer<br />
wants to purchase the product<br />
without questions asked? Or<br />
does a star’s appearing on<br />
behalf of more than one<br />
product have a negative<br />
effect on the products<br />
itself? Or if a star falls<br />
into scandal does it affect<br />
the product brand itself?<br />
<strong>Brand</strong> <strong>Equity</strong> magazine<br />
takes a look at the<br />
issues at hand<br />
Incidentally in trying<br />
to find out how much does it cost<br />
to sponsor a brand nobody is<br />
telling but it is believed stars like<br />
Nurhaliza can easily command a<br />
cool RM million for becoming a<br />
brand ambassador of a particular<br />
product What is the then the<br />
contract duration of a brand<br />
ambassador for a particular<br />
product? It’s usually for two years<br />
In any case ‘before one addresses<br />
the issues at hand about brand<br />
ambassadors one has to look at the<br />
concept of branding itself and how<br />
it is a major force in making or<br />
breaking a product’ says Hong<br />
Kongbased Victor Jeffery the<br />
chief executive officer (CEO) of<br />
Superbrands International a<br />
leading independent arbiter on<br />
branding in an interview with<br />
<strong>Brand</strong> <strong>Equity</strong> magazine<br />
He could be right because multi<br />
national corporations place so<br />
much emphasis on brand<br />
management Some countries
even go to the extent of<br />
establishing brand councils to<br />
oversee the promotion of products<br />
of a country ‘<strong>Brand</strong>ing is after all<br />
a mind game A brand whether it<br />
is a product or country brand is a<br />
collection of perceptions This is<br />
why he feels brand ambassadors in<br />
general are worth investing in’<br />
notes Jeffery<br />
Perhaps also as to why Bharat<br />
Avalani communication channel<br />
manager with Unilever Malaysia<br />
Holdings Sdn Bhd the Anglo<br />
Dutch headquartered company<br />
that is all too familiar with the<br />
concept of branding views brand<br />
ambassadors as crucial in brand<br />
building<br />
On the question of the right<br />
candidate as an ambassador for a<br />
product Avalani adds ‘it is<br />
important that the brand<br />
ambassador is relevant to the<br />
(particular) brand There should be<br />
a good connection between the<br />
brand ambassador the brand<br />
essence and (ultimately and<br />
importantly) the consumer itself<br />
I am also of the belief that the<br />
brand ambassador should be<br />
uniquely associated with the<br />
brand eg Tiger Woods &<br />
Accenture a global management<br />
consulting and technology<br />
services company’<br />
‘Stars have always endorsed Lux<br />
Credibility is important Both the<br />
brand and the brand ambassador<br />
should complement each other<br />
and not dilute the image of each<br />
other’ adds Avalani<br />
So far Unilever Malaysia has had<br />
its Lux soap well represented by<br />
many local stars Over the years<br />
local singercumactress like Amy<br />
Mastura to Erra Fazira have been<br />
chosen to be the ambassador for<br />
Lux products<br />
Kenneth Lim creative director<br />
with CD Advertising agrees with<br />
Avalani by saying ‘the fit must be<br />
right A good example is Maxis<br />
Communications Bhd’s Hotlink<br />
prepaid service with the singers of<br />
Astro’s Akademi Fantasia You<br />
have young radiant singers who<br />
are mobile hip and they quite<br />
nicely promote a mobile service<br />
which is popular with the young<br />
these days’<br />
Lim opines a bad case of a brand<br />
ambassador would be with<br />
Nurhaliza promoting Samsung<br />
liquid crystal display computer<br />
monitors ‘Her fans are varied<br />
some are even staying in non<br />
urban areas or small towns What<br />
difference would it make to them<br />
if Nurhaliza epitomises the<br />
product the product might be out<br />
of their pocket’s reach in the first<br />
place’<br />
To which Alex Lim creative<br />
director at Leo Burnett<br />
Advertising feels likewise ‘It all<br />
depends how a particular brand<br />
uses the ambassador The<br />
ambassador should encapsulate<br />
the particular brand and create<br />
value for it If done well the brand<br />
ambassador will work wonders for<br />
the brand A consumer is no fool<br />
He will know when a brand<br />
ambassador has failed a product’<br />
says Lim of Leo Burnett<br />
But having said this Superbrand’s<br />
Jeffery feels sometimes there is no<br />
such thing as a perfect fit all the<br />
time for a particular product He<br />
cites the example of Jackie Chan<br />
‘Does he represent Hong Kong<br />
itself? It’s just that he is popular<br />
action hero globally and he has<br />
been chosen to represent his<br />
country That’s all!’<br />
Jeffery does have a point Consider<br />
Shell Malaysia’s brand<br />
ambassadors an oddly row of<br />
ambassadors consisting of TV<br />
personality Asha Gill and Datuk<br />
Michael Chong the Malaysian<br />
Chinese Association’s Public<br />
Complaints’ Bureau chief<br />
On the issue of a brand<br />
ambassador’s ‘downfall’ having an<br />
effect on the product Leo Burnet’s<br />
Lim explains our companies<br />
cannot blindly follow like what is<br />
happening in Hollywood ‘If a<br />
company happens to choose a<br />
wrong ambassador and if<br />
something goes wrong with his or<br />
her personal life the brand goes<br />
down the drain as well’ Case in<br />
point: If Michael Jackson were to<br />
endorse a product what would<br />
become of that product now?<br />
Food for thought!<br />
Lim adds a good example of a<br />
company that chooses the right<br />
BRAND BRAND BRANDEQUITY BRAND<br />
39
‘‘<br />
people is Nike which selects only<br />
top notch sportsmen and<br />
sportswomen<br />
Similarly TAG Heuer watches’<br />
ambassadors include Tiger Woods<br />
Formula One drivers Kimi<br />
Raikkonnen and David Coulthard<br />
an assortment of Bollywood<br />
movie stars and Malaysia’s perky<br />
itgirl Asha Gill who have<br />
propelled the brand and lent it an<br />
aesthetic ruggedness and flair to<br />
its name<br />
As Tag Heuer’s regional financial<br />
controller Woo Mun Hoo said the<br />
40 BRAND BRANDEQUITY<br />
BRAND<br />
Lim adds a good<br />
example of a<br />
company that<br />
chooses the right<br />
people is Nike Nike Nike which<br />
selects only top<br />
notch sportsmen and<br />
sportswomen<br />
celebrities are chosen for their<br />
commitment to excellence and a<br />
willingness to surpass themselves<br />
On the issue of a brand<br />
ambassador representing more<br />
than one noncompeting brand<br />
while the general feedback is that<br />
it does not really matter<br />
Unilever’s Avalani has this to say:<br />
‘It is quite common to see brand<br />
ambassadors in Malaysia<br />
endorsing many brands across a<br />
wide category This creates<br />
confusion in the mind of the<br />
consumers As a result it also<br />
creates wastage of money to the<br />
company’ In the final analysis as<br />
Superbrand’s Jeffery says there is<br />
a bright future for brand<br />
ambassadors with consumers<br />
becoming more discerning these<br />
days<br />
In fact it may even go onestep<br />
further Like at USbased<br />
Honeywell a manufacturer of civil<br />
and military avionics and other<br />
aerospace products integrator<br />
and also service provider which<br />
states in its annual report that<br />
every employee is a brand<br />
ambassador in itself At Honeywell<br />
generations of Honeywell<br />
employees have built its powerful<br />
brands with their hard work spirit<br />
of innovation passion for quality<br />
and commitment to customers<br />
Perhaps as to why USbased<br />
management guru Dr Janelle<br />
Barlow says with sufficient<br />
training human resource<br />
departments can develop staff as<br />
a strategic element for branding<br />
and business success and become<br />
a company’s best branding tool<br />
One thing is for certain This move<br />
would certainly save a company a<br />
couple of million ringgit!
CustomerLoyalty<br />
AUTHOR’S NOTE: THIS PIECE IS<br />
the first in a series of articles that<br />
takes a critical look at some of the<br />
commonly held beliefs about<br />
customer loyalty which are often<br />
based on conflicting notions and<br />
inconsistent reasoning The goal<br />
is to gain a clear understanding of<br />
the why’s and how’s of the<br />
evolution of these myths and to<br />
bring out the realities behind<br />
them<br />
Truly Loyal<br />
Customers<br />
do not Have<br />
to be Bought!<br />
Myth: Companies should do the<br />
most for their most loyal<br />
customers<br />
Many companies in a wide variety<br />
of industries have what are known<br />
as ‘loyalty programs’ This practice<br />
which is based on rewarding<br />
frequent buyers started with the<br />
airline industry almost two<br />
decades ago was then adopted by<br />
other members of the travel<br />
industry such as hotels and rental<br />
cars has now spread to industries<br />
ranging from telecommunications<br />
to retail trade<br />
42<br />
BRAND BRANDEQUITY<br />
BRAND<br />
By Matt Hasan PhD<br />
Although each industry’s program<br />
has its nuances the basic structure<br />
is common to all of them: award<br />
miles or points to customers based<br />
on their ‘spend’ Almost all of them<br />
allow customers to earn rewards<br />
at a higher rate by achieving<br />
higher levels of usage such as silver<br />
and gold or premier and elite etc<br />
The foundation for these<br />
programs is the myth that<br />
providers should do the most for<br />
their most loyal customers<br />
The first issue that needs<br />
clarification in this myth is what<br />
is meant by customer loyalty since<br />
the term is used quite loosely and<br />
takes on a wide range of meanings<br />
As used in this context loyalty<br />
means that a customer continues<br />
to do business with a company<br />
The second issue that needs to be<br />
looked at is that the myth seems<br />
to be implying that customers<br />
have to be rewarded at increasing<br />
rates to keep them loyal to the<br />
company This contradicts the<br />
meaning of the word loyalty<br />
which is an unconditional and<br />
unwavering attachment to
Author Author Bio<br />
Bio<br />
Dr Matt Hasan is Managing Principal at Sigillum Corporation a New<br />
Jersey USA based management and technology consulting firm focusing<br />
on customer centric enterprise transformation Prior to Sigillum he held<br />
various marketing and CRM positions at Deloitte Consulting AT<br />
Kearney IBM and AT&T For more information on this and related topics<br />
he can be reached via email: mhasan@sigillumcorporationcom<br />
mhasan@sigillumcorporationcom<br />
mhasan@sigillumcorporationcom<br />
mhasan@sigillumcorporationcom<br />
mhasan@sigillumcorporationcom<br />
something In plain language if it<br />
has to be bought it is not loyalty!<br />
Some might say that the issue is<br />
one of semantics There is some<br />
merit in that When providers<br />
make statements like ‘we value<br />
and reward our loyal customers’<br />
they are trying to reinforce a<br />
positive trait and elicit desirable<br />
action from the customer<br />
On the face of it this would be fine<br />
if it was simply an issue of<br />
semantics with no repercussions<br />
for making effective business<br />
decisions Unfortunately that is<br />
not the case Companies are<br />
allocating substantial resources to<br />
reward ‘loyalty’ in customers<br />
which is actually incenting the<br />
opposite behavior Customers<br />
who stay for rewards also leave<br />
for rewards Only the ante keeps<br />
rising!<br />
To gain an understanding of the<br />
seriousness of the above<br />
mentioned phenomenon one<br />
needs only to look at the state of<br />
the oldest of the ‘loyalty<br />
programs’ ie those offered by<br />
the airlines When the first<br />
frequent flyer program was<br />
introduced it was a probably a<br />
source of differentiated value for<br />
the passengers of that airline It<br />
may have incented some<br />
customers to make that airline<br />
their carrier of choice<br />
This however had nothing to do<br />
with the loyalty of customers The<br />
frequent flyer program was just<br />
another desirable product<br />
attribute And as every other<br />
airline started their programs the<br />
initial differentiating value<br />
disappeared and the quest for<br />
‘loyal’ customers became a contest<br />
based on the reward structure eg<br />
number of miles required to<br />
redeem awards types of awards<br />
available number and type of<br />
program partners etc<br />
When customers’ demand for<br />
redeeming awards reached a point<br />
where the airlines could not meet<br />
them restrictions such as blackout<br />
dates and designated flights with<br />
award seats were imposed To wit<br />
the chances that a program<br />
member will get an award seat on<br />
a flight to a desirable destination<br />
at a convenient time is very slim<br />
This is tantamount to giving with<br />
one hand and taking away with<br />
the other<br />
In fact most of these programs are<br />
dormant financial time bombs; if<br />
every program member demanded<br />
everything they are promised by<br />
the program at the same time<br />
these programs would be<br />
completely overwhelmed and may<br />
have no other option but to shut<br />
down The essence of all of this is<br />
that the ‘loyalty programs’ have no<br />
relation to customer loyalty and<br />
are neither good for customers nor<br />
the providers<br />
In order to have true loyalty<br />
programs companies need to<br />
establish winwin relationships<br />
with each customer based on an<br />
understanding of their internal<br />
loyalty intensity In this approach<br />
the most loyal customers are the<br />
ones with the highest inherent<br />
propensity to stay with their<br />
current provider<br />
Research including mine has<br />
shown that this internal loyalty<br />
intensity can be measured via the<br />
application of appropriate<br />
statistical and neural methods on<br />
carefully defined and compiled<br />
customer attribute data<br />
This propensity is based on their<br />
internal attributes consisting of<br />
psychoeconomicdemographic<br />
characteristics for consumers and<br />
culturetraditionhistory<br />
structure characteristics for<br />
businesses The complex inter<br />
relationships between these<br />
characteristics determine the<br />
implicit cost of switching for any<br />
given customer<br />
The higher the implicit switching<br />
cost the more likely it is that that<br />
