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CONTENTS EDITOR’S NOTE<br />

BRAND FOR THE ENVIRONMENT<br />

Tetra Pak Protects What’s Good<br />

COVER STORy<br />

Pepsi Offers Endless Possibilities<br />

INTERACTION MARKETING<br />

Slipknot Helps <strong>Brand</strong>s to Involve & Engage<br />

CREATIVE MEDIA STRATEGy<br />

Universal McCann Delivers Winning Solutions<br />

yOUTH TRENDS<br />

Insights into Youth Consumption Patterns<br />

SHOPPER TRENDS<br />

Nielsen’s Shopping Environment Dynamics<br />

WEB MARKETING<br />

On Podcasting for <strong>Brand</strong> Builders<br />

HOTSPOTS 1<br />

On Emerging Market Opportunities<br />

MARKETING ACCOLADE<br />

DiGi Makes Malaysia Proud<br />

CONSUMER INSIGHTS<br />

About the Evolution of Women<br />

TRENDSPOTTING<br />

Know How Malaysians Relate to Money<br />

MARKETING ANALyTICS<br />

Measuring Price & Promo Effectiveness<br />

BRAND EQUITy<br />

A Roadmap for <strong>Brand</strong> Development<br />

MPA AWARDS<br />

Awards for Best <strong>Magazine</strong> Covers<br />

BRAND EQUITy AWARDS<br />

Downy Wins the Year’s Top Award<br />

02<br />

06<br />

12<br />

16<br />

20<br />

22<br />

28<br />

30<br />

33<br />

34<br />

36<br />

38<br />

40<br />

41<br />

<strong>Brand</strong> <strong>Equity</strong> | 1<br />

The past two years has borne witness to notable<br />

adjustments in the brand marketing space; and all of<br />

them are significant enough to warrant considerable<br />

attention.<br />

Skirmishes in a longstanding feud within the Cola turf<br />

continue to be exciting. So who can miss it when a 360degree<br />

marketing campaign delivers a restyled Pepsi<br />

with a fresh proposition – Endless Possibilities, Endless<br />

Experiences.<br />

And a B2B brand has moved to engage consumers with<br />

altruistic intentions. The world-renowned Tetra Pak<br />

delivered their environment-centric motto ‘Protect<br />

What’s Good’ through a simple contest that encouraged<br />

hordes of contestants to recycle.<br />

This issue also describes how brand builders can use<br />

Podcasting to promote their brands. And the Nielsen<br />

Company furnishes snapshots of happenings within the<br />

Malaysian shopping environment.<br />

In addition, there are key trends that demand attention<br />

as well. Malaysian career women are changing with the<br />

imminent return of femininity, and with greater affinity<br />

for the home and family.<br />

And topping it all is the return of the Malaysia<br />

<strong>Brand</strong> <strong>Equity</strong> Award 2007. This year’s winning list<br />

accommodated new and interesting brands; the list<br />

included returnees as well.<br />

But it’s the message therein that matters; brand share<br />

can ascend, defending it thereafter is an ongoing process<br />

that exacts considerable energy.<br />

Publisher : James Selva Executive Publisher : RT Selvii Publishing Director : RS Kumar<br />

Group Editor : CGN Raghunath (email:brandman@tm.net.my) Staff Writer : Chris Krishna<br />

Contributors : Jeff Zweig, R. Venkateswaran Marketing Manager : Anenda Sharma<br />

Art Director: Vitiyaa S. Graphic Designer : G Kayathri, V A Kanmani<br />

Dtp Artist : S Savithri Production Coodinator : R Sangeetha IT Executive : Vani Sri Administration : Kavitha<br />

Printed By : BHS Book Printing Sdn Bhd Lot 17-22 & Lot 17-23, Jalan Satu, Bersatu Industrial Park,Cheras Jaya, 43200 Cheras, Selangor<br />

PP11255/4/2008<br />

Published by:<br />

44<br />

Perception Media Sdn Bhd<br />

3-3, Jalan 11/48A, Sentul Raya Boulevard,<br />

51000 Kuala Lumpur<br />

Tel : 03 4043 0500 Fax : 03 4043 7648<br />

A Member Of:


<strong>Brand</strong> <strong>Equity</strong> <strong>Brand</strong> for the Environment<br />

