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import your database with mobile<br />

numbers construct the message<br />

and click ‘<strong>send</strong>’<br />

The system is flexible and comes<br />

with options You may choose to<br />

communicate with female<br />

customers only make changes to<br />

the database at your time<br />

compose messages and change it<br />

anytime <strong>send</strong> messages at a<br />

predetermined date and time<br />

Happy birthday!<br />

But the topofmind issue is<br />

perhaps cost given that some of<br />

these services and their<br />

possibilities may seem<br />

overwhelming to the uninitiated<br />

A basic module from MNC<br />

requires an investment of RM<br />

and a monthly fee of RM The<br />

package comes with free<br />

SMS messages Anything more<br />

and the meter chugs along at <br />

to cents per SMS<br />

‘Numerous retailers use our<br />

system as well Their data is<br />

maintained on excel format The<br />

information can be imported into<br />

our module and the usual is done<br />

to <strong>send</strong> messages’ explained<br />

Jasmine<br />

And of late the increasing interest<br />

in interactive solutions has MNC<br />

spoton in the arena ‘TV<br />

commercials aid brand exposure<br />

while interactive is more tactical<br />

and can be used to make TVCs<br />

work harder and deliver’ said<br />

Jasmine<br />

For instance a graphical<br />

embedded in a TVC may<br />

encourage viewers to SMS to a<br />

number (or short code) for a mini<br />

recipe or vote for their favorite<br />

artist or receive health tips and so<br />

on The possibilities seem limitless<br />

but creativity is called for to take<br />

advantage of opportunities<br />

24 BRAND BRANDEQUITY<br />

BRAND<br />

‘One of our tools ‘ GO!ITV’ helped<br />

viewers to chat on TV during<br />

Euro ’ said Jasmine<br />

Times are certainly going to<br />

change and brand builders need to<br />

be up to speed about them<br />

Jasmine explained that MMS or<br />

multimedia messaging services is<br />

the area that is set to explode<br />

‘SMS accounts for of<br />

business generated within the<br />

mobile marketing environment<br />

By the end of the year we expect<br />

this to be : in favor of MMS<br />

And with MMS we are already<br />

talking about realtime classified<br />

ads picture catalogues and more’<br />

said Jasmine<br />

Perhaps its about time brand<br />

builders asked themselves if they<br />

are up to speed on the limitless<br />

possibilities offered by the mobile<br />

marketing environment<br />

Jasmine can be contacted at<br />

jasmine@mnccommy


Financial Financial Services<br />

Services<br />

* Consumers can access their bank<br />

accounts anywhere anytime<br />

* Transfer funds between<br />

accounts request for cheque<br />

book status<br />

* Get daily account notifications<br />

balances and recent transactions<br />

* Cross sell products by offering<br />

text quotes to customers<br />

* Keep customers informed on<br />

progress of mortgage<br />

applications<br />

* Inform customers of monthly or<br />

annual premium amounts<br />

* Drive customers to their web<br />

site<br />

* Keep customers energised with<br />

regular text to win competitions<br />

Car Car Car Dealers Dealers / / Manufacturers Manufacturers /<br />

/<br />

Service Service Centres<br />

Centres<br />

* Car ready for collection<br />

* Service reminders<br />

* Courtesy/thank you messages<br />

* Questionnaire followup<br />

* Sales lead generation<br />

* Part in stock<br />

* Tyres are probably due to be<br />

changed now<br />

Real Real Estate Estate / / Property Property Agencies<br />

Agencies<br />

* Buyers can SMS to obtain<br />

additional information anytime<br />

* Agencies can dedicate precious<br />

time to a genuinely interested<br />

public<br />

* Alert services are ideal for clients<br />

looking for investment<br />

properties<br />

* Potential buyers will be able to<br />

view property in a relatively<br />

short period of time by simply<br />

A Sampling of Mobile Marketing<br />

Possibilities by Industry<br />

(Supplied by MNC Wireless)<br />

stating what they are looking<br />

for their budget and if and when<br />

a property corresponding to<br />

their requirements comes onto<br />

the market they will<br />

automatically be informed via<br />

SMS giving brief details of the<br />

property<br />

* The system will automatically<br />

revert with lots of info about the<br />

house that’s available<br />

* Send customised SMS and<br />

images to your targeted buyers<br />

right away!<br />

Recruitment Recruitment Recruitment Agencies<br />

Agencies<br />

* Within a few minutes of a job<br />

being made available a text to<br />

top candidates inviting them to<br />

apply can be sent<br />

* Send new Job alerts<br />

* Database cleansing eg ‘Are you<br />

still looking for work? To receive<br />

instant text alerts for future<br />

positions reply ‘job’ to this text<br />

and we’ll keep you informed of<br />

all the latest opportunities’<br />

* Day to day client contact<br />

* Drive applicants to web site to<br />

apply for positions online<br />

Hospitals<br />

Hospitals<br />

* Remind patients about routine<br />

outpatient and scan<br />

appointments<br />

* Sexual health clinics allowing<br />

patients to get advice without<br />

having to talk facetoface about<br />

sensitive issues including<br />

abortion contraceptives and<br />

sexually transmitted infections<br />

* Hospital can use SMS to protect<br />

its staff members If they are on<br />

house calls and they don’t<br />

respond to an automatically<br />

generated text message within<br />

a certain amount of time an<br />

alarm is raised<br />

* Doctor can <strong>send</strong> daily SMS<br />

update especially for intensive<br />

care unit cases where patient’s<br />

designated contact relative<br />

receive information about<br />

patient’s condition how he or<br />

she was responding to<br />

treatment and what tests were<br />

scheduled later in the day if any<br />

* Patients can schedule<br />

appointments and reserve out<br />

patient service in advance<br />

through SMS They can then<br />

visit the doctor at the reserved<br />

date and time<br />

* Doctors can cut down waiting<br />

times for medical results by text<br />

messaging to communicate with<br />

patients<br />

Leisure Leisure Sector<br />

Sector<br />

* Text alerts Send text bulletins<br />

and offers to existing customers<br />

* Text clubs Create a text club<br />

that offers members special<br />

offers bulletins and unique<br />

benefits<br />

* Text to win competitions <br />

Enhance response to your<br />

campaigns by offering text to<br />

win prizes<br />

BRAND BRAND BRANDEQUITY BRAND<br />

25


GO!SMS(tm)<br />

GO!SMS(tm)<br />

A DIY SMS marketing tool that<br />

includes<br />

* SMS Broadcast for <strong>send</strong>ing mass<br />

SMS messages anytime or in a<br />

recurrent manner with<br />

personalised messages or brand<br />

your SMS messages by replacing<br />

the short code with your brand<br />

name<br />

* SMS Mailbox to receive and<br />

automatically manage all<br />

information sent by your<br />

customers The info can be<br />

personal details contest entries<br />

* SMS IOD to provide customers<br />

with information / via an<br />

informationondemand service<br />

such as movie schedules<br />

26 BRAND BRANDEQUITY<br />

BRAND<br />

The MNC<br />

Repertoire<br />

GO!ITV(tm)<br />

GO!ITV(tm)<br />

A cost effective measurable and targeted<br />

SMS marketing tool that enables<br />

viewers<br />

* Post their opinions on air via<br />

SMS<br />

* Vote their favorite music videos<br />

* Support their favorite game<br />

shows<br />

* Participate in contests<br />

* Take part in fully animated<br />

interactive games<br />

GO!CPA(tm)<br />

GO!CPA(tm)<br />

A SMS gateway solution that allows<br />

aspiring content providers to start<br />

lucrative premium SMS businesses<br />

without the need to manage the<br />

complexities of connecting to the mobile<br />

network operators’ billing infrastructure<br />

GO!CONTENT GO!CONTENT SUITE(tm)<br />

SUITE(tm)<br />

An ASPbased (application service<br />

provider) content management platform<br />

that enables content developers without<br />

technology knowhow to embark on a<br />

mobile content and services business


By Seelen Sakran<br />

THE HOLY GRAIL THESE DAYS<br />

in marketing communications is<br />

the ability to provide onestop<br />

marketing solutions for the clients<br />

business problem that maximises<br />

business results and return on<br />

investment Chicago<br />

headquartered Arc Worldwide’s<br />

(Arc) believes it has the answer<br />

In fact this marketing services<br />

company aligned with advertising<br />

powerhouse Leo Burnett<br />

Worldwide recently established<br />

its AsiaPacific office in down town<br />

KL to initiate its combined<br />

Multidisciplinary<br />

ROI-centric<br />

Communications<br />

Arc Worldwide rolls out a slew of<br />

communication disciplines to deliver<br />

potent results for aspiring brands<br />

marcom (marketing<br />

communications) specialist<br />

services offering<br />

These are event and promotional<br />

management direct marketing<br />

interactive marketing and Shopper<br />

Marketing all under one roof<br />

Arc’s AsiaPacific President<br />

Charles Cadell who is also Leo<br />

Burnett Malaysia’s CEO feels that<br />

the Arc model is the solution<br />

‘Separated or siloed specialist<br />

marketing companies are the<br />

current model but this model is<br />

broken Clients are looking for<br />

integrated marketing solutions<br />

that utilise all the required contact<br />

points and this is best served by a<br />

company that has all the<br />

specialists working under one roof<br />

against a central objective and a<br />

central idea’<br />

Cadell went on to point out that<br />

Arc is the only company in the<br />

world to offer such specialised<br />

Charles Charles Charles Charles Charles Cadell Cadell Cadell<br />

Cadell Cadell<br />

services together ‘Specialisation<br />

should not mean separation but<br />

unfortunately for most Clients it<br />

does Fundamentally successful<br />

marketing is a result of great ideas<br />

brilliantly executed through the<br />

range of required contact points<br />

Having this centrally managed and<br />

controlled ensures a maximisation<br />

and efficiency in Client budgets as<br />

well as a greater control over the<br />

end product<br />

Perhaps most important is the<br />

BRAND BRAND BRANDEQUITY BRAND<br />

27<br />

ContemporaryCommunications


examples and case studies of best<br />

practice ‘But we also rely on<br />

them’ he adds ‘In the marketing<br />

services field the best ideas can be<br />

globally shared and quickly<br />

reapplied and we ensure that<br />

each month we track and share the<br />

world’s best examples in each of<br />

the disciplines across all our<br />

offices’<br />

Arc is no new kid on the block<br />

however It has been formed by<br />

taking global specialist entities in<br />

DM Promotions Shopper and<br />

Interactive and merging them<br />

together They boast over <br />

Clients across Asia Pacific with<br />

centres of excellence in Singapore<br />

28 BRAND BRANDEQUITY<br />

BRAND<br />

Australia Malaysia Philippines<br />

and Taiwan<br />

Cadell believes there is immense<br />

opportunity for Clients to<br />

maximise the collection of their<br />

marketing spends ‘I find it strange<br />

that while Asia Pacific boasts the<br />

best media platforms and<br />

emergent technology available<br />

we so rarely ever see world class<br />

integrated campaigns come from<br />

Asia instead it is the US and<br />

Europe that are lauded The big<br />

ideas here seem to be so often one<br />

dimensional for the majority of<br />

marketers such as TV print and<br />

maybe a promotion and some<br />

interactive But few are really<br />

using all contacts points to make<br />

the big ideas come alive and<br />

taking it all the way down to the<br />

store level’<br />

‘A truly integrated approach in<br />

engaging customers across all<br />

contact points is where the<br />

opportunity lies and we feel Arc is<br />

able to accomplish this The<br />

changes that are going to affect us<br />

all as marketers in the next few<br />

years are going to be tremendous<br />

old rules will cease to apply We<br />

all need to buckle up for the ride<br />

ahead’<br />

Cadell cites some examples of the<br />

changing world ‘We now know<br />

that if given a choice teenagers<br />

would rather have a mobile phone<br />

than a television We know that<br />

over of all SMS marketing<br />

messages are read and a reponse<br />

rate of approximately is<br />

common We know that some<br />

internet sites and brands are more<br />

trusted by their customers than<br />

their own family (Google /<br />

Amazon / ebay) and we know that<br />

approximately of all purchase<br />

decisions in the FMCG category<br />

are made in store We know a lot<br />

the question is what are we as<br />

marketers doing about it since the<br />

implications are enormous for<br />

how we should be talking to our<br />

customers’<br />

Cadell is especially excited in the<br />

Shopper Marketing discipline a<br />

new concept to many Asian<br />

markets but a discipline that is of<br />

vast focus in the US and England<br />

Cadell explains that with Shopper<br />

Marketing Arc is able to help<br />

marketers turn shoppers into<br />

profitable brand buyers<br />

‘The potential is enormous’ he<br />

says ‘Marketers in the FMCG<br />

category on average spend about<br />

of their total marketing<br />

budget in the trade This may be<br />

on promotions discounting or<br />

simply buying facings Yet they<br />

have virtually no idea how this<br />

money is working for them Take<br />

this against the say they may<br />

spend on Television advertising<br />

that is often researched and<br />

measured to death and it makes no<br />

sense There is an art and a science<br />

to understanding the customer in<br />

the store environment and<br />

ensuring all elements of the mix<br />

are syncronised to get our product<br />

in the basket versus our<br />

competitors This is what Arc<br />

offers through our Shopper<br />

Marketing specialists’<br />

Why? Cadell further explains ‘The<br />

research is staggering in this field<br />

Product advertising plays a very<br />

very small role in the actual<br />

purchase decision when that<br />

customer gets in front of that<br />

shelf There is a very discrete path<br />

to purchase that a consumer<br />

treads in each of the different<br />

retail environments and<br />

communication must be adapted<br />

at each point of the way This<br />

requires good understanding and<br />

insights of the shopper the<br />

category they are buying in and<br />

the retail store type’<br />

Cadell believes that Malaysia is still<br />

relatively young with only about


of trade is done via the<br />

modern trade ‘However if you<br />

look at the retail explosion in<br />

Shopping centres especially in<br />

Kuala Lumpur there is much to be<br />

done Shopper marketing is not<br />

just about working with products<br />

to promote in store it is also about<br />

working with retailers to improve<br />

store layout and design to<br />

maximise total sales’<br />

“There is still much to be done in<br />

Malaysia The shopper ‘experience’<br />

which is so vital for sale<br />

maximisation is poorly understood<br />

as a discipline We work with<br />

Carrefour WalMart Tescos and<br />

Sainsburys on a global basis as well<br />

as doing store design for the likes<br />

of McDonalds Even while they are<br />

the largest in their fields they also<br />

have much to learn’<br />

‘I find Shopper Marketing the most<br />

interesting To garner the insights<br />

we conduct our own independent<br />

research using in store cameras<br />

and home interviews of shoppers<br />

pre and post shop and it is<br />

fascinating The stark differences<br />

in how we all shop dependent on<br />

age sex and outlook is deeply<br />

human and for most people the<br />

choices and actions are hidden<br />

deep within the subconscious It is<br />

more a study of psychology than<br />

marketing’ he notes<br />

Incidentally Cadell has been<br />

working with Leo Burnett for the<br />

last years covering various<br />

markets and positions including<br />

group brand director brand<br />

management director in Bangkok<br />

and Hong Kong His clients<br />

included both multinational and<br />

local companies across the Asia<br />

Pacific region such as McDonald’s<br />

Procter & Gamble and Kellogg’s<br />

Cadell started his career in London<br />

in where he has worked with<br />

Kraft Pepsi and Mercedes Benz<br />

Currently Arc has more than <br />

employees in offices in <br />

countries In Malaysia its smart<br />

partnership with Leo Burnett has<br />

culminated in clients such as<br />

Malaysia Airlines Petronas<br />

McDonald’s YTL Corporation<br />

Procter & Gamble and Bumiputra<br />

Commerce Bank<br />

Virgin Credit Card<br />

Arc Arc in in Australia Australia delivers delivers for for Virgin’s Virgin’s new new credit<br />

credit<br />

card card with with a a bang<br />

bang<br />

OBJECTIVE<br />

OBJECTIVE<br />

To generate accounts<br />

within months at $ Cost Per<br />

Account The singleminded focus<br />

was to acquire new accounts at a<br />

minimal cost per acquisition<br />

STRATEGY<br />

STRATEGY<br />

It was crucial to monitor and<br />

adjust all the communication<br />

mediums in order to maximise<br />

reach and efficiency to meet the<br />

set objectives<br />

BRAND BRAND BRANDEQUITY BRAND<br />

29


This involved:<br />

* Testing all elements of<br />

communication prior to roll out<br />

* Monitoring all activities to<br />

ensure that the cost per account<br />

did not exceed $<br />

* Adjusting media and channel<br />

scheduling targeting and<br />

creative work on a weekly basis<br />

as the campaign unfolded<br />

WORK<br />

WORK<br />

An integrated campaign was<br />

launched using DM television<br />

press & magazine inserts and<br />

radio Each piece of<br />

communication carried a strong<br />

and compelling call to action<br />

Work maintained Virgin’s brand<br />

values (irreverent humour) while<br />

ensuring a strong sell The concept<br />

employed took tongueincheek<br />

approach to elicit the interest of<br />

the target audience<br />

RESULTS<br />

RESULTS<br />

a) Business<br />

The launch of the Virgin Credit<br />

Card succeeded across all media<br />

* TV beat objectives by <br />

* Press by <br />

* Mail results by <br />

Campaign targets were exceeded<br />

by with over cards<br />

issued in the first months<br />

To paraphrase the Virgin Money<br />

Managing Director ‘another<br />

amazing milestone <br />

customers; the fastest rate of<br />

growth ever for a new card in<br />

Australia; the most successful <br />

month period for any card ever<br />

with two months to spare and no<br />

previous customer base!’<br />

30 BRAND BRANDEQUITY<br />

BRAND<br />

b) Industry<br />

* John Caples International<br />

First Prize<br />

* Echo Direct Marketing<br />

Diamond Award Campaign of<br />

the Year<br />

* Echo Direct Marketing<br />

Gold Award<br />

* ADMA DM Grand Prix<br />

* / Australian DM<br />

Awards<br />

* Media Asia <strong>Brand</strong><br />

Effectiveness Best Idea<br />

* Cannes Gold Lions (x)<br />

Direct Marketing<br />

* Won Report Most<br />

Awarded Global DM Campaign


<strong>Brand</strong>Law<br />

By Benjamin J Thompson<br />

THIS ARTICLE WHICH WILL BE<br />

the final article on copyright we<br />

will continue examining the<br />

boundaries of protection afforded<br />

by Copyright law to better<br />

understand how copyright can be<br />

used to protect your brand<br />

identifiers or product features<br />

How much of a person’s work can<br />

you imitate or adapt without<br />

actually infringing their<br />

copyright? To further understand<br />

let’s look at just a few of the<br />

exceptions under the Copyright<br />

Act in more detail<br />

Copyright<br />

Consequences<br />

32 BRAND BRANDEQUITY<br />

BR BRAND BRAND BR BRAND<br />

AND ANDEQUITY<br />

AND<br />

Presenting the ninth in a<br />

series for defending<br />

brand value right from<br />

creation<br />

&<br />

Exception Exception Exception <br />

<br />

“fair dealing for the purposes of<br />

nonprofit research private study<br />

criticism review or the reporting<br />

of current events SUBJECT to the<br />

condition that if such use is public<br />

it is accompanied by an<br />

acknowledgement of the title of<br />

the work and its authorship<br />

What is ‘fair’ dealing? As can be<br />

imagined this is a very subjective<br />

term The factors which are often<br />

taken into account in deciding if<br />

an action falls into the ambit of the<br />

exception are:<br />

The purpose and character of<br />

the dealing eg was it used for<br />

nonprofit research or one of<br />

the other purposes set out in<br />

the Copyright Act?