customer will continue to do<br />
business with the current provider<br />
From this it follows that<br />
customers who are intrinsically<br />
most loyal need the least amount<br />
of rewards or incentives from their<br />
provider<br />
So the reality is that companies<br />
have to do the least for their most<br />
loyal customers!<br />
In order for ‘loyalty programs’ to<br />
be truly effective companies<br />
should determine the inherent<br />
loyalty propensity of each<br />
customer and allocate rewards to<br />
them on the basis of their ‘true<br />
worth’ which is calculated from<br />
their loyalty intensity score<br />
lifetime revenue stream and all<br />
direct and indirect costs incurred<br />
in serving them<br />
BRAND BRAND BRANDEQUITY BRAND<br />
43
MarketResearch<br />
Tracking <strong>Brand</strong><br />
Performance<br />
By R Venkateswaran<br />
THE KEY DRIVER OF THIS PIECE<br />
has everything to do with brand<br />
owner behavior of the weighty<br />
type; in particular the types that<br />
are tracking the performance of<br />
their brand repertoire<br />
44<br />
BRAND BRANDEQUITY<br />
BRAND<br />
Steve Steve Steve Steve Steve Murphy Murphy Murphy Murphy Murphy<br />
The tracking concerns deliverables<br />
that goes beyond the ubiquitous<br />
bottomline Rather it’s about the<br />
value that the brand has earned in<br />
the customer’s mind<br />
Enter Synovate a research firm<br />
that operates on the maxim<br />
A A research<br />
research<br />
agency agency with<br />
with<br />
extended extended arms<br />
arms<br />
offers offers a a potent<br />
potent<br />
tool tool to to track<br />
track<br />
brand brand equity<br />
equity<br />
‘Research Reinvented’ But there’s<br />
this aboveboard logic to the name<br />
Synovate; and it has a lot to do<br />
with two key drivers against which<br />
its repertoire of research services<br />
are delivered to clients Synergy<br />
and Innovation
<strong>Brand</strong> <strong>Equity</strong> met up with Steve<br />
Murphy the managing director of<br />
Synovate Malaysia who<br />
articulated his views on<br />
‘<strong>Brand</strong>Vision’ a tool that measures<br />
brand value and performance over<br />
time<br />
<strong>Brand</strong> <strong>Brand</strong> Vision<br />
Vision<br />
The core of <strong>Brand</strong>Vision includes<br />
a fully integrated brand and<br />
advertising research program<br />
which provides comprehensive<br />
and actionable insights tailored to<br />
the market and the brand<br />
The tool traverses four paths of<br />
measurement during a given<br />
phase and these are implemented<br />
in ways that work best for each<br />
brand building organization<br />
The paths include brand<br />
assessment which measures the<br />
strength of the brand’s equity and<br />
customer relationships using a<br />
variety of proven techniques<br />
image analysis which is the<br />
consumer’s perception of a<br />
particular brand and competitive<br />
brands and communications<br />
evaluation which evaluates<br />
exposure memorability and<br />
clarity of advertising and non<br />
advertising market<br />
communications thus helping<br />
companies to determine if the<br />
intended message has reached the<br />
right audience in addition to its<br />
general impact<br />
The last of the four paths is<br />
ongoing tracking which<br />
incorporates key inmarket<br />
performance indicators of brand<br />
awareness usage and satisfaction<br />
When all of these are done over a<br />
period of time the data collected<br />
will deliver a proven result on the<br />
impact of the brand in the<br />
consumer’s minds<br />
Putting this continuous tracking<br />
mechanism in place enables the<br />
company to have a pulse on the<br />
market at the same time getting<br />
indepth feedback from the<br />
advertising arena on all various<br />
media It is designed to indicate<br />
what works and what doesn’t<br />
Methodology<br />
Methodology<br />
Methodology<br />
When a <strong>Brand</strong>Vision project is<br />
commissioned all key areas such<br />
as brand awareness awareness of<br />
TV advertising association of<br />
image with the brand are factored<br />
in a questionnaire that is<br />
developed in partnership with a<br />
client<br />
According to Steve typically <br />
respondents are interviewed per<br />
week which aggregates to <br />
per year Since the data is primarily<br />
quantitative the output provides<br />
macro as well as micro level<br />
details Generally the sample is<br />
The Momentum Engine<br />
identifies the customers with the most potential to increase their<br />
spending. And shows you how to reach them.<br />
relatively broad but usually<br />
reflective of users / potential users<br />
of the relevant sector<br />
A comparison is done on a month<br />
tomonth basis against the same<br />
profile of people but not the same<br />
respondents This according to<br />
Steve Murphy gives a more<br />
accurate picture of the brand and<br />
sector dynamics over specific<br />
timeframes which would not be<br />
the case if members of the same<br />
panel were interviewed<br />
throughout the year<br />
Tools Tools of of of the the the trade<br />
trade<br />
The Momentum Engine is an<br />
important part of <strong>Brand</strong>Vision<br />
enabling brands to identify high<br />
potential customers as well as<br />
coax them to purchase This tool<br />
adds a powerful dimension to<br />
brand equity research which is<br />
the ‘potential to purchase’<br />
The success of the Momentum<br />
Engine stems from the fact that it<br />
BRAND BRAND BRANDEQUITY BRAND<br />
45
is grounded in empirical studies of<br />
decision making patterns and is<br />
effective across all cultures and<br />
countries<br />
By providing companies a<br />
roadmap to harness customers’<br />
potential it helps to translate<br />
research into an effective sales<br />
strategy<br />
Impact Impact of of <strong>Brand</strong>Vision<br />
<strong>Brand</strong>Vision<br />
<strong>Brand</strong>Vision<br />
While the results of the<br />
research does not always<br />
reconcile with the actual<br />
sales figures at that<br />
moment in time key<br />
performance indicators<br />
can place the financial<br />
results into context and<br />
are often indicative of<br />
future sales trends As<br />
Steve succinctly put it<br />
‘The Voice of the<br />
Customer does not<br />
automatically tally<br />
with the financial<br />
results but is a key<br />
indicator of the<br />
brand’s health<br />
nevertheless’<br />
The continuous<br />
nature of the<br />
tracking over<br />
time remains a<br />
key reason for<br />
the success of Synovate’s<br />
<strong>Brand</strong>Vision Trend lines can be<br />
drawn from accumulated data<br />
giving instant feedback at any<br />
point in time The tracking<br />
mechanism also facilitates future<br />
projections crucial for companies<br />
planning their sales and marketing<br />
well ahead<br />
Local Local Presence resence<br />
A significant number of local<br />
brand custodians have taken<br />
positively to brand tracking<br />
measurement systems across all<br />
sectors Many of the leading<br />
46 BRAND BRANDEQUITY<br />
BRAND<br />
It’s taken a lot of resources to position your<br />
brand where it is today.<br />
And where exactly is that<br />
companies in Malaysia have<br />
already subscribed to Synovate’s<br />
brand tracking service<br />
In promoting <strong>Brand</strong>Vision in the<br />
Malaysian market place Steve<br />
Murphy opines that ‘Malaysian<br />
companies are refreshingly open<br />
about management issues and<br />
they share a great deal of<br />
information with their research<br />
partner In fact they are more<br />
open about bringing a research<br />
agency as part of their core<br />
decision making process than<br />
many other markets in Asia’<br />
As a wide spectrum of sectors <br />
including fmcg petroleum<br />
financial telecommunications and<br />
automotive embrace the practice<br />
of concerted market research it is<br />
apparent that tracking brand<br />
performance is becoming a key<br />
task that brand building firms will<br />
increasingly subscribe to
SME<strong>Brand</strong>ing<br />
ADVERTISE! PROMOTIONS! SELL! ADVERTISE! PROMOTIONS! SELL!<br />
a typical business war cry from SMEs in trying to outwit each other and their<br />
competitors to gain larger marketshare for themselves In a highly<br />
commoditized price sensitive less affluent less service and product quality<br />
conscious markets these strategies have high probabilities to succeed<br />
However the markets have changed since then<br />
INCREASING<br />
MARKETSHARE AND<br />
PROFIT MARGINS:<br />
SALES-CENTRED TO<br />
BRAND-CENTERED<br />
COMPANY<br />
Business and consumer<br />
communities are more sensitive<br />
towards brands and are more in<br />
touch with themselves above the<br />
fundamental levels of the Maslow<br />
Hierarchy These markets used to<br />
exist in pockets within our<br />
community; today they thrive and<br />
will continue to make their<br />
presence felt in the future<br />
Therefore the way companies<br />
approach marketshare building<br />
must also change to be relevant to<br />
the markets they served<br />
Businesses and consumers are now<br />
willing to pay more to own<br />
products and services that are<br />
branded which allow them to own<br />
a share of novelty that they<br />
perceived difficult to be valued<br />
48<br />
BRAND BRANDEQUITY<br />
BRAND<br />
purely in monetary terms Some of<br />
these novelty can come from the<br />
point of owning a piece of a legacy<br />
to become part of the affluent<br />
community to improve self<br />
esteem to have felt that he/she<br />
has done his/her part in<br />
contributing to a cause and many<br />
more<br />
All of these are branding<br />
dimensions that are not part of the<br />
traditional saledriven dimensions<br />
of a business product or service<br />
Therefore companies need to<br />
focus on more branddriven<br />
strategies to building marketshare<br />
than to compete with each other<br />
like ‘pasar malam’ stalls out to gain<br />
the attention of their customers in<br />
order to succeed in the new Asian<br />
By Cseng Lim<br />
and global marketsThere are<br />
differences between salesdriven<br />
approaches compared to brand<br />
driven approaches<br />
<strong>Brand</strong> strategies are more pull<br />
driven than pushdriven but this<br />
principle is not hard cast in stone<br />
for every products services or<br />
situations<br />
<strong>Brand</strong> strategies are also more<br />
aligned founded and guided<br />
within the context of structured<br />
brand identities and qualities<br />
compared to traditional pull<br />
marketing The following table<br />
describes the difference between<br />
salesdriven approaches compared<br />
to branddriven approaches to<br />
building marketshare:
Common Marketing<br />
Startegy<br />
Advertising<br />
Without a doubt the branded<br />
approaches to building market<br />
share are far more complex and<br />
requires high level of strategic and<br />
implementation capabilities than<br />
common salesdriven approaches<br />
In the branded approach we are<br />
looking beyond just realizing sales<br />
and securing marketshare but<br />
Advertises the products or services<br />
being sold directly to the market.<br />
The typical ‘Buy Me’ persuasion<br />
spread all over the ad piece<br />
PR ‘No need lar’ Waste of money<br />
Positioning<br />
Pricing<br />
People and Selling<br />
Approaches<br />
Sales Business Process<br />
Merchandising and Store<br />
Atmospherics<br />
Distribution<br />
Packaging and<br />
Aesthetics<br />
Sales-Driven Approach <strong>Brand</strong>-Driven Approach<br />
‘No need lar’; The product / service<br />
is sure to sell since we are the<br />
cheapest and customers need<br />
it anyway.<br />
We are the cheapest in town and<br />
will continue to offer the cheapest<br />
price so that we can realize sales.<br />
Price = Cost + Profit<br />
Sales people trying to make a living<br />
off sales commission.<br />
‘Anything Goes’ policy for sale<br />
approaches.<br />
“What does it have to do with<br />
building market share or selling?”<br />
Customers buy, we invoice then we<br />
collect - that is the process.<br />
So long as they are a lot of varieties<br />
for customers to choose and cosy<br />
atmosphere will do just fine.<br />
Products are distributed in any<br />
channel at any locale so long it<br />
ended up in sales.<br />
So long as it is presentable.<br />
No need to spend money on this.<br />
more importantly to protect the<br />
market share that have been built<br />
by establishing barriers for<br />
competitors<br />
These barriers are not just prices<br />
product/service features size of<br />
distribution channels alone but<br />
also constitute emotional<br />
Leverage on a association startegies to co-brands<br />
brand identities, and others brand elements to<br />
create a total brand appeal.<br />
Instead of selling the product / service the ads<br />
sells the value or the ads sells the value or<br />
the brand image.<br />
‘Be Apart of Me’ or ‘I am You’ is the more<br />
common form of persuasion spread found in a<br />
typical ad piece.<br />
PR Events are organized to allow markets to get<br />
to know and experience the brands.<br />
These events are typically not designed to<br />
realize sales but to position the products or<br />
services or company.<br />
Clearly set out brand proposition being offered<br />
that is beyond just price. The brand proposition<br />
takes into account a clear positioning<br />
compared to its competitors.<br />
Our pricing represents our customers’<br />
experiential, social and psychological value<br />
statement.<br />
Price = Cost + Profit + Psychological Value +<br />
Experiential Value + Innovation Value<br />
Sales people represent the living elemeent of the<br />
brand and there are guidelines to be followed,<br />
style to go, training to undergo and<br />
professionalism to approaching customers.<br />
Customer Lifetime Value matters! <strong>Brand</strong>s invest<br />
heavily in knowing how their customers<br />
are segmented, who are the profitable ones<br />
and plans are put in place to keep them<br />
coming back.<br />
A well designed process that takes into account<br />
the total branded sales process from the<br />
customers’ first contact with the brand right<br />
through to actual sales experience then further<br />
to post sales loyalty management.<br />
Carefully designed merchandising plans that are<br />
locale-specific and invest in the branded<br />
