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Creationism - National Center for Science Education

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may be closer to the actual intent of the ancient Hebrews. He suggests that Chaos existed<br />

be<strong>for</strong>e the first verse of Genesis. God may have created it in prior ages, but the Bible<br />

does not speak of this. Genesis begins with this Chaos already in existence. Referring to<br />

Job, Psalms, and other scriptures, Bixler argues that Chaos was under the control of evil<br />

and destructive entities. God’s work during the six days of creation involved immense<br />

ef<strong>for</strong>t: actual “warfare” against this evil Chaos, which resisted mightily. God <strong>for</strong>cibly<br />

restrained the Waters of the Deep (the Abyss) and the Darkness. References to sea<br />

monsters or dragon/serpents ib the Bible—Leviathan, Rahab—are personifications or<br />

examples of this evil which God “muzzled” at creation. During the Flood, God allowed<br />

the Waters of the Deep and the Waters Above the Firmament to revert temporarily to<br />

their <strong>for</strong>mer untamed and unrestrained state. (Bixler equates the Waters Above the<br />

Firmament with the water canopy.)<br />

This titanic struggle between God and the evil Chaos during the six day creation<br />

is unabashed dualism, as Bixler openly admits: “Certainly the Bible is dualistic!”<br />

(1986:133). Bixler is fully aware that his exegesis makes Genesis sound like pagan<br />

cosmologies, unlike the later Christian ex nihilo interpretation, which stresses its<br />

uniqueness. He professes not to worry, saying that “Satan consistently displays the<br />

counterfeit, the half-truth.” Bixler also denies the doctrine of dispensationalism, asserting<br />

that God operates now just as He has since creation. God creates wine out of water and<br />

heals blind eyes in the same way that He created the earth from Chaos.<br />

Inspired by Velikovsky and especially by Donald Patten, who wrote a Foreword<br />

to this book (a second Foreword was written by John Rea, a professor at Pat Robertson’s<br />

CBN University), Bixler proposes that Creation was a cosmic catastrophe: the approach<br />

of an ice planet or ice comet to the fiery proto-earth Chaos. The first four days of<br />

creation involved extraterrestrial catastrophes. Appealing again to pagan cosmologies,<br />

Bixler suggests that the lesser light appointed to rule the night was Saturn (1986:175). A<br />

later cosmic cataclysm provoked the Flood and the Ice Age, and restructured the solar<br />

system, producing our moon.<br />

Bixler dismisses the standard Gap Theory as an ad hoc “concordistic” attempt to<br />

harmonize the ex nihilo interpretation with accumulating evidence <strong>for</strong> an old earth. He<br />

praises Weston Fields’ exegesis (1976), which refutes the Gap Theory, as “almost<br />

flawless” (except <strong>for</strong> Field’s refusal to critically examine creatio ex nihilo!), and<br />

discusses many of the early commentators claimed to be early Gap Theorists by Custance<br />

and others, giving a more plausible rendering of their views as referring to a pre-existent<br />

(pre-Gen. 1:1) Chaos. 39 Bixler submits that his exegesis eliminates the vexing conflict<br />

between young-earth and old-earth dating claims, confessing that there is strong evidence<br />

<strong>for</strong> both. Bixler solves this dilemma with his proposal that the six-day creation of<br />

Genesis occurred just a few thousand years ago, but the pre-existent earth—Chaos—is<br />

billions of years old.<br />

The authoritative Unger’s Bible Handbook, respected by fundamentalists,<br />

similarly proposes a “pre-Genesis Gap” while rejecting the standard Gap Theory. Merrill<br />

Unger suggests that Gen. 1:1 refers to a “relative” beginning—a “refashioning” of the<br />

39 Charles Taylor (1984:48), a strict creationist, protested the 18th-century theological views expressed in<br />

Haydn’s 1798 oratorio The Creation <strong>for</strong> these reasons. The oratorio’s opening section—be<strong>for</strong>e God’s first<br />

creative act (“Let there be light!”)—is a marvelously inspired classical depiction of Chaos. Presumably<br />

(according to Taylor) this constitutes a denial of creatio ex nihilo.

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