contents editor's note - Brand Equity Magazine
contents editor's note - Brand Equity Magazine
contents editor's note - Brand Equity Magazine
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CONTENTS EDITOR’S NOTE<br />
BRAND FOR THE ENVIRONMENT<br />
Tetra Pak Protects What’s Good<br />
COVER STORy<br />
Pepsi Offers Endless Possibilities<br />
INTERACTION MARKETING<br />
Slipknot Helps <strong>Brand</strong>s to Involve & Engage<br />
CREATIVE MEDIA STRATEGy<br />
Universal McCann Delivers Winning Solutions<br />
yOUTH TRENDS<br />
Insights into Youth Consumption Patterns<br />
SHOPPER TRENDS<br />
Nielsen’s Shopping Environment Dynamics<br />
WEB MARKETING<br />
On Podcasting for <strong>Brand</strong> Builders<br />
HOTSPOTS 1<br />
On Emerging Market Opportunities<br />
MARKETING ACCOLADE<br />
DiGi Makes Malaysia Proud<br />
CONSUMER INSIGHTS<br />
About the Evolution of Women<br />
TRENDSPOTTING<br />
Know How Malaysians Relate to Money<br />
MARKETING ANALyTICS<br />
Measuring Price & Promo Effectiveness<br />
BRAND EQUITy<br />
A Roadmap for <strong>Brand</strong> Development<br />
MPA AWARDS<br />
Awards for Best <strong>Magazine</strong> Covers<br />
BRAND EQUITy AWARDS<br />
Downy Wins the Year’s Top Award<br />
02<br />
06<br />
12<br />
16<br />
20<br />
22<br />
28<br />
30<br />
33<br />
34<br />
36<br />
38<br />
40<br />
41<br />
<strong>Brand</strong> <strong>Equity</strong> | 1<br />
The past two years has borne witness to notable<br />
adjustments in the brand marketing space; and all of<br />
them are significant enough to warrant considerable<br />
attention.<br />
Skirmishes in a longstanding feud within the Cola turf<br />
continue to be exciting. So who can miss it when a 360degree<br />
marketing campaign delivers a restyled Pepsi<br />
with a fresh proposition – Endless Possibilities, Endless<br />
Experiences.<br />
And a B2B brand has moved to engage consumers with<br />
altruistic intentions. The world-renowned Tetra Pak<br />
delivered their environment-centric motto ‘Protect<br />
What’s Good’ through a simple contest that encouraged<br />
hordes of contestants to recycle.<br />
This issue also describes how brand builders can use<br />
Podcasting to promote their brands. And the Nielsen<br />
Company furnishes snapshots of happenings within the<br />
Malaysian shopping environment.<br />
In addition, there are key trends that demand attention<br />
as well. Malaysian career women are changing with the<br />
imminent return of femininity, and with greater affinity<br />
for the home and family.<br />
And topping it all is the return of the Malaysia<br />
<strong>Brand</strong> <strong>Equity</strong> Award 2007. This year’s winning list<br />
accommodated new and interesting brands; the list<br />
included returnees as well.<br />
But it’s the message therein that matters; brand share<br />
can ascend, defending it thereafter is an ongoing process<br />
that exacts considerable energy.<br />
Publisher : James Selva Executive Publisher : RT Selvii Publishing Director : RS Kumar<br />
Group Editor : CGN Raghunath (email:brandman@tm.net.my) Staff Writer : Chris Krishna<br />
Contributors : Jeff Zweig, R. Venkateswaran Marketing Manager : Anenda Sharma<br />
Art Director: Vitiyaa S. Graphic Designer : G Kayathri, V A Kanmani<br />
Dtp Artist : S Savithri Production Coodinator : R Sangeetha IT Executive : Vani Sri Administration : Kavitha<br />
Printed By : BHS Book Printing Sdn Bhd Lot 17-22 & Lot 17-23, Jalan Satu, Bersatu Industrial Park,Cheras Jaya, 43200 Cheras, Selangor<br />
PP11255/4/2008<br />
Published by:<br />
44<br />
Perception Media Sdn Bhd<br />
3-3, Jalan 11/48A, Sentul Raya Boulevard,<br />
51000 Kuala Lumpur<br />
Tel : 03 4043 0500 Fax : 03 4043 7648<br />
A Member Of:
<strong>Brand</strong> <strong>Equity</strong> <strong>Brand</strong> for the Environment<br />
Protect What’s Good<br />
A well conceived beverage carton recycling contest<br />
elicits passionate support from Malaysian consumers<br />
<strong>Brand</strong> <strong>Equity</strong> | 2<br />
We have<br />
taken active<br />
measures to<br />
protect the<br />
environment...<br />
[[<br />
By Raghunath<br />
It carries the brand name Tetra Pak; is Swedish by<br />
origin and the B2B business format operates with a<br />
passion for sustainability and renewability.<br />
But its way back in 1961 that the company shook the<br />
food & beverage industry with an innovation that simply<br />
couldn’t be ignored.<br />
Dubbed the aseptic carton package or Tetra Brik<br />