atmospheric experience guided by the brand’s<br />
identities.<br />
Distribution channels are carefully assessed based<br />
on several criteria but the more important<br />
criteria are chnnel profitability and<br />
brand-channel association relevance.<br />
Customer experince and emotional<br />
attachment is important. Packaging and<br />
aesthetics are designed to deliver the<br />
brand image.<br />
psychological and experiential<br />
barriers that are harder to be<br />
copied and transcended by<br />
competitions<br />
<strong>Brand</strong>driven strategies in building<br />
marketshare are not just efforts to<br />
satisfy quarterly sales<br />
performance and accountability to<br />
shareholders They are efforts that<br />
BRAND BRAND BRANDEQUITY BRAND<br />
49
uild and seal the market from its<br />
competitors and provide<br />
opportunities for the company to<br />
increase profits by selling<br />
intangible values to the products<br />
or services be it emotional<br />
psychological or experiential to its<br />
customers<br />
For a branddriven business<br />
marketshare can no longer be<br />
define in generic terms which<br />
many SMEs still practices An<br />
example: A machinery<br />
manufacturer will probably define<br />
its market as any manufacturing<br />
industries that use the types of<br />
equipment manufactured by the<br />
company Thus its goal is to own<br />
the largest marketshare in those<br />
manufacturing industries<br />
For a branddriven business<br />
marketshare has to be<br />
characterised by the following<br />
factors:<br />
50 BRAND BRANDEQUITY<br />
BRAND<br />
Profitability per percentage<br />
share of the market<br />
<strong>Brand</strong> power that it can gain<br />
per percentage share of the<br />
market; <strong>Brand</strong> power are<br />
powers that will strengthened<br />
the brand in the market and<br />
offers the brand leverage to<br />
move up or expand outside its<br />
existing market An example of<br />
a brand power is pricing<br />
premium<br />
Probability of success that the<br />
brand can become the icon /<br />
point of reference for the<br />
market An easy way to assess<br />
this situation is to ask ourselves<br />
whether the segment market<br />
has already an established<br />
benchmark brand or de facto<br />
brand<br />
Thus the marketshare for a brand<br />
driven business is strategically<br />
oriented to ensure that the brand<br />
not only profits considerably from<br />
its share but also sets itself as the<br />
identity for the market It is no<br />
longer purely about how much we<br />
own but also how strongly we<br />
plant ourselves in the market as<br />
well as how profitable we can<br />
become<br />
A real business example to<br />
illustrate what we have talked<br />
about is the markets owned by<br />
Apple and Microsoft respectively<br />
It is common understanding that<br />
Apple users will never or very<br />
unlikely switch to become a loyal<br />
Windows user simply because<br />
Apple owned seal and plant itself<br />
as the icon of the market it served<br />
Apple is able to sell not only to<br />
loyal Apple users but also<br />
Windows users high value<br />
products such as the successful<br />
iPod With the new Mini Mac<br />
Apple is beginning to encroach on<br />
the Windows marketshare by<br />
offering competitively priced<br />
product that offers the unique<br />
Apple brand experience and<br />
values<br />
Another consideration for<br />
marketshare is margins earned<br />
from sales There is little point in<br />
owning a large market share but<br />
only realized small profit margins<br />
from it compared to another<br />
competitor that owns smaller<br />
market share but profits<br />
considerably from its share With<br />
higher profits the competitor has<br />
far more cash and thus power to<br />
encroach and build its market<br />
share at the expense of its<br />
competitors<br />
High margin per unit sale cannot<br />
be readily realized by depending<br />
on lowering cost (simply because<br />
there is only so much one can<br />
lower) features and other<br />
tangibles related to the product or<br />
services being sold Nonbrands<br />
can never justify a higger price to<br />
command high margin no matter<br />
how beautiful is their<br />
advertisement and how extensive<br />
their sales promotions are High<br />
margins is only possible when the<br />
company is selling intangibles <br />
value propositions of the brand<br />
the brand’s image the brand’s<br />
associative values the experience<br />
the customer emotional social<br />
and selfconnections etc<br />
The catch to achieve that is<br />
companies must first realize the<br />
difference between selling a<br />
product and selling a brand<br />
Secondly companies must have<br />
the knowhow to define the brand<br />
Thirdly they must be able to<br />
design and implement a<br />
systematic brand management<br />
processes to support and deliver<br />
the brand in the market And<br />
fourthly they must be able to<br />
measure its performance from<br />
many angles apart from sales<br />
performance alone<br />
SMEs must move away from a<br />
salecentered company to become<br />
a brandcentered company in<br />
order for them to find success for<br />
their company in the current<br />
market The truth is that not every<br />
company will become as successful<br />
as a Samsung or Sony but to<br />
achieve success as a powerful and<br />
strong local ‘Samsung’ or ‘Sony’ is<br />
far more gratifying than becoming<br />
just another unknown constantly<br />
struggling with pricing profit<br />
margins and managing<br />
competitions<br />
Cseng Lim is the Managing Director of<br />
EAST & URBAN Sdn Bhd a <strong>Brand</strong><br />
Systems Company that assists Malaysian<br />
companies to implement<br />
businesssensible operationallycentred<br />
and pragmatic branding solutions that<br />
meet their brand building objectives<br />
All comments are welcome and can be<br />
directed to info@easturbancom
Personal<strong>Brand</strong>ing<br />
BUSINESS IS BECOMING MORE<br />
and more competitive Small<br />
Business is the fastest growing<br />
segment of business in most parts<br />
of the world And thanks to the<br />
internet your competitors are no<br />
longer just the businesses down<br />
the street<br />
They are the businesses in the next<br />
town the next country and even<br />
on the next continent So as the<br />
leader of a small business how do<br />
you succeed in a dynamic world of<br />
52<br />
BRAND BRANDEQUITY<br />
BRAND<br />
by William Arruda<br />
<strong>Brand</strong>ing is the hottest concept in marketing today<br />
and it’s an idea that is not just for the deeppocketed<br />
highly glossed CocaColas and Nikes of the world An<br />
increasing number of independentbusiness owners are<br />
embracing branding as the guiding philosophy for<br />
building their companies<br />
Small Small Business Business <strong>Brand</strong>ing:<br />
<strong>Brand</strong>ing:<br />
The Personal<br />
increasing complexity with a much<br />
larger set of competitors? The<br />
answer seems too easy to be true:<br />
Be Yourself<br />
To succeed with your small<br />
business and keep it on the right<br />
track use your personal brand <br />
your unique promise of value<br />
Because in the world of small<br />
business the corporate <strong>Brand</strong> is<br />
the personal brand of its leaders<br />
These brands are inextricably<br />
linked You need only look at<br />
successful entrepreneurs like Ben<br />
and Jerry Richard Branson and Bill<br />
Gates to see that entrepreneurial<br />
ventures take on the values and<br />
passions of their leaders<br />
According to Nation’s Business<br />
<strong>Magazine</strong> “<strong>Brand</strong>ing is the hottest<br />
concept in marketing today and<br />
it’s an idea that is not just for the<br />
deeppocketed highly glossed<br />
CocaColas and Nikes of the world<br />
An increasing number of<br />
independentbusiness owners are
embracing branding as the guiding<br />
philosophy for building their<br />
companies”<br />
Being true to your personal brand<br />
ensures that your business stays<br />
on course and remains highly<br />
differentiated and valuable to<br />
your target market Christopher<br />
Ginisty Managing Director of the<br />
Communications Firm Rumeur<br />
Publique says “Buyers are putting<br />
their trust not only in a company<br />
but in the leaders of that company<br />
For small businesses the leaders<br />
are often even more important It<br />
is critical to ensure that the leaders<br />
are an integral part of the<br />
corporate communications<br />
strategy and that their personal<br />
Connection.<br />
brands are clear relevant and<br />
accurate”<br />
Building your business around<br />
your brand also enables you to<br />
obtain the highest level of<br />
satisfaction and fulfillment from<br />
your hard work The first and most<br />
important step in brand building<br />
involves uncovering your unique<br />
promise of value<br />
This helps you to identify what is<br />
truly important to you what<br />
makes you unique and what values<br />
will drive your business decisions<br />
Understanding your true personal<br />
brand enables you to stay on<br />
target with your business and<br />
make strategic and tactical<br />
decisions that are consistent with<br />
::: ::: About About William William Arruda Arruda :::<br />
:::<br />
Dubbed the ‘Personal <strong>Brand</strong>ing Guru’ by the media and clients alike<br />
William Arruda works with individuals and organizations to build<br />
strong memorable brands Combining his years of international<br />
branding expertise with his passion for people he founded Reach<br />
(http://wwwreachcccom)<br />
(http://wwwreachcccom)<br />
(http://wwwreachcccom) (http://wwwreachcccom)<br />
(http://wwwreachcccom) the world’s first branding consultancy<br />
focused on the human side of branding William has appeared on<br />
BBC TV the Discovery Channel and Radio America He has published<br />
numerous articles in publications ranging from the Wall Street<br />
Journal to the brandchannelcom and he has written for the<br />
American Marketing Association the Chartered Institute of<br />
Marketing and PR News William is also author of the upcoming<br />
personal branding book BulletProof Your Career He is a member<br />
of the International Coach Federation holds a Master’s Degree in<br />
Education and speaks regularly to audiences around the world<br />
your values your passions and<br />
your goals<br />
Once you have a clear<br />
understanding of your<br />
differentiation and its relevance to<br />
your ideal target audience you can<br />
build a brand communications<br />
plan to get your message out to<br />
those who will make your business<br />
a success These communications<br />
need only be focused on your<br />
target market If your target<br />
market is everyone in the world<br />
you will need a communications<br />
budget the size of Coca Cola’s<br />
That’s why focus is the key<br />
Although it seems counter<br />
intuitive the smaller you make<br />
your target market the greater<br />
your chances of success<br />
Like with all strong brands once<br />
you have established an authentic<br />
and differentiated brand that is<br />
relevant to your target audience<br />
you must ensure that all aspects<br />
of your business are reinforcing<br />
this brand message Developing<br />
brand guidelines that clearly<br />
describe what is on and offbrand<br />
for your business will help guide<br />
you as your business grows<br />
So when developing a branding<br />
strategy for your small business<br />
take a good look at your personal<br />
brand And through the clear and<br />
consistent expression of your<br />
unique promise of value your<br />
business will thrive<br />
BRAND BRAND BRANDEQUITY BRAND<br />
53
ShopperTrends<br />
AM BARRY OOI THE<br />
executive director of ACNielsen’s<br />
retail measurement services took<br />
the floor at a conference hall of a<br />
leading hotel to address over <br />
seasoned marketing professionals<br />
from various fmcg categories<br />
ACNielsen organizes such regular<br />
meetings to deliver updates about<br />
happenings in the Malaysian<br />
shopping environment The<br />
intention is to share top line<br />
54<br />
BRAND BRANDEQUITY<br />
BRAND<br />
Malaysian<br />
Shopping Habits<br />
ACNielsen’s tracking activities gives a bird’s eye view of<br />
shopping trends & nuances in <br />
Steve Steve Steve Steve Steve Mitchell Mitchell Mitchell Mitchell Mitchell (MD) (MD) (MD) (MD) (MD) & & & & & Barry Barry Barry Barry Barry Ooi Ooi Ooi Ooi Ooi<br />
findings about shopper behavior<br />
as well as supplementary<br />
information that impacts key<br />
elements of brand building<br />
The data was obtained from face<br />
toface interviews with <br />
households located across all<br />
major towns in Peninsula M’sia<br />
that has hypermarket presence<br />
Target respondents were from all<br />
races and included both genders<br />
aged between and <br />
Results were categorised into<br />
sections that include spending<br />
behavior profile of shoppers as<br />
well as channel trends<br />
Spending Spending Trend Trend & & & Profile Profile of<br />
of<br />
Shoppers<br />
Shoppers<br />
* Shoppers are spending more on<br />
grocery and household<br />
shopping mainly as a result of<br />
higher disposable income In<br />
particular consumers spent<br />
more on groceries; an increase<br />
of was recorded<br />
* A higher proportion () is<br />
spent on groceries household<br />
and personal care products in<br />
comparison to fresh foods<br />
* A third within a household<br />
claim that they play an<br />
influential role in the shopping<br />
decision dynamics As such<br />
influencers need to be given<br />
importance in planning brand<br />
communications<br />
* Household and grocery items<br />
are no longer the domain of<br />
women; males are actively<br />
participating in household<br />
purchase decisions
Trade Trade Sector Sector Purchase Purchase Purchase Behavior Behavior Behavior & &<br />
&<br />
Private Private Label Label Label Trend<br />
Trend<br />
* Shoppers have increased their<br />
frequency of visits across all<br />
channel types More store<br />
openings and proximity of<br />
location to home accounts for<br />
the mix of retail establishment<br />
visits<br />
* Consumers spend most of their<br />
shopping money at<br />
Hypermarkets and<br />
Supermarkets; fuelled by the<br />
opportunity to ‘bulk buy’<br />
* Higher income consumers<br />
spend most of their money at<br />
Hypermarkets and<br />