Protect What’s Good<br />

A well conceived beverage carton recycling contest<br />

elicits passionate support from Malaysian consumers<br />

<strong>Brand</strong> <strong>Equity</strong> | 2<br />

We have<br />

taken active<br />

measures to<br />

protect the<br />

environment...<br />

[[<br />

By Raghunath<br />

It carries the brand name Tetra Pak; is Swedish by<br />

origin and the B2B business format operates with a<br />

passion for sustainability and renewability.<br />

But its way back in 1961 that the company shook the<br />

food & beverage industry with an innovation that simply<br />

couldn’t be ignored.<br />

Dubbed the aseptic carton package or Tetra Brik<br />

Aseptic, it enabled sterile milk to be filled under<br />

hygienic conditions without it being reinfected. The<br />

sensational product totally transformed the distribution<br />

and selling of the extremely perishable milk and other<br />

liquid foods around the world.<br />

Sustainability remains entrenched within the core<br />

of every activity initiated by Tetra Pak. ‘We believe<br />

in using natural resources without using them up, so<br />

that future generations can use them as well,’ says<br />

Terrynz Tan, the Malaysian unit’s head of corporate<br />

communications.<br />

The fact that every popular brand uses the<br />

technology says all it can about its contribution to<br />

safety and availability. And it’s a package that permits<br />

liquid foods to be sold in ambient conditions as well.<br />

In addition, it reduces expensive refrigeration space,<br />

reduced the need for holding large stocks, and reached<br />

out to consumers from various age groups, extended<br />

shelf-life as well as the product range it can contain.<br />

Soymilk, fruit juices, fusion beverages, soups,<br />

sauces, olive oil and liquid yoghurt are some products it<br />

can carry. And the customers that stake their reputation<br />

on Tetra Pak’s unrivalled benefits deliver brands such as<br />

Yeo’s, Milo, Marigold, Fruit Tree, Magnolia, Dutch Lady<br />

and Drinho to Malaysian consumers.<br />

There are other benefits as well. Products can be<br />

made non-perishable for months without refrigeration<br />

and delivered without preservatives.<br />

But it’s the ‘Protect What’s Good’ maxim that<br />

exemplifies Tetra Pak’s commitment to sustainability.<br />

‘We have taken active measures to protect the<br />

environment, and it starts with the choice of a<br />

Terrynz Tan<br />

renewable material, wood fibre which is the principal<br />

component of our packages,’ says Tan.<br />

She says that the beverage carton’s raw materials<br />

are sourced from well managed audited forests in<br />

Scandinavia, where more trees are planted than<br />

harvested.<br />

And on average by weight, Tetra Pak cartons are<br />

made up of 74% paper, 22% polyethylene and 4%<br />

aluminium. The company also supplies processing<br />

equipment as well as complete processing, filling and<br />

packaging lines.<br />

Happenings in Malaysia<br />

Tetra Pak has been operating in Malaysia for over 40<br />

years. The likelihood that every consumer in Malaysia’s<br />

multifaceted market will have an encounter with any of


‘For many it became a family affair.<br />

Their effort made every one of them a winner,’<br />

<strong>Brand</strong> <strong>Equity</strong> | 3<br />

Tetra Pak’s aseptic package at least once every week for<br />

the rest of their lives cannot be dismissed. Talk about<br />

lifetime value!<br />

But there were issues that demanded attention. ‘Our<br />

research concluded that Malaysian consumers have been<br />

using our products without specific knowledge about its<br />

functional benefits,’ says Tan.<br />

‘We believed that the ‘Protect What’s Good’ motto<br />

delivered through a recycling contest would be a good<br />

platform to connect with consumers, and to share about<br />

the benefits of Tetra Pak to food quality and safety,’ she<br />

explains. That was the objective of the first phase of<br />

the campaign which took off in 2005.<br />

Whilst education was the goal of the first phase, the<br />

second phase implemented in 2006 opted to heighten<br />

excitement and elicit consumer involvement. To build<br />

awareness about recycling of beverage cartons which<br />

officially started in Malaysia in 2006, the company<br />

executed a ‘recycle & win’ contest that offered great<br />

prizes.<br />

The simple to understand and simple to participate<br />

contest was conceived in partnership with one of<br />

Malaysia’s leading below-the-line agencies, Fabulous<br />

Business Ideas.<br />

Support for the campaign was secured from the<br />

Ministry of Housing & Local government. There were<br />

other partners as well. ‘We are very happy that our<br />

partners Pascorp Paper Mill, Alam Flora and KPT<br />

Packaging shared our concern for the environment. Alam<br />

Flora’s collection centres played a key role in routing<br />

the recyclable packages to Pascorp Paper Mill, where<br />

the beverage cartons are being recycled into paper<br />

rolls that can be used to produce various paper-based<br />

products such as <strong>note</strong>books and paper bags,’ says Tan.


Contest Mechanics & Impact<br />

A three round contest phased out over three<br />

quarters; May to July, August to October and November<br />

to January 2007 gave away a repertoire of prizes<br />

including mobile phones, PSPs, and iPod Shuffles.<br />

All contestants had to do was to collect the<br />

recyclable Tetra Pak cartons and hand them over to<br />

designated collection centers. At least three beverage<br />

cartons had to accompany a completed form.<br />

...Repertoire of prizes<br />

included mobile<br />

phones, PSPs, and iPod<br />

Shuffles.<br />

And the criterion for winning was the highest entries.<br />

The contestant that sent in the most number of cartons<br />

over the entire period was rewarded with a trip to<br />

Disneyland Tokyo.<br />

But it was an instructive process as well. Contestants<br />

were advised how to recycle effectively as part of<br />

sending in the entries.<br />

Supported by an intensive media blitz over the air<br />

and on-ground in schools and retail outlets, the contest<br />

introduced a simple method to prepare beverage<br />

cartons for recycling. Nicknamed Flip, Flap & Flat,<br />

participants were taught to first remove the drinking<br />

<strong>Brand</strong> <strong>Equity</strong> | 4<br />

[ Children were among<br />

the significant number<br />

of participants.<br />

[<br />

straw, flip open the top side and bottom side flaps and<br />

flatten the carton before it was sent in for recycling.<br />

Tan says the contest elicited the interest of people<br />

from all walks of life. School children were among the<br />

significant number of participants.<br />

‘For many it became a family affair. One participant<br />

in particular, Encik Sarbanun bin Haji Samsuri and his<br />

family from Klang shared the responsibility of collecting<br />

beverage cartons and sending in their entries. Their<br />

collective effort made every one of them a winner,’ says<br />

Tan.<br />

‘We do hope that the nine month campaign will<br />

eventually sustain the contestant’s interest in recycling<br />

to eventually become a habit,’ she adds.<br />

More can be expected from Tetra Pak in their<br />

continuing effort to contribute to a better environment.<br />

And public response to the contest exceeded<br />

their expectations – over quarter of a million cartons<br />

accompanied tens of thousands of entries, and within<br />

three quarters.