* Whether it is of a commercial<br />

nature or for nonprofit<br />

educational use eg was it<br />

used by a trainer to avoid<br />

having to make his own<br />

materials for a seminar or used<br />

by a study group at a university<br />

for one of their study sessions?<br />

* The nature of the copyright<br />

work eg literary work artistic<br />

work musical work etc;<br />

* The amount and substantiality<br />

of the parts taken eg were<br />

many quotations taken or was<br />

it just a single but definitive part<br />

of the work which was taken?<br />

* The effect of the dealing on the<br />

work eg did it impact the<br />

value of the work or the ability<br />

of the copyright owner to<br />

profitably deal with it<br />

subsequently; and<br />

* The availability of the work in<br />

the market eg was it<br />

something widely available or a<br />

work that was out of<br />

circulation?<br />

Similarly other terms such as<br />

“private study” have been<br />

interpreted according to the<br />

circumstances of each case<br />

One other thing must be borne in<br />

mind An exception does not arise<br />

just because a particular industry<br />

practice or custom has for many<br />

years ignored copyright<br />

That means even if you think that<br />

no one in your industry has been<br />

sued for copyright infringement<br />

despite a particular method of<br />

dealing with the works of third<br />

parties it does not mean that their<br />

use is excusable or accepted ‘fair<br />

dealing’<br />

It could be copyright<br />

infringement and if you are<br />

unfortunate enough to be sued for<br />

unauthorised use in this manner<br />

it will not matter that ‘everyone<br />

else is doing it’<br />

Exception Exception <br />

<br />

“the doing of any of the acts <br />

by way of parody pastiche or<br />

caricature”<br />

‘Parody’ is defined in the dictionary<br />

as ‘a composition in which the<br />

characteristic turns of thought and<br />

phrase of an author are mimicked<br />

and made to appear ridiculous<br />

especially by applying them to<br />

ludicrously inappropriate subjects’<br />

Obviously since a parody is based<br />

on or derived from an existing<br />

work to come within the scope of<br />

the exception the new work must<br />

indeed fulfil the quality of a<br />

parody If not it will not be able<br />

to claim the exception and the<br />

work will be an infringement<br />

Exception Exception Exception <br />

<br />

“the reproduction and<br />

distribution of copies of any<br />

artistic work permanently situated<br />

in a place where it can be viewed<br />

by the public”<br />

If you recall from the previous<br />

articles artistic works include<br />

graphic works photographs<br />

sculptures buildings and works of<br />

artistic craftsmanship This<br />

exception therefore allows any<br />

one to say take photographs of<br />

the Twin Towers or the Mona Lisa<br />

painting (assuming it is<br />

permanently situated in a place<br />

where it can be viewed by the<br />

public) and sell those photographs<br />

without reference to the owners<br />

of the copyright<br />

So we can see from the above that<br />

there are specific areas into which<br />

a person’s copyright will not<br />

extend As an owner of a brand<br />

identifier protected by copyright<br />

it is important for you to know<br />

which exceptions apply to your<br />

own case<br />

If you have a situation and would<br />

like to know whether you fall into<br />

any of the exceptions under the<br />

Copyright Act it is a good idea to<br />

get the advice of a copyright<br />

lawyer<br />

He will be able to provide you with<br />

definite advice after performing<br />

research on the way Courts have<br />

interpreted the application of the<br />

exceptions in situations such as<br />

yours<br />

We shall commence discussion on<br />

a new topic on how to protect<br />

your brand identifiers or product<br />

features in our next instalment<br />

EDITOR’S EDITOR’S EDITOR’S NOTE:<br />

NOTE:<br />

We apologize for the error in last<br />

issue’s article which resulted in the<br />

article being wrongly headed<br />

“Protecting Industrial Designs” The<br />

actual title which appeared correctly<br />

in the index was “Copyright &<br />

Consequences” We apologize to<br />

readers for the confusion it may have<br />

caused<br />

NOTE:<br />

NOTE:<br />

This article is merely intended to<br />

create awareness of Intellectual<br />

Property rights It should not be relied<br />

on without the benefit of specific<br />

advice from an Intellectual Property<br />

practitioner Logos and graphics<br />

displayed are for illustrative and<br />

educational purposes only and are the<br />

Intellectual Property of their<br />

respective owners<br />

Ben Thompson is a Registered<br />

Trademark Patents & Industrial<br />

Designs Agent<br />

Feedback is welcome at<br />

brandlaw@thompsoncommy<br />

Readers who would like the column to<br />

discuss particular <strong>Brand</strong>law issues are<br />

welcome to write in<br />

BRAND BRAND BRANDEQUITY BRAND<br />

33


The Proof of<br />

the Pudding<br />

By Salim Khubchandani<br />

WHEN ASKED TO COMMENT ON<br />

the subject we Direct Marketers<br />

invariably end up talking about the<br />

fact that it is ‘measurable’ This is<br />

indeed one important<br />

characteristic of Direct which also<br />

makes it such an interesting<br />

subject and a science<br />

For soon after the communication<br />

has gone out we wait with bated<br />

breath to receive the responses<br />

and evaluate the success of the<br />

program dissect and analyze the<br />

results to try and improvise for<br />

subsequent programs<br />

Marketers on the other hand often<br />

comment on it being ‘too<br />

expensive’ This perception of<br />

Marketers on numerous occasions<br />

has been corrected once the<br />

results are available and the<br />

programs’ success has been<br />

measured<br />

This article tries to look at some<br />

of the various parameters and<br />

metrics for measurement of Direct<br />

Marketing programs and<br />

highlights the importance of such<br />

parameters for different<br />

programs can be measured<br />

differently for success depending<br />

on the objectives<br />

Depending on the objective of the<br />

program there can be various<br />

parameters towards measuring its<br />

success More importantly<br />

unfortunately while it is not often<br />

practiced it helps greatly to<br />

outline action standards or<br />

program measurement metrics<br />

before commencement of the<br />

exercise<br />

This helps to evaluate the degree<br />

of success of the program as<br />

against methods that may have<br />

been practiced before the program<br />

was executed<br />

For example in the case of a Bto<br />

B program wherein the sales force<br />

may have been making cold calls<br />

as a part of the sales process the<br />

role or objective of the program<br />

may be to actually support sales<br />

in their job and generate qualified<br />

leads for them In such a case it<br />

would help immensely to do a<br />

calculation of the current cost per<br />

lead through the cold calling<br />

process<br />

This does require the organization<br />

to do a fair bit of number<br />

crunching by taking into account<br />

average time spent before a lead<br />

is generated and costing out the<br />

time However the effort and<br />

time taken does pay off in the long<br />

run<br />

Once we have the ‘cost per lead’<br />

generated through the cold calling<br />

process when embarking on a<br />

Direct approach we already have<br />

a benchmark set which needs to<br />

be bettered in order to claim<br />

success for the Direct Marketing<br />

exercise And metrics agreed as<br />

part of the brief even helps the<br />

agency in its strategic<br />

recommendations with regard to<br />

the media vehicles offer etc<br />

In evaluating the strategy and<br />

before embarking on the program<br />

one obviously then takes the<br />

approach which is most efficient<br />

BRAND BRAND BRANDEQUITY BRAND<br />

35<br />

RelationshipMarketing


with regards to the ‘cost per lead’<br />

metric Where the program uses<br />

various media vehicles or offers to<br />

achieve what it had set out to do<br />

and in such cases we can test the<br />

various messages media or offers<br />

and determine what works better<br />

through the measurement<br />

metrics<br />

Just as we have discussed cost per<br />

lead as a possible parameter<br />

above there are several other<br />

metrics for measuring the success<br />

of Direct Marketing programs<br />

Cost per conversion: Often the<br />

role of the Direct program could<br />

extend towards conversion In<br />

such cases it helps to take into<br />

account the cost towards the<br />

offer fulfillment costs etc to<br />

ultimately arrive at the cost for<br />

each conversion<br />

Once we have the cost for each<br />

conversion comparing this or<br />

calculating what percentage it<br />

forms of the cost or contribution<br />

of the product we can actually see<br />

for ourselves whether it makes the<br />

program worthwhile and whether<br />

the product would be able to<br />

support the program<br />

Cost per Member and Lifetime<br />

Value: The latter part of the<br />

Relationship Marketing Cycle<br />

deals with retention and<br />

development of acquired<br />

customers Loyalty programs are<br />

one of the more commonly used<br />

tools towards retention whilst<br />

there may also be other methods<br />

at hand<br />

As discussed in one of the earlier<br />

articles loyalty is not a ‘one night<br />

stand’ and needs to be looked at<br />

from a more long term<br />

prospective In such a case<br />

obviously the investments<br />

required may be substantial and<br />

it is best to ascertain them even<br />

before embarking on the loyalty<br />

36 BRAND BRANDEQUITY<br />

BRAND<br />

journey We therefore evaluate<br />

the total cost of the program over<br />

a period of time and also the cost<br />

per customer retained or cost per<br />

member<br />

This could even dictate the<br />

strategy to a great extent whereby<br />

the numbers may go to indicate<br />

segmentation of customers as<br />

heavy medium or light with<br />

different levels of investments and<br />

approaches for the three different<br />

types of customers In fact in case<br />

of a segment of retained<br />

customers being seen as non<br />

profitable over a period of time<br />

exit or ‘leavethemalone’<br />

strategies may be charted out<br />

In evaluating whether it is worth<br />

embarking on a retention<br />

program the ‘cost per member’<br />

metric may not be considered in<br />

isolation An additional important<br />

factor to be taken into account is<br />

the customer’s ‘Lifetime Value’ To<br />

arrive at the lifetime value of the<br />

customer we take into account<br />

estimated value of consumption<br />

over a reasonable period of time<br />

based on realistic consumption<br />

patterns<br />

Furthermore should there be<br />

opportunities to crosssell across a<br />

basket of products from the same<br />

brand or manufacturer it may be<br />

reasonable to even take into<br />

account additional consumption<br />

values out of the crosssell to<br />

determine the Lifetime Value<br />

Comparing the cost per member<br />

metric against lifetime value gives<br />

a much better idea as an indicator<br />

whether the retention program<br />

appears feasible or not<br />

As emphasized earlier the<br />

measurement criteria is largely<br />

dictated by the objectives of the<br />

program and the role that Direct<br />

is to achieve Importantly the<br />

results must be measured in the<br />

right context to help ascertain<br />

whether the activity has delivered<br />

For example cost per member<br />

seen in isolation and in absolute<br />

terms may appear high but needs<br />

to be measured in comparison to<br />

the lifetime value before a<br />

judgement is made whether it<br />

appears high or low<br />

The above are only some of the<br />

more standard parameters and<br />

there could be numerous other<br />

metrics towards measuring the<br />

success of programs It is indeed<br />

most appropriate if these<br />

parameters and their action<br />

standards can be agreed upon at<br />

the commencement of the<br />

program<br />

It must be borne in mind that there<br />

are several intangibles that a<br />

Direct Marketing program could<br />

impart through a<br />

communication’s strategy and the<br />

various contact points<br />

Having the action standards<br />

however sets a finite goal post as<br />

ultimately in Direct we often<br />

proclaim that the proof of the<br />

pudding lies in its eating<br />

Salim Khubchandani is a<br />

Relationship Marketing<br />

practitioner with almost two<br />

decades of experience in the<br />

field both with clients as<br />

well as agencies<br />

Currently Salim runs his<br />

own outfit and is<br />

contactable at<br />

salim@myontargetcom or


<strong>Brand</strong> Ambassador It’s<br />

All<br />

In The Stars<br />

By Seelen Sakran<br />

JUST FLIP THE NEWSPAPERS<br />

Chances are you will get to see<br />

local actresses like Joanna Bassey<br />

or singers like Siti Nurhaliza on its<br />

pages in various sensational poses<br />

Not the fact that their pretty faces<br />

splashed across the pages raises an<br />

eyebrow or two but the fact that<br />

they have become the latest icons<br />

or buzz themes to products as<br />

brand ambassadors<br />

38 BRAND BRANDEQUITY<br />

BRAND<br />

‘<strong>Brand</strong>ing is after all, a mind game. A<br />

brand, whether it is a product or country<br />

brand is a collection of perceptions. This<br />

is why he feels brand ambassadors in<br />

general are worth investing in’<br />

So what is the fuss about this new<br />

rising trend among our local or<br />

international product<br />

manufacturers on brand<br />

ambassadors?<br />

In actuality the fuss is not about<br />

their faces per se but rather if the<br />

huge amounts of ringgit spent on<br />

them is worth the return on<br />

investment for these companies?<br />

Or even if it is worth the<br />

investment does the brand<br />

ambassador’s face make any<br />

difference or creates value for the<br />

product such that a consumer<br />

wants to purchase the product<br />

without questions asked? Or<br />

does a star’s appearing on<br />

behalf of more than one<br />

product have a negative<br />

effect on the products<br />

itself? Or if a star falls<br />

into scandal does it affect<br />

the product brand itself?<br />

<strong>Brand</strong> <strong>Equity</strong> magazine<br />

takes a look at the<br />

issues at hand<br />

Incidentally in trying<br />

to find out how much does it cost<br />

to sponsor a brand nobody is<br />

telling but it is believed stars like<br />

Nurhaliza can easily command a<br />

cool RM million for becoming a<br />

brand ambassador of a particular<br />

product What is the then the<br />

contract duration of a brand<br />

ambassador for a particular<br />

product? It’s usually for two years<br />

In any case ‘before one addresses<br />

the issues at hand about brand<br />

ambassadors one has to look at the<br />

concept of branding itself and how<br />

it is a major force in making or<br />

breaking a product’ says Hong<br />

Kongbased Victor Jeffery the<br />

chief executive officer (CEO) of<br />

Superbrands International a<br />

leading independent arbiter on<br />

branding in an interview with<br />

<strong>Brand</strong> <strong>Equity</strong> magazine<br />

He could be right because multi<br />

national corporations place so<br />

much emphasis on brand<br />

management Some countries


even go to the extent of<br />

establishing brand councils to<br />

oversee the promotion of products<br />

of a country ‘<strong>Brand</strong>ing is after all<br />

a mind game A brand whether it<br />

is a product or country brand is a<br />

collection of perceptions This is<br />

why he feels brand ambassadors in<br />

general are worth investing in’<br />

notes Jeffery<br />

Perhaps also as to why Bharat<br />

Avalani communication channel<br />

manager with Unilever Malaysia<br />

Holdings Sdn Bhd the Anglo<br />

Dutch headquartered company<br />

that is all too familiar with the<br />

concept of branding views brand<br />

ambassadors as crucial in brand<br />

building<br />

On the question of the right<br />

candidate as an ambassador for a<br />

product Avalani adds ‘it is<br />

important that the brand<br />

ambassador is relevant to the<br />

(particular) brand There should be<br />

a good connection between the<br />

brand ambassador the brand<br />

essence and (ultimately and<br />

importantly) the consumer itself<br />

I am also of the belief that the<br />

brand ambassador should be<br />

uniquely associated with the<br />

brand eg Tiger Woods &<br />

Accenture a global management<br />

consulting and technology<br />

services company’<br />

‘Stars have always endorsed Lux<br />

Credibility is important Both the<br />

brand and the brand ambassador<br />

should complement each other<br />

and not dilute the image of each<br />

other’ adds Avalani<br />

So far Unilever Malaysia has had<br />

its Lux soap well represented by<br />

many local stars Over the years<br />

local singercumactress like Amy<br />

Mastura to Erra Fazira have been<br />

chosen to be the ambassador for<br />

Lux products<br />

Kenneth Lim creative director<br />

with CD Advertising agrees with<br />

Avalani by saying ‘the fit must be<br />

right A good example is Maxis<br />

Communications Bhd’s Hotlink<br />

prepaid service with the singers of<br />

Astro’s Akademi Fantasia You<br />

have young radiant singers who<br />

are mobile hip and they quite<br />

nicely promote a mobile service<br />

which is popular with the young<br />

these days’<br />

Lim opines a bad case of a brand<br />

ambassador would be with<br />

Nurhaliza promoting Samsung<br />

liquid crystal display computer<br />

monitors ‘Her fans are varied<br />

some are even staying in non<br />

urban areas or small towns What<br />

difference would it make to them<br />

if Nurhaliza epitomises the<br />

product the product might be out<br />

of their pocket’s reach in the first<br />

place’<br />

To which Alex Lim creative<br />

director at Leo Burnett<br />

Advertising feels likewise ‘It all<br />

depends how a particular brand<br />

uses the ambassador The<br />

ambassador should encapsulate<br />

the particular brand and create<br />

value for it If done well the brand<br />

ambassador will work wonders for<br />

the brand A consumer is no fool<br />

He will know when a brand<br />

ambassador has failed a product’<br />

says Lim of Leo Burnett<br />