Supermarkets Traditional<br />
outlets get their highest share<br />
ofspend from the lower income<br />
group Therefore offering the<br />
appropriate product line across<br />
channels is important to<br />
maximize sales and inventory<br />
efficiency<br />
* There are shopper profile<br />
differences between<br />
Hypermarkets Personal Care<br />
stores and Convenience outlets<br />
For instance the Chinese<br />
community accounts for <br />
of sales of personal care<br />
products within the modern<br />
trade The to age group<br />
become the group to target for<br />
convenience stores ( of all<br />
age groups) Therefore<br />
matching brand profile against<br />
the channel profiles will<br />
enhance brand relevance and<br />
distribution efficiency<br />
* Private Labels are gaining in<br />
popularity even though its<br />
share position is still small And<br />
incidences of buying private<br />
label brands is higher at<br />
Hypermarkets and<br />
Supermarkets as compared to<br />
Personal Care stores<br />
Health Health Health Health Health Diet Diet & & & Exercise<br />
Exercise<br />
* The Malaysians’ selfperception<br />
of dietmost believe that they<br />
adopt a healthy diet<br />
* They are concerned about food<br />
safety and their purchase<br />
decisions are influenced by it<br />
* Malaysian’s approach to health<br />
is through eating ‘healthy’ and<br />
less through exercise A<br />
significant majority do not<br />
exercise regularly<br />
* A significant percentage at<br />
about rarely or never<br />
consume health supplements<br />
* A majority are not planning to<br />
lose weight; those that harbor<br />
the desire offered cutting back<br />
on fats sugars and chocolates<br />
as the preferred options<br />
Channel Channel & & Price Price Trend<br />
Trend<br />
* Hypermarkets and<br />
supermarkets are the fastest<br />
growing trade channel<br />
However brand builders can’t<br />
undermine the importance of<br />
traditional stores and in<br />
particular provisions stores A<br />
dual distribution system is<br />
required for adequate market<br />
coverage<br />
* Food prices are on an increase<br />
whereas nonfood categories<br />
are showing lower prices In<br />
addition it remains tough to<br />
impose higher prices on normal<br />
regular items Innovation is<br />
needed to justify higher prices<br />
On the whole consumer<br />
sentiments remain positive despite<br />
lower GDP growth Yet the battle<br />
for mind space through<br />
advertising is getting intense with<br />
higher spending<br />
Barry specifically pointed out that<br />
strong brands backed by higher<br />
investment in brand<br />
communications are able to<br />
command high levels of<br />
spontaneous awareness<br />
He also pointed out that the<br />
average number of households in<br />
Malaysia is Average<br />
household spend remains at<br />
RM That delivers RM<br />
Billion; which is the size of the<br />
Malaysian grocery market<br />
BRAND BRAND BRANDEQUITY BRAND<br />
55
BRAND BRAND BRANDEQUITY BRAND<br />
57
MediaSpecialist<br />
The Media<br />
By Seelen Sakran<br />
TAPPING INTO A NICHE<br />
market That is what Images<br />
Corporation Sdn Bhd is all about<br />
Having given birth last year this<br />
little company is all gungho about<br />
its foray into outdoor advertising<br />
via a concept called directional<br />
road signage<br />
And the man behind all this<br />
excitement is none other than<br />
Hassan who has been given the<br />
moniker Mr Media Owner by<br />
some people in the industry to<br />
which he shrieks and says ‘scary’<br />
In fact Hassan is so optimistic<br />
about this business that he<br />
believes that this venture will rake<br />
in a turnover of RM a board<br />
58<br />
BRAND BRANDEQUITY<br />
BRAND<br />
Maverick<br />
At an average of boards a<br />
month being placed in KL alone it<br />
would amount to RM But<br />
Hassan is not resting on his laurels<br />
He has other plans as well He<br />
intends to conquer the nation with<br />
at least boards a month<br />
translating that to about RM<br />
million<br />
So has Hassan reinvented the<br />
wheel then with this new<br />
venture? ‘Not quite exactly’<br />
comes his reply I am only<br />
exploring an option that has not<br />
been fully tapped into’ Hassan<br />
feels there is a huge market out<br />
there to tap into ‘All the market<br />
needs is a bit of education They<br />
have been so used to advertising<br />
tools such as unipoles<br />
spectaculars that it will take some<br />
time for them to know the<br />
benefits of our system’ Why?<br />
Hassan says via directional road<br />
signages clients can have their<br />
products advertised within the<br />
city quite unlike billboards which<br />
can only be placed on the outskirts<br />
of a city like KL ‘We spent<br />
educating prospective advertisers<br />
for three months before they<br />
understood what we meant’ he<br />
says with a sign of relief<br />
Thus far Images has penetrated<br />
cities like KL Ipoh Johor Baru<br />
Kuantan They are working on<br />
cities like PJ Putrajaya and<br />
Penang ‘Once we are satisfied<br />
with our achievements in busy<br />
cities of the West Coast we will
look into the East Coast as well as<br />
Sabah and Sarawak’ How were<br />
the city officials convinced?<br />
‘Simple’ remarks the affable<br />
Hassan ‘All we had to do was to<br />
present them with the idea that<br />
they do not have to fork out any<br />
money that our signages can<br />
benefit tourists and motorists<br />
alike and that our signages can<br />
actually beautify the city They<br />
were sold!’<br />
While Hassan does not reveal the<br />
actual cost of the signages he does<br />
indicate the ‘investments are<br />
heavy’<br />
‘The best part is that the city<br />
officials have been so convinced<br />
that they have allowed us to have<br />
a licence for a minimum period of<br />
years (the maximum being )<br />
unlike billboards which need to be<br />
renewed on a yearly basis’ Hassan<br />
remarks ‘Even if the city officials<br />
wish to take down the signages<br />
they have to wait for years’ he<br />
laughs<br />
‘The key aspect about these signs<br />
is that although they are small but<br />
an advertiser can benefit from the<br />
numerous places that he can place<br />
an ad within heavy traffic areas<br />
The other thing is that it’s<br />
inexpensive’ Hassan adds that his<br />
advertisers consist of small<br />
retailers like supermarkets to the<br />
big boys like the<br />
telecommunication companies<br />
Apart from cities Images has<br />
also penetrated schools Up until<br />
now the company has penetrated<br />
about schools<br />
nationwide with the help of a<br />
company called Omega Channel<br />
Sdn Bhd ‘We have placed the signs<br />
at the main entrances of the<br />
schools The purpose is dual the<br />
outside is to advertise products<br />
while the inside (which faces the<br />
school) is convey important social<br />
messages’<br />
So how did it all start for Hassan?<br />
From humble beginnings as a<br />
sportsman! ‘I started with the<br />
Malaysian Under then<br />
represented the Selangor state I<br />
then played professional rugby for<br />
the Malayan Banking Group<br />
Though it was interesting I knew I<br />
would not go anywhere with an<br />
oblong ball’ Hassan quips<br />
So only after eight months Hassan<br />
left ‘I headed for the New Straits<br />
Times (NST) where I was<br />
appointed as an executive with the<br />
marketing services department I<br />
learnt a lot from NST for which I<br />
am very thankful They thought<br />
me for what I am made of now’<br />
he adds proudly At NST Hassan<br />
learnt about advertising<br />
marketing and research which he<br />
regards as very important<br />
Not only did Hassan learn well at<br />
NST he also found it rewarding<br />
Within five years he had a number<br />
of promotions up until his last<br />
position as field sales manager ‘I<br />
was in charge of the best selling<br />
newspapers of the NST Group <br />
Berita Harian and Berita Minggu’<br />
But as the turn of events would<br />
have it Hassan changed careers<br />
from print media to television He<br />
left NST in to join TV the<br />
first private television station in<br />
the country<br />
‘But from a manager I went down<br />
to being an executive (and he’s not<br />
telling why) but only for one day<br />
I still remember it was Valentine’s<br />
Day On that day I attended a<br />
strategy meeting and gave my<br />
input’ All it took was to hear<br />
Hassan input The TV<br />
management decided to promote<br />
him to senior executive the very<br />
next day ‘I was shocked but<br />
pleased’ Hassan blushes<br />
‘We started fresh with no peer TV<br />
stations to guide us or offer us<br />
competition We some how<br />
managed and persevered’ A few<br />
months later Hassan was<br />
promoted to assistant commercial<br />
manager He stayed on for six<br />
years at TV His last designation<br />
was marketing manager Where<br />
did he head to? It’s everyone’s<br />
guess to start Images<br />
But why such a peculiar name? His<br />
answer: ‘ is the year I and my<br />
other two partners were born One<br />
partner has left though’ ‘We<br />
started out with one event’ The<br />
rest as they say is no turning back<br />
BRAND BRAND BRANDEQUITY BRAND<br />
59
NielsenMediaResearch<br />
By R Venkateswaran<br />
HAS BEEN A BULLISH YEAR<br />
for the media Ad spend registered<br />
its biggest jump yearonyear over<br />
the last two years It is indeed<br />
significant that adex has registered<br />
an overall growth rate of <br />
almost double that of the previous<br />
year And interestingly this trend<br />
has shown a constant doubledigit<br />
growth across all the major media<br />
barring magazines<br />
Danyal Abdul Malik the executive<br />
director of Nielsen Media<br />
Research gave <strong>Brand</strong> <strong>Equity</strong> a<br />
copious update about this<br />
phenomenal growth and the<br />
reasons behind the increase<br />
60<br />
BRAND BRANDEQUITY<br />
BRAND<br />
General General Trend<br />
Trend<br />
Among the various media that<br />
have reflected doubledigit<br />
The Government,<br />
a dogfight for<br />
eyeballs and<br />
mindspace<br />
as well as the<br />
presence of new<br />
media propels adex<br />
to significant levels<br />
A Bullish Adex He<br />
growth for the whole of last year<br />
television stands out with the<br />
biggest jump of yearon<br />
year Among the key reasons<br />
attributed for this drastic increase<br />
is the introduction of two freeto<br />
air channels which have garnered<br />
a significant share of new eyeballs<br />
without affecting the existing<br />
networks<br />
Among others key activities such<br />
as the Government’s sustained<br />
campaign in the preelection phase<br />
followed by the general elections<br />
itself the ‘Tak Nak’ campaign<br />
eschewing smoking the Formula<br />
One Grand Prix and the coronation<br />
of the Sultan of Selangor had<br />
contributed a lion’s share to the<br />
till<br />
The increased coverage of sporting<br />
events such as the hugely popular<br />
Euro as well as the Athens<br />
Olympics in the later part of the<br />
year boosted the ad spend that<br />
witnessed the highest growth<br />
since <br />
Increased Government spending<br />
on the National Service the<br />
multiple festive seasons especially<br />
with Deepavali and Hari Raya<br />
falling one after the other and the<br />
Family Comes First campaign<br />
ensured that the Government was<br />
the biggest advertiser last year<br />
with a consistent expenditure<br />
throughout the year<br />
Newspaper followed TV as the<br />
biggest media to register double<br />
digit growth in the process<br />
continuing the trend from<br />
previous years where they<br />
recorded the highest adex<br />
contribution across all media<br />
types<br />
Classifieds yet again continued to<br />
be the predominant contributor to<br />
the newspaper adex space to<br />
occupy pole position among the<br />
top categories of advertising
Danyal Abdul Malik<br />
ralds Confidence<br />
Quarterly Quarterly analysis<br />
analysis<br />
As can be seen from Figure <br />
showcasing the change in adex<br />
YOY from to the first<br />
two quarters of registered<br />
phenomenal growth bucking the<br />
trend from years past where the<br />
pattern of spending always<br />
showed an increase in the latter<br />
half of the year<br />
The growth of in the first<br />
half of is a clear indicator of<br />
this pattern This could be<br />
attributed to the key events<br />
mentioned earlier besides the<br />
advent of two new channels TV<br />
and Channel which started to<br />
report adex figures commencing in<br />
the first half of <br />
Top Top Category<br />
Category<br />
Together mobile interactive and<br />
line services have made a<br />
significant presence in this<br />
category with their growth rate<br />
The increasing use of mobile<br />
phones PDAs and combo devices<br />
have spawned the increasing<br />
transmission and use of ringtones<br />
sms messages and games The<br />
result showcases a whopping <br />
increase in the advertising of<br />
interactive services and a <br />
increase in adex for mobile line<br />
services<br />
Danyal Danyal Danyal Danyal Abdul Abdul Abdul Abdul Malik Malik Malik<br />
Malik<br />
The rise in adex can be attributed<br />
to the multitude of aggressive<br />
campaigns targeted at the tech<br />
savvy young population whose<br />
numbers show an exponential<br />
increase almost on a daily basis<br />
While classifieds continue to<br />
register a perennial increase<br />
personal care and grooming<br />
products remain in the top slots<br />
Government institutions (local)<br />
and credit card companies follow<br />
in this illustrious lineup while<br />
cinema advertising seems to have<br />
registered a high growth with a<br />
more than increase from<br />
The airline industry and<br />
recording studios round off the<br />
BRAND BRAND BRANDEQUITY BRAND<br />
61
Top 10 Category<br />
Rank Category<br />
1<br />
2<br />
3<br />
4<br />
5<br />
6<br />
7<br />
8<br />
9<br />
10<br />
11<br />
Jan<br />
Feb<br />
Mar<br />
Apr<br />
May<br />
Jun<br />
Jul<br />
Aug<br />
Sep<br />
Oct<br />
Nov<br />
Dec<br />
2004<br />
62 BRAND BRANDEQUITY<br />
BRAND<br />
Classifieds<br />
Mobile Interactive Services<br />
Mobile Line Services<br />
Residential Estate<br />
Hair Shampoo & Conditioner<br />
Face Care-Woman<br />
Government Institutions-Local<br />
Credit Card<br />
Cinema Advertising<br />
Airline<br />
Recording Studio<br />
Top 10 Advertiser<br />