<strong>Brand</strong> <strong>Equity</strong> Cover Story<br />

Pepsi’s World<br />

of Endless<br />

Possibilities<br />

<strong>Brand</strong> <strong>Equity</strong> | 6<br />

By Raghunath


[<br />

<strong>Brand</strong> <strong>Equity</strong> | 7<br />

Pepsi ups the ante in a long<br />

running battle to endear to more<br />

consumers in a world of ceaseless<br />

social changes<br />

[<br />

It’s got everything to do with happenings in the mind,<br />

and not age. And its inspirational attribute is intricately<br />

linked with the consumer’s desire to experience and<br />

express.<br />

So Pepsi Cola is at it again, launching a refreshingly<br />

bold challenge that seeks to reinvigorate its connections<br />

with consumers from varied age groups – the young that<br />

harbour the desire to be themselves and the not-so that<br />

want to turn the clock back.<br />

And since 1898, Pepsi has always urged people to get<br />

out there, have a great time or move through the times<br />

with clever propositions that reflected the mood that<br />

prevailed (See Pepsi’s Propositions).<br />

Yet again, the folks at Pepsi are demonstrating that<br />

they are spot-on with social adjustments that impact<br />

the way people define themselves, their aspirations and<br />

their lifestyles; albeit at a global level.<br />

And it has spawned a 360-degree marketing campaign<br />

that’s delivering Pepsi’s new and revolutionary global<br />

brand approach through the refreshed proposition –<br />

Endless Possibilities, Endless Experiences.<br />

But what gives in Malaysia? ‘We expect the campaign<br />

to completely change the way Pepsi connects with<br />

Malaysian consumers. This campaign intends to further<br />

enliven a two-way dialogue between the Pepsi brand<br />

with its consumers,’ says PepsiCo International’s<br />

Marketing Director (SEA) Edwin Africa.<br />

Adds Erwin Selvarajah, the CEO of Permanis Sdn.<br />

Bhd., the bottler for PepsiCo Beverages International,<br />

‘The new campaign is a reflection of the world we<br />

live in and the people we deal with. We realized that<br />

consumers are interested in different things all the time<br />

and constantly seek to embrace interactivity and new<br />

personalized experiences.’<br />

Elements of the new campaign reflect the nuances<br />

of today’s consumers; in particular the young, as well<br />

as the young at heart. Relevant insights have unveiled<br />

opportunities made possible by the unrestrained<br />

availability of information.<br />

‘Technology has enabled consumers to take charge,<br />

and has delivered the experiential kind of consumer. We<br />

viewed this as an opportunity to be a step ahead of that<br />

trend,’ adds Erwin.<br />

But the intended audience presents its own<br />

challenges. The dynamic young consumer segment is<br />

certainly fragmented from a behavioral perspective.<br />

While a significant group is interested in travel, others<br />

are hooked to music and many more, both. And most<br />

love to customize interactive technologies.<br />

So there lies the opportunity – the tools and channels<br />

of expression may be the same, but the opportunity to<br />

tweak them as they please is relished by consumers.


[<br />

Edwin Africa and Erwin Selvarajah<br />

‘Consumers are offered endless<br />

possibilities to ‘Explore, Express,<br />

Discover More with Pepsi’<br />

The result is different expressions and different<br />

experiences.<br />

That explains why Pepsi has moved to respond and<br />

reveal the brand in multiple dimensions to the young<br />

and the young at heart.<br />

‘Consumers are offered endless possibilities to<br />

‘Explore, Express, Discover More with Pepsi’ through<br />

multiple contact points with packaging, advertising,<br />

point of sales, promotions and online. These<br />

revolutionary changes have been done without changing<br />

the iconic Pepsi globe that many associate with the<br />

brand,’ says Edwin.<br />

The visible piece of this effort is the new package<br />

graphics for Pepsi, which incorporates the new global<br />

designs with youth-oriented icons such as Music, Travel,<br />

and ‘Emoticons’.<br />

‘And to localize the experience, we had created an<br />

interesting localised packaging which includes notable<br />

local symbols such as the Petronas Twin Towers, KL<br />

Tower, and Hibiscus on the Travel pack, in support of<br />

the Visit Malaysia Year 2007 campaign,’ says Erwin.<br />

The blast to deliver a passport of endless possibilities<br />

on the things consumers enjoy most in life through<br />

Pepsi is on. ‘Now, our consumers will have a different<br />

experience each time they buy a Pepsi,’ says Erwin.<br />

And the proposition comes alive on every<br />

merchandising and on-premise tools everywhere in<br />

Malaysia; from coolers, vending machines, to retail<br />

outlet signages, from delivery trucks to minute branding<br />

paraphernalia like paper cups.<br />

But the new initiative permits the brand’s visual<br />

expression to reflect various customer desires. Were<br />

there any concerns about tampering with its image?<br />

‘We have maintained Pepsi’s standard look, the red<br />

and blue globe with a wavy framework. However, the<br />

background can be changed to reflect the expression<br />

and experience desired by the consumer. That is why<br />

<strong>Brand</strong> <strong>Equity</strong> | 8<br />

our cans and cups carry different themes,’ says<br />

Edwin.<br />

And Pepsi’s brand ambassadors in Malaysia are<br />

the winners of the talent-search reality show, One<br />

in A Million. The two ambassadors, Low Sook Wee<br />

(Suki) and Ahmad Faizal Mohd Tahir (Faizal) were<br />

selected not only for their recent accomplishment,<br />

but also for their personality, charisma, and outlook<br />

on life on and off stage.<br />

‘In short, they personify the endless<br />

determination, the youthful spirit of exploration,<br />

self-expression and discovery which is what the new<br />

Pepsi re-designing is all about,’ says Erwin.<br />

The refreshed proposition comes at a time<br />

when the carbonated beverage category has seen<br />

lacklustre growth of late as health conscious<br />

consumers have successfully been engaged by a<br />

plethora of non-carbonated traditional and non-<br />

The potent benchmark lies in the<br />

restyled Pepsi’s ability to engage<br />

consumers in the long haul.<br />

[<br />

traditional beverages.<br />

Permanis has invested a total of RM8 million on<br />

advertising and promotions for launching the restyled<br />

brand, which includes new thematic TVCs,<br />

print, outdoor advertising, in-store merchandising,<br />

point-of-sale materials and several packaging designs<br />

and promotions.<br />

‘Consumers have access to exclusive online<br />

content, games and contests through the web address<br />

printed on each of the packaging designs,’ says<br />

Erwin.<br />

Erwin says that the relaunch has delivered double<br />

digit growth in sales. However the potent benchmark<br />

lies in the restyled Pepsi’s ability to engage<br />

consumers in the long haul.


Pepsi’s Design & <strong>Brand</strong> Repertoire – The Stories<br />

Pepsi <strong>Brand</strong> Re-Style Designs –<br />

a celebration of youth and discovery<br />

Emoticon: Today, we connect through shorthand<br />

dialogues on Instant Messaging (IM), mobile phones,<br />

email, blogging, and message boards. A fusion of<br />

‘emotion’ and ‘icon’, emoticons are expressive symbols<br />

made up of punctuation marks to relay a thought or<br />

feeling. How many do you recognize?<br />

DJ: Today, technology allows us all to become our<br />

own DJ. From MP3jing, beat mixing, scratching, and<br />

mash ups, the design reminds us how music has gone<br />

high tech.<br />

Travel: Embracing a world of discovery through icons<br />

and images relating to local cultures, this canvas is a<br />

visual index to your sense of adventure.<br />

In Malaysia, Pepsi has localised this design in support<br />

of the Visit Malaysia Year 2007 campaign by including<br />

the Petronas Twin Towers, KL Tower and Hibiscus.<br />

<strong>Brand</strong> <strong>Equity</strong> | 9<br />

...celebrate the<br />

colourful, rhythmic<br />

movement of our ‘live<br />

in the now’ spirit<br />

[[<br />

Other Pepsi <strong>Brand</strong>s<br />

Pepsi Twist: From Carnivale to local street fairs,<br />

the bright, vivid colours and patterns of Global festivals<br />

celebrate the colourful, rhythmic movement of our ‘live<br />

in the now’ spirit. This spirit is encapsulated in the<br />

design based on the ‘Festival’ theme.<br />

Pepsi Max: Inspired by the ‘Tattoo’ theme. With hit<br />

television series like, ‘Miami Ink’ and ‘Inked’, global<br />

youth have embraced using their bodies as a form<br />

of self-expression. Once considered something only<br />

engaged in by tough guys on Harley’s and service men,<br />

tattoo culture is being reframed as artistry.<br />

Pepsi Light: In a world that continues to move<br />

faster, more and more people seek a way to slow down.<br />

From Yoga to meditation, finding the ‘me moment’ has<br />

become key.