Aseptic, it enabled sterile milk to be filled under<br />
hygienic conditions without it being reinfected. The<br />
sensational product totally transformed the distribution<br />
and selling of the extremely perishable milk and other<br />
liquid foods around the world.<br />
Sustainability remains entrenched within the core<br />
of every activity initiated by Tetra Pak. ‘We believe<br />
in using natural resources without using them up, so<br />
that future generations can use them as well,’ says<br />
Terrynz Tan, the Malaysian unit’s head of corporate<br />
communications.<br />
The fact that every popular brand uses the<br />
technology says all it can about its contribution to<br />
safety and availability. And it’s a package that permits<br />
liquid foods to be sold in ambient conditions as well.<br />
In addition, it reduces expensive refrigeration space,<br />
reduced the need for holding large stocks, and reached<br />
out to consumers from various age groups, extended<br />
shelf-life as well as the product range it can contain.<br />
Soymilk, fruit juices, fusion beverages, soups,<br />
sauces, olive oil and liquid yoghurt are some products it<br />
can carry. And the customers that stake their reputation<br />
on Tetra Pak’s unrivalled benefits deliver brands such as<br />
Yeo’s, Milo, Marigold, Fruit Tree, Magnolia, Dutch Lady<br />
and Drinho to Malaysian consumers.<br />
There are other benefits as well. Products can be<br />
made non-perishable for months without refrigeration<br />
and delivered without preservatives.<br />
But it’s the ‘Protect What’s Good’ maxim that<br />
exemplifies Tetra Pak’s commitment to sustainability.<br />
‘We have taken active measures to protect the<br />
environment, and it starts with the choice of a<br />
Terrynz Tan<br />
renewable material, wood fibre which is the principal<br />
component of our packages,’ says Tan.<br />
She says that the beverage carton’s raw materials<br />
are sourced from well managed audited forests in<br />
Scandinavia, where more trees are planted than<br />
harvested.<br />
And on average by weight, Tetra Pak cartons are<br />
made up of 74% paper, 22% polyethylene and 4%<br />
aluminium. The company also supplies processing<br />
equipment as well as complete processing, filling and<br />
packaging lines.<br />
Happenings in Malaysia<br />
Tetra Pak has been operating in Malaysia for over 40<br />
years. The likelihood that every consumer in Malaysia’s<br />
multifaceted market will have an encounter with any of
‘For many it became a family affair.<br />
Their effort made every one of them a winner,’<br />
<strong>Brand</strong> <strong>Equity</strong> | 3<br />
Tetra Pak’s aseptic package at least once every week for<br />
the rest of their lives cannot be dismissed. Talk about<br />
lifetime value!<br />
But there were issues that demanded attention. ‘Our<br />
research concluded that Malaysian consumers have been<br />
using our products without specific knowledge about its<br />
functional benefits,’ says Tan.<br />
‘We believed that the ‘Protect What’s Good’ motto<br />
delivered through a recycling contest would be a good<br />
platform to connect with consumers, and to share about<br />
the benefits of Tetra Pak to food quality and safety,’ she<br />
explains. That was the objective of the first phase of<br />
the campaign which took off in 2005.<br />
Whilst education was the goal of the first phase, the<br />
second phase implemented in 2006 opted to heighten<br />
excitement and elicit consumer involvement. To build<br />
awareness about recycling of beverage cartons which<br />
officially started in Malaysia in 2006, the company<br />
executed a ‘recycle & win’ contest that offered great<br />
prizes.<br />
The simple to understand and simple to participate<br />
contest was conceived in partnership with one of<br />
Malaysia’s leading below-the-line agencies, Fabulous<br />
Business Ideas.<br />
Support for the campaign was secured from the<br />
Ministry of Housing & Local government. There were<br />
other partners as well. ‘We are very happy that our<br />
partners Pascorp Paper Mill, Alam Flora and KPT<br />
Packaging shared our concern for the environment. Alam<br />
Flora’s collection centres played a key role in routing<br />
the recyclable packages to Pascorp Paper Mill, where<br />
the beverage cartons are being recycled into paper<br />
rolls that can be used to produce various paper-based<br />
products such as <strong>note</strong>books and paper bags,’ says Tan.