Rank Advertiser<br />
1<br />
2<br />
3<br />
4<br />
5<br />
6<br />
7<br />
8<br />
9<br />
10<br />
Top 10 <strong>Brand</strong><br />
Monthly AdEx<br />
2003<br />
Month RM 000’s<br />
Q1<br />
Q2<br />
Q3<br />
Q4<br />
Maxis<br />
Procter & Gamble<br />
Celcom<br />
Digi<br />
Nestle<br />
Unilever<br />
KFC Holdings<br />
Citibank<br />
Malaysia Airlines System<br />
Petronas<br />
Rank <strong>Brand</strong> Group<br />
1<br />
2<br />
3<br />
4<br />
5<br />
6<br />
7<br />
8<br />
9<br />
10<br />
Maxis<br />
Celcom<br />
Digi<br />
Citibank<br />
Malaysia Airlines<br />
Petronas<br />
Telekom Malaysia<br />
Tourism Malaysia<br />
KFC<br />
Pantene<br />
275,465<br />
219,626<br />
298,643<br />
279,051<br />
299,814<br />
297,344<br />
313,853<br />
353,424<br />
343,270<br />
357,328<br />
367,688<br />
380,157<br />
3,785,662<br />
Quarterly AdEx<br />
2003<br />
Q RM 000’s<br />
793,734<br />
876,209<br />
1,010,547<br />
1,105,173<br />
2004<br />
RM 000’s<br />
313,802<br />
304,920<br />
359,152<br />
346,982<br />
367,525<br />
385,629<br />
366,709<br />
402,066<br />
376,895<br />
411,447<br />
379,373<br />
408,565<br />
4,423,065<br />
2004<br />
RM 000’s<br />
977,874<br />
1,100,136<br />
1,145,670<br />
1,199,385<br />
2003 2004<br />
RM 000’s RM 000’s Changes<br />
535,756<br />
100,392<br />
139,432<br />
106,882<br />
71,225<br />
87,648<br />
69,579<br />
65,016<br />
41,846<br />
37,270<br />
56,803<br />
80,385<br />
56,782<br />
61,691<br />
45,027<br />
45,410<br />
55,642<br />
38,390<br />
23,562<br />
16,997<br />
44,826<br />
38,337<br />
85,294<br />
60,509<br />
67,931<br />
67,711<br />
88,285<br />
52,856<br />
48,642<br />
33,625<br />
54,119<br />
11,685<br />
28,408<br />
637,403<br />
582,740<br />
234,045<br />
233,330<br />
114,029<br />
110,638<br />
105,248<br />
90,935<br />
81,917<br />
73,928<br />
64,804<br />
63,465<br />
8.8%<br />
133.1%<br />
67.3%<br />
6.7%<br />
55.3%<br />
20.1%<br />
30.7%<br />
26.0%<br />
76.7%<br />
73.9%<br />
11.7%<br />
2003 2004<br />
RM 000’s RM 000’s Changes<br />
80,385<br />
61,691<br />
45,027<br />
23,562<br />
16,973<br />
46,397<br />
25,601<br />
25,755<br />
28,273<br />
20,176<br />
Changes Changes<br />
RM 000’s %<br />
184,140<br />
223,927<br />
135,123<br />
94,212<br />
Source : Nielsen Media Research<br />
Note: Advertising Expenditure Based on Rate Card<br />
144,463<br />
102,945<br />
89,628<br />
80,468<br />
60,534<br />
60,294<br />
40,789<br />
35,717<br />
35,199<br />
35,100<br />
144,463<br />
89,628<br />
80,468<br />
35,717<br />
35,199<br />
34,342<br />
33,703<br />
30,757<br />
29,734<br />
29,457<br />
79.7%<br />
81.3%<br />
45.3%<br />
78.7%<br />
33.3%<br />
8.4%<br />
6.2%<br />
51.6%<br />
107.1%<br />
-21.7%<br />
2003 2004<br />
RM 000’s RM 000’s Changes<br />
79.7%<br />
45.3%<br />
78.7%<br />
51.6%<br />
107.4%<br />
-26.0%<br />
31.6%<br />
19.4%<br />
5.2%<br />
46.0%<br />
13.9%<br />
38.8%<br />
20.3%<br />
24.3%<br />
22.6%<br />
29.7%<br />
16.8%<br />
13.8%<br />
9.8%<br />
15.1%<br />
3.2%<br />
7.5%<br />
16.8%<br />
Changes Changes<br />
RM 000’s %<br />
23%<br />
26%<br />
13%<br />
9%<br />
top categories with residential estate<br />
advertising and classifieds being the only single<br />
digit growth items for <br />
Top Top Advertisers<br />
Advertisers<br />
It is also interesting to note that of the top <br />
advertisers across all media were the<br />
telecommunications companies which<br />
registered increases of more than over the<br />
previous year FMCG advertisers did show an<br />
increase in adex but the rate of growth was<br />
significantly lower than in previous years while<br />
in the banking sector Citibank led the way by<br />
securing a place in the coveted list<br />
The large scale publicity and promotions<br />
exercised through the MATTA fair presented<br />
MAS the opportunity to register its biggest<br />
Newspaper followed TV as<br />
the biggest media to register<br />
double-digit growth, in the<br />
process, continuing the trend<br />
from previous years where<br />
they recorded the highest<br />
adex contribution across all<br />
media types.<br />
spend level to date; recording a whopping<br />
jump over The competition it<br />
faces from a slew of budget airlines in the<br />
region has seen the national carrier pull out all<br />
stops to retain its market share in the regional<br />
and international airspace<br />
Top Top <strong>Brand</strong>s<br />
<strong>Brand</strong>s<br />
The top ten brands advertised across all media<br />
correspond to the top ten advertisers for last<br />
year Telcos such as Maxis Celcom and Digi<br />
occupy the top rungs while the list
RM 000’s Total YOY Television YOY Newspapers YOY Radio YOY Cinema YOY Video YOY Outdoor YOY<br />
1998<br />
1999<br />
2000<br />
2001<br />
2002<br />
2003<br />
2004<br />
2,179,960<br />
2,474,287<br />
3,078,200<br />
3,156,857<br />
3,450,453<br />
3,785,662<br />
4,421,012<br />
13.5%<br />
24.4%<br />
2.6%<br />
9.2%<br />
9.7%<br />
16.8%<br />
Source : Nielsen Media Research<br />
Note: Advertising Expenditure Based on Rate Card<br />
699,664<br />
771,351<br />
935,665<br />
878,115<br />
921,777<br />
999,248<br />
1,300,702<br />
10.2%<br />
21.3%<br />
-6.2%<br />
5.0%<br />
8.4%<br />
30.2%<br />
1,262,469<br />
1,471,031<br />
1,866,193<br />
1,936,372<br />
2,188,450<br />
2,366,783<br />
2,669,804<br />
16.5%<br />
26.9%<br />
3.8%<br />
12.9%<br />
8.1%<br />
12.8%<br />
65,509<br />
85,077<br />
101,961<br />
119,675<br />
144,141<br />
152,526<br />
169,330<br />
29.9%<br />
19.8%<br />
17.4%<br />
20.4%<br />
10,651<br />
9,665<br />
9,650<br />
11,387<br />
9,739<br />
-9.3%<br />
-0.2%<br />
18.0%<br />
-14.5%<br />
9,711<br />
10,918<br />
9,377<br />
2,764<br />
5.8% 12,561 29.0% nil nil 61,847<br />
11.0% 13,994 11.4% nil nil 68,936 11.5%<br />
RM 000’s Total Television SOV Newspapers SOV <strong>Magazine</strong>s SOV Radio SOV Cinema SOV Video SOV Outdoor SOV<br />
1998<br />
1999<br />
2000<br />
2001<br />
2002<br />
2003<br />
2004<br />
2,179,960<br />
2,474,287<br />
3,078,200<br />
3,156,857<br />
3,450,453<br />
3,785,662<br />
699,664<br />
771,351<br />
935,665<br />
878,115<br />
921,777<br />
999,248<br />
4,421,012 1,300,702<br />
32.1%<br />
31.2%<br />
30.4%<br />
27.8%<br />
26.7%<br />
26.4%<br />
29.4%<br />
Source : Nielsen Media Research<br />
Note: Advertising Expenditure Based on Rate Card<br />
1,262,469<br />
1,471,031<br />
1,866,193<br />
1,936,372<br />
2,188,450<br />
2,366,783<br />
2,669,804<br />
57.9%<br />
59.5%<br />
60.6%<br />
61.3%<br />
63.4%<br />
62.5%<br />
60.4%<br />
AdEx Growth<br />
AdEx Share of Voice<br />
111,328<br />
104,108<br />
131,171<br />
182,577<br />
158,060<br />
159,035<br />
165,431<br />
5.1%<br />
4.2%<br />
4.3%<br />
5.8%<br />
4.6%<br />
4.2%<br />
3.7%<br />
65,509<br />
85,077<br />
101,961<br />
119,675<br />
144,141<br />
152,526<br />
169,330<br />
The increased coverage of sporting events<br />
such as the hugely popular Euro 2004 as<br />
well as the Athens Olympics in the later<br />
part of the year boosted the ad spend that<br />
witnessed the highest growth since 2001.<br />
accommodates Telekom as well<br />
Citibank and MAS round off the<br />
top spot while Petronas in spite<br />
of a severe drop in adex still<br />
retained its place in the list<br />
3.0%<br />
3.4%<br />
3.3%<br />
3.8%<br />
4.2%<br />
4.0%<br />
3.8%<br />
A single fmcg brand (Pantene)<br />
found its way into the list despite<br />
the fact that fmcg categories<br />
have found a place within the Top<br />
category list Fast food giant<br />
10,651<br />
9,665<br />
9,650<br />
11,387<br />
9,739<br />
12,561<br />
13,994<br />
0.5%<br />
0.4%<br />
0.3%<br />
0.4%<br />
0.3%<br />
0.3%<br />
0.3%<br />
nil<br />
9,711<br />
10,918<br />
9,377<br />
2,764<br />
nil<br />
nil<br />
nil<br />
12.4%<br />
-14.1%<br />
-70.5%<br />
0.4%<br />
0.4%<br />
0.3%<br />
0.1%<br />
nil<br />
nil<br />
nil<br />
nil<br />
61,847<br />
68,936<br />
1.6%<br />
1.6%<br />
KFC barely holds a spot in the Top<br />
elite company in spite of being<br />
the only single digit growth brand<br />
Petronas has decelerated in<br />
adspend by just over <br />
Overall Overall Overall Summary Summary<br />
Summary<br />
It’s obvious that aggressive<br />
competition in particular the<br />
telecommunications sector has<br />
made a mark on the direction of<br />
adex in the past year<br />
In particular the participation of<br />
Government institutions in<br />
weighty activities and their<br />
subsequent participation within<br />
the marketing communications<br />
arena have also propelled numbers<br />
to inspiring levels<br />
It remains to be seen whether<br />
will showcase a rerun<br />
BRAND BRAND BRANDEQUITY BRAND<br />
63
Asians the World’s<br />
Greatest Fast Food Fans<br />
IT DOESN’T MATTER WHERE<br />
in the world you are or how well<br />
off the fast food culture has<br />
become a way of life for all of us<br />
According to the latest findings<br />
from ACNielsen the world’s<br />
leading market research firm<br />
nearly all Filipino ()<br />
Taiwanese and Malaysian ()<br />
adults eat at takeaway<br />
restaurants<br />
Among the markets studied<br />
across three regions consumers in<br />
these three markets had a higher<br />
percentage of adults than<br />
Americans () who eat at fast<br />
food restaurants<br />
The latest ACNielsen Consumer<br />
Confidence and Opinion Survey<br />
was conducted over the Internet<br />
in countries across Asia Pacific<br />
Europe and the US interviewing<br />
more than consumers over<br />
the Internet<br />
According to the ACNielsen<br />
survey percent of Asia Pacific<br />
adults eat at takeaway<br />
restaurants at least once a week<br />
slightly behind fast food fans in<br />
the US () At the other end<br />
of the scale however just <br />
percent of European adults eat<br />
takeaway at least once a week<br />
On a marketbymarket basis<br />
nine of the top markets<br />
globally for weekly takeaway<br />
consumption hailed from Asia<br />
Pacific No European markets<br />
were among the top ten<br />
Top Global Markets for Weekly<br />
Fast Food Consumption Market<br />
Percentage of Adult Population<br />
That Eats at TakeAway<br />
Restaurants at Least Once a<br />
Week Hong Kong Malaysia<br />
Philippines Singapore<br />
Thailand China <br />
India US Australia <br />
New Zealand Source:<br />
ACNielsen<br />
“Fast food appears to have<br />
become a staple of our diets in<br />
Asia Pacific including Malaysia”<br />
said Steve Mitchell managing<br />
director ACNielsen Malaysia<br />
“Busy lifestyles and ease of access<br />
to a wide variety of fast food<br />
restaurants have proven to be a<br />
powerful combination<br />
Where fastfood restaurants still<br />
have a significant advantage<br />
though is the ease with which<br />
consumers can make their<br />
purchases<br />
Perhaps we’ll begin to see drive<br />
thru windows at grocery stores or<br />
at least more convenient instore<br />
prepared food sections with<br />
dedicated registers”<br />
Despite the obvious popularity<br />
and convenience of takeaway<br />
dining there are consumers that<br />
continue to resist Across the<br />
region percent of Europeans<br />
and percent of Asians eschew<br />
the ‘takeaway’<br />
Led by the Danish Swedish and<br />
Italians Europeans are the least<br />
tempted by a takeaway lifestyle<br />
when compared to consumers in<br />
the US and Asia Pacific<br />
With nearly one fifth of<br />
Europeans () claiming never<br />
to patronize takeaway outlets<br />
nearly half claim to visit only once<br />
a month or less<br />
In Asia Pacific despite percent<br />
claiming never to eat fast food<br />
the region has the most take<br />
away addicts with percent<br />
reportedly eating take away<br />
every week led by people in Hong<br />
Kong () Malaysia () and<br />
the Philippines ()<br />
“The state of one’s health has<br />
consistently been among the top<br />
concerns for consumers according<br />
to previous ACNielsen surveys<br />
but it doesn’t seem to affect the<br />
way consumers choose to eat”<br />
said Mr Mitchell “For many city<br />
dwellers these days it’s all about<br />
convenience<br />
BRAND BRAND BRANDEQUITY BRAND<br />
65<br />
ACNielsenUpdate
Europeans are less interested in<br />
takeaway dining perhaps largely<br />
due to a prevailing culture of meal<br />
times being a social or family<br />
occasion rather than simply a<br />
need to satiate ones hunger while<br />
for people in Hong Kong<br />
Malaysia and United States eating<br />
fast food has become a part of<br />
their life”<br />
The ACNielsen survey found that<br />
dinner was the most popular<br />
occasion for consumers to opt for<br />
a takeaway meal Americans<br />
considered takeaway an option<br />
for both lunch () and<br />
dinner ()<br />
A takeaway breakfast was<br />
less common although <br />
percent of Malaysians nearly<br />
two thirds of Hong Kongers<br />
and Thais would opt for a<br />
‘takeaway’ breakfast; in <br />
Filipinos Chinese and<br />
Singaporeans have takeaway<br />
lunches; and percent of<br />
Australians percent of the<br />
Kiwis and percent of<br />
Vientamese have take away<br />
dinners<br />
“The fast food business has<br />
become increasingly<br />
competitive with various<br />
multinational fast food chain<br />
operators expanding into new<br />
geographies daily along with the<br />
emergence of new players new<br />
types of cuisines and new menu<br />
choices “ continued Mr Mitchell<br />
“Smart consumer packaged goods<br />
manufacturers are tapping into<br />
consumers’ need for convenience<br />
by offering a wider assortment of<br />
prepared and easytoprepare<br />
meals than ever”<br />
As the fingings revealed “Type of<br />
Cuisine” “Price” and a<br />
“Convenient Location” were<br />
found to be the most important<br />
choice criteria across around the<br />
66 BRAND BRANDEQUITY<br />
BRAND<br />
globe Specifically “Type of<br />
Cuisine” was most important for<br />
Indonesians () a<br />
“Convenience Location” meant<br />
more for Nowegians () and<br />
“Price” was most important<br />
among the Japanese () In<br />
Malaysia however “Convenient<br />
Location” () and “Good<br />
Hygiene Standard” () are<br />
more important to the<br />
consumers<br />
“A fast food culture has shaped<br />
the lifestyles of us all” Mr<br />
Mitchell added “And with fast<br />
food operators introducing<br />
healthier options in the form of<br />
salads and low carb meals in the<br />
face of growing concerns for<br />
rising obesity levels consumers<br />
today have greater choice than<br />
ever before”<br />