Pepsi’s Propositions – Key Milestones<br />

1958<br />

Pepsi identifies itself with young, fashionable<br />

consumers with the ‘Be sociable, have a Pepsi’<br />

theme.<br />

1961<br />

The younger, post-war generation inspired the theme<br />

‘Now it’s Pepsi, for those who think young.’ It defined<br />

youth as a state of mind as much as a chronological<br />

age, maintaining its appeal to all market segments.<br />

1963<br />

Pepsi recognizes one of the most significant<br />

demographic events in commercial history, the<br />

post-war phenomenon and positions the brand as<br />

belonging to the new ‘Pepsi Generation’. Advertising<br />

history is made with ‘Come alive! you’re in the Pepsi<br />

Generation.’ It is the first time a product is identified,<br />

not so much by its attributes, as by its consumers’<br />

lifestyles.<br />

1969<br />

There is a shift in Pepsi Generation advertising<br />

strategy with a new theme, ‘you’ve got a lot to live.<br />

Pepsi’s got a lot to give.’ youth and lifestyle are still<br />

the campaign’s driving forces, but with ‘Live/Give,’<br />

a new awareness and a reflection of contemporary<br />

events and mood become integral parts of the<br />

advertising’s texture.<br />

1973<br />

‘Join the Pepsi People, Feelin’ Free’ captures the<br />

mood of a nation involved in massive social and<br />

political change. It pictures us the way we are – one<br />

people, but many personalities.<br />

1975<br />

The Pepsi Challenge, a landmark marketing strategy,<br />

convinces millions of consumers that the taste of<br />

Pepsi is superior.<br />

1976<br />

‘Have a Pepsi Day’ is the Pepsi Generation’s upbeat<br />

reflection of an improving national mood.<br />

1984<br />

A new generation has emerged – in the United States,<br />

around the world and in Pepsi advertising, too.<br />

‘Pepsi. The Choice of a New Generation’ announces<br />

the change, and the most popular entertainer of<br />

the time, Michael Jackson, stars in the first two<br />

commercials of the new campaign.<br />

<strong>Brand</strong> <strong>Equity</strong> | 10<br />

1993<br />

‘Be young, have fun, drink Pepsi’ advertising,<br />

starring basketball superstar Shaquille O’Neal, is<br />

rated as best in U.S.<br />

1997<br />

In the early part of the year, Pepsi pushes into a<br />

new era with the unveiling of the GeneratioNext<br />

campaign. GeneratioNext is about everything that is<br />

young and fresh, a celebration of the creative spirit.<br />

It is about the kind of attitude that challenges the<br />

norm with new ideas at every step of the way.<br />

2003<br />

Pepsi-Cola unveils a new advertising campaign,<br />

‘Pepsi. It’s the Cola,’ which is the brand’s first<br />

major campaign shift since 1999. The new campaign<br />

highlights the popular soft drink that goes with<br />

everything from food to fun.


<strong>Brand</strong> <strong>Equity</strong> Interaction Marketing<br />

Involve, Empower, Engage<br />

Proactive brands cannot afford to ignore the enormous<br />

opportunities presented by interaction touch points<br />

‘Let consumers participate!’ Is the new mantra in brand<br />

building. It’s a tenet that is gaining ground, albeit at a<br />

feverish pace, and is infiltrating every touch point that<br />

brand builders deploy to ensnare customers.<br />

‘In a simpler economy with fewer choices, it is easier<br />

to figure out a clearly differentiated brand message,<br />

when to deliver it and through which medium. In a less<br />

sophisticated economy, it’s easier to achieve a desired<br />

consumer perception or action with just messaging as<br />

a platform. Not so today,’ says Chin Weng Keong, head<br />

honcho of the Arachnid Group which consists of Malaysia’s<br />

leading and most-awarded interactive agency, Arachnid and<br />

its subsidiary Slipknot.<br />

It’s obvious that today’s consumers shop in a highly<br />

proliferated environment, with lesser and lesser<br />

differentiation in tow. ‘It’s so much easier to switch brands<br />

these days. Consumers have also become more immune<br />

to traditional marketing messages and are more prone to<br />

ignore them. Furthermore, media has become incredibly<br />

fragmented and the consumption of media itself has<br />

changed so even reaching them in the first place is getting<br />

harder, much less getting heard.’<br />

So are there better ways for brands to stake an<br />

undisputed claim, be recognized, heighten consumer<br />

involvement and race ahead of the pack? Chin emphasizes<br />

that the solution lies in the realm of interaction marketing.<br />

He explains that interaction marketing gives consumers<br />

the opportunity to be closer to the brand than ever. ‘<strong>Brand</strong>s<br />

that let consumers create something for them, or to have a<br />

resounding voice, are giving consumers the opportunity to<br />

become one with it. They get to experience and to affect,<br />

rather than merely “consume” a bunch of messages.’<br />

It’s a two-way street on which consumers have a say in<br />

how their relationships with brands will develop. They are<br />

empowered to seek, manage or modify what’s targeted at<br />

them.<br />

‘What’s more, giving consumers the opportunity to take<br />

joint ownership of the brand, to be co-creators of its voice<br />

and actions, often results in a higher propensity to share<br />

the experience with friends and peers,’ says Chin.<br />

But it is a vicious cycle that we are dealing with in<br />

the battlefield. Interact yes, but competitors are bound<br />

to catch-up. Chin reasons that the answer lies in the<br />

campaign’s core idea and its capacity to deliver value at<br />

all times.<br />

‘Interaction marketing campaigns must deliver value<br />

<strong>Brand</strong> <strong>Equity</strong> | 12<br />

to create excitement, always. <strong>Brand</strong>s risk attrition in the<br />