Contest Mechanics & Impact<br />
A three round contest phased out over three<br />
quarters; May to July, August to October and November<br />
to January 2007 gave away a repertoire of prizes<br />
including mobile phones, PSPs, and iPod Shuffles.<br />
All contestants had to do was to collect the<br />
recyclable Tetra Pak cartons and hand them over to<br />
designated collection centers. At least three beverage<br />
cartons had to accompany a completed form.<br />
...Repertoire of prizes<br />
included mobile<br />
phones, PSPs, and iPod<br />
Shuffles.<br />
And the criterion for winning was the highest entries.<br />
The contestant that sent in the most number of cartons<br />
over the entire period was rewarded with a trip to<br />
Disneyland Tokyo.<br />
But it was an instructive process as well. Contestants<br />
were advised how to recycle effectively as part of<br />
sending in the entries.<br />
Supported by an intensive media blitz over the air<br />
and on-ground in schools and retail outlets, the contest<br />
introduced a simple method to prepare beverage<br />
cartons for recycling. Nicknamed Flip, Flap & Flat,<br />
participants were taught to first remove the drinking<br />
<strong>Brand</strong> <strong>Equity</strong> | 4<br />
[ Children were among<br />
the significant number<br />
of participants.<br />
[<br />
straw, flip open the top side and bottom side flaps and<br />
flatten the carton before it was sent in for recycling.<br />
Tan says the contest elicited the interest of people<br />
from all walks of life. School children were among the<br />
significant number of participants.<br />
‘For many it became a family affair. One participant<br />
in particular, Encik Sarbanun bin Haji Samsuri and his<br />
family from Klang shared the responsibility of collecting<br />
beverage cartons and sending in their entries. Their<br />
collective effort made every one of them a winner,’ says<br />
Tan.<br />
‘We do hope that the nine month campaign will<br />
eventually sustain the contestant’s interest in recycling<br />
to eventually become a habit,’ she adds.<br />
More can be expected from Tetra Pak in their<br />
continuing effort to contribute to a better environment.<br />
And public response to the contest exceeded<br />
their expectations – over quarter of a million cartons<br />
accompanied tens of thousands of entries, and within<br />
three quarters.
<strong>Brand</strong> <strong>Equity</strong> Cover Story<br />
Pepsi’s World<br />
of Endless<br />
Possibilities<br />
<strong>Brand</strong> <strong>Equity</strong> | 6<br />
By Raghunath
[<br />
<strong>Brand</strong> <strong>Equity</strong> | 7<br />
Pepsi ups the ante in a long<br />
running battle to endear to more<br />
consumers in a world of ceaseless<br />
social changes<br />
[<br />
It’s got everything to do with happenings in the mind,<br />
and not age. And its inspirational attribute is intricately<br />
linked with the consumer’s desire to experience and<br />
express.<br />
So Pepsi Cola is at it again, launching a refreshingly<br />
bold challenge that seeks to reinvigorate its connections<br />
with consumers from varied age groups – the young that<br />
harbour the desire to be themselves and the not-so that<br />
want to turn the clock back.<br />
And since 1898, Pepsi has always urged people to get<br />
out there, have a great time or move through the times<br />
with clever propositions that reflected the mood that<br />
prevailed (See Pepsi’s Propositions).<br />
Yet again, the folks at Pepsi are demonstrating that<br />
they are spot-on with social adjustments that impact<br />
the way people define themselves, their aspirations and<br />
their lifestyles; albeit at a global level.<br />
And it has spawned a 360-degree marketing campaign<br />
that’s delivering Pepsi’s new and revolutionary global<br />
brand approach through the refreshed proposition –<br />
Endless Possibilities, Endless Experiences.<br />
But what gives in Malaysia? ‘We expect the campaign<br />
to completely change the way Pepsi connects with<br />
Malaysian consumers. This campaign intends to further<br />
enliven a two-way dialogue between the Pepsi brand<br />
with its consumers,’ says PepsiCo International’s<br />
Marketing Director (SEA) Edwin Africa.<br />
Adds Erwin Selvarajah, the CEO of Permanis Sdn.<br />
Bhd., the bottler for PepsiCo Beverages International,<br />
‘The new campaign is a reflection of the world we<br />
live in and the people we deal with. We realized that<br />
consumers are interested in different things all the time<br />
and constantly seek to embrace interactivity and new<br />
personalized experiences.’<br />
Elements of the new campaign reflect the nuances<br />
of today’s consumers; in particular the young, as well<br />
as the young at heart. Relevant insights have unveiled<br />
opportunities made possible by the unrestrained<br />
availability of information.<br />
‘Technology has enabled consumers to take charge,<br />
and has delivered the experiential kind of consumer. We<br />
viewed this as an opportunity to be a step ahead of that<br />
trend,’ adds Erwin.<br />
But the intended audience presents its own<br />
challenges. The dynamic young consumer segment is<br />
certainly fragmented from a behavioral perspective.<br />
While a significant group is interested in travel, others<br />
are hooked to music and many more, both. And most<br />
love to customize interactive technologies.<br />
So there lies the opportunity – the tools and channels<br />
of expression may be the same, but the opportunity to<br />
tweak them as they please is relished by consumers.