But having said this Superbrand’s<br />

Jeffery feels sometimes there is no<br />

such thing as a perfect fit all the<br />

time for a particular product He<br />

cites the example of Jackie Chan<br />

‘Does he represent Hong Kong<br />

itself? It’s just that he is popular<br />

action hero globally and he has<br />

been chosen to represent his<br />

country That’s all!’<br />

Jeffery does have a point Consider<br />

Shell Malaysia’s brand<br />

ambassadors an oddly row of<br />

ambassadors consisting of TV<br />

personality Asha Gill and Datuk<br />

Michael Chong the Malaysian<br />

Chinese Association’s Public<br />

Complaints’ Bureau chief<br />

On the issue of a brand<br />

ambassador’s ‘downfall’ having an<br />

effect on the product Leo Burnet’s<br />

Lim explains our companies<br />

cannot blindly follow like what is<br />

happening in Hollywood ‘If a<br />

company happens to choose a<br />

wrong ambassador and if<br />

something goes wrong with his or<br />

her personal life the brand goes<br />

down the drain as well’ Case in<br />

point: If Michael Jackson were to<br />

endorse a product what would<br />

become of that product now?<br />

Food for thought!<br />

Lim adds a good example of a<br />

company that chooses the right<br />

BRAND BRAND BRANDEQUITY BRAND<br />

39


‘‘<br />

people is Nike which selects only<br />

top notch sportsmen and<br />

sportswomen<br />

Similarly TAG Heuer watches’<br />

ambassadors include Tiger Woods<br />

Formula One drivers Kimi<br />

Raikkonnen and David Coulthard<br />

an assortment of Bollywood<br />

movie stars and Malaysia’s perky<br />

itgirl Asha Gill who have<br />

propelled the brand and lent it an<br />

aesthetic ruggedness and flair to<br />

its name<br />

As Tag Heuer’s regional financial<br />

controller Woo Mun Hoo said the<br />

40 BRAND BRANDEQUITY<br />

BRAND<br />

Lim adds a good<br />

example of a<br />

company that<br />

chooses the right<br />

people is Nike Nike Nike which<br />

selects only top<br />

notch sportsmen and<br />

sportswomen<br />

celebrities are chosen for their<br />

commitment to excellence and a<br />

willingness to surpass themselves<br />

On the issue of a brand<br />

ambassador representing more<br />

than one noncompeting brand<br />

while the general feedback is that<br />

it does not really matter<br />

Unilever’s Avalani has this to say:<br />

‘It is quite common to see brand<br />

ambassadors in Malaysia<br />

endorsing many brands across a<br />

wide category This creates<br />

confusion in the mind of the<br />

consumers As a result it also<br />

creates wastage of money to the<br />

company’ In the final analysis as<br />

Superbrand’s Jeffery says there is<br />

a bright future for brand<br />

ambassadors with consumers<br />

becoming more discerning these<br />

days<br />

In fact it may even go onestep<br />

further Like at USbased<br />

Honeywell a manufacturer of civil<br />

and military avionics and other<br />

aerospace products integrator<br />

and also service provider which<br />

states in its annual report that<br />

every employee is a brand<br />

ambassador in itself At Honeywell<br />

generations of Honeywell<br />

employees have built its powerful<br />

brands with their hard work spirit<br />

of innovation passion for quality<br />

and commitment to customers<br />

Perhaps as to why USbased<br />

management guru Dr Janelle<br />

Barlow says with sufficient<br />

training human resource<br />

departments can develop staff as<br />

a strategic element for branding<br />

and business success and become<br />

a company’s best branding tool<br />

One thing is for certain This move<br />

would certainly save a company a<br />

couple of million ringgit!


CustomerLoyalty<br />

AUTHOR’S NOTE: THIS PIECE IS<br />

the first in a series of articles that<br />

takes a critical look at some of the<br />

commonly held beliefs about<br />

customer loyalty which are often<br />

based on conflicting notions and<br />

inconsistent reasoning The goal<br />

is to gain a clear understanding of<br />

the why’s and how’s of the<br />

evolution of these myths and to<br />

bring out the realities behind<br />

them<br />

Truly Loyal<br />

Customers<br />

do not Have<br />

to be Bought!<br />

Myth: Companies should do the<br />

most for their most loyal<br />

customers<br />

Many companies in a wide variety<br />

of industries have what are known<br />

as ‘loyalty programs’ This practice<br />

which is based on rewarding<br />

frequent buyers started with the<br />

airline industry almost two<br />

decades ago was then adopted by<br />

other members of the travel<br />

industry such as hotels and rental<br />

cars has now spread to industries<br />

ranging from telecommunications<br />

to retail trade<br />

42<br />

BRAND BRANDEQUITY<br />

BRAND<br />

By Matt Hasan PhD<br />

Although each industry’s program<br />

has its nuances the basic structure<br />

is common to all of them: award<br />

miles or points to customers based<br />

on their ‘spend’ Almost all of them<br />

allow customers to earn rewards<br />

at a higher rate by achieving<br />

higher levels of usage such as silver<br />

and gold or premier and elite etc<br />

The foundation for these<br />

programs is the myth that<br />

providers should do the most for<br />

their most loyal customers<br />

The first issue that needs<br />

clarification in this myth is what<br />

is meant by customer loyalty since<br />

the term is used quite loosely and<br />

takes on a wide range of meanings<br />

As used in this context loyalty<br />

means that a customer continues<br />

to do business with a company<br />

The second issue that needs to be<br />

looked at is that the myth seems<br />

to be implying that customers<br />

have to be rewarded at increasing<br />

rates to keep them loyal to the<br />

company This contradicts the<br />

meaning of the word loyalty<br />

which is an unconditional and<br />

unwavering attachment to


Author Author Bio<br />

Bio<br />

Dr Matt Hasan is Managing Principal at Sigillum Corporation a New<br />

Jersey USA based management and technology consulting firm focusing<br />

on customer centric enterprise transformation Prior to Sigillum he held<br />

various marketing and CRM positions at Deloitte Consulting AT<br />

Kearney IBM and AT&T For more information on this and related topics<br />

he can be reached via email: mhasan@sigillumcorporationcom<br />

mhasan@sigillumcorporationcom<br />

mhasan@sigillumcorporationcom<br />

mhasan@sigillumcorporationcom<br />

mhasan@sigillumcorporationcom<br />

something In plain language if it<br />

has to be bought it is not loyalty!<br />

Some might say that the issue is<br />

one of semantics There is some<br />

merit in that When providers<br />

make statements like ‘we value<br />

and reward our loyal customers’<br />

they are trying to reinforce a<br />

positive trait and elicit desirable<br />

action from the customer<br />

On the face of it this would be fine<br />

if it was simply an issue of<br />

semantics with no repercussions<br />

for making effective business<br />

decisions Unfortunately that is<br />

not the case Companies are<br />

allocating substantial resources to<br />

reward ‘loyalty’ in customers<br />

which is actually incenting the<br />

opposite behavior Customers<br />

who stay for rewards also leave<br />

for rewards Only the ante keeps<br />

rising!<br />

To gain an understanding of the<br />

seriousness of the above<br />

mentioned phenomenon one<br />

needs only to look at the state of<br />

the oldest of the ‘loyalty<br />

programs’ ie those offered by<br />

the airlines When the first<br />

frequent flyer program was<br />

introduced it was a probably a<br />

source of differentiated value for<br />

the passengers of that airline It<br />

may have incented some<br />

customers to make that airline<br />

their carrier of choice<br />

This however had nothing to do<br />

with the loyalty of customers The<br />

frequent flyer program was just<br />

another desirable product<br />

attribute And as every other<br />

airline started their programs the<br />

initial differentiating value<br />

disappeared and the quest for<br />

‘loyal’ customers became a contest<br />

based on the reward structure eg<br />

number of miles required to<br />

redeem awards types of awards<br />

available number and type of<br />

program partners etc<br />

When customers’ demand for<br />

redeeming awards reached a point<br />

where the airlines could not meet<br />

them restrictions such as blackout<br />

dates and designated flights with<br />

award seats were imposed To wit<br />

the chances that a program<br />

member will get an award seat on<br />

a flight to a desirable destination<br />

at a convenient time is very slim<br />

This is tantamount to giving with<br />

one hand and taking away with<br />

the other<br />

In fact most of these programs are<br />

dormant financial time bombs; if<br />

every program member demanded<br />

everything they are promised by<br />

the program at the same time<br />

these programs would be<br />

completely overwhelmed and may<br />

have no other option but to shut<br />

down The essence of all of this is<br />

that the ‘loyalty programs’ have no<br />

relation to customer loyalty and<br />

are neither good for customers nor<br />

the providers<br />

In order to have true loyalty<br />

programs companies need to<br />

establish winwin relationships<br />

with each customer based on an<br />

understanding of their internal<br />

loyalty intensity In this approach<br />

the most loyal customers are the<br />

ones with the highest inherent<br />

propensity to stay with their<br />

current provider<br />

Research including mine has<br />

shown that this internal loyalty<br />

intensity can be measured via the<br />

application of appropriate<br />

statistical and neural methods on<br />

carefully defined and compiled<br />

customer attribute data<br />

This propensity is based on their<br />

internal attributes consisting of<br />

psychoeconomicdemographic<br />

characteristics for consumers and<br />

culturetraditionhistory<br />

structure characteristics for<br />

businesses The complex inter<br />

relationships between these<br />

characteristics determine the<br />

implicit cost of switching for any<br />

given customer<br />

The higher the implicit switching<br />

cost the more likely it is that that<br />

customer will continue to do<br />

business with the current provider<br />

From this it follows that<br />

customers who are intrinsically<br />

most loyal need the least amount<br />

of rewards or incentives from their<br />

provider<br />

So the reality is that companies<br />

have to do the least for their most<br />

loyal customers!<br />

In order for ‘loyalty programs’ to<br />

be truly effective companies<br />

should determine the inherent<br />

loyalty propensity of each<br />

customer and allocate rewards to<br />

them on the basis of their ‘true<br />

worth’ which is calculated from<br />

their loyalty intensity score<br />

lifetime revenue stream and all<br />

direct and indirect costs incurred<br />

in serving them<br />

BRAND BRAND BRANDEQUITY BRAND<br />

43


MarketResearch<br />

Tracking <strong>Brand</strong><br />

Performance<br />

By R Venkateswaran<br />

THE KEY DRIVER OF THIS PIECE<br />

has everything to do with brand<br />

owner behavior of the weighty<br />

type; in particular the types that<br />

are tracking the performance of<br />

their brand repertoire<br />

44<br />

BRAND BRANDEQUITY<br />

BRAND<br />

Steve Steve Steve Steve Steve Murphy Murphy Murphy Murphy Murphy<br />

The tracking concerns deliverables<br />

that goes beyond the ubiquitous<br />

bottomline Rather it’s about the<br />

value that the brand has earned in<br />

the customer’s mind<br />

Enter Synovate a research firm<br />

that operates on the maxim<br />

A A research<br />

research<br />

agency agency with<br />

with<br />

extended extended arms<br />

arms<br />

offers offers a a potent<br />

potent<br />

tool tool to to track<br />

track<br />

brand brand equity<br />

equity<br />

‘Research Reinvented’ But there’s<br />

this aboveboard logic to the name<br />

Synovate; and it has a lot to do<br />

with two key drivers against which<br />

its repertoire of research services<br />

are delivered to clients Synergy<br />

and Innovation


<strong>Brand</strong> <strong>Equity</strong> met up with Steve<br />

Murphy the managing director of<br />

Synovate Malaysia who<br />

articulated his views on<br />

‘<strong>Brand</strong>Vision’ a tool that measures<br />

brand value and performance over<br />

time<br />

<strong>Brand</strong> <strong>Brand</strong> Vision<br />

Vision<br />

The core of <strong>Brand</strong>Vision includes<br />

a fully integrated brand and<br />

advertising research program<br />

which provides comprehensive<br />

and actionable insights tailored to<br />

the market and the brand<br />

The tool traverses four paths of<br />

measurement during a given<br />

phase and these are implemented<br />

in ways that work best for each<br />

brand building organization<br />

The paths include brand<br />

assessment which measures the<br />

strength of the brand’s equity and<br />

customer relationships using a<br />

variety of proven techniques<br />

image analysis which is the<br />

consumer’s perception of a<br />

particular brand and competitive<br />

brands and communications<br />

evaluation which evaluates<br />

exposure memorability and<br />

clarity of advertising and non<br />

advertising market<br />

communications thus helping<br />

companies to determine if the<br />

intended message has reached the<br />

right audience in addition to its<br />

general impact<br />

The last of the four paths is<br />

ongoing tracking which<br />

incorporates key inmarket<br />

performance indicators of brand<br />

awareness usage and satisfaction<br />

When all of these are done over a<br />

period of time the data collected<br />

will deliver a proven result on the<br />

impact of the brand in the<br />

consumer’s minds<br />

Putting this continuous tracking<br />

mechanism in place enables the<br />

company to have a pulse on the<br />

market at the same time getting<br />

indepth feedback from the<br />

advertising arena on all various<br />

media It is designed to indicate<br />

what works and what doesn’t<br />

Methodology<br />

Methodology<br />

Methodology<br />

When a <strong>Brand</strong>Vision project is<br />

commissioned all key areas such<br />

as brand awareness awareness of<br />

TV advertising association of<br />

image with the brand are factored<br />

in a questionnaire that is<br />

developed in partnership with a<br />

client<br />

According to Steve typically <br />

respondents are interviewed per<br />

week which aggregates to <br />

per year Since the data is primarily<br />

quantitative the output provides<br />

macro as well as micro level<br />

details Generally the sample is<br />

The Momentum Engine<br />

identifies the customers with the most potential to increase their<br />

spending. And shows you how to reach them.<br />

relatively broad but usually<br />

reflective of users / potential users<br />

of the relevant sector<br />

A comparison is done on a month<br />

tomonth basis against the same<br />

profile of people but not the same<br />

respondents This according to<br />

Steve Murphy gives a more<br />

accurate picture of the brand and<br />

sector dynamics over specific<br />

timeframes which would not be<br />

the case if members of the same<br />

panel were interviewed<br />

throughout the year<br />

Tools Tools of of of the the the trade<br />

trade<br />

The Momentum Engine is an<br />

important part of <strong>Brand</strong>Vision<br />

enabling brands to identify high<br />

potential customers as well as<br />

coax them to purchase This tool<br />

adds a powerful dimension to<br />

brand equity research which is<br />

the ‘potential to purchase’<br />

The success of the Momentum<br />

Engine stems from the fact that it<br />

BRAND BRAND BRANDEQUITY BRAND<br />

45


is grounded in empirical studies of<br />

decision making patterns and is<br />

effective across all cultures and<br />

countries<br />

By providing companies a<br />

roadmap to harness customers’<br />

potential it helps to translate<br />

research into an effective sales<br />

strategy<br />

Impact Impact of of <strong>Brand</strong>Vision<br />

<strong>Brand</strong>Vision<br />

<strong>Brand</strong>Vision<br />

While the results of the<br />

research does not always<br />

reconcile with the actual<br />

sales figures at that<br />

moment in time key<br />

performance indicators<br />

can place the financial<br />

results into context and<br />

are often indicative of<br />

future sales trends As<br />

Steve succinctly put it<br />

‘The Voice of the<br />

Customer does not<br />

automatically tally<br />

with the financial<br />

results but is a key<br />

indicator of the<br />

brand’s health<br />

nevertheless’<br />

The continuous<br />

nature of the<br />

tracking over<br />

time remains a<br />

key reason for<br />

the success of Synovate’s<br />

<strong>Brand</strong>Vision Trend lines can be<br />

drawn from accumulated data<br />

giving instant feedback at any<br />

point in time The tracking<br />

mechanism also facilitates future<br />

projections crucial for companies<br />

planning their sales and marketing<br />

well ahead<br />

Local Local Presence resence<br />

A significant number of local<br />

brand custodians have taken<br />

positively to brand tracking<br />

measurement systems across all<br />

sectors Many of the leading<br />

46 BRAND BRANDEQUITY<br />

BRAND<br />

It’s taken a lot of resources to position your<br />

brand where it is today.<br />

And where exactly is that<br />

companies in Malaysia have<br />

already subscribed to Synovate’s<br />

brand tracking service<br />

In promoting <strong>Brand</strong>Vision in the<br />

Malaysian market place Steve<br />

Murphy opines that ‘Malaysian<br />

companies are refreshingly open<br />

about management issues and<br />

they share a great deal of<br />

information with their research<br />

partner In fact they are more<br />

open about bringing a research<br />

agency as part of their core<br />

decision making process than<br />

many other markets in Asia’<br />

As a wide spectrum of sectors <br />

including fmcg petroleum<br />

financial telecommunications and<br />

automotive embrace the practice<br />

of concerted market research it is<br />

apparent that tracking brand<br />

performance is becoming a key<br />

task that brand building firms will<br />

increasingly subscribe to


SME<strong>Brand</strong>ing<br />

ADVERTISE! PROMOTIONS! SELL! ADVERTISE! PROMOTIONS! SELL!<br />

a typical business war cry from SMEs in trying to outwit each other and their<br />