absence of value, or if the value proposition is weak. Value<br />

to consumers can mean more entertainment, utility, or<br />

empowerment to take control. Something that serves a<br />

distinct sense of purpose must be delivered,’ he says.<br />

Case in point would be Brylcreem’s microsite<br />

sohhemsem.com. Conceived by Chin’s team, the content<br />

not only entertains but also empowers users to determine<br />

and share key elements of the content. And pacheye.<br />

com gave visitors the opportunity to design album art and<br />

merchandise, upload remixed music tracks and become<br />

contributors to the artiste’s album.<br />

‘Interaction marketing is about driving engagement<br />

and depth. When done right, consumers are no longer<br />

intrusively marketed at but become willing allies in the<br />

advancement of a brand,’ says Chin.<br />

Chin Weng Keong can be reached at wengky@arachnid.com.my<br />

Chin Weng Keong


THE LONG AND SHORT OF BMW SHORTIES 2007<br />

Background<br />

In December 2006, BMW Malaysia launched BMW<br />

Shorties – a corporate social responsibility program aimed<br />

at discovering and promoting Malaysian film-makers in the<br />

form of a short film competition for amateurs.<br />

Judges included some of Malaysia’s most respected<br />

and exciting film professionals – Yasmin Ahmad, Paul<br />

Loosley, James Lee, Affandi Jamaludin, Danny Lim and<br />

Gregory Wee. On top of which, a 1-day film workshop was<br />

conducted by the judges to provide tips for aspiring filmmakers.<br />

The grand prize was two-fold. BMW Malaysia granted<br />

the winner RM50,000 production budget to fund his/<br />

her next short film project. After which, BMW Malaysia<br />

endeavored to help showcase the film by submitting it<br />

into international film festivals and competitions; a first in<br />

Malaysia.<br />

Non-Traditional Communications<br />

In generating awareness for the program, BMW Malaysia<br />

broke away from convention. With the help of Slipknot, it<br />

embarked on an awareness exercise utilizing blogs, social<br />

networks and viral films to tap into the online community<br />

of film enthusiasts who were the target audience of the<br />

campaign, directing visitors to the official website – www.<br />

bmwshorties.com.my – for details and entry forms.<br />

<strong>Brand</strong> <strong>Equity</strong> | 13<br />

Of <strong>note</strong> was a humorous ‘short film’ shot and posted to<br />

video sharing sites, looking like a scene from a Chinese<br />

gangster movie, but ending in humorous chaos as the<br />

result of a low production budget. The viral film was shot<br />

using amateur equipment and finished with intentionally<br />

low production values to strike a chord with the indie film<br />

making community that is often rich in creativity but poor<br />

in production pocket.<br />

74 film submissions<br />

received within<br />

64-day submission<br />

period<br />

Engaging the Public<br />

From the perspective of the competition itself, BMW<br />

Shorties tapped into the growing popularity of independent<br />

short films in this country thanks to the excellent quality of<br />

films being produced in recent years.<br />

Hence, the People’s Choice Awards category was added<br />

to the BMW Shorties competition. Ten of the best short film<br />

entries were short-listed and uploaded to the BMW Shorties<br />

website for viewing.<br />

And for 9 days, the public voted to determine the<br />

People’s Choice Award winner. During the same period, a<br />

public survey ran on the website to determine the efficacy<br />

of the Internet strategy.<br />

Runaway Success<br />

This marks the first BMW Malaysia campaign to be driven<br />

via the Internet almost exclusively (the only ‘traditional’<br />

component was a requisite PR campaign in newspapers and<br />

magazines).<br />

The results not only demonstrated the popularity of the<br />

program, but also the viability of the Internet as a platform<br />

for reaching relevant audiences, fully convincing BMW<br />

Malaysia to continue its support of the program using this<br />

strategy.