While building a good brand<br />
image is close to the heart of most<br />
marketers it’s worth noting that<br />
brand image appears to have little<br />
influence on consumer’s choice of<br />
take away restaurants Across the<br />
three regions “<strong>Brand</strong> Image”<br />
ranked least important among all<br />
respondents from as low as <br />
in Germany to a high of in<br />
Taiwan only<br />
Among the international fast<br />
food chains and local operators<br />
McDonalds was the most popular<br />
of all takeaway options with<br />
of Americans of<br />
Europeans and of Asians<br />
picking it as the first choice for<br />
take away food<br />
Remarks: () Survey in Vietnam<br />
was conducted Face to Face ()<br />
countries surveyed include<br />
Australia China Hong Kong<br />
India Indonesia Japan Korea<br />
Malaysia New Zealand<br />
Philippines Singapore Taiwan<br />
Thailand Vietnam US Austria<br />
Belgium Denmark Finland<br />
France Germany Italy<br />
Netherlands Norway<br />
Portugal Spain Sweden and<br />
UK<br />
About ACNielsen:<br />
ACNielsen a VNU business<br />
is the world’s leading<br />
marketing information<br />
company Offering services<br />
in more than countries<br />
the company provides<br />
measurement and analysis<br />
of marketplace dynamics<br />
and consumer attitudes<br />
and behaviour<br />
Clients rely on ACNielsen’s<br />
market research<br />
proprietary products<br />
analytical tools and<br />
professional service to<br />
understand competitive<br />
performance to uncover<br />
new opportunities and to<br />
raise the profitability of<br />
their marketing and sales<br />
campaigns<br />
For further information<br />
please visit<br />
http://wwwacnielsencomhk<br />
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http://wwwacnielsencomhk
Taking the<br />
Mystery<br />
Out of<br />
Mapping<br />
IN ANY PRODUCT OR SERVICE<br />
category consumers have images<br />
of brands and the people who use<br />
them <strong>Brand</strong> mapping is a tool<br />
marketers can use to delve<br />
beneath the numbers and obtain<br />
a rich yet easyto understand<br />
picture of how consumers see the<br />
market<br />
Questions Questions <strong>Brand</strong> <strong>Brand</strong> Mapping Mapping Can<br />
Can<br />
Answer: Answer: As a marketer you’re<br />
often faced with questions like<br />
these:<br />
• How is our brand perceived by<br />
consumers?<br />
• Does this differ from how we<br />
perceive it?<br />
• Is our brand sufficiently<br />
differentiated from<br />
competitors/our other<br />
brands?<br />
• Are there gaps in the market<br />
we can exploit?<br />
• What aspects of its image do<br />
we need to change to<br />
reposition our brand?<br />
<strong>Brand</strong> mapping can help give<br />
these insights<br />
How How How Does Does Does it it Work? Work?<br />
Work?<br />
In brand image research we<br />
typically ask consumers to rate<br />
brands on several attributes<br />
relevant to that product or service<br />
category or ask them to indicate<br />
which attributes they associate<br />
with which brands These data can<br />
then simply be shown in cross<br />
tabular form or plotted in a line<br />
graph but there are two main<br />
disadvantages to either of these<br />
approaches:<br />
There is a lot of information<br />
to absorb If say you have <br />
brands and attributes that’s<br />
numbers in a table or<br />
points in a line graph to look<br />
at!<br />
It is not always easy to tell<br />
how the ratings are related to<br />
each other<br />
This second drawback leads us to<br />
the essential idea behind brand<br />
mapping which is to show<br />
findings in a graphical way which<br />
can best highlight the key insights<br />
in the data in a clear and<br />
uncluttered manner In other<br />
words get to the core of the<br />
findings so you can see the wood<br />
despite the trees and other<br />
associated flora<br />
There are a variety of statistical<br />
methods that can do this but the<br />
basic notion is known as “data<br />
reduction” in the jargon Once the<br />
underlying dimensions are<br />
identified dimension “scores” can<br />
be computed and the attributes<br />
and brands plotted on these<br />
dimensions usually in a scatter<br />
plot Thus you have a picture of<br />
consumer perceptions of the<br />
category that are easier to<br />
interpret than cross tabulations or<br />
simple graphics and usually more<br />
meaningful as well<br />
There are approaches to brand<br />
mapping specifically and<br />
ACNielsen will select the one our<br />
experience tells us is best suited<br />
to your needs Perhaps the most<br />
widelyused today are<br />
Correspondence Analysis and Bi<br />
plots While it is true that some<br />
mapping exercises can become<br />
quite complex and interpretation<br />
can be difficult in most cases if<br />
you follow these three basic rules<br />
for interpreting brand maps you<br />
will gain the most:<br />
<strong>Brand</strong>s that are close to your<br />
brand are the ones consumers<br />
think are most similar to it;<br />
Attributes located near your<br />
brand are the ones consumers<br />
feel characterise it the most<br />
(relative to other brands);<br />
those far from it are those<br />
they least associate with it;<br />
and<br />
Attributes near the edges of<br />
the map differentiate brands<br />
the most; attributes which do<br />
not differentiate ie that could<br />
be consideredgeneric to the<br />
category are situated near the<br />
center of the map<br />
A further benefit of creating the<br />
map charting out the positioning<br />
of the brands is that consumer<br />
segments to whom those brands<br />
may be targeted can also be<br />
placed on the map So long as you<br />
get a similar read on the attributes<br />
from the consumers usually in<br />
BRAND BRAND BRANDEQUITY BRAND<br />
67
terms of the attached importance<br />
or relevance to the consumer you<br />
can see if the targeted segment<br />
motivations align with the<br />
attributes of the brands aimed at<br />
them (You don’t even have to use<br />
all the attributes the key ones<br />
alone will allow this)<br />
An An Example<br />
Example<br />
Let’s take a look at an example<br />
from an actual (heavily disguised)<br />
study on Chart below Here we<br />
have substituted the original<br />
category with breakfast cereals<br />
We can see in this case that SLIM<br />
SPECIAL and BRAN PLUS are seen<br />
as healthy and good for a diet but<br />
as with many “health” food<br />
products the taste is seen as<br />
boring<br />
“Convenient to prepare” is found<br />
near the centre of the map as is<br />
68 BRAND BRANDEQUITY<br />
BRAND<br />
thus inferred to be a generic<br />
attribute ie marketing a cereal<br />
product on a convenience<br />
platform is not likely to bring<br />
about much differentiation from<br />
other brands “Is mainly for<br />
snacks” is more discriminating as<br />
it is placed on the edge of the map<br />
However just because something<br />
is discriminating does not mean<br />
you would necessarily want to<br />
position using that “benefit” In<br />
this case positioning as a snack<br />
could limit consumption volume<br />
and maybe undermine nutritional<br />
messages<br />
In the study four key consumer<br />
segments were identified linked to<br />
the life stages and needs and as<br />
can be seen in this case their needs<br />
and drives align with brand<br />
promises<br />
Summary<br />
Mapping makes understanding<br />
the way consumers perceive the<br />
market and what they want from<br />
a category easier and simpler and<br />
can help provide a more<br />
actionable and insightful view of<br />
their perceptions But a few words<br />
of warning – almost any data set<br />
will generate a map There are a<br />
few tests for statistical rigour but<br />
generally if it does seem to make<br />
sense the most common reasons<br />
are that the attributes have been<br />
poorly chosen the market is more<br />
complex and cannot be<br />
summarised in dimensions or<br />
one atypical brand is skewing the<br />
whole map<br />
Are Online Surveys<br />
as Accurate as<br />
Offline Surveys?<br />
MANY MAJOR CORPORATIONS<br />
are turning to the Internet to<br />
measure consumer and business<br />
attitudes perceptions and<br />
intentions At the same time<br />
some companies are reluctant to<br />
trust online research and replace<br />
traditional telephone research<br />
tracking and ad hoc projects with<br />
online alternatives Many<br />
companies comfortable with their<br />
legacy of telephone doorto<br />
door or mail research have<br />
resisted even considering online<br />
research based on a vague notion<br />
that “it just isn’t as accurate” or<br />
“online respondents are different<br />
from my customers” However<br />
whether pushed by budget cuts or<br />
the fear of falling behind the<br />
younger generation of<br />
researchers many research<br />
department heads must<br />
eventually take a long hard look<br />
at online research and ask: will<br />
online research work for my<br />
company?<br />
Online research has been used in<br />
savvy research markets with high<br />
Internet penetration for over a<br />
decade now During that time a<br />
lot of lessons have been learnt<br />
about when to use online research<br />
and when to avoid it And during<br />
that time the global Internet<br />
landscape has changed<br />
dramatically with a steady<br />
increase in Internet usage in<br />
developed countries as well as<br />
huge increases in many<br />
developing markets Today online<br />
research is available in over <br />
countries
Most of the large successful<br />
consumer products firms (as well<br />
as those in almost every other<br />
field) are using online research<br />
But other companies should not<br />
jump into online research simply<br />
out of peer pressure It is<br />
important to evaluate the<br />
advantages and disadvantages of<br />
online research<br />
The Benefits of Conducting<br />
Surveys Online<br />
The The The primary primary primary advantages advantages of of online<br />
online<br />
surveys surveys versus versus phone phone surveys surveys are:<br />
are:<br />
• Online surveys eliminate<br />
interviewer bias: telephone<br />
interviewers can have<br />
different effects on<br />
respondents’ answers if they<br />
are male/female or cheerful/<br />
droll or fast/slow Online<br />
research eliminates variations<br />
They are usually lower cost:<br />
internet surveys involve pop<br />
ups on websites or the<br />
emailing of invitations and<br />
after that the respondents<br />
complete the questionnaire<br />
Faster fieldwork:<br />
70 BRAND BRANDEQUITY<br />
BRAND<br />
telephone interviewers can<br />
only speak to one person at a<br />
time while hundreds of online<br />
respondents can all answer at<br />
the same time Sometimes<br />
more accurate responses:<br />
online respondents can read<br />
the questions and possible<br />
responses themselves<br />
resulting in higher quality<br />
responses<br />
Greater recall: online<br />
respondents do not feel<br />
pressured into giving quick<br />
answers so they are likely to<br />
think of more to say or more<br />
brands etc before moving on<br />
to the next question<br />
Telephone respondents feel<br />
more pressure to answer or<br />
move on because the<br />
interviewer is waiting<br />
Sometimes more detailed<br />
responses: since online<br />
respondents have more time<br />
to think their replies to open<br />
ended questions are often<br />
more thoughtful and detailed<br />
Telephone respondents feel<br />
pressure to begin responding<br />
quickly (often before they<br />
have had a chance to think<br />
much) and they cannot<br />
doublecheck their responses<br />
for accuracy<br />
Pictures sound clips and video<br />
clips can be included in<br />
surveys: this enables online<br />
research to do as much as face<br />
toface research at a lower<br />
cost and with a much greater<br />
geographical spread Easier to<br />
target lower incidence<br />
populations: relatively hard to<br />
get at respondents (such as<br />
doctors or users of a certain<br />
brand) can be targeted<br />
through specialised panels or<br />
simply larger email<br />
approaches<br />
Some of the Disadvantages<br />
The The primary primary disadvantages disadvantages of<br />
of<br />
online online surveys surveys compared compared compared to<br />
to<br />
phone phone surveys surveys are:<br />
are:<br />
You are less able to doublecheck<br />
the identity of the respondent:<br />
a respondent may not be<br />
truthful about who they really<br />
are Online respondents can<br />
more easily lie about their<br />
gender and age than can other<br />
respondents<br />
Professional survey takers: some<br />
online respondents try to go<br />
through the survey as quickly<br />
as possible without really<br />
reading or thinking about their<br />
answers However ACNielsen<br />
has implemented procedures<br />
so that such respondents can<br />
be identified based upon their<br />
responses and eliminated from<br />
the results<br />
You can’t explain questions: if the<br />
respondents do not<br />
understand the question an<br />
online survey cannot clarify<br />
like a telephone interviewer<br />
can This can be corrected by<br />
making your questions clear<br />
and concise<br />
You can’t ask followup questions:<br />
an online survey cannot ask a<br />
specific respondent to clarify<br />
their answer if it does not<br />
make sense or if it goes off on<br />
an interesting tangent This<br />
can be done via online focus<br />
group approaches<br />
Conduct a Parallel Test and<br />
Compare<br />
The only way to find out how an<br />
online survey compares to<br />
your current survey approach<br />
is to try it! This can be done<br />
most directly through a<br />
parallel test—ie running the<br />
survey using both methods<br />
simultaneously and then<br />
comparing the results<br />
Although the results are rarely<br />
identical (for the reasons<br />
mentioned previously) it is<br />
important to see if the core<br />
metrics line up<br />
The following metrics should be<br />
the same if the online research<br />
is to replace another type of<br />
research:<br />
Is the topofmind ()<br />
mention the same using both<br />
methods?<br />
Is the rating of products or<br />
concepts at a similar level<br />
using both methods?<br />
Is any market movement<br />
equally indicated using both<br />
methods?<br />
Are stated behaviours<br />
(previous brand usage<br />
previous category<br />
involvement) similar using<br />
both methods?