competitors to gain larger marketshare for themselves In a highly<br />

commoditized price sensitive less affluent less service and product quality<br />

conscious markets these strategies have high probabilities to succeed<br />

However the markets have changed since then<br />

INCREASING<br />

MARKETSHARE AND<br />

PROFIT MARGINS:<br />

SALES-CENTRED TO<br />

BRAND-CENTERED<br />

COMPANY<br />

Business and consumer<br />

communities are more sensitive<br />

towards brands and are more in<br />

touch with themselves above the<br />

fundamental levels of the Maslow<br />

Hierarchy These markets used to<br />

exist in pockets within our<br />

community; today they thrive and<br />

will continue to make their<br />

presence felt in the future<br />

Therefore the way companies<br />

approach marketshare building<br />

must also change to be relevant to<br />

the markets they served<br />

Businesses and consumers are now<br />

willing to pay more to own<br />

products and services that are<br />

branded which allow them to own<br />

a share of novelty that they<br />

perceived difficult to be valued<br />

48<br />

BRAND BRANDEQUITY<br />

BRAND<br />

purely in monetary terms Some of<br />

these novelty can come from the<br />

point of owning a piece of a legacy<br />

to become part of the affluent<br />

community to improve self<br />

esteem to have felt that he/she<br />

has done his/her part in<br />

contributing to a cause and many<br />

more<br />

All of these are branding<br />

dimensions that are not part of the<br />

traditional saledriven dimensions<br />

of a business product or service<br />

Therefore companies need to<br />

focus on more branddriven<br />

strategies to building marketshare<br />

than to compete with each other<br />

like ‘pasar malam’ stalls out to gain<br />

the attention of their customers in<br />

order to succeed in the new Asian<br />

By Cseng Lim<br />

and global marketsThere are<br />

differences between salesdriven<br />

approaches compared to brand<br />

driven approaches<br />

<strong>Brand</strong> strategies are more pull<br />

driven than pushdriven but this<br />

principle is not hard cast in stone<br />

for every products services or<br />

situations<br />

<strong>Brand</strong> strategies are also more<br />

aligned founded and guided<br />

within the context of structured<br />

brand identities and qualities<br />

compared to traditional pull<br />

marketing The following table<br />

describes the difference between<br />

salesdriven approaches compared<br />

to branddriven approaches to<br />

building marketshare:


Common Marketing<br />

Startegy<br />

Advertising<br />

Without a doubt the branded<br />

approaches to building market<br />

share are far more complex and<br />

requires high level of strategic and<br />

implementation capabilities than<br />

common salesdriven approaches<br />

In the branded approach we are<br />

looking beyond just realizing sales<br />

and securing marketshare but<br />

Advertises the products or services<br />

being sold directly to the market.<br />

The typical ‘Buy Me’ persuasion<br />

spread all over the ad piece<br />

PR ‘No need lar’ Waste of money<br />

Positioning<br />

Pricing<br />

People and Selling<br />

Approaches<br />

Sales Business Process<br />

Merchandising and Store<br />

Atmospherics<br />

Distribution<br />

Packaging and<br />

Aesthetics<br />

Sales-Driven Approach <strong>Brand</strong>-Driven Approach<br />

‘No need lar’; The product / service<br />

is sure to sell since we are the<br />

cheapest and customers need<br />

it anyway.<br />

We are the cheapest in town and<br />

will continue to offer the cheapest<br />

price so that we can realize sales.<br />

Price = Cost + Profit<br />

Sales people trying to make a living<br />

off sales commission.<br />

‘Anything Goes’ policy for sale<br />

approaches.<br />

“What does it have to do with<br />

building market share or selling?”<br />

Customers buy, we invoice then we<br />

collect - that is the process.<br />

So long as they are a lot of varieties<br />

for customers to choose and cosy<br />

atmosphere will do just fine.<br />

Products are distributed in any<br />

channel at any locale so long it<br />

ended up in sales.<br />

So long as it is presentable.<br />

No need to spend money on this.<br />

more importantly to protect the<br />

market share that have been built<br />

by establishing barriers for<br />

competitors<br />

These barriers are not just prices<br />

product/service features size of<br />

distribution channels alone but<br />

also constitute emotional<br />

Leverage on a association startegies to co-brands<br />

brand identities, and others brand elements to<br />

create a total brand appeal.<br />

Instead of selling the product / service the ads<br />

sells the value or the ads sells the value or<br />

the brand image.<br />

‘Be Apart of Me’ or ‘I am You’ is the more<br />

common form of persuasion spread found in a<br />

typical ad piece.<br />

PR Events are organized to allow markets to get<br />

to know and experience the brands.<br />

These events are typically not designed to<br />

realize sales but to position the products or<br />

services or company.<br />

Clearly set out brand proposition being offered<br />

that is beyond just price. The brand proposition<br />

takes into account a clear positioning<br />

compared to its competitors.<br />

Our pricing represents our customers’<br />

experiential, social and psychological value<br />

statement.<br />

Price = Cost + Profit + Psychological Value +<br />

Experiential Value + Innovation Value<br />

Sales people represent the living elemeent of the<br />

brand and there are guidelines to be followed,<br />

style to go, training to undergo and<br />

professionalism to approaching customers.<br />

Customer Lifetime Value matters! <strong>Brand</strong>s invest<br />

heavily in knowing how their customers<br />

are segmented, who are the profitable ones<br />

and plans are put in place to keep them<br />

coming back.<br />

A well designed process that takes into account<br />

the total branded sales process from the<br />

customers’ first contact with the brand right<br />

through to actual sales experience then further<br />

to post sales loyalty management.<br />

Carefully designed merchandising plans that are<br />

locale-specific and invest in the branded<br />

atmospheric experience guided by the brand’s<br />

identities.<br />

Distribution channels are carefully assessed based<br />

on several criteria but the more important<br />

criteria are chnnel profitability and<br />

brand-channel association relevance.<br />

Customer experince and emotional<br />

attachment is important. Packaging and<br />

aesthetics are designed to deliver the<br />

brand image.<br />

psychological and experiential<br />

barriers that are harder to be<br />

copied and transcended by<br />

competitions<br />

<strong>Brand</strong>driven strategies in building<br />

marketshare are not just efforts to<br />

satisfy quarterly sales<br />

performance and accountability to<br />

shareholders They are efforts that<br />

BRAND BRAND BRANDEQUITY BRAND<br />

49


uild and seal the market from its<br />

competitors and provide<br />

opportunities for the company to<br />

increase profits by selling<br />

intangible values to the products<br />

or services be it emotional<br />

psychological or experiential to its<br />

customers<br />

For a branddriven business<br />

marketshare can no longer be<br />

define in generic terms which<br />

many SMEs still practices An<br />

example: A machinery<br />

manufacturer will probably define<br />

its market as any manufacturing<br />

industries that use the types of<br />

equipment manufactured by the<br />

company Thus its goal is to own<br />

the largest marketshare in those<br />

manufacturing industries<br />

For a branddriven business<br />

marketshare has to be<br />

characterised by the following<br />

factors:<br />

50 BRAND BRANDEQUITY<br />

BRAND<br />

Profitability per percentage<br />

share of the market<br />

<strong>Brand</strong> power that it can gain<br />

per percentage share of the<br />

market; <strong>Brand</strong> power are<br />

powers that will strengthened<br />

the brand in the market and<br />

offers the brand leverage to<br />

move up or expand outside its<br />

existing market An example of<br />

a brand power is pricing<br />

premium<br />

Probability of success that the<br />

brand can become the icon /<br />

point of reference for the<br />

market An easy way to assess<br />

this situation is to ask ourselves<br />

whether the segment market<br />

has already an established<br />

benchmark brand or de facto<br />

brand<br />

Thus the marketshare for a brand<br />

driven business is strategically<br />

oriented to ensure that the brand<br />

not only profits considerably from<br />

its share but also sets itself as the<br />

identity for the market It is no<br />

longer purely about how much we<br />

own but also how strongly we<br />

plant ourselves in the market as<br />

well as how profitable we can<br />

become<br />

A real business example to<br />

illustrate what we have talked<br />

about is the markets owned by<br />

Apple and Microsoft respectively<br />

It is common understanding that<br />

Apple users will never or very<br />

unlikely switch to become a loyal<br />

Windows user simply because<br />

Apple owned seal and plant itself<br />

as the icon of the market it served<br />

Apple is able to sell not only to<br />

loyal Apple users but also<br />

Windows users high value<br />

products such as the successful<br />

iPod With the new Mini Mac<br />

Apple is beginning to encroach on<br />

the Windows marketshare by<br />

offering competitively priced<br />

product that offers the unique<br />

Apple brand experience and<br />

values<br />

Another consideration for<br />

marketshare is margins earned<br />

from sales There is little point in<br />

owning a large market share but<br />

only realized small profit margins<br />

from it compared to another<br />

competitor that owns smaller<br />

market share but profits<br />

considerably from its share With<br />

higher profits the competitor has<br />

far more cash and thus power to<br />

encroach and build its market<br />

share at the expense of its<br />

competitors<br />

High margin per unit sale cannot<br />

be readily realized by depending<br />

on lowering cost (simply because<br />

there is only so much one can<br />

lower) features and other<br />

tangibles related to the product or<br />

services being sold Nonbrands<br />

can never justify a higger price to<br />

command high margin no matter<br />

how beautiful is their<br />

advertisement and how extensive<br />

their sales promotions are High<br />

margins is only possible when the<br />

company is selling intangibles <br />

value propositions of the brand<br />

the brand’s image the brand’s<br />

associative values the experience<br />

the customer emotional social<br />

and selfconnections etc<br />

The catch to achieve that is<br />

companies must first realize the<br />

difference between selling a<br />

product and selling a brand<br />

Secondly companies must have<br />

the knowhow to define the brand<br />

Thirdly they must be able to<br />

design and implement a<br />

systematic brand management<br />

processes to support and deliver<br />

the brand in the market And<br />

fourthly they must be able to<br />

measure its performance from<br />

many angles apart from sales<br />

performance alone<br />

SMEs must move away from a<br />

salecentered company to become<br />

a brandcentered company in<br />

order for them to find success for<br />

their company in the current<br />

market The truth is that not every<br />

company will become as successful<br />

as a Samsung or Sony but to<br />

achieve success as a powerful and<br />

strong local ‘Samsung’ or ‘Sony’ is<br />

far more gratifying than becoming<br />

just another unknown constantly<br />

struggling with pricing profit<br />

margins and managing<br />

competitions<br />

Cseng Lim is the Managing Director of<br />

EAST & URBAN Sdn Bhd a <strong>Brand</strong><br />

Systems Company that assists Malaysian<br />

companies to implement<br />

businesssensible operationallycentred<br />

and pragmatic branding solutions that<br />

meet their brand building objectives<br />

All comments are welcome and can be<br />

directed to info@easturbancom


Personal<strong>Brand</strong>ing<br />

BUSINESS IS BECOMING MORE<br />

and more competitive Small<br />

Business is the fastest growing<br />

segment of business in most parts<br />

of the world And thanks to the<br />

internet your competitors are no<br />

longer just the businesses down<br />

the street<br />

They are the businesses in the next<br />

town the next country and even<br />

on the next continent So as the<br />

leader of a small business how do<br />

you succeed in a dynamic world of<br />

52<br />

BRAND BRANDEQUITY<br />

BRAND<br />

by William Arruda<br />

<strong>Brand</strong>ing is the hottest concept in marketing today<br />

and it’s an idea that is not just for the deeppocketed<br />

highly glossed CocaColas and Nikes of the world An<br />

increasing number of independentbusiness owners are<br />

embracing branding as the guiding philosophy for<br />

building their companies<br />

Small Small Business Business <strong>Brand</strong>ing:<br />

<strong>Brand</strong>ing:<br />

The Personal<br />

increasing complexity with a much<br />

larger set of competitors? The<br />

answer seems too easy to be true:<br />

Be Yourself<br />

To succeed with your small<br />

business and keep it on the right<br />

track use your personal brand <br />

your unique promise of value<br />

Because in the world of small<br />

business the corporate <strong>Brand</strong> is<br />

the personal brand of its leaders<br />

These brands are inextricably<br />

linked You need only look at<br />

successful entrepreneurs like Ben<br />

and Jerry Richard Branson and Bill<br />

Gates to see that entrepreneurial<br />

ventures take on the values and<br />

passions of their leaders<br />

According to Nation’s Business<br />

<strong>Magazine</strong> “<strong>Brand</strong>ing is the hottest<br />

concept in marketing today and<br />

it’s an idea that is not just for the<br />

deeppocketed highly glossed<br />

CocaColas and Nikes of the world<br />

An increasing number of<br />

independentbusiness owners are


embracing branding as the guiding<br />

philosophy for building their<br />

companies”<br />

Being true to your personal brand<br />

ensures that your business stays<br />

on course and remains highly<br />

differentiated and valuable to<br />

your target market Christopher<br />

Ginisty Managing Director of the<br />

Communications Firm Rumeur<br />

Publique says “Buyers are putting<br />

their trust not only in a company<br />

but in the leaders of that company<br />

For small businesses the leaders<br />

are often even more important It<br />

is critical to ensure that the leaders<br />

are an integral part of the<br />

corporate communications<br />

strategy and that their personal<br />

Connection.<br />

brands are clear relevant and<br />

accurate”<br />

Building your business around<br />

your brand also enables you to<br />

obtain the highest level of<br />

satisfaction and fulfillment from<br />

your hard work The first and most<br />

important step in brand building<br />

involves uncovering your unique<br />

promise of value<br />

This helps you to identify what is<br />

truly important to you what<br />

makes you unique and what values<br />

will drive your business decisions<br />

Understanding your true personal<br />

brand enables you to stay on<br />

target with your business and<br />

make strategic and tactical<br />

decisions that are consistent with<br />

::: ::: About About William William Arruda Arruda :::<br />

:::<br />

Dubbed the ‘Personal <strong>Brand</strong>ing Guru’ by the media and clients alike<br />

William Arruda works with individuals and organizations to build<br />

strong memorable brands Combining his years of international<br />

branding expertise with his passion for people he founded Reach<br />

(http://wwwreachcccom)<br />

(http://wwwreachcccom)<br />

(http://wwwreachcccom) (http://wwwreachcccom)<br />

(http://wwwreachcccom) the world’s first branding consultancy<br />

focused on the human side of branding William has appeared on<br />

BBC TV the Discovery Channel and Radio America He has published<br />

numerous articles in publications ranging from the Wall Street<br />

Journal to the brandchannelcom and he has written for the<br />

American Marketing Association the Chartered Institute of<br />

Marketing and PR News William is also author of the upcoming<br />

personal branding book BulletProof Your Career He is a member<br />

of the International Coach Federation holds a Master’s Degree in<br />

Education and speaks regularly to audiences around the world<br />

your values your passions and<br />

your goals<br />

Once you have a clear<br />

understanding of your<br />

differentiation and its relevance to<br />

your ideal target audience you can<br />

build a brand communications<br />

plan to get your message out to<br />

those who will make your business<br />

a success These communications<br />

need only be focused on your<br />

target market If your target<br />

market is everyone in the world<br />

you will need a communications<br />

budget the size of Coca Cola’s<br />

That’s why focus is the key<br />

Although it seems counter<br />

intuitive the smaller you make<br />

your target market the greater<br />

your chances of success<br />

Like with all strong brands once<br />

you have established an authentic<br />

and differentiated brand that is<br />

relevant to your target audience<br />

you must ensure that all aspects<br />

of your business are reinforcing<br />

this brand message Developing<br />

brand guidelines that clearly<br />

describe what is on and offbrand<br />

for your business will help guide<br />

you as your business grows<br />

So when developing a branding<br />

strategy for your small business<br />

take a good look at your personal<br />

brand And through the clear and<br />

consistent expression of your<br />

unique promise of value your<br />

business will thrive<br />

BRAND BRAND BRANDEQUITY BRAND<br />

53


ShopperTrends<br />

AM BARRY OOI THE<br />

executive director of ACNielsen’s<br />

retail measurement services took<br />

the floor at a conference hall of a<br />

leading hotel to address over <br />

seasoned marketing professionals<br />

from various fmcg categories<br />

ACNielsen organizes such regular<br />

meetings to deliver updates about<br />

happenings in the Malaysian<br />

shopping environment The<br />

intention is to share top line<br />

54<br />

BRAND BRANDEQUITY<br />

BRAND<br />

Malaysian<br />

Shopping Habits<br />

ACNielsen’s tracking activities gives a bird’s eye view of<br />

shopping trends & nuances in <br />

Steve Steve Steve Steve Steve Mitchell Mitchell Mitchell Mitchell Mitchell (MD) (MD) (MD) (MD) (MD) & & & & & Barry Barry Barry Barry Barry Ooi Ooi Ooi Ooi Ooi<br />

findings about shopper behavior<br />

as well as supplementary<br />

information that impacts key<br />

elements of brand building<br />

The data was obtained from face<br />

toface interviews with <br />

households located across all<br />

major towns in Peninsula M’sia<br />

that has hypermarket presence<br />

Target respondents were from all<br />

races and included both genders<br />

aged between and <br />

Results were categorised into<br />

sections that include spending<br />

behavior profile of shoppers as<br />

well as channel trends<br />

Spending Spending Trend Trend & & & Profile Profile of<br />

of<br />

Shoppers<br />

Shoppers<br />

* Shoppers are spending more on<br />

grocery and household<br />

shopping mainly as a result of<br />

higher disposable income In<br />

particular consumers spent<br />

more on groceries; an increase<br />

of was recorded<br />

* A higher proportion () is<br />

spent on groceries household<br />

and personal care products in<br />

comparison to fresh foods<br />

* A third within a household<br />

claim that they play an<br />

influential role in the shopping<br />

decision dynamics As such<br />

influencers need to be given<br />

importance in planning brand<br />

communications<br />

* Household and grocery items<br />

are no longer the domain of<br />

women; males are actively<br />

participating in household<br />

purchase decisions


Trade Trade Sector Sector Purchase Purchase Purchase Behavior Behavior Behavior & &<br />