Results in Brief<br />

•74 film submissions received within 64-day submission<br />

period (more than double the expectations).<br />

•210 workshop applications received within 33-day<br />

sign-up period (more than 7 times overbooked), forcing<br />

the original 25-seat limit to be increased to 36.<br />

•3,580 votes received within the 9-day People’s Choice<br />

Awards voting window (daily average 398 votes).<br />

•2,528 website surveys filled within 9-day survey<br />

period (daily average 281surveys). The survey was not<br />

incentivised.<br />

•88% of respondents cited “word of mouth” as their<br />

source of awareness of the BMW Shorties program –<br />

via blogs, forums, email, instant messaging, portals,<br />

websites, web links and mobile.<br />

•10,000+ website mentions and talk about BMW<br />

Shorties (Source: Google.com 30 March 2007)<br />

•Word of mouth crossed national boundaries on the<br />

Internet bringing visitors to www.bmwshorties.com.my<br />

<strong>Brand</strong> <strong>Equity</strong> | 14<br />

from not just Malaysia – Malaysia 80%, UK 13.3%, and<br />

Australia 6.7% (Source: Alexa.com)<br />

More to Come<br />

BMW Shorties 2007 is far from over. It is now just about<br />

to enter its second phase. The Grand Prize winner, Abdullah<br />

Zahir bin Omar, will soon begin production on his next film<br />

on the RM50K prize money production budget.<br />

At the same time, he will be blogging his experience on<br />

www.bmwshorties.com.my taking audiences along his<br />

journey of creativity all the way through the international<br />

film awards submissions.<br />

About Slipknot<br />

Slipknot is a new-generation integrated marketing<br />

communications agency that utilizes both traditional and<br />

digital mediums to build brands through consumer interaction,<br />

engagement and participation.<br />

Slipknot can be reached at slipknot@slipknot.com.my


<strong>Brand</strong> <strong>Equity</strong> Creative Media Strategy<br />

THE NEXT<br />

THING NOW<br />

The global brand expression of a Media Specialist<br />

delivers potent engagement solutions<br />

A policy-fronted blockade on any outbound<br />

communications that wanted to commend its<br />

achievements has been lifted of late.<br />

And fronting their success is a brand expression that<br />

is verbalized in three words ‘Next Thing Now.’<br />

‘Proof of success is what we have to show. Even<br />

though Next Thing Now was launched in June last<br />

year, we decided to demonstrate our capabilities with<br />

proof of delivery to our clients before talking about<br />

it. That is why we were silent about our global brand<br />

proposition,’ says its managing director, Gaurav Bhasin.<br />

And proof is what they have in hand to savor.<br />

Universal McCann Malaysia has been the Grand Prix<br />

Winner and the Runners’ Up for Media Agency of the<br />

Year for two consecutive years now. And it was the only<br />

media agency in South East Asia that got to the final<br />

at the recent Cannes Lions International Advertising<br />

Festival.<br />

Explains Bhasin, ‘Next Thing Now is our global brand<br />

expression and is about us actively embracing the<br />

future. It is about constant innovation and evolution<br />

in the way we do everything that’s relevant to our<br />

business and therefore our clients and their consumers<br />

as well.’<br />

‘It is about doing today what needs to be done<br />

tomorrow. It is a philosophy that enables us to lead our<br />

clients in the area of thought leadership,’ he says.<br />

Bhasin says that two values are embedded in their<br />

brand proposition –‘engagement innovation’ and<br />

‘accountable creativity’.<br />

‘Gone are the days when one goes about monetizing<br />

or creating wealth by creating excellent execution,<br />

or pumping lots of money to try to get discounts from<br />

media owners,’ says Bhasin.<br />

He explains that the aim of engagement innovation<br />

is to engage consumers innovatively. Detailed research<br />

is carried out to unearth consumer insights which<br />

in turn are used to craft relevant communications<br />

strategies.<br />

‘The next stage calls for exploring better ways to<br />

talk to the consumer. The intention is not to use a push<br />

model and expose the message as it was done in the<br />

[[<br />

<strong>Brand</strong> <strong>Equity</strong> | 16<br />

golden era of mass marketing. It is about finding better<br />

ways to talk to consumers so that they will get involved<br />

in the message. That is engagement innovation,’ says<br />

Bhasin.<br />

The second value alludes to the need for their<br />

creative media strategies to deliver. ‘We do not believe<br />

in creating solutions for the sake of being creative. The<br />

output must be accountable in terms of strategy and<br />

the outcome thereafter. Our innovative solutions must<br />

help our client brands,’ says Bhasin.<br />

Next Thing Now has delivered for top notch brands<br />

and the list includes Coca-Cola, Seasons Soy Milk,<br />

Johnson & Johnson’s lotion and among others, Stay free.<br />

‘We have not lost a single piece of business locally<br />

since the last three years. And we will grow 100% this<br />

year,’ says Bhasin.<br />

Gaurav Bhasin


‘Next Thing Now’ case repertoire<br />

1. Suria KLCC ‘Christmas Gift Ideas’<br />

Challenge:<br />

• Position SKLCC as the top of mind ‘gift hub’<br />

during the Christmas season amongst female<br />

purchasers.<br />

• Peak clutter period – Christmas usually the<br />

‘utopia’ of festive seasons as it contributes to<br />

high sales for retailers.<br />

<strong>Brand</strong> <strong>Equity</strong> | 17


Solution:<br />

Most female consumers use magazines as<br />

reference for Christmas gift ideas. The<br />

credibility comes from the fact that gift ideas<br />

come from the editorial team.<br />

Armed with the above insights, Universal<br />

McCann created a simple yet innovative and<br />

relevant solution. They matched different gift<br />

ideas from Suria’s retailers with the content<br />

and persona of the magazine. These were then<br />

presented in the magazine’s unique style with<br />

the help of editors.<br />

Results:<br />

Within two weeks from the magazine’s on-sale<br />

dates, the featured products were all sold.<br />

2. J&J Bacteria (Care) Free<br />

Challenge:<br />

Amplify the core benefit of the new variant<br />

which contained tea tree (known for strong<br />

anti-bacterial properties) while engaging<br />

the mind of the target and increasing the<br />

relevance of using panty liners amongst<br />

college going females.<br />

Solution:<br />

• ‘Contextual Media Placement – WHAT you say<br />

is as important as HOW you say it.’<br />

<strong>Brand</strong> <strong>Equity</strong> | 18<br />

• Public toilets were identified as the place<br />

where incidence of bacteria was likely to<br />

be very high. Messages were the crafted<br />

for these negative environments to trigger<br />

an immediate link with the anti-bacteria<br />

proposition of Carefree Healthy Fresh.<br />

• To minimize wastage only potentially high<br />

traffic toilets in colleges (near computer<br />

labs, libraries, cafeterias etc) were used to<br />

communicate the benefit.<br />

Results:<br />

77% of the respondents who did not use panty<br />

liners indicated that they would now consider<br />

using Carefree Healthy Fresh.<br />

3. J&J Baby Soft Lotion Advergame<br />

Background:<br />

J&J had launched Johnson’s Baby Soft lotion<br />

with ‘24 hour’ moisturizing as its unique<br />

proposition. The challenge was to device an<br />

innovative solution that could demonstrate<br />

the core proposition in a context that would<br />

amplify its significance to office going females.<br />

Challenge:<br />

Create a platform to engage working white<br />

collar women with the ‘24 hour’ moisturizing<br />

property of the product.<br />

Solution:<br />

Insights revealed two things:<br />

• The segment experienced the driest skin in the<br />

office air-conditioned environment. This nailed<br />

the PLACE.<br />

• The also often go online to enjoy casual little<br />

breaks in the midst of their stressful day. The<br />

MEDIUM.<br />

- Developed in a fun & interesting manner,<br />

a stress busting advergame was designed<br />

showing the product’s efficacy in the frequent<br />

occurrence of skin dryness in the office.<br />

Result:<br />

The game was played by nearly 26,500<br />

people with 10% referring it to their friends &<br />

becoming brand advocates in the process.