These metrics may differ between<br />
online and offline research<br />
but may actually indicate that<br />
online is MORE accurate than<br />
offline:<br />
Unaided awareness: because<br />
online respondents generally<br />
take more time to think about<br />
their responses they will<br />
generally be able to recall<br />
more brands more ads more<br />
experiences etc This can<br />
make the results MORE<br />
accurate than other<br />
approaches<br />
Complex questions: because<br />
online respondents can read<br />
and reread questions they are<br />
more likely to respond<br />
accurately In other<br />
approaches respondents<br />
rarely ask the interviewer to<br />
reread the question for them<br />
(Note: this can be eliminated<br />
in either case if the questions<br />
are kept very simple)<br />
Detailed questions: because<br />
online respondents do not feel<br />
the time pressure to give an<br />
answer they may actually<br />
investigate the answers before<br />
they respond For example in<br />
a recent survey regarding<br />
credit cards a large number of<br />
online respondents actually<br />
walked away from their<br />
computers to find their recent<br />
credit card statements in order<br />
to give exact dollar figures—<br />
telephone respondents rarely<br />
do this<br />
A Parallel Test Case Study<br />
In a typical example of a parallel<br />
test the world’s largest apple<br />
juice producer wanted to test<br />
whether they could move<br />
their telephone tracking (of<br />
usage and attitudes) from<br />
telephone to online surveys in<br />
the US ACNielsen conducted<br />
an online survey of N<br />
respondents in cities for the<br />
company at no cost in order to<br />
check the viability of switching<br />
methodologies The telephone<br />
survey was N<br />
respondents Only the core<br />
metrics were tested: topof<br />
mind awareness unaided<br />
awareness aided awareness<br />
and the results were as<br />
follows:<br />
• Top of mind awareness was<br />
almost identical between the<br />
two samples at a national and<br />
a city level<br />
• Unaided awareness was higher<br />
for each brand in the online<br />
survey since respondents took<br />
more time to think about what<br />
brands they knew However<br />
the order in which they<br />
mentioned the brands was<br />
nearly identical between<br />
online and offline Online<br />
respondents were generally<br />
able to remember some of the<br />
smaller brands that telephone<br />
respondents did not<br />
• Total awareness was identical<br />
between the two samples<br />
Such an exact match is<br />
extremely rare even if two<br />
identical telephone surveys<br />
are conducted so the data had<br />
to be doubly verified<br />
As a result of the test the<br />
manufacturer decided to<br />
switch their U&A tracking to<br />
online and has saved almost<br />
of the annual project<br />
cost while at the same time<br />
getting faster results<br />
ACNielsen has conducted a<br />
number of similar parallel tests<br />
in different categories and<br />
different countries and found<br />
that while most of them show<br />
that online surveys yield the<br />
same results on key metrics as<br />
offline surveys sometimes<br />
they do not Some brief<br />
examples of parallel tests that<br />
upheld or refuted the case for<br />
switching to online:<br />
Digital Digital cameras cameras in four Asian<br />
markets and three European<br />
markets(online vs telephone):<br />
not recommended for online<br />
because of potential inherent<br />
bias since online respondents<br />
were more likely to own and<br />
use digital cameras since they<br />
are associated with <strong>send</strong>ing<br />
images online<br />
Sanitary Sanitary Sanitary protection protection in Asia<br />
Customer Satisfaction survey<br />
among current users (online vs<br />
mail): recommended to use<br />
online since satisfaction levels<br />
were nearly identical Online<br />
users were more detailed in<br />
describing problems<br />
Household Household cleaners cleaners cleaners in Asia<br />
Usage Patterns (online vs<br />
telephone): recommended to<br />
change to online since<br />
attitudes and usage patterns<br />
were similar Claimed usage of<br />
brands was higher by<br />
telephone though this was<br />
determined to be<br />
overstatement (so online was<br />
more accurate)<br />
In conclusion moving research<br />
from telephone or mail or<br />
facetoface to the Internet<br />
can increase speed add<br />
accuracy and save costs But<br />
each case should be evaluated<br />
carefully preferably with a<br />
parallel test to make sure that<br />
it truly merits the switch<br />
BRAND BRAND BRANDEQUITY BRAND<br />
71
TradeFairResearch<br />
If clear objectives have been set in advance it is possible to monitor the success of a trade fair<br />
By Dr Heike Langneer GfK BB and Trade Fair Research Germany<br />
Monitoring<br />
T<br />
74<br />
BRAND BRANDEQUITY<br />
BRAND<br />
Trade Fairs ?<br />
RADE FAIRS ARE AMONG THE MOST<br />
important marketing tools particularly for the<br />
manufacturers of industrial goods As a result of<br />
their multifunctionality they can be used for a<br />
wide range of objectives both financial and non<br />
financial But at the same time exhibiting at a<br />
trade fair is associated with relatively high costs<br />
and requires care in making choices in planning<br />
and management if the results are to be optimised<br />
In order to support this process of selection<br />
planning and management and to optimise the<br />
planning of exhibiting at future trade fairs a<br />
number of market research tools are available<br />
which are provided by GfK Marktforschung under<br />
the name of GfK * TRADE * FAIR * CHECK The<br />
most important of these tools and their<br />
applications are described in the text below<br />
However banal the title of this<br />
article may initially sound it<br />
seems fully justified considering<br />
that it has been established that<br />
only one in three companies has<br />
formulated in advance clear<br />
objectives for exhibiting at a trade<br />
fair Hand on heart: the decision<br />
for or against participation in a<br />
trade fair still comes far too often<br />
“from the top of the head"<br />
Reasons for exhibiting which must<br />
serve to justify the budget for a<br />
trade fair include: “we have<br />
always been there" “because our<br />
competitors are there" “because<br />
our customers expect it"<br />
The results are even less<br />
frequently systematically<br />
monitored and assessed to see<br />
whether the objectives however<br />
they may have been formulated<br />
were actually met The “success"<br />
of the performance at a fair was<br />
often measured by “there was<br />
always lots going on at the stand"<br />
“there were lots of people at the<br />
bar" or “a lot was offered to the<br />
visitors"<br />
Considering the unquestionably<br />
high costs of exhibiting at a fair <br />
which are deplored ever more<br />
often and ever more loudly this
situation is shocking And one<br />
should really not be surprised if<br />
the company's controllers put the<br />
question in an increasingly<br />
sceptical form as to “whether the<br />
fair really does the business" This<br />
question is justified! And those<br />
with responsibility for fairs would<br />
do better to think about tools for<br />
monitoring the success of a<br />
company's performance than<br />
complaining about the “illwill of<br />
the controller"<br />
Monitoring Monitoring yes yes but but what?<br />
what?<br />
Agreed: since there is no other<br />
marketing tool which can be used<br />
for so many different purposes<br />
and to achieve so many different<br />
objectives the monitoring of the<br />
success achieved at a fair is a<br />
challenging task<br />
This begins with the question of<br />
defining objectives: since a fair is<br />
a multifunctional marketing tool<br />
the objectives which themselves<br />
are to be derived from the<br />
company's goals must also be<br />
formulated in a multifunctional<br />
and multidimensional way (see<br />
Fig ) It is therefore all the more<br />
important to determine in<br />
advance the number of objectives<br />
for participation in a fair and then<br />
to quantify them so that they can<br />
be measured The statement “We<br />
wish to launch product XY" is<br />
insufficient It is instead necessary<br />
to express the objective in<br />
concrete terms: “We must show<br />
and explain our new XY product<br />
to at least people personally<br />
who are from relevant business<br />
areas and have the authority to<br />
buy"<br />
This provides the basis for<br />
determining whether the<br />
objectives of exhibiting in other<br />
words its success both in<br />
quantitative and qualitative terms<br />
can be assessed In doing this it is<br />
not sufficient just to undertake a<br />
posthoc assessment (“was<br />
Figure 1<br />
participation in the fair<br />
worthwhile") Also it is very<br />
important for a company to be<br />
able to answer the question how<br />
in future performance at a fair can<br />
be optimised<br />
Monitoring Monitoring yes yes but but but how? how?<br />
how?<br />
For both questions the posthoc<br />
assessment and future<br />
optimisation various research<br />
tools are available which make it<br />
possible to measure whether both<br />
financial/quantitative objectives<br />
and nonfinancial/qualitative<br />
objectives were met As a result of<br />
the increasing pressure to justify<br />
trade fair budgets models for<br />
assessing quantitative<br />
particularly financial success are<br />
very much in fashion The options<br />
run from standardised<br />
measurement tools such as for<br />
instance that of AUMA <br />
Ausstellungs und<br />
Messeausschuss der Deutschen<br />
Wirtschaft (The Exhibition and<br />
Trade Fair Committee for the<br />
German Economy) through to the<br />
socalled balancedScorecard<br />
Model (from the Trade Fair<br />
Institute at the Technical<br />
University of Chemnitz) and they<br />
are largely based on the analysis<br />
of available internal data Such<br />
models though can give<br />
insufficient attention to medium<br />
or longterm issues in the area of<br />
communications objectives and<br />
Corporate objectives<br />
objectives for trade fair participation<br />
quantitative objectives quantitative objectives<br />
• objectives for contacting<br />
• sales objectives<br />
• etc.<br />
• image and positioning objectives<br />
• presentational objectives<br />
• communications and information<br />
objectives<br />
checking extent to which objectives met<br />
conclusions and data on future<br />
opportunities for optimisation are<br />
not available<br />
This is where it is necessary to<br />
work with external partners who<br />
can collect and analyse the<br />
necessary information and can<br />
also provide special tools which<br />
are designed to measure the<br />
success of the performance at a<br />
trade fair (see Fig ) The most<br />
important which are offered by<br />
GfK for instance in the form of a<br />
building block system under the<br />
name of GfK TRADE*FAIR*CHECK<br />
are briefly described in the text<br />
below<br />
Enumeration Enumeration of of the the the visitors visitors visitors to to to the<br />
the<br />
stand: stand: ascertaining ascertaining the the number number of<br />
of<br />
visitors visitors<br />
visitors<br />
The simplest and in contrast to<br />
the other research tools the most<br />
frequently used survey method<br />
comprises counting all the visitors<br />
to the stand If this number is<br />
compared with the number of<br />
visitors to the trade fair<br />
concerned then it is possible to<br />
confirm to what extent it was<br />
possible to interest the visitors to<br />
the fair in a company's stand or in<br />
the company itself (relative<br />
penetration) In Germany one<br />
company (FKM Gesellschafl zur<br />
freiwilligen Kontrolle von Messe<br />
und AussteHungzahlen) counts<br />
the total number of visitors at<br />
BRAND BRAND BRANDEQUITY BRAND<br />
75
almost all the large German fairs<br />
The data is normally recorded at<br />
the level of day time and position<br />
so that “visitor peak periods" can<br />
be precisely identified and the<br />
appropriate planning of stand<br />
personnel resources can be<br />
undertaken<br />
With such a count it is important<br />
that not only leads (ie contact<br />
reports by stand staff) but also all<br />
visitors to the stand are recorded<br />
This is in other words simply a<br />
quantitative analysis which says<br />
nothing about the quality of the<br />
visitors<br />
Visitor Visitor surveys surveys surveys (“stand (“stand impact"): impact"):<br />
impact"):<br />
question question on on impressions impressions made made by by<br />
by<br />
performance performance at at at fair fair<br />
fair<br />
The purpose of interviews of<br />
visitors to the stand is mainly to<br />
assess the quality" of the visitors<br />
and also to form an important tool<br />
for planning and designing an<br />
exhibit to reflect the needs of<br />
target groups Together with<br />
surveys which take place after the<br />
fair they generally form the key<br />
element in qualitative<br />
assessments of the success of an<br />
exhibit Typical questions which<br />
are asked of visitors within the<br />
framework of a representative<br />
survey on the spot (or in part after<br />
the fair) cover for instance<br />
• when you visited the stand<br />
what objectives expectations and<br />
information needs did you have;<br />
• how long did you spend on the<br />