&<br />

Private Private Label Label Label Trend<br />

Trend<br />

* Shoppers have increased their<br />

frequency of visits across all<br />

channel types More store<br />

openings and proximity of<br />

location to home accounts for<br />

the mix of retail establishment<br />

visits<br />

* Consumers spend most of their<br />

shopping money at<br />

Hypermarkets and<br />

Supermarkets; fuelled by the<br />

opportunity to ‘bulk buy’<br />

* Higher income consumers<br />

spend most of their money at<br />

Hypermarkets and<br />

Supermarkets Traditional<br />

outlets get their highest share<br />

ofspend from the lower income<br />

group Therefore offering the<br />

appropriate product line across<br />

channels is important to<br />

maximize sales and inventory<br />

efficiency<br />

* There are shopper profile<br />

differences between<br />

Hypermarkets Personal Care<br />

stores and Convenience outlets<br />

For instance the Chinese<br />

community accounts for <br />

of sales of personal care<br />

products within the modern<br />

trade The to age group<br />

become the group to target for<br />

convenience stores ( of all<br />

age groups) Therefore<br />

matching brand profile against<br />

the channel profiles will<br />

enhance brand relevance and<br />

distribution efficiency<br />

* Private Labels are gaining in<br />

popularity even though its<br />

share position is still small And<br />

incidences of buying private<br />

label brands is higher at<br />

Hypermarkets and<br />

Supermarkets as compared to<br />

Personal Care stores<br />

Health Health Health Health Health Diet Diet & & & Exercise<br />

Exercise<br />

* The Malaysians’ selfperception<br />

of dietmost believe that they<br />

adopt a healthy diet<br />

* They are concerned about food<br />

safety and their purchase<br />

decisions are influenced by it<br />

* Malaysian’s approach to health<br />

is through eating ‘healthy’ and<br />

less through exercise A<br />

significant majority do not<br />

exercise regularly<br />

* A significant percentage at<br />

about rarely or never<br />

consume health supplements<br />

* A majority are not planning to<br />

lose weight; those that harbor<br />

the desire offered cutting back<br />

on fats sugars and chocolates<br />

as the preferred options<br />

Channel Channel & & Price Price Trend<br />

Trend<br />

* Hypermarkets and<br />

supermarkets are the fastest<br />

growing trade channel<br />

However brand builders can’t<br />

undermine the importance of<br />

traditional stores and in<br />

particular provisions stores A<br />

dual distribution system is<br />

required for adequate market<br />

coverage<br />

* Food prices are on an increase<br />

whereas nonfood categories<br />

are showing lower prices In<br />

addition it remains tough to<br />

impose higher prices on normal<br />

regular items Innovation is<br />

needed to justify higher prices<br />

On the whole consumer<br />

sentiments remain positive despite<br />

lower GDP growth Yet the battle<br />

for mind space through<br />

advertising is getting intense with<br />

higher spending<br />

Barry specifically pointed out that<br />

strong brands backed by higher<br />

investment in brand<br />

communications are able to<br />

command high levels of<br />

spontaneous awareness<br />

He also pointed out that the<br />

average number of households in<br />

Malaysia is Average<br />

household spend remains at<br />

RM That delivers RM<br />

Billion; which is the size of the<br />

Malaysian grocery market<br />

BRAND BRAND BRANDEQUITY BRAND<br />

55


BRAND BRAND BRANDEQUITY BRAND<br />

57


MediaSpecialist<br />

The Media<br />

By Seelen Sakran<br />

TAPPING INTO A NICHE<br />

market That is what Images<br />

Corporation Sdn Bhd is all about<br />

Having given birth last year this<br />

little company is all gungho about<br />

its foray into outdoor advertising<br />

via a concept called directional<br />

road signage<br />

And the man behind all this<br />

excitement is none other than<br />

Hassan who has been given the<br />

moniker Mr Media Owner by<br />

some people in the industry to<br />

which he shrieks and says ‘scary’<br />

In fact Hassan is so optimistic<br />

about this business that he<br />

believes that this venture will rake<br />

in a turnover of RM a board<br />

58<br />

BRAND BRANDEQUITY<br />

BRAND<br />

Maverick<br />

At an average of boards a<br />

month being placed in KL alone it<br />

would amount to RM But<br />

Hassan is not resting on his laurels<br />

He has other plans as well He<br />

intends to conquer the nation with<br />

at least boards a month<br />

translating that to about RM<br />

million<br />

So has Hassan reinvented the<br />

wheel then with this new<br />

venture? ‘Not quite exactly’<br />

comes his reply I am only<br />

exploring an option that has not<br />

been fully tapped into’ Hassan<br />

feels there is a huge market out<br />

there to tap into ‘All the market<br />

needs is a bit of education They<br />

have been so used to advertising<br />

tools such as unipoles<br />

spectaculars that it will take some<br />

time for them to know the<br />

benefits of our system’ Why?<br />

Hassan says via directional road<br />

signages clients can have their<br />

products advertised within the<br />

city quite unlike billboards which<br />

can only be placed on the outskirts<br />

of a city like KL ‘We spent<br />

educating prospective advertisers<br />

for three months before they<br />

understood what we meant’ he<br />

says with a sign of relief<br />

Thus far Images has penetrated<br />

cities like KL Ipoh Johor Baru<br />

Kuantan They are working on<br />

cities like PJ Putrajaya and<br />

Penang ‘Once we are satisfied<br />

with our achievements in busy<br />

cities of the West Coast we will


look into the East Coast as well as<br />

Sabah and Sarawak’ How were<br />

the city officials convinced?<br />

‘Simple’ remarks the affable<br />

Hassan ‘All we had to do was to<br />

present them with the idea that<br />

they do not have to fork out any<br />

money that our signages can<br />

benefit tourists and motorists<br />

alike and that our signages can<br />

actually beautify the city They<br />

were sold!’<br />

While Hassan does not reveal the<br />

actual cost of the signages he does<br />

indicate the ‘investments are<br />

heavy’<br />

‘The best part is that the city<br />

officials have been so convinced<br />

that they have allowed us to have<br />

a licence for a minimum period of<br />

years (the maximum being )<br />

unlike billboards which need to be<br />

renewed on a yearly basis’ Hassan<br />

remarks ‘Even if the city officials<br />

wish to take down the signages<br />

they have to wait for years’ he<br />

laughs<br />

‘The key aspect about these signs<br />

is that although they are small but<br />

an advertiser can benefit from the<br />

numerous places that he can place<br />

an ad within heavy traffic areas<br />

The other thing is that it’s<br />

inexpensive’ Hassan adds that his<br />

advertisers consist of small<br />

retailers like supermarkets to the<br />

big boys like the<br />

telecommunication companies<br />

Apart from cities Images has<br />

also penetrated schools Up until<br />

now the company has penetrated<br />

about schools<br />

nationwide with the help of a<br />

company called Omega Channel<br />

Sdn Bhd ‘We have placed the signs<br />

at the main entrances of the<br />

schools The purpose is dual the<br />

outside is to advertise products<br />

while the inside (which faces the<br />

school) is convey important social<br />

messages’<br />

So how did it all start for Hassan?<br />

From humble beginnings as a<br />

sportsman! ‘I started with the<br />

Malaysian Under then<br />

represented the Selangor state I<br />

then played professional rugby for<br />

the Malayan Banking Group<br />

Though it was interesting I knew I<br />

would not go anywhere with an<br />

oblong ball’ Hassan quips<br />

So only after eight months Hassan<br />

left ‘I headed for the New Straits<br />

Times (NST) where I was<br />

appointed as an executive with the<br />

marketing services department I<br />

learnt a lot from NST for which I<br />

am very thankful They thought<br />

me for what I am made of now’<br />

he adds proudly At NST Hassan<br />

learnt about advertising<br />

marketing and research which he<br />

regards as very important<br />

Not only did Hassan learn well at<br />

NST he also found it rewarding<br />

Within five years he had a number<br />

of promotions up until his last<br />

position as field sales manager ‘I<br />

was in charge of the best selling<br />

newspapers of the NST Group <br />

Berita Harian and Berita Minggu’<br />

But as the turn of events would<br />

have it Hassan changed careers<br />

from print media to television He<br />

left NST in to join TV the<br />

first private television station in<br />

the country<br />

‘But from a manager I went down<br />

to being an executive (and he’s not<br />

telling why) but only for one day<br />

I still remember it was Valentine’s<br />

Day On that day I attended a<br />

strategy meeting and gave my<br />

input’ All it took was to hear<br />

Hassan input The TV<br />

management decided to promote<br />

him to senior executive the very<br />

next day ‘I was shocked but<br />

pleased’ Hassan blushes<br />

‘We started fresh with no peer TV<br />

stations to guide us or offer us<br />

competition We some how<br />

managed and persevered’ A few<br />

months later Hassan was<br />

promoted to assistant commercial<br />

manager He stayed on for six<br />

years at TV His last designation<br />

was marketing manager Where<br />

did he head to? It’s everyone’s<br />

guess to start Images<br />

But why such a peculiar name? His<br />

answer: ‘ is the year I and my<br />

other two partners were born One<br />

partner has left though’ ‘We<br />

started out with one event’ The<br />

rest as they say is no turning back<br />

BRAND BRAND BRANDEQUITY BRAND<br />

59


NielsenMediaResearch<br />

By R Venkateswaran<br />

HAS BEEN A BULLISH YEAR<br />

for the media Ad spend registered<br />

its biggest jump yearonyear over<br />

the last two years It is indeed<br />

significant that adex has registered<br />

an overall growth rate of <br />

almost double that of the previous<br />

year And interestingly this trend<br />

has shown a constant doubledigit<br />

growth across all the major media<br />

barring magazines<br />

Danyal Abdul Malik the executive<br />

director of Nielsen Media<br />

Research gave <strong>Brand</strong> <strong>Equity</strong> a<br />

copious update about this<br />

phenomenal growth and the<br />

reasons behind the increase<br />

60<br />

BRAND BRANDEQUITY<br />

BRAND<br />

General General Trend<br />

Trend<br />

Among the various media that<br />

have reflected doubledigit<br />

The Government,<br />

a dogfight for<br />

eyeballs and<br />

mindspace<br />

as well as the<br />

presence of new<br />

media propels adex<br />

to significant levels<br />

A Bullish Adex He<br />

growth for the whole of last year<br />

television stands out with the<br />

biggest jump of yearon<br />

year Among the key reasons<br />

attributed for this drastic increase<br />

is the introduction of two freeto<br />

air channels which have garnered<br />

a significant share of new eyeballs<br />

without affecting the existing<br />

networks<br />

Among others key activities such<br />

as the Government’s sustained<br />

campaign in the preelection phase<br />

followed by the general elections<br />

itself the ‘Tak Nak’ campaign<br />

eschewing smoking the Formula<br />

One Grand Prix and the coronation<br />

of the Sultan of Selangor had<br />

contributed a lion’s share to the<br />

till<br />

The increased coverage of sporting<br />

events such as the hugely popular<br />

Euro as well as the Athens<br />

Olympics in the later part of the<br />

year boosted the ad spend that<br />

witnessed the highest growth<br />

since <br />

Increased Government spending<br />

on the National Service the<br />

multiple festive seasons especially<br />

with Deepavali and Hari Raya<br />

falling one after the other and the<br />

Family Comes First campaign<br />

ensured that the Government was<br />

the biggest advertiser last year<br />

with a consistent expenditure<br />

throughout the year<br />

Newspaper followed TV as the<br />

biggest media to register double<br />

digit growth in the process<br />

continuing the trend from<br />

previous years where they<br />

recorded the highest adex<br />

contribution across all media<br />

types<br />

Classifieds yet again continued to<br />

be the predominant contributor to<br />

the newspaper adex space to<br />

occupy pole position among the<br />

top categories of advertising


Danyal Abdul Malik<br />

ralds Confidence<br />

Quarterly Quarterly analysis<br />

analysis<br />

As can be seen from Figure <br />

showcasing the change in adex<br />

YOY from to the first<br />

two quarters of registered<br />

phenomenal growth bucking the<br />

trend from years past where the<br />

pattern of spending always<br />

showed an increase in the latter<br />

half of the year<br />

The growth of in the first<br />

half of is a clear indicator of<br />

this pattern This could be<br />

attributed to the key events<br />

mentioned earlier besides the<br />

advent of two new channels TV<br />

and Channel which started to<br />

report adex figures commencing in<br />

the first half of <br />

Top Top Category<br />

Category<br />

Together mobile interactive and<br />

line services have made a<br />

significant presence in this<br />

category with their growth rate<br />

The increasing use of mobile<br />

phones PDAs and combo devices<br />

have spawned the increasing<br />

transmission and use of ringtones<br />

sms messages and games The<br />

result showcases a whopping <br />

increase in the advertising of<br />

interactive services and a <br />

increase in adex for mobile line<br />

services<br />

Danyal Danyal Danyal Danyal Abdul Abdul Abdul Abdul Malik Malik Malik<br />

Malik<br />

The rise in adex can be attributed<br />

to the multitude of aggressive<br />

campaigns targeted at the tech<br />

savvy young population whose<br />

numbers show an exponential<br />

increase almost on a daily basis<br />

While classifieds continue to<br />

register a perennial increase<br />

personal care and grooming<br />

products remain in the top slots<br />

Government institutions (local)<br />

and credit card companies follow<br />

in this illustrious lineup while<br />

cinema advertising seems to have<br />

registered a high growth with a<br />

more than increase from<br />

The airline industry and<br />

recording studios round off the<br />

BRAND BRAND BRANDEQUITY BRAND<br />

61


Top 10 Category<br />

Rank Category<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

9<br />

10<br />

11<br />

Jan<br />

Feb<br />

Mar<br />

Apr<br />

May<br />

Jun<br />

Jul<br />

Aug<br />

Sep<br />

Oct<br />

Nov<br />

Dec<br />

2004<br />

62 BRAND BRANDEQUITY<br />

BRAND<br />

Classifieds<br />

Mobile Interactive Services<br />

Mobile Line Services<br />

Residential Estate<br />

Hair Shampoo & Conditioner<br />

Face Care-Woman<br />

Government Institutions-Local<br />

Credit Card<br />

Cinema Advertising<br />

Airline<br />

Recording Studio<br />

Top 10 Advertiser<br />

Rank Advertiser<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

9<br />

10<br />

Top 10 <strong>Brand</strong><br />

Monthly AdEx<br />

2003<br />

Month RM 000’s<br />

Q1<br />

Q2<br />

Q3<br />

Q4<br />

Maxis<br />

Procter & Gamble<br />

Celcom<br />

Digi<br />

Nestle<br />

Unilever<br />

KFC Holdings<br />

Citibank<br />

Malaysia Airlines System<br />

Petronas<br />

Rank <strong>Brand</strong> Group<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