<strong>Brand</strong> <strong>Equity</strong> Youth Trends<br />

New Youth Study Provides<br />

A new study on Malaysia’s urban<br />

youth, the first carried out by an<br />

advertising agency, is expected to<br />

help advertisers better target the<br />

country’s increasingly affluent under-<br />

30 market segment.<br />

The results of ‘Project After<br />

Sunset’, carried out by BBDO and<br />

Proximity Malaysia, will offer<br />

advertisers valuable insights into the<br />

lifestyles of Malaysia’s urban youth,<br />

allowing the former to better target<br />

their intended target market.<br />

‘We at BBDO and Proximity<br />

Malaysia know that there is a<br />

need for better understanding on<br />

what governs and dominates the<br />

consumption patterns of the youth.<br />

In short, we wanted to know what<br />

makes them tick and what draws<br />

them,’ said BBDO and Proximity<br />

Malaysia’s Group Chief Executive<br />

Jennifer Chan.<br />

Chan said the youth segment was<br />

a primary target audience for most<br />

brands across categories. More than<br />

60% of the Malaysian population was<br />

under the age of 30, making them<br />

the largest consumer segment of the<br />

day.<br />

‘We designed a methodology which<br />

went beyond normal focus group<br />

sessions. Instead of taking them out<br />

Economic Insights<br />

BBDO & Proximity<br />

trains the spotlight on youth<br />

consumption patterns<br />

of their environment, we went INTO<br />

their environment,’ she said.<br />

Research for Project After<br />

Sunset was carried out through<br />

blog entries, focus groups and<br />

an ethnography study, where the<br />

research team followed a group<br />

of youths for six consecutive days,<br />

enabling the team to observe the<br />

subjects in their natural habitat.<br />

Among the findings include<br />

interesting facts such as:<br />

Night life for youths under the<br />

age of 24 is ruled by the ‘tribe<br />

vibe’, where choices on where<br />

they go have to be unanimous.<br />

<strong>Brand</strong> <strong>Equity</strong> | 20<br />

Hanging out at the local<br />

‘mamak’ is an almost daily<br />

ritual, although groups of<br />

friends will occasionally treat<br />

themselves to better, more<br />

expensive dining venues to<br />

indulge themselves.<br />

The Internet is like oxygen to<br />

the urban youth, who seems<br />

unable to survive without it.<br />

They spend an average one to<br />

three hours, sometimes more,<br />

a day surfing the Internet.<br />

Activities include downloading<br />

music, movies, chatting and<br />

playing games.<br />

Jennifer Chan


They also spend one to four<br />

hours a day watching television,<br />

with first jobbers spending<br />

the most time glued to the<br />

television. The difference<br />

is that they would usually<br />

download TV content from the<br />

Internet and watch it on their<br />

own time.<br />

Hard copy materials such<br />

as books, magazines and<br />

newspapers are perceived<br />

by this consumer segment as<br />

‘fillers’, when they need a<br />

break from all things digital and<br />

electronic.<br />

The ‘best friend’ concept<br />

is becoming a thing of the<br />

past, with youths hanging out<br />

with a core peer group but<br />

supplementing them with groups<br />

with similar ‘special interests’;<br />

BBDO & Proximity call ‘Passion<br />

Groups’. Passion groups are<br />

another way of segmenting this<br />

target audience.<br />

youths also have a tendency<br />

to mix and match their<br />

consumption to reflect<br />

extremes such as a dinner at a<br />

mamak stall followed by a night<br />

of partying at Zouk or taking<br />

a budget airline to a luxury<br />

resort. They are seen to be<br />

practicing ‘creative spending’.<br />

<strong>Brand</strong> <strong>Equity</strong> | 21<br />

‘We have discovered some<br />

interesting facts; facts that brands<br />

targeted at the youth audience<br />

can leverage on… the whole idea<br />

is to keep our finger on the pulse<br />

of this increasingly economically<br />

interesting segment of the<br />

population,’ Chan said at the media<br />

briefing showcasing the results of<br />

Project After Sunset today.<br />

Based on the findings of the project,<br />

BBDO and Proximity Malaysia are<br />

also launching the country’s first<br />

youth portal, called MyPod. The<br />

interactive website will be used as<br />

a strategic tool to keep tabs on the<br />

views and opinions of this particular<br />

market segment.<br />

With MyPod, BBDO and Proximity<br />

Malaysia will be able to identify the<br />

hottest trends and latest fads among<br />

the urban youth, receiving instant<br />

feedback on various online stimuli<br />

which could include advertisements,<br />

promotions and opinion polls as well<br />

as new products and services.<br />

‘To keep up with the ever-changing<br />

tastes of this segment of the<br />

population, we have to be able<br />

to spot the latest trend, predict<br />

the next new craze and forecast<br />

the next big thing. With all this<br />

information, we are certain we will<br />

be able to ensure that our clients<br />

get on and remain on the right track<br />

when it comes to targeting their<br />

audience,’ Chan said.


<strong>Brand</strong> <strong>Equity</strong> Shopper Trends<br />

The widely held view is that consumer goods brand<br />

custodians are expected to maneuver within and around<br />

an assortment of exciting challenges in the Malaysian<br />

shopping environment.<br />

A discussion with Kosta Conomos, the director of The<br />

Nielsen Company’s retailer service unit (Southeast Asia)<br />

just about confirmed the belief.<br />

Insights into shopping habits were compiled from<br />

discussions with 1472 target respondents, both male and<br />

female from all ethnic groups aged between 15 to 65 in<br />

a research exercise that covered 10 major cities across<br />

the length and breadth of Malaysia.<br />

Kosta spoke at length about happenings in the<br />

retail trade sector. Pointedly, the grocery retail trade<br />

Key Market Trends – Malaysia<br />

• Polarization of the Retail trade in key Urban centres is increasing. The key drivers:<br />

- Growth in Hypermarket & Small format store growth<br />

- Supermarkets in urban centres are increasingly ‘lost’ in the mix, there is a growing<br />

need for them to differentiate their offer<br />

- Retail leadership is generally city-based within format, not National<br />

• Significant growth in Retailer spend on above the line marketing - TV, Radio, Newspapers,<br />

Internet<br />

• There is significant growth in overall Private label (PL) awareness & purchase<br />

• There is increase in awareness of ‘Health & Well-being’ as part of everyday life<br />

• And increasingly, sophisticated shoppers are becoming more demanding of retailers<br />

overall offer, NOT only low prices<br />

Developments in the Trade Sector<br />

•<br />

•<br />

•<br />

•<br />

•<br />

•<br />

2006<br />

ShopperTrends<br />

Eye on Malaysia…<br />

Modern Trade (MT) outlet growth (+7%) continues to outstrip retailer sales growth<br />

(+4.5%) & population growth (+1.9%)<br />

Growth is being driven by the Central & Southern regions<br />

These trends, coupled with a decline in consumer confidence will likely lead to<br />

declining sales per outlet on a like for like & per square metre basis<br />

Retailers’ increasingly need to accelerate sales growth to match channel growth &<br />

growth in square meterage to ensure positive like for like<br />

In 2007 we will see the largest increase in Hypermarket numbers (+32%) since the<br />

year 2000<br />

What remains to be seen is whether Hypermarket growth will be countered by<br />

declines in sales & store numbers for other MT Store types to keep the balance<br />

<strong>Brand</strong> <strong>Equity</strong> | 22<br />

is expected to undergo structural<br />

changes. ‘In particular, the Modern<br />

Trade will surpass Traditional<br />

channels as the leading contributor<br />

to share of trade within 12 months,’<br />

he says.<br />

The bottom line is that brand<br />

builders are operating in challenging<br />

times and the elements are not about<br />

Kosta Conomos<br />

to ease-up anytime soon.<br />

Significant pointers that emerged from the discussion<br />

have been clustered for undemanding interpretation<br />

below.