stand and on what subjects did<br />
you gather information and were<br />
your information needs met;<br />
• to what extent did you go onto<br />
the stand with concrete intentions<br />
in terms of purchase and<br />
investment or will they result<br />
from the visit;<br />
• how do you assess the<br />
exhibitor's stand/performance at<br />
the fair also in comparison with<br />
competitors;<br />
• what is the basis of your<br />
76 BRAND BRANDEQUITY<br />
BRAND<br />
Figure 2<br />
Monitoring of success of trade fair participation<br />
Trade fair planning<br />
and preparation<br />
trade fair<br />
participation<br />
(realization)<br />
trade fair follow-up<br />
• target group definition<br />
• invitations, client contacts,<br />
appointments<br />
• press relations<br />
• number of visitors to stand (total/in<br />
relation to total number of visitors)<br />
• types of visitor<br />
• visitor activity<br />
• visitors’ information requirements<br />
and purpose of visit<br />
• visitors’ purchase/investment<br />
intentions<br />
• assessment of trade fair<br />
participation from visitors’<br />
standpoint<br />
• comparison with competition<br />
• Process of leads<br />
• follow-up; despatch of literature<br />
offers etc.<br />
• impact in image terms of the<br />
stand<br />
quantitative and qualitative assessment of participation<br />
lessons for next trade fair.<br />
relationship with the exhibitor<br />
(customer potential customer<br />
supplier etc)<br />
• where are you from (region<br />
business etc) and (with business<br />
visitors) what is your job and<br />
what authority do you have in<br />
your company<br />
to give just a few examples<br />
Additionally concrete questions<br />
can be discussed on the products<br />
and services on show and in this<br />
way the likely takeup of a new<br />
product can be assessed The<br />
results of these surveys therefore<br />
provide important information<br />
about the strengths and<br />
weaknesses of a company's<br />
performance at a fair<br />
Exhibitors already receive either<br />
during the fair or shortly<br />
afterwards concrete<br />
recommendations whether and to<br />
what extent they have reached<br />
certain target groups and how<br />
they can achieve greater success<br />
at future fairs<br />
pre-trade fair tests<br />
stand visits<br />
stand impact<br />
path analysis<br />
mystery visits<br />
visual audits<br />
post-trade fair-tests<br />
Postfair Postfair Postfair Postfair Postfair tests: tests: stable stable assessments<br />
assessments<br />
and and and valid valid comparisons comparisons with with the<br />
the<br />
competition<br />
competition<br />
competition<br />
Surveys among stand visitors<br />
shortly after the end of a fair<br />
supplement and provide more<br />
detail than the stand survey and<br />
handle the results more<br />
objectively and therefore provide<br />
the second key component in the<br />
systematic assessment of the<br />
success of performance at a fair:<br />
time pressures at a fair permit<br />
only short mainly structured<br />
questionnaires which can be<br />
supplemented within the<br />
framework of a postfair test<br />
Secondly views expressed spon<br />
taneously at a fair may be<br />
modified later in the visit to the<br />
fair particularly when visiting<br />
competitors' stands or placed<br />
within a broader framework<br />
Surveys after the fair provide<br />
more stable results and also more<br />
valid comparisons with the<br />
competition Additionally lasting<br />
impressions and results from the
visit to the fair can only be<br />
assessed retrospectively (“What<br />
positive/negative aspects of your<br />
visit to the stand do you still<br />
retain?" “What impact did your<br />
visit during the fair have on your<br />
purchase decisions and on your<br />
image of the company?" etc)<br />
Therefore shortly after the end of<br />
the fair (usually a few days later)<br />
a sample of stand visitors is re<br />
contacted (their agreement and<br />
address were collected during<br />
their visit) by email in writing or<br />
by telephone This enables for<br />
instance the performance at the<br />
fair of the company concerned to<br />
be assessed retrospectively views<br />
to be expressed for instance on the<br />
competitive environment and<br />
decisions on planned purchases or<br />
on investments to be described<br />
The results in combination with<br />
the results from the stand survey<br />
provide a comprehensive picture<br />
on whether and to what extent<br />
the company reached its target<br />
groups met their information<br />
needs and whether their<br />
performance at the fair could be<br />
Figure 3<br />
exhibitor<br />
CCC<br />
DDD<br />
78 BRAND BRANDEQUITY<br />
BRAND<br />
regarded as successful from the<br />
visitor point of view<br />
Path Path analysis: analysis: recording recording the<br />
the<br />
actions actions of of of visitors visitors on on the the the stand<br />
stand<br />
Path analysis is a littleknown and<br />
up to now infrequently used<br />
research tool Unlike with a<br />
completely quantitative visitor<br />
count a path analysis measures<br />
the individual routes followed by<br />
visitors and as a result the footfall<br />
in the individual areas of the<br />
stand and also the products which<br />
were of interest to visitors For<br />
this purpose the visitors are<br />
followed or observed This makes<br />
it possible to ascertain where the<br />
visitors made a stop and for how<br />
long and what precisely they then<br />
did<br />
The results which are usually<br />
presented in visual form (see<br />
example in Fig ) can be<br />
particularly helpful in planning<br />
stand designs the placing of<br />
exhibits and in planning how the<br />
stand personnel can be used: what<br />
subjects and which exhibits should<br />
be located where how big should<br />
the exhibits be where are<br />
advisory staff needed? etc<br />
Mystery Mystery visits: visits: assessment assessment assessment of<br />
of<br />
stand stand stand personnel<br />
personnel<br />
This technique is derived from<br />
mystery shopping methodology<br />
and serves primarily to evaluate<br />
the stand staff The objective is to<br />
identify suggestions for improving<br />
the way that the stand staff can<br />
provide its advisory function more<br />
effectively and can optimise its<br />
activities For this purpose<br />
specially trained personnel of the<br />
research company conduct<br />
conversations with stand staff<br />
following guidelines which had<br />
been previously prepared and<br />
then evaluate the various<br />
important characteristics<br />
(friendliness helpfulness putting<br />
over an argument etc) The<br />
results can for instance be used as<br />
a basis for training courses and<br />
workshops with (future) stand<br />
personnel so that presence and<br />
conduct on the stand can be the<br />
subject of focused training The<br />
main emphasis here is on what are<br />
called “soft skills" and much less<br />
Monitoring of competition at trade fair - example of results<br />
stand activities and<br />
visitor frequency<br />
(weight=35%)<br />
main message<br />
(weights = 25%)<br />
stand design<br />
(weights = 25%)<br />
presentation<br />
atmosphere<br />
(weights=15%)<br />
observation score observation score observation score observation score<br />
4 no clear main message 0 stage for shows was 6 large number if visitors; 4<br />
total score<br />
(weighted)<br />
AAA stand always well staffed, 8 “AAA - we design factories”, 6 professional, lighting 7 rather distant but 6 695<br />
many visitors, business<br />
clear simple message, colours and materials well professional; worked<br />
discussions continously<br />
but lacking in detail<br />
matched, but lack<br />
better on technical<br />
taking place<br />
of “activity’<br />
than emotional level<br />
BBB<br />
no business discussions<br />
at any time, youthfulness 1 “BBB goes global” 3 confused; innovative 6 impact “cool’ rather 5 335<br />
of staff noticable<br />
meaning only clear to<br />
materials and LED<br />
arrogant - > uninviting,<br />
clients, inappropriate<br />
displays; videos<br />
innovative, but<br />
as message<br />
uninformative<br />
many visitors particularly<br />
during shows; shows<br />
dominated stand<br />
activities; too few staff<br />
few, but some serious<br />
business discussions;<br />
hardly any visitor on<br />
Tue/Thur<br />
centre-point exhibits<br />
were relegated to<br />
background; not<br />
enough displays<br />
too full; otherwise<br />
conventional amateurish,<br />
lack of signs/displays<br />
5<br />
“we are leaders in<br />
innovation” - message 6<br />
disorganized impression;<br />
no info-bars; no special 4<br />
cold and unwelcoming;<br />
dominated by technology<br />
3<br />
easily understood, but<br />
identity created; good<br />
not well realized<br />
throughout<br />
mix of materials<br />
330<br />
470
Figure 4<br />
entrance 2 entrance 1<br />
information 1<br />
terminals<br />
information stand 1<br />
5><br />
4><br />
4><br />
discussion forum<br />
11> 2><br />
1><br />
1><br />
1><br />
5><br />
1><br />
<br />
1><br />
PATH - ANALYSIS - example of results<br />
1><br />
4><br />
1><br />
aquarium<br />
<br />
1><br />
on the technical competence of<br />
the stand staff which with<br />
complicated products and services<br />
which need a high level of<br />
explanation cannot really be<br />
checked<br />
Competitive Competitive Competitive analysis analysis (visual<br />
(visual<br />
audits): audits): neutral neutral observers observers analyse<br />
analyse<br />
the the competition<br />
competition<br />
Fairs provide one of the best<br />
opportunities for competitive<br />
analysis since there on the spot<br />
not only can current products and<br />
so lutions be analysed but also the<br />
main competitors'marketing mix<br />
in terms of communications<br />
prices and distribution<br />
The opportunities this provides<br />
are usually underestimated The<br />
true situation is that often the<br />
monitoring of the competition is<br />
reduced to two or three members<br />
of the staff dashing over to the<br />
stands of the competition just<br />
shortly before the fair closes and<br />
collecting some brochures<br />
The company is therefore leaving<br />
important opportunities<br />
unexploited which would benefit<br />
from a more professional<br />
<br />
<br />
7><br />
web-terminals picture gallery<br />
5><br />
information 2<br />
information stand 2<br />
4> 4><br />
approach: within the framework<br />
of avisual audit" as it is called a<br />
fully briefed neutral observer with<br />
relevant experience is despatched<br />
into the halls with a previously<br />
prepared checklist Using this<br />
checklist the performance at the<br />
fair of the various exhibitors is<br />
documented analysed compared<br />
and assessed (usually the most<br />
important of the client's<br />
competitors) The objective of this<br />
competitive analysis is to assess<br />
the performance of the individual<br />
firms from the point of view of an<br />
(objective) third party in terms of<br />
key message content and type of<br />
presentation as well as of the<br />
activities on the stand<br />
The task is to determine how the<br />
performance of the client at the<br />
fair is assessed in relative terms<br />
(see Fig ) The results of this<br />
analysis which are usually<br />
supplemented with a<br />
comprehensive record using still<br />
photos and videos help the client<br />
to develop a detailed<br />
understanding of the marketing<br />
communications of his<br />
competitors as well as to optimise<br />
his own performance at the fair<br />
8><br />
exit<br />
Conclusion<br />
Conclusion<br />
Fairs have a unique position in the<br />
marketing mix For many<br />
companies particularly in capital<br />
goods industries they are without<br />
doubt the most important<br />
marketing tool The high costs of<br />
exhibiting at a fair mean though<br />
that careful choices planning and<br />
monitoring of performance at the<br />
fair are necessary This requires:<br />
defining the objectives for<br />
exhibiting at the fair<br />
measuring whether these<br />
objectives were met and<br />
analysing the results of the<br />
evaluation of whether<br />
performance was satisfactory and<br />
assessing them in terms of<br />
exhibiting at future fairs<br />
For this purpose a range of<br />
research tools are available which<br />
can make it possible to measure<br />
the success of performance at the<br />
fair in both quantitative and<br />
qualitative terms These research<br />
tools are still being used far too<br />
infrequently part of the reason<br />
for which is that there is certainly<br />
far too little understanding of the<br />
wide range of modern research<br />
tools which are available for<br />
measuring the success of<br />
exhibiting at a trade fair<br />
Finally to return to the subject of<br />
costs: a systematic assessment of<br />
the performance at a trade fair<br />
using the research tools described<br />
above naturally costs money But<br />
in comparison to the total costs of<br />
participating in a trade fair which<br />
depending on the size of the<br />
stand can easily reach a six digit<br />
Euro figure the costs of the<br />
research at three to five per cent<br />
of total fair costs are relatively<br />
small But if the costs can provide<br />
wellbased answers as to whether<br />
a fair does the business and on<br />
how exhibiting at fairs in future<br />
can be optimised then the costs<br />
are more than justified<br />
BRAND BRAND BRANDEQUITY BRAND<br />
79