9<br />

10<br />

Maxis<br />

Celcom<br />

Digi<br />

Citibank<br />

Malaysia Airlines<br />

Petronas<br />

Telekom Malaysia<br />

Tourism Malaysia<br />

KFC<br />

Pantene<br />

275,465<br />

219,626<br />

298,643<br />

279,051<br />

299,814<br />

297,344<br />

313,853<br />

353,424<br />

343,270<br />

357,328<br />

367,688<br />

380,157<br />

3,785,662<br />

Quarterly AdEx<br />

2003<br />

Q RM 000’s<br />

793,734<br />

876,209<br />

1,010,547<br />

1,105,173<br />

2004<br />

RM 000’s<br />

313,802<br />

304,920<br />

359,152<br />

346,982<br />

367,525<br />

385,629<br />

366,709<br />

402,066<br />

376,895<br />

411,447<br />

379,373<br />

408,565<br />

4,423,065<br />

2004<br />

RM 000’s<br />

977,874<br />

1,100,136<br />

1,145,670<br />

1,199,385<br />

2003 2004<br />

RM 000’s RM 000’s Changes<br />

535,756<br />

100,392<br />

139,432<br />

106,882<br />

71,225<br />

87,648<br />

69,579<br />

65,016<br />

41,846<br />

37,270<br />

56,803<br />

80,385<br />

56,782<br />

61,691<br />

45,027<br />

45,410<br />

55,642<br />

38,390<br />

23,562<br />

16,997<br />

44,826<br />

38,337<br />

85,294<br />

60,509<br />

67,931<br />

67,711<br />

88,285<br />

52,856<br />

48,642<br />

33,625<br />

54,119<br />

11,685<br />

28,408<br />

637,403<br />

582,740<br />

234,045<br />

233,330<br />

114,029<br />

110,638<br />

105,248<br />

90,935<br />

81,917<br />

73,928<br />

64,804<br />

63,465<br />

8.8%<br />

133.1%<br />

67.3%<br />

6.7%<br />

55.3%<br />

20.1%<br />

30.7%<br />

26.0%<br />

76.7%<br />

73.9%<br />

11.7%<br />

2003 2004<br />

RM 000’s RM 000’s Changes<br />

80,385<br />

61,691<br />

45,027<br />

23,562<br />

16,973<br />

46,397<br />

25,601<br />

25,755<br />

28,273<br />

20,176<br />

Changes Changes<br />

RM 000’s %<br />

184,140<br />

223,927<br />

135,123<br />

94,212<br />

Source : Nielsen Media Research<br />

Note: Advertising Expenditure Based on Rate Card<br />

144,463<br />

102,945<br />

89,628<br />

80,468<br />

60,534<br />

60,294<br />

40,789<br />

35,717<br />

35,199<br />

35,100<br />

144,463<br />

89,628<br />

80,468<br />

35,717<br />

35,199<br />

34,342<br />

33,703<br />

30,757<br />

29,734<br />

29,457<br />

79.7%<br />

81.3%<br />

45.3%<br />

78.7%<br />

33.3%<br />

8.4%<br />

6.2%<br />

51.6%<br />

107.1%<br />

-21.7%<br />

2003 2004<br />

RM 000’s RM 000’s Changes<br />

79.7%<br />

45.3%<br />

78.7%<br />

51.6%<br />

107.4%<br />

-26.0%<br />

31.6%<br />

19.4%<br />

5.2%<br />

46.0%<br />

13.9%<br />

38.8%<br />

20.3%<br />

24.3%<br />

22.6%<br />

29.7%<br />

16.8%<br />

13.8%<br />

9.8%<br />

15.1%<br />

3.2%<br />

7.5%<br />

16.8%<br />

Changes Changes<br />

RM 000’s %<br />

23%<br />

26%<br />

13%<br />

9%<br />

top categories with residential estate<br />

advertising and classifieds being the only single<br />

digit growth items for <br />

Top Top Advertisers<br />

Advertisers<br />

It is also interesting to note that of the top <br />

advertisers across all media were the<br />

telecommunications companies which<br />

registered increases of more than over the<br />

previous year FMCG advertisers did show an<br />

increase in adex but the rate of growth was<br />

significantly lower than in previous years while<br />

in the banking sector Citibank led the way by<br />

securing a place in the coveted list<br />

The large scale publicity and promotions<br />

exercised through the MATTA fair presented<br />

MAS the opportunity to register its biggest<br />

Newspaper followed TV as<br />

the biggest media to register<br />

double-digit growth, in the<br />

process, continuing the trend<br />

from previous years where<br />

they recorded the highest<br />

adex contribution across all<br />

media types.<br />

spend level to date; recording a whopping<br />

jump over The competition it<br />

faces from a slew of budget airlines in the<br />

region has seen the national carrier pull out all<br />

stops to retain its market share in the regional<br />

and international airspace<br />

Top Top <strong>Brand</strong>s<br />

<strong>Brand</strong>s<br />

The top ten brands advertised across all media<br />

correspond to the top ten advertisers for last<br />

year Telcos such as Maxis Celcom and Digi<br />

occupy the top rungs while the list


RM 000’s Total YOY Television YOY Newspapers YOY Radio YOY Cinema YOY Video YOY Outdoor YOY<br />

1998<br />

1999<br />

2000<br />

2001<br />

2002<br />

2003<br />

2004<br />

2,179,960<br />

2,474,287<br />

3,078,200<br />

3,156,857<br />

3,450,453<br />

3,785,662<br />

4,421,012<br />

13.5%<br />

24.4%<br />

2.6%<br />

9.2%<br />

9.7%<br />

16.8%<br />

Source : Nielsen Media Research<br />

Note: Advertising Expenditure Based on Rate Card<br />

699,664<br />

771,351<br />

935,665<br />

878,115<br />

921,777<br />

999,248<br />

1,300,702<br />

10.2%<br />

21.3%<br />

-6.2%<br />

5.0%<br />

8.4%<br />

30.2%<br />

1,262,469<br />

1,471,031<br />

1,866,193<br />

1,936,372<br />

2,188,450<br />

2,366,783<br />

2,669,804<br />

16.5%<br />

26.9%<br />

3.8%<br />

12.9%<br />

8.1%<br />

12.8%<br />

65,509<br />

85,077<br />

101,961<br />

119,675<br />

144,141<br />

152,526<br />

169,330<br />

29.9%<br />

19.8%<br />

17.4%<br />

20.4%<br />

10,651<br />

9,665<br />

9,650<br />

11,387<br />

9,739<br />

-9.3%<br />

-0.2%<br />

18.0%<br />

-14.5%<br />

9,711<br />

10,918<br />

9,377<br />

2,764<br />

5.8% 12,561 29.0% nil nil 61,847<br />

11.0% 13,994 11.4% nil nil 68,936 11.5%<br />

RM 000’s Total Television SOV Newspapers SOV <strong>Magazine</strong>s SOV Radio SOV Cinema SOV Video SOV Outdoor SOV<br />

1998<br />

1999<br />

2000<br />

2001<br />

2002<br />

2003<br />

2004<br />

2,179,960<br />

2,474,287<br />

3,078,200<br />

3,156,857<br />

3,450,453<br />

3,785,662<br />

699,664<br />

771,351<br />

935,665<br />

878,115<br />

921,777<br />

999,248<br />

4,421,012 1,300,702<br />

32.1%<br />

31.2%<br />

30.4%<br />

27.8%<br />

26.7%<br />

26.4%<br />

29.4%<br />

Source : Nielsen Media Research<br />

Note: Advertising Expenditure Based on Rate Card<br />

1,262,469<br />

1,471,031<br />

1,866,193<br />

1,936,372<br />

2,188,450<br />

2,366,783<br />

2,669,804<br />

57.9%<br />

59.5%<br />

60.6%<br />

61.3%<br />

63.4%<br />

62.5%<br />

60.4%<br />

AdEx Growth<br />

AdEx Share of Voice<br />

111,328<br />

104,108<br />

131,171<br />

182,577<br />

158,060<br />

159,035<br />

165,431<br />

5.1%<br />

4.2%<br />

4.3%<br />

5.8%<br />

4.6%<br />

4.2%<br />

3.7%<br />

65,509<br />

85,077<br />

101,961<br />

119,675<br />

144,141<br />

152,526<br />

169,330<br />

The increased coverage of sporting events<br />

such as the hugely popular Euro 2004 as<br />

well as the Athens Olympics in the later<br />

part of the year boosted the ad spend that<br />

witnessed the highest growth since 2001.<br />

accommodates Telekom as well<br />

Citibank and MAS round off the<br />

top spot while Petronas in spite<br />

of a severe drop in adex still<br />

retained its place in the list<br />

3.0%<br />

3.4%<br />

3.3%<br />

3.8%<br />

4.2%<br />

4.0%<br />

3.8%<br />

A single fmcg brand (Pantene)<br />

found its way into the list despite<br />

the fact that fmcg categories<br />

have found a place within the Top<br />

category list Fast food giant<br />

10,651<br />

9,665<br />

9,650<br />

11,387<br />

9,739<br />

12,561<br />

13,994<br />

0.5%<br />

0.4%<br />

0.3%<br />

0.4%<br />

0.3%<br />

0.3%<br />

0.3%<br />

nil<br />

9,711<br />

10,918<br />

9,377<br />

2,764<br />

nil<br />

nil<br />

nil<br />

12.4%<br />

-14.1%<br />

-70.5%<br />

0.4%<br />

0.4%<br />

0.3%<br />

0.1%<br />

nil<br />

nil<br />

nil<br />

nil<br />

61,847<br />

68,936<br />

1.6%<br />

1.6%<br />

KFC barely holds a spot in the Top<br />

elite company in spite of being<br />

the only single digit growth brand<br />

Petronas has decelerated in<br />

adspend by just over <br />

Overall Overall Overall Summary Summary<br />

Summary<br />

It’s obvious that aggressive<br />

competition in particular the<br />

telecommunications sector has<br />

made a mark on the direction of<br />

adex in the past year<br />

In particular the participation of<br />

Government institutions in<br />

weighty activities and their<br />

subsequent participation within<br />

the marketing communications<br />

arena have also propelled numbers<br />

to inspiring levels<br />

It remains to be seen whether<br />

will showcase a rerun<br />

BRAND BRAND BRANDEQUITY BRAND<br />

63


Asians the World’s<br />

Greatest Fast Food Fans<br />

IT DOESN’T MATTER WHERE<br />

in the world you are or how well<br />

off the fast food culture has<br />

become a way of life for all of us<br />

According to the latest findings<br />

from ACNielsen the world’s<br />

leading market research firm<br />

nearly all Filipino ()<br />

Taiwanese and Malaysian ()<br />

adults eat at takeaway<br />

restaurants<br />

Among the markets studied<br />

across three regions consumers in<br />

these three markets had a higher<br />

percentage of adults than<br />

Americans () who eat at fast<br />

food restaurants<br />

The latest ACNielsen Consumer<br />

Confidence and Opinion Survey<br />

was conducted over the Internet<br />

in countries across Asia Pacific<br />

Europe and the US interviewing<br />

more than consumers over<br />

the Internet<br />

According to the ACNielsen<br />

survey percent of Asia Pacific<br />

adults eat at takeaway<br />

restaurants at least once a week<br />

slightly behind fast food fans in<br />

the US () At the other end<br />

of the scale however just <br />

percent of European adults eat<br />

takeaway at least once a week<br />

On a marketbymarket basis<br />

nine of the top markets<br />

globally for weekly takeaway<br />

consumption hailed from Asia<br />

Pacific No European markets<br />

were among the top ten<br />

Top Global Markets for Weekly<br />

Fast Food Consumption Market<br />

Percentage of Adult Population<br />

That Eats at TakeAway<br />

Restaurants at Least Once a<br />

Week Hong Kong Malaysia<br />

Philippines Singapore<br />

Thailand China <br />

India US Australia <br />

New Zealand Source:<br />

ACNielsen<br />

“Fast food appears to have<br />

become a staple of our diets in<br />

Asia Pacific including Malaysia”<br />

said Steve Mitchell managing<br />

director ACNielsen Malaysia<br />

“Busy lifestyles and ease of access<br />

to a wide variety of fast food<br />

restaurants have proven to be a<br />

powerful combination<br />

Where fastfood restaurants still<br />

have a significant advantage<br />

though is the ease with which<br />

consumers can make their<br />

purchases<br />

Perhaps we’ll begin to see drive<br />

thru windows at grocery stores or<br />

at least more convenient instore<br />

prepared food sections with<br />

dedicated registers”<br />

Despite the obvious popularity<br />

and convenience of takeaway<br />

dining there are consumers that<br />

continue to resist Across the<br />

region percent of Europeans<br />

and percent of Asians eschew<br />

the ‘takeaway’<br />

Led by the Danish Swedish and<br />

Italians Europeans are the least<br />

tempted by a takeaway lifestyle<br />

when compared to consumers in<br />

the US and Asia Pacific<br />

With nearly one fifth of<br />

Europeans () claiming never<br />

to patronize takeaway outlets<br />

nearly half claim to visit only once<br />

a month or less<br />

In Asia Pacific despite percent<br />

claiming never to eat fast food<br />

the region has the most take<br />

away addicts with percent<br />

reportedly eating take away<br />

every week led by people in Hong<br />

Kong () Malaysia () and<br />

the Philippines ()<br />

“The state of one’s health has<br />

consistently been among the top<br />

concerns for consumers according<br />

to previous ACNielsen surveys<br />

but it doesn’t seem to affect the<br />

way consumers choose to eat”<br />

said Mr Mitchell “For many city<br />

dwellers these days it’s all about<br />

convenience<br />

BRAND BRAND BRANDEQUITY BRAND<br />

65<br />

ACNielsenUpdate


Europeans are less interested in<br />

takeaway dining perhaps largely<br />

due to a prevailing culture of meal<br />

times being a social or family<br />

occasion rather than simply a<br />

need to satiate ones hunger while<br />

for people in Hong Kong<br />

Malaysia and United States eating<br />

fast food has become a part of<br />

their life”<br />

The ACNielsen survey found that<br />

dinner was the most popular<br />

occasion for consumers to opt for<br />

a takeaway meal Americans<br />

considered takeaway an option<br />

for both lunch () and<br />

dinner ()<br />

A takeaway breakfast was<br />

less common although <br />

percent of Malaysians nearly<br />

two thirds of Hong Kongers<br />

and Thais would opt for a<br />

‘takeaway’ breakfast; in <br />

Filipinos Chinese and<br />

Singaporeans have takeaway<br />

lunches; and percent of<br />

Australians percent of the<br />

Kiwis and percent of<br />

Vientamese have take away<br />

dinners<br />

“The fast food business has<br />

become increasingly<br />

competitive with various<br />

multinational fast food chain<br />

operators expanding into new<br />

geographies daily along with the<br />

emergence of new players new<br />

types of cuisines and new menu<br />

choices “ continued Mr Mitchell<br />

“Smart consumer packaged goods<br />

manufacturers are tapping into<br />

consumers’ need for convenience<br />

by offering a wider assortment of<br />

prepared and easytoprepare<br />

meals than ever”<br />

As the fingings revealed “Type of<br />

Cuisine” “Price” and a<br />

“Convenient Location” were<br />

found to be the most important<br />

choice criteria across around the<br />

66 BRAND BRANDEQUITY<br />

BRAND<br />

globe Specifically “Type of<br />

Cuisine” was most important for<br />

Indonesians () a<br />

“Convenience Location” meant<br />

more for Nowegians () and<br />

“Price” was most important<br />

among the Japanese () In<br />

Malaysia however “Convenient<br />

Location” () and “Good<br />

Hygiene Standard” () are<br />

more important to the<br />

consumers<br />

“A fast food culture has shaped<br />

the lifestyles of us all” Mr<br />

Mitchell added “And with fast<br />

food operators introducing<br />

healthier options in the form of<br />

salads and low carb meals in the<br />

face of growing concerns for<br />

rising obesity levels consumers<br />

today have greater choice than<br />

ever before”<br />

While building a good brand<br />

image is close to the heart of most<br />

marketers it’s worth noting that<br />

brand image appears to have little<br />

influence on consumer’s choice of<br />

take away restaurants Across the<br />

three regions “<strong>Brand</strong> Image”<br />

ranked least important among all<br />

respondents from as low as <br />

in Germany to a high of in<br />

Taiwan only<br />

Among the international fast<br />

food chains and local operators<br />

McDonalds was the most popular<br />

of all takeaway options with<br />

of Americans of<br />

Europeans and of Asians<br />

picking it as the first choice for<br />

take away food<br />

Remarks: () Survey in Vietnam<br />

was conducted Face to Face ()<br />

countries surveyed include<br />

Australia China Hong Kong<br />

India Indonesia Japan Korea<br />

Malaysia New Zealand<br />

Philippines Singapore Taiwan<br />

Thailand Vietnam US Austria<br />

Belgium Denmark Finland<br />

France Germany Italy<br />

Netherlands Norway<br />

Portugal Spain Sweden and<br />

UK<br />

About ACNielsen:<br />

ACNielsen a VNU business<br />

is the world’s leading<br />

marketing information<br />

company Offering services<br />

in more than countries<br />

the company provides<br />

measurement and analysis<br />

of marketplace dynamics<br />

and consumer attitudes<br />

and behaviour<br />

Clients rely on ACNielsen’s<br />

market research<br />

proprietary products<br />

analytical tools and<br />

professional service to<br />

understand competitive<br />

performance to uncover<br />

new opportunities and to<br />

raise the profitability of<br />

their marketing and sales<br />

campaigns<br />

For further information<br />

please visit<br />

http://wwwacnielsencomhk<br />

http://wwwacnielsencomhk<br />

http://wwwacnielsencomhk<br />

http://wwwacnielsencomhk<br />

http://wwwacnielsencomhk


Taking the<br />

Mystery<br />

Out of<br />

Mapping<br />

IN ANY PRODUCT OR SERVICE<br />

category consumers have images<br />

of brands and the people who use<br />

them <strong>Brand</strong> mapping is a tool<br />

marketers can use to delve<br />

beneath the numbers and obtain<br />

a rich yet easyto understand<br />

picture of how consumers see the<br />

market<br />

Questions Questions <strong>Brand</strong> <strong>Brand</strong> Mapping Mapping Can<br />