Related charts<br />

Convenience Store (CVS) continues to escalate whereas Provision now<br />

shows a slight turn around…<br />

2600<br />

2200<br />

1800<br />

1400<br />

1000<br />

CVS<br />

Pharmacy<br />

1,081<br />

30000<br />

28000<br />

26000<br />

24000<br />

Hyper/Supermarket store growth is escalating…Hypers expected to grow to by<br />

+ 19 outlets in coming 12 months, an increase + 32.8% vs. today...<br />

60<br />

50<br />

40<br />

30<br />

Provision<br />

28,659<br />

HYPERMARKETS<br />

31<br />

500<br />

480<br />

460<br />

440<br />

420<br />

400<br />

+19.5%<br />

1,292<br />

416<br />

33<br />

-2.5%<br />

27,944<br />

SUPERMARKETS<br />

+25.2%<br />

1,618<br />

1128<br />

437<br />

37<br />

-4.4%<br />

26,723<br />

+19.8%<br />

1,939<br />

1212<br />

43<br />

439<br />

<strong>Brand</strong> <strong>Equity</strong> | 23<br />

+13.2%<br />

2,194<br />

-4.3% +1.5%<br />

25,586<br />

25,693<br />

53<br />

1377<br />

451<br />

58<br />

+14%<br />

2,502<br />

474<br />

1531<br />

+2.9%<br />

26,444<br />

2001 2002 2003 2005 2005 2006<br />

Hypermarkets continue to increase share of where shoppers ‘spend most money’,<br />

clearly impacting Supermarkets & more traditional channels…<br />

43<br />

52<br />

59<br />

33<br />

26<br />

24<br />

8 9<br />

7 7<br />

Hyperm arket Superm arket T raditional<br />

Groc ery<br />

2 0 0 4 2 0 0 5 2 0 0 6<br />

5<br />

3<br />

4<br />

3<br />

1 1 2<br />

Minim arts W et Markets C VS/Serv.<br />

Station<br />

3<br />

494<br />

Base: All respondents (2004 n=1207, 2005 n=1203, 2006 n=1472)


Summary: Shopper Behavior<br />

•<br />

Increasingly, Shoppers are spending more in the Modern Trade (MT) formats with 83% claiming to<br />

spend most money there. However…<br />

- There is no significant change in monthly household spend on Food, Grocery & Personal Care items<br />

- Shoppers appear to becoming more loyal to formats for specific category purchases e.g.<br />

Medicinal items from Drug stores, Groceries from Hypermarkets<br />

- Shoppers still visit Provision shops for fill-ups and quick trips<br />

- Wet markets remain the “place of most often purchase” for Shoppers in terms of fresh<br />

meat, seafood and vegetables<br />

- Ease of access to MT formats is assisting in driving Retailer value share growth<br />

- This is resulting in some cannibalization within and across MT store formats<br />

Related charts<br />

Shoppers still visit Provision shops once every 3 days...<br />

Average Number of Visits Per Month<br />

2.8 2.8<br />

2.4<br />

3.1<br />

2.6 2.5<br />

1.7 1.5<br />

1.4<br />

Most shoppers shopped at the same stores they always do or<br />

just go to the closest store...<br />

Shopping Around Habit<br />

[<br />

[<br />

Hyperm arkets Superm arkets Pers onal C are<br />

I s hopped at the sam e store I always do<br />

Stores<br />

I just went to the c losest store<br />

I chec ked the newspaper or flyers for coupons and<br />

went to the s tore with the attractive deals<br />

I shopped at a s tore that a c olleague, friend or<br />

relative had recom m ended<br />

I was passing a store that c aught m y attention and I<br />

tried it<br />

I heard of a new s tore and dec ided to try it<br />

I c hose the store that I'd s een advertis ed recently<br />

I was vis iting friends / fam ily and went to a store that<br />

they usually s hop at<br />

<strong>Brand</strong> <strong>Equity</strong> | 24<br />

4.7<br />

6.3<br />

5.9<br />

C onvenience<br />

Stores in Gas<br />

Stations<br />

2 0 0 4 2 0 0 5 2 0 0 6<br />

8 %<br />

8 %<br />

7 %<br />

6 %<br />

3 %<br />

1 4 %<br />

7.8<br />

9.1<br />

10.5<br />

T raditional<br />

Groc ery<br />

8.3<br />

Base: Visited in Past Year<br />

6.3<br />

8.2<br />

W et Markets<br />

6 7 %<br />

7 8 %<br />

Base: All Supermarket/Hypermarket shoppers (n=1230


Private Label penetration in past 4 weeks has increased to 47% as<br />

shoppers become more familiar with Private Labels...<br />

- 2006 -<br />

13% do not know<br />

any Private Label<br />

<strong>Brand</strong>s<br />

Summary: Trade Sector Trends<br />

•<br />

•<br />

•<br />

•<br />

•<br />

- 2005 -<br />

23% do not know<br />

any Private Label<br />

<strong>Brand</strong>s<br />

Buyers of Private Label <strong>Brand</strong>s in Past 4 Weeks<br />

4 7<br />

Shoppers association with low prices is diminishing as they expect retailers to be competitive on<br />

price…<br />

- Two thirds shop at closest store<br />

- Three quarters go to the same store out of habit<br />

Where there is an overlap is store catchments shoppers are selecting stores based on the best<br />

‘overall’ offer<br />

- It is far more than ‘low prices’ & ‘promotions’ that are driving store selection,<br />

perception & loyalty<br />

39<br />

Retailer spend on ‘above the line’ marketing is at all time highs, however the ability of each to<br />

convert ‘regular shoppers’ to ‘dependables’ is mixed at best<br />

Retailers’ have placed greater emphasis on Private Labels, thus growing overall awareness.<br />

However, it is unclear as yet to what extent this is driving store selection<br />

- More focus needs to be placed on the education of shoppers with respect to PL<br />

in order to increases the ‘stickiness’ of shoppers to retailers’ specific PL brands<br />

Similarly, General Merchandise represents a significant opportunity to grow store equity & sales<br />

- 33% - 88% of shoppers would consider buying General Merchandise categories<br />

- However, increased emphasis is required on the ‘service’ element if success is to<br />

be met with the current approach<br />

Shopper Expectations & Action<br />

•<br />

•<br />

Shoppers expect quality, safe, consistent products available when they want them at a ‘value<br />

for money’ price<br />

Shoppers are increasingly weighing up the overall ‘offer’ in selecting their shopping<br />

destination<br />

<strong>Brand</strong> <strong>Equity</strong> | 25<br />

31<br />

- 2004-<br />

31% do not know<br />

any Private Label<br />

<strong>Brand</strong>s<br />

Base: Visited in Past Year

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