Can<br />

Answer: Answer: As a marketer you’re<br />

often faced with questions like<br />

these:<br />

• How is our brand perceived by<br />

consumers?<br />

• Does this differ from how we<br />

perceive it?<br />

• Is our brand sufficiently<br />

differentiated from<br />

competitors/our other<br />

brands?<br />

• Are there gaps in the market<br />

we can exploit?<br />

• What aspects of its image do<br />

we need to change to<br />

reposition our brand?<br />

<strong>Brand</strong> mapping can help give<br />

these insights<br />

How How How Does Does Does it it Work? Work?<br />

Work?<br />

In brand image research we<br />

typically ask consumers to rate<br />

brands on several attributes<br />

relevant to that product or service<br />

category or ask them to indicate<br />

which attributes they associate<br />

with which brands These data can<br />

then simply be shown in cross<br />

tabular form or plotted in a line<br />

graph but there are two main<br />

disadvantages to either of these<br />

approaches:<br />

There is a lot of information<br />

to absorb If say you have <br />

brands and attributes that’s<br />

numbers in a table or<br />

points in a line graph to look<br />

at!<br />

It is not always easy to tell<br />

how the ratings are related to<br />

each other<br />

This second drawback leads us to<br />

the essential idea behind brand<br />

mapping which is to show<br />

findings in a graphical way which<br />

can best highlight the key insights<br />

in the data in a clear and<br />

uncluttered manner In other<br />

words get to the core of the<br />

findings so you can see the wood<br />

despite the trees and other<br />

associated flora<br />

There are a variety of statistical<br />

methods that can do this but the<br />

basic notion is known as “data<br />

reduction” in the jargon Once the<br />

underlying dimensions are<br />

identified dimension “scores” can<br />

be computed and the attributes<br />

and brands plotted on these<br />

dimensions usually in a scatter<br />

plot Thus you have a picture of<br />

consumer perceptions of the<br />

category that are easier to<br />

interpret than cross tabulations or<br />

simple graphics and usually more<br />

meaningful as well<br />

There are approaches to brand<br />

mapping specifically and<br />

ACNielsen will select the one our<br />

experience tells us is best suited<br />

to your needs Perhaps the most<br />

widelyused today are<br />

Correspondence Analysis and Bi<br />

plots While it is true that some<br />

mapping exercises can become<br />

quite complex and interpretation<br />

can be difficult in most cases if<br />

you follow these three basic rules<br />

for interpreting brand maps you<br />

will gain the most:<br />

<strong>Brand</strong>s that are close to your<br />

brand are the ones consumers<br />

think are most similar to it;<br />

Attributes located near your<br />

brand are the ones consumers<br />

feel characterise it the most<br />

(relative to other brands);<br />

those far from it are those<br />

they least associate with it;<br />

and<br />

Attributes near the edges of<br />

the map differentiate brands<br />

the most; attributes which do<br />

not differentiate ie that could<br />

be consideredgeneric to the<br />

category are situated near the<br />

center of the map<br />

A further benefit of creating the<br />

map charting out the positioning<br />

of the brands is that consumer<br />

segments to whom those brands<br />

may be targeted can also be<br />

placed on the map So long as you<br />

get a similar read on the attributes<br />

from the consumers usually in<br />

BRAND BRAND BRANDEQUITY BRAND<br />

67


terms of the attached importance<br />

or relevance to the consumer you<br />

can see if the targeted segment<br />

motivations align with the<br />

attributes of the brands aimed at<br />

them (You don’t even have to use<br />

all the attributes the key ones<br />

alone will allow this)<br />

An An Example<br />

Example<br />

Let’s take a look at an example<br />

from an actual (heavily disguised)<br />

study on Chart below Here we<br />

have substituted the original<br />

category with breakfast cereals<br />

We can see in this case that SLIM<br />

SPECIAL and BRAN PLUS are seen<br />

as healthy and good for a diet but<br />

as with many “health” food<br />

products the taste is seen as<br />

boring<br />

“Convenient to prepare” is found<br />

near the centre of the map as is<br />

68 BRAND BRANDEQUITY<br />

BRAND<br />

thus inferred to be a generic<br />

attribute ie marketing a cereal<br />

product on a convenience<br />

platform is not likely to bring<br />

about much differentiation from<br />

other brands “Is mainly for<br />

snacks” is more discriminating as<br />

it is placed on the edge of the map<br />

However just because something<br />

is discriminating does not mean<br />

you would necessarily want to<br />

position using that “benefit” In<br />

this case positioning as a snack<br />

could limit consumption volume<br />

and maybe undermine nutritional<br />

messages<br />

In the study four key consumer<br />

segments were identified linked to<br />

the life stages and needs and as<br />

can be seen in this case their needs<br />

and drives align with brand<br />

promises<br />

Summary<br />

Mapping makes understanding<br />

the way consumers perceive the<br />

market and what they want from<br />

a category easier and simpler and<br />

can help provide a more<br />

actionable and insightful view of<br />

their perceptions But a few words<br />

of warning – almost any data set<br />

will generate a map There are a<br />

few tests for statistical rigour but<br />

generally if it does seem to make<br />

sense the most common reasons<br />

are that the attributes have been<br />

poorly chosen the market is more<br />

complex and cannot be<br />

summarised in dimensions or<br />

one atypical brand is skewing the<br />

whole map<br />

Are Online Surveys<br />

as Accurate as<br />

Offline Surveys?<br />

MANY MAJOR CORPORATIONS<br />

are turning to the Internet to<br />

measure consumer and business<br />

attitudes perceptions and<br />

intentions At the same time<br />

some companies are reluctant to<br />

trust online research and replace<br />

traditional telephone research<br />

tracking and ad hoc projects with<br />

online alternatives Many<br />

companies comfortable with their<br />

legacy of telephone doorto<br />

door or mail research have<br />

resisted even considering online<br />

research based on a vague notion<br />

that “it just isn’t as accurate” or<br />

“online respondents are different<br />

from my customers” However<br />

whether pushed by budget cuts or<br />

the fear of falling behind the<br />

younger generation of<br />

researchers many research<br />

department heads must<br />

eventually take a long hard look<br />

at online research and ask: will<br />

online research work for my<br />

company?<br />

Online research has been used in<br />

savvy research markets with high<br />

Internet penetration for over a<br />

decade now During that time a<br />

lot of lessons have been learnt<br />

about when to use online research<br />

and when to avoid it And during<br />

that time the global Internet<br />

landscape has changed<br />

dramatically with a steady<br />

increase in Internet usage in<br />

developed countries as well as<br />

huge increases in many<br />

developing markets Today online<br />

research is available in over <br />

countries


Most of the large successful<br />

consumer products firms (as well<br />

as those in almost every other<br />

field) are using online research<br />

But other companies should not<br />

jump into online research simply<br />

out of peer pressure It is<br />

important to evaluate the<br />

advantages and disadvantages of<br />

online research<br />

The Benefits of Conducting<br />

Surveys Online<br />

The The The primary primary primary advantages advantages of of online<br />

online<br />

surveys surveys versus versus phone phone surveys surveys are:<br />

are:<br />

• Online surveys eliminate<br />

interviewer bias: telephone<br />

interviewers can have<br />

different effects on<br />

respondents’ answers if they<br />

are male/female or cheerful/<br />

droll or fast/slow Online<br />

research eliminates variations<br />

They are usually lower cost:<br />

internet surveys involve pop<br />

ups on websites or the<br />

emailing of invitations and<br />

after that the respondents<br />

complete the questionnaire<br />

Faster fieldwork:<br />

70 BRAND BRANDEQUITY<br />

BRAND<br />

telephone interviewers can<br />

only speak to one person at a<br />

time while hundreds of online<br />

respondents can all answer at<br />

the same time Sometimes<br />

more accurate responses:<br />

online respondents can read<br />

the questions and possible<br />

responses themselves<br />

resulting in higher quality<br />

responses<br />

Greater recall: online<br />

respondents do not feel<br />

pressured into giving quick<br />

answers so they are likely to<br />

think of more to say or more<br />

brands etc before moving on<br />

to the next question<br />

Telephone respondents feel<br />

more pressure to answer or<br />

move on because the<br />

interviewer is waiting<br />

Sometimes more detailed<br />

responses: since online<br />

respondents have more time<br />

to think their replies to open<br />

ended questions are often<br />

more thoughtful and detailed<br />

Telephone respondents feel<br />

pressure to begin responding<br />

quickly (often before they<br />

have had a chance to think<br />

much) and they cannot<br />

doublecheck their responses<br />

for accuracy<br />

Pictures sound clips and video<br />

clips can be included in<br />

surveys: this enables online<br />

research to do as much as face<br />

toface research at a lower<br />

cost and with a much greater<br />

geographical spread Easier to<br />

target lower incidence<br />

populations: relatively hard to<br />

get at respondents (such as<br />

doctors or users of a certain<br />

brand) can be targeted<br />

through specialised panels or<br />

simply larger email<br />

approaches<br />

Some of the Disadvantages<br />

The The primary primary disadvantages disadvantages of<br />

of<br />

online online surveys surveys compared compared compared to<br />

to<br />

phone phone surveys surveys are:<br />

are:<br />

You are less able to doublecheck<br />

the identity of the respondent:<br />

a respondent may not be<br />

truthful about who they really<br />

are Online respondents can<br />

more easily lie about their<br />

gender and age than can other<br />

respondents<br />

Professional survey takers: some<br />

online respondents try to go<br />

through the survey as quickly<br />

as possible without really<br />

reading or thinking about their<br />

answers However ACNielsen<br />

has implemented procedures<br />

so that such respondents can<br />

be identified based upon their<br />

responses and eliminated from<br />

the results<br />

You can’t explain questions: if the<br />

respondents do not<br />

understand the question an<br />

online survey cannot clarify<br />

like a telephone interviewer<br />

can This can be corrected by<br />

making your questions clear<br />

and concise<br />

You can’t ask followup questions:<br />

an online survey cannot ask a<br />

specific respondent to clarify<br />

their answer if it does not<br />

make sense or if it goes off on<br />

an interesting tangent This<br />

can be done via online focus<br />

group approaches<br />

Conduct a Parallel Test and<br />

Compare<br />

The only way to find out how an<br />

online survey compares to<br />

your current survey approach<br />

is to try it! This can be done<br />

most directly through a<br />

parallel test—ie running the<br />

survey using both methods<br />

simultaneously and then<br />

comparing the results<br />

Although the results are rarely<br />

identical (for the reasons<br />

mentioned previously) it is<br />

important to see if the core<br />

metrics line up<br />

The following metrics should be<br />

the same if the online research<br />

is to replace another type of<br />

research:<br />

Is the topofmind ()<br />

mention the same using both<br />

methods?<br />

Is the rating of products or<br />

concepts at a similar level<br />

using both methods?<br />

Is any market movement<br />

equally indicated using both<br />

methods?<br />

Are stated behaviours<br />

(previous brand usage<br />

previous category<br />

involvement) similar using<br />

both methods?


These metrics may differ between<br />

online and offline research<br />

but may actually indicate that<br />

online is MORE accurate than<br />

offline:<br />

Unaided awareness: because<br />

online respondents generally<br />

take more time to think about<br />

their responses they will<br />

generally be able to recall<br />

more brands more ads more<br />

experiences etc This can<br />

make the results MORE<br />

accurate than other<br />

approaches<br />

Complex questions: because<br />

online respondents can read<br />

and reread questions they are<br />

more likely to respond<br />

accurately In other<br />

approaches respondents<br />

rarely ask the interviewer to<br />

reread the question for them<br />

(Note: this can be eliminated<br />

in either case if the questions<br />

are kept very simple)<br />

Detailed questions: because<br />

online respondents do not feel<br />

the time pressure to give an<br />

answer they may actually<br />

investigate the answers before<br />

they respond For example in<br />

a recent survey regarding<br />

credit cards a large number of<br />

online respondents actually<br />

walked away from their<br />

computers to find their recent<br />

credit card statements in order<br />

to give exact dollar figures—<br />

telephone respondents rarely<br />

do this<br />

A Parallel Test Case Study<br />

In a typical example of a parallel<br />

test the world’s largest apple<br />

juice producer wanted to test<br />

whether they could move<br />

their telephone tracking (of<br />

usage and attitudes) from<br />

telephone to online surveys in<br />

the US ACNielsen conducted<br />

an online survey of N<br />

respondents in cities for the<br />

company at no cost in order to<br />

check the viability of switching<br />

methodologies The telephone<br />

survey was N<br />

respondents Only the core<br />

metrics were tested: topof<br />

mind awareness unaided<br />

awareness aided awareness<br />

and the results were as<br />

follows:<br />

• Top of mind awareness was<br />

almost identical between the<br />

two samples at a national and<br />

a city level<br />

• Unaided awareness was higher<br />

for each brand in the online<br />

survey since respondents took<br />

more time to think about what<br />

brands they knew However<br />

the order in which they<br />

mentioned the brands was<br />

nearly identical between<br />

online and offline Online<br />

respondents were generally<br />

able to remember some of the<br />

smaller brands that telephone<br />

respondents did not<br />

• Total awareness was identical<br />

between the two samples<br />

Such an exact match is<br />

extremely rare even if two<br />

identical telephone surveys<br />

are conducted so the data had<br />

to be doubly verified<br />

As a result of the test the<br />

manufacturer decided to<br />

switch their U&A tracking to<br />

online and has saved almost<br />

of the annual project<br />

cost while at the same time<br />

getting faster results<br />

ACNielsen has conducted a<br />

number of similar parallel tests<br />

in different categories and<br />

different countries and found<br />

that while most of them show<br />

that online surveys yield the<br />

same results on key metrics as<br />

offline surveys sometimes<br />

they do not Some brief<br />

examples of parallel tests that<br />

upheld or refuted the case for<br />

switching to online:<br />

Digital Digital cameras cameras in four Asian<br />

markets and three European<br />

markets(online vs telephone):<br />

not recommended for online<br />

because of potential inherent<br />

bias since online respondents<br />

were more likely to own and<br />

use digital cameras since they<br />

are associated with <strong>send</strong>ing<br />

images online<br />

Sanitary Sanitary Sanitary protection protection in Asia<br />

Customer Satisfaction survey<br />

among current users (online vs<br />

mail): recommended to use<br />

online since satisfaction levels<br />

were nearly identical Online<br />

users were more detailed in<br />

describing problems<br />

Household Household cleaners cleaners cleaners in Asia<br />

Usage Patterns (online vs<br />

telephone): recommended to<br />

change to online since<br />

attitudes and usage patterns<br />

were similar Claimed usage of<br />

brands was higher by<br />

telephone though this was<br />

determined to be<br />

overstatement (so online was<br />

more accurate)<br />

In conclusion moving research<br />

from telephone or mail or<br />

facetoface to the Internet<br />

can increase speed add<br />

accuracy and save costs But<br />

each case should be evaluated<br />

carefully preferably with a<br />

parallel test to make sure that<br />

it truly merits the switch<br />

BRAND BRAND BRANDEQUITY BRAND<br />

71


TradeFairResearch<br />

If clear objectives have been set in advance it is possible to monitor the success of a trade fair<br />

By Dr Heike Langneer GfK BB and Trade Fair Research Germany<br />

Monitoring<br />

T<br />

74<br />

BRAND BRANDEQUITY<br />

BRAND<br />

Trade Fairs ?<br />

RADE FAIRS ARE AMONG THE MOST<br />

important marketing tools particularly for the<br />

manufacturers of industrial goods As a result of<br />

their multifunctionality they can be used for a<br />

wide range of objectives both financial and non<br />

financial But at the same time exhibiting at a<br />

trade fair is associated with relatively high costs<br />

and requires care in making choices in planning<br />

and management if the results are to be optimised<br />

In order to support this process of selection<br />

planning and management and to optimise the<br />

planning of exhibiting at future trade fairs a<br />

number of market research tools are available<br />

which are provided by GfK Marktforschung under<br />

the name of GfK * TRADE * FAIR * CHECK The<br />

most important of these tools and their<br />

applications are described in the text below<br />

However banal the title of this<br />

article may initially sound it<br />

seems fully justified considering<br />

that it has been established that<br />

only one in three companies has<br />

formulated in advance clear<br />

objectives for exhibiting at a trade<br />

fair Hand on heart: the decision<br />

for or against participation in a<br />

trade fair still comes far too often<br />

“from the top of the head"<br />

Reasons for exhibiting which must<br />

serve to justify the budget for a<br />

trade fair include: “we have<br />

always been there" “because our<br />

competitors are there" “because<br />

our customers expect it"<br />

The results are even less<br />

frequently systematically<br />

monitored and assessed to see<br />

whether the objectives however<br />

they may have been formulated<br />

were actually met The “success"<br />

of the performance at a fair was<br />

often measured by “there was<br />

always lots going on at the stand"<br />

“there were lots of people at the<br />

bar" or “a lot was offered to the<br />

visitors"<br />

Considering the unquestionably<br />

high costs of exhibiting at a fair <br />

which are deplored ever more<br />

often and ever more loudly this


situation is shocking And one<br />

should really not be surprised if<br />

the company's controllers put the<br />

question in an increasingly<br />

sceptical form as to “whether the<br />

fair really does the business" This<br />

question is justified! And those<br />

with responsibility for fairs would<br />

do better to think about tools for<br />

monitoring the success of a<br />

company's performance than<br />

complaining about the “illwill of<br />

the controller"<br />

Monitoring Monitoring yes yes but but what?<br />

what?<br />

Agreed: since there is no other<br />

marketing tool which can be used<br />

for so many different purposes<br />

and to achieve so many different<br />

objectives the monitoring of the<br />

success achieved at a fair is a<br />

challenging task<br />

This begins with the question of<br />

defining objectives: since a fair is<br />

a multifunctional marketing tool<br />

the objectives which themselves<br />

are to be derived from the<br />

company's goals must also be<br />

formulated in a multifunctional<br />

and multidimensional way (see<br />

Fig ) It is therefore all the more<br />

important to determine in<br />

advance the number of objectives<br />

for participation in a fair and then<br />

to quantify them so that they can<br />

be measured The statement “We<br />

wish to launch product XY" is<br />

insufficient It is instead necessary<br />

to express the objective in<br />

concrete terms: “We must show<br />

and explain our new XY product<br />

to at least people personally<br />

who are from relevant business<br />

areas and have the authority to<br />

buy"<br />

This provides the basis for<br />

determining whether the<br />

objectives of exhibiting in other<br />

words its success both in<br />

quantitative and qualitative terms<br />

can be assessed In doing this it is<br />

not sufficient just to undertake a<br />

posthoc assessment (“was<br />

Figure 1<br />

participation in the fair<br />

worthwhile") Also it is very<br />

important for a company to be<br />

able to answer the question how<br />

in future performance at a fair can<br />

be optimised<br />

Monitoring Monitoring yes yes but but but how? how?<br />

how?<br />

For both questions the posthoc<br />

assessment and future<br />

optimisation various research<br />

tools are available which make it<br />

possible to measure whether both<br />

financial/quantitative objectives<br />

and nonfinancial/qualitative<br />

objectives were met As a result of<br />

the increasing pressure to justify<br />

trade fair budgets models for<br />

assessing quantitative<br />

particularly financial success are<br />

very much in fashion The options<br />

run from standardised<br />

measurement tools such as for<br />

instance that of AUMA <br />

Ausstellungs und<br />

Messeausschuss der Deutschen<br />

Wirtschaft (The Exhibition and<br />

Trade Fair Committee for the<br />

German Economy) through to the<br />

socalled balancedScorecard<br />

Model (from the Trade Fair<br />

Institute at the Technical<br />

University of Chemnitz) and they<br />

are largely based on the analysis<br />

of available internal data Such<br />

models though can give<br />

insufficient attention to medium<br />

or longterm issues in the area of<br />

communications objectives and<br />

Corporate objectives<br />

objectives for trade fair participation<br />

quantitative objectives quantitative objectives<br />

• objectives for contacting<br />

• sales objectives<br />

• etc.<br />

• image and positioning objectives<br />

• presentational objectives<br />

• communications and information<br />

objectives<br />

checking extent to which objectives met<br />

conclusions and data on future<br />

opportunities for optimisation are<br />

not available<br />

This is where it is necessary to<br />

work with external partners who<br />

can collect and analyse the<br />

necessary information and can<br />

also provide special tools which<br />

are designed to measure the<br />

success of the performance at a<br />

trade fair (see Fig ) The most<br />

important which are offered by<br />

GfK for instance in the form of a<br />

building block system under the<br />

name of GfK TRADE*FAIR*CHECK<br />

are briefly described in the text<br />

below<br />

Enumeration Enumeration of of the the the visitors visitors visitors to to to the<br />

the<br />

stand: stand: ascertaining ascertaining the the number number of<br />

of<br />

visitors visitors<br />

visitors<br />

The simplest and in contrast to<br />

the other research tools the most<br />

frequently used survey method<br />

comprises counting all the visitors<br />

to the stand If this number is<br />

compared with the number of<br />

visitors to the trade fair<br />

concerned then it is possible to<br />

confirm to what extent it was<br />

possible to interest the visitors to<br />

the fair in a company's stand or in<br />

the company itself (relative<br />

penetration) In Germany one<br />

company (FKM Gesellschafl zur<br />

freiwilligen Kontrolle von Messe<br />

und AussteHungzahlen) counts<br />

the total number of visitors at<br />

BRAND BRAND BRANDEQUITY BRAND<br />

75


almost all the large German fairs<br />

The data is normally recorded at<br />

the level of day time and position<br />

so that “visitor peak periods" can<br />

be precisely identified and the<br />

appropriate planning of stand<br />

personnel resources can be<br />

undertaken<br />

With such a count it is important<br />

that not only leads (ie contact<br />

reports by stand staff) but also all<br />

visitors to the stand are recorded<br />

This is in other words simply a<br />

quantitative analysis which says<br />

nothing about the quality of the<br />

visitors<br />

Visitor Visitor surveys surveys surveys (“stand (“stand impact"): impact"):<br />

impact"):<br />

question question on on impressions impressions made made by by<br />

by<br />

performance performance at at at fair fair<br />

fair<br />

The purpose of interviews of<br />

visitors to the stand is mainly to<br />

assess the quality" of the visitors<br />

and also to form an important tool<br />

for planning and designing an<br />

exhibit to reflect the needs of<br />

target groups Together with<br />

surveys which take place after the<br />

fair they generally form the key<br />

element in qualitative<br />

assessments of the success of an<br />

exhibit Typical questions which<br />

are asked of visitors within the<br />

framework of a representative<br />

survey on the spot (or in part after<br />

the fair) cover for instance<br />

• when you visited the stand<br />

what objectives expectations and<br />

information needs did you have;<br />

• how long did you spend on the<br />

stand and on what subjects did<br />

you gather information and were<br />

your information needs met;<br />

• to what extent did you go onto<br />

the stand with concrete intentions<br />

in terms of purchase and<br />

investment or will they result<br />

from the visit;<br />

• how do you assess the<br />

exhibitor's stand/performance at<br />

the fair also in comparison with<br />

competitors;<br />

• what is the basis of your<br />

76 BRAND BRANDEQUITY<br />

BRAND<br />

Figure 2<br />

Monitoring of success of trade fair participation<br />

Trade fair planning<br />

and preparation<br />

trade fair<br />

participation<br />

(realization)<br />

trade fair follow-up<br />

• target group definition<br />

• invitations, client contacts,<br />

appointments<br />

• press relations<br />

• number of visitors to stand (total/in<br />

relation to total number of visitors)<br />

• types of visitor<br />

• visitor activity<br />

• visitors’ information requirements<br />

and purpose of visit<br />

• visitors’ purchase/investment<br />

intentions<br />

• assessment of trade fair<br />

participation from visitors’<br />

standpoint<br />

• comparison with competition<br />

• Process of leads<br />

• follow-up; despatch of literature<br />

offers etc.<br />

• impact in image terms of the<br />

stand<br />

quantitative and qualitative assessment of participation<br />

lessons for next trade fair.<br />

relationship with the exhibitor<br />

(customer potential customer<br />

supplier etc)<br />

• where are you from (region<br />

business etc) and (with business<br />

visitors) what is your job and<br />

what authority do you have in<br />

your company<br />

to give just a few examples<br />

Additionally concrete questions<br />

can be discussed on the products<br />

and services on show and in this<br />

way the likely takeup of a new<br />

product can be assessed The<br />

results of these surveys therefore<br />

provide important information<br />

about the strengths and<br />

weaknesses of a company's<br />

performance at a fair<br />

Exhibitors already receive either<br />

during the fair or shortly<br />

afterwards concrete<br />

recommendations whether and to<br />

what extent they have reached<br />

certain target groups and how<br />

they can achieve greater success<br />

at future fairs<br />

pre-trade fair tests<br />

stand visits<br />

stand impact<br />

path analysis<br />

mystery visits<br />

visual audits<br />

post-trade fair-tests<br />

Postfair Postfair Postfair Postfair Postfair tests: tests: stable stable assessments<br />

assessments<br />

and and and valid valid comparisons comparisons with with the<br />

the<br />

competition<br />

competition<br />

competition<br />

Surveys among stand visitors<br />

shortly after the end of a fair<br />

supplement and provide more<br />

detail than the stand survey and<br />

handle the results more<br />

objectively and therefore provide<br />

the second key component in the<br />

systematic assessment of the<br />

success of performance at a fair:<br />

time pressures at a fair permit<br />

only short mainly structured<br />

questionnaires which can be<br />

supplemented within the<br />

framework of a postfair test<br />

Secondly views expressed spon<br />

taneously at a fair may be<br />

modified later in the visit to the<br />

fair particularly when visiting<br />

competitors' stands or placed<br />

within a broader framework<br />

Surveys after the fair provide<br />

more stable results and also more<br />

valid comparisons with the<br />

competition Additionally lasting<br />

impressions and results from the


visit to the fair can only be<br />

assessed retrospectively (“What<br />

positive/negative aspects of your<br />

visit to the stand do you still<br />

retain?" “What impact did your<br />

visit during the fair have on your<br />

purchase decisions and on your<br />

image of the company?" etc)<br />

Therefore shortly after the end of<br />

the fair (usually a few days later)<br />

a sample of stand visitors is re<br />

contacted (their agreement and<br />

address were collected during<br />

their visit) by email in writing or<br />

by telephone This enables for<br />

instance the performance at the<br />

fair of the company concerned to<br />

be assessed retrospectively views<br />

to be expressed for instance on the<br />

competitive environment and<br />

decisions on planned purchases or<br />

on investments to be described<br />

The results in combination with<br />

the results from the stand survey<br />

provide a comprehensive picture<br />

on whether and to what extent<br />

the company reached its target<br />

groups met their information<br />

needs and whether their<br />

performance at the fair could be<br />

Figure 3<br />

exhibitor<br />

CCC<br />

DDD<br />

78 BRAND BRANDEQUITY<br />

BRAND<br />

regarded as successful from the<br />

visitor point of view<br />

Path Path analysis: analysis: recording recording the<br />

the<br />

actions actions of of of visitors visitors on on the the the stand<br />

stand<br />

Path analysis is a littleknown and<br />

up to now infrequently used<br />

research tool Unlike with a<br />

completely quantitative visitor<br />

count a path analysis measures<br />

the individual routes followed by<br />

visitors and as a result the footfall<br />

in the individual areas of the<br />

stand and also the products which<br />

were of interest to visitors For<br />

this purpose the visitors are<br />

followed or observed This makes<br />

it possible to ascertain where the<br />

visitors made a stop and for how<br />

long and what precisely they then<br />

did<br />

The results which are usually<br />

presented in visual form (see<br />

example in Fig ) can be<br />

particularly helpful in planning<br />

stand designs the placing of<br />

exhibits and in planning how the<br />

stand personnel can be used: what<br />

subjects and which exhibits should<br />

be located where how big should<br />

the exhibits be where are<br />

advisory staff needed? etc<br />

Mystery Mystery visits: visits: assessment assessment assessment of<br />

of<br />

stand stand stand personnel<br />

personnel<br />

This technique is derived from<br />

mystery shopping methodology<br />

and serves primarily to evaluate<br />

the stand staff The objective is to<br />

identify suggestions for improving<br />

the way that the stand staff can<br />

provide its advisory function more<br />

effectively and can optimise its<br />

activities For this purpose<br />

specially trained personnel of the<br />

research company conduct<br />

conversations with stand staff<br />

following guidelines which had<br />

been previously prepared and<br />

then evaluate the various<br />

important characteristics<br />

(friendliness helpfulness putting<br />

over an argument etc) The<br />

results can for instance be used as<br />

a basis for training courses and<br />

workshops with (future) stand<br />

personnel so that presence and<br />

conduct on the stand can be the<br />

subject of focused training The<br />

main emphasis here is on what are<br />

called “soft skills" and much less<br />

Monitoring of competition at trade fair - example of results<br />

stand activities and<br />

visitor frequency<br />

(weight=35%)<br />

main message<br />

(weights = 25%)<br />

stand design<br />

(weights = 25%)<br />

presentation<br />

atmosphere<br />

(weights=15%)<br />

observation score observation score observation score observation score<br />

4 no clear main message 0 stage for shows was 6 large number if visitors; 4<br />

total score<br />

(weighted)<br />

AAA stand always well staffed, 8 “AAA - we design factories”, 6 professional, lighting 7 rather distant but 6 695<br />

many visitors, business<br />

clear simple message, colours and materials well professional; worked<br />

discussions continously<br />

but lacking in detail<br />

matched, but lack<br />

better on technical<br />

taking place<br />

of “activity’<br />

than emotional level<br />

BBB<br />

no business discussions<br />

at any time, youthfulness 1 “BBB goes global” 3 confused; innovative 6 impact “cool’ rather 5 335<br />

of staff noticable<br />

meaning only clear to<br />

materials and LED<br />

arrogant - > uninviting,<br />

clients, inappropriate<br />

displays; videos<br />

innovative, but<br />

as message<br />

uninformative<br />

many visitors particularly<br />

during shows; shows<br />

dominated stand<br />

activities; too few staff<br />

few, but some serious<br />

business discussions;<br />

hardly any visitor on<br />

Tue/Thur<br />

centre-point exhibits<br />

were relegated to<br />

background; not<br />

enough displays<br />

too full; otherwise<br />

conventional amateurish,<br />

lack of signs/displays<br />

5<br />

“we are leaders in<br />

innovation” - message 6<br />

disorganized impression;<br />

no info-bars; no special 4<br />

cold and unwelcoming;<br />

dominated by technology<br />

3<br />

easily understood, but<br />

identity created; good<br />

not well realized<br />

throughout<br />

mix of materials<br />

330<br />

470


Figure 4<br />

entrance 2 entrance 1<br />

information 1<br />

terminals<br />

information stand 1<br />

5><br />

4><br />

4><br />

discussion forum<br />

11> 2><br />

1><br />

1><br />

1><br />

5><br />

1><br />

<br />

1><br />

PATH - ANALYSIS - example of results<br />

1><br />

4><br />

1><br />

aquarium<br />

<br />

1><br />

on the technical competence of<br />

the stand staff which with<br />

complicated products and services<br />

which need a high level of<br />

explanation cannot really be<br />

checked<br />

Competitive Competitive Competitive analysis analysis (visual<br />

(visual<br />

audits): audits): neutral neutral observers observers analyse<br />

analyse<br />

the the competition<br />

competition<br />

Fairs provide one of the best<br />

opportunities for competitive<br />

analysis since there on the spot<br />

not only can current products and<br />

so lutions be analysed but also the<br />

main competitors'marketing mix<br />

in terms of communications<br />

prices and distribution<br />

The opportunities this provides<br />

are usually underestimated The<br />

true situation is that often the<br />

monitoring of the competition is<br />

reduced to two or three members<br />

of the staff dashing over to the<br />

stands of the competition just<br />

shortly before the fair closes and<br />

collecting some brochures<br />

The company is therefore leaving<br />

important opportunities<br />

unexploited which would benefit<br />

from a more professional<br />

<br />

<br />

7><br />

web-terminals picture gallery<br />

5><br />

information 2<br />

information stand 2<br />

4> 4><br />

approach: within the framework<br />

of avisual audit" as it is called a<br />

fully briefed neutral observer with<br />

relevant experience is despatched<br />

into the halls with a previously<br />

prepared checklist Using this<br />

checklist the performance at the<br />

fair of the various exhibitors is<br />

documented analysed compared<br />

and assessed (usually the most<br />

important of the client's<br />

competitors) The objective of this<br />

competitive analysis is to assess<br />

the performance of the individual<br />

firms from the point of view of an<br />

(objective) third party in terms of<br />

key message content and type of<br />

presentation as well as of the<br />

activities on the stand<br />

The task is to determine how the<br />

performance of the client at the<br />

fair is assessed in relative terms<br />

(see Fig ) The results of this<br />

analysis which are usually<br />

supplemented with a<br />

comprehensive record using still<br />

photos and videos help the client<br />

to develop a detailed<br />

understanding of the marketing<br />

communications of his<br />

competitors as well as to optimise<br />

his own performance at the fair<br />

8><br />

exit<br />

Conclusion<br />

Conclusion<br />

Fairs have a unique position in the<br />

marketing mix For many<br />

companies particularly in capital<br />

goods industries they are without<br />

doubt the most important<br />

marketing tool The high costs of<br />

exhibiting at a fair mean though<br />

that careful choices planning and<br />

monitoring of performance at the<br />

fair are necessary This requires:<br />

defining the objectives for<br />

exhibiting at the fair<br />

measuring whether these<br />

objectives were met and<br />

analysing the results of the<br />

evaluation of whether<br />

performance was satisfactory and<br />

assessing them in terms of<br />

exhibiting at future fairs<br />

For this purpose a range of<br />

research tools are available which<br />

can make it possible to measure<br />

the success of performance at the<br />

fair in both quantitative and<br />

qualitative terms These research<br />

tools are still being used far too<br />

infrequently part of the reason<br />

for which is that there is certainly<br />

far too little understanding of the<br />

wide range of modern research<br />

tools which are available for<br />

measuring the success of<br />

exhibiting at a trade fair<br />

Finally to return to the subject of<br />

costs: a systematic assessment of<br />

the performance at a trade fair<br />

using the research tools described<br />

above naturally costs money But<br />

in comparison to the total costs of<br />

participating in a trade fair which<br />

depending on the size of the<br />

stand can easily reach a six digit<br />

Euro figure the costs of the<br />

research at three to five per cent<br />

of total fair costs are relatively<br />

small But if the costs can provide<br />

wellbased answers as to whether<br />

a fair does the business and on<br />

how exhibiting at fairs in future<br />

can be optimised then the costs<br />

are more than justified<br />

BRAND BRAND BRANDEQUITY BRAND<br />

79

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