[<br />
Edwin Africa and Erwin Selvarajah<br />
‘Consumers are offered endless<br />
possibilities to ‘Explore, Express,<br />
Discover More with Pepsi’<br />
The result is different expressions and different<br />
experiences.<br />
That explains why Pepsi has moved to respond and<br />
reveal the brand in multiple dimensions to the young<br />
and the young at heart.<br />
‘Consumers are offered endless possibilities to<br />
‘Explore, Express, Discover More with Pepsi’ through<br />
multiple contact points with packaging, advertising,<br />
point of sales, promotions and online. These<br />
revolutionary changes have been done without changing<br />
the iconic Pepsi globe that many associate with the<br />
brand,’ says Edwin.<br />
The visible piece of this effort is the new package<br />
graphics for Pepsi, which incorporates the new global<br />
designs with youth-oriented icons such as Music, Travel,<br />
and ‘Emoticons’.<br />
‘And to localize the experience, we had created an<br />
interesting localised packaging which includes notable<br />
local symbols such as the Petronas Twin Towers, KL<br />
Tower, and Hibiscus on the Travel pack, in support of<br />
the Visit Malaysia Year 2007 campaign,’ says Erwin.<br />
The blast to deliver a passport of endless possibilities<br />
on the things consumers enjoy most in life through<br />
Pepsi is on. ‘Now, our consumers will have a different<br />
experience each time they buy a Pepsi,’ says Erwin.<br />
And the proposition comes alive on every<br />
merchandising and on-premise tools everywhere in<br />
Malaysia; from coolers, vending machines, to retail<br />
outlet signages, from delivery trucks to minute branding<br />
paraphernalia like paper cups.<br />
But the new initiative permits the brand’s visual<br />
expression to reflect various customer desires. Were<br />
there any concerns about tampering with its image?<br />
‘We have maintained Pepsi’s standard look, the red<br />
and blue globe with a wavy framework. However, the<br />
background can be changed to reflect the expression<br />
and experience desired by the consumer. That is why<br />
<strong>Brand</strong> <strong>Equity</strong> | 8<br />
our cans and cups carry different themes,’ says<br />
Edwin.<br />
And Pepsi’s brand ambassadors in Malaysia are<br />
the winners of the talent-search reality show, One<br />
in A Million. The two ambassadors, Low Sook Wee<br />
(Suki) and Ahmad Faizal Mohd Tahir (Faizal) were<br />
selected not only for their recent accomplishment,<br />
but also for their personality, charisma, and outlook<br />
on life on and off stage.<br />
‘In short, they personify the endless<br />
determination, the youthful spirit of exploration,<br />
self-expression and discovery which is what the new<br />
Pepsi re-designing is all about,’ says Erwin.<br />
The refreshed proposition comes at a time<br />
when the carbonated beverage category has seen<br />
lacklustre growth of late as health conscious<br />
consumers have successfully been engaged by a<br />
plethora of non-carbonated traditional and non-<br />
The potent benchmark lies in the<br />
restyled Pepsi’s ability to engage<br />
consumers in the long haul.<br />
[<br />
traditional beverages.<br />
Permanis has invested a total of RM8 million on<br />
advertising and promotions for launching the restyled<br />
brand, which includes new thematic TVCs,<br />
print, outdoor advertising, in-store merchandising,<br />
point-of-sale materials and several packaging designs<br />
and promotions.<br />
‘Consumers have access to exclusive online<br />
content, games and contests through the web address<br />
printed on each of the packaging designs,’ says<br />
Erwin.<br />
Erwin says that the relaunch has delivered double<br />
digit growth in sales. However the potent benchmark<br />
lies in the restyled Pepsi’s ability to engage<br />
consumers in the long haul.
Pepsi’s Design & <strong>Brand</strong> Repertoire – The Stories<br />
Pepsi <strong>Brand</strong> Re-Style Designs –<br />
a celebration of youth and discovery<br />
Emoticon: Today, we connect through shorthand<br />
dialogues on Instant Messaging (IM), mobile phones,<br />
email, blogging, and message boards. A fusion of<br />
‘emotion’ and ‘icon’, emoticons are expressive symbols<br />
made up of punctuation marks to relay a thought or<br />
feeling. How many do you recognize?<br />
DJ: Today, technology allows us all to become our<br />
own DJ. From MP3jing, beat mixing, scratching, and<br />
mash ups, the design reminds us how music has gone<br />
high tech.<br />
Travel: Embracing a world of discovery through icons<br />
and images relating to local cultures, this canvas is a<br />
visual index to your sense of adventure.<br />
In Malaysia, Pepsi has localised this design in support<br />
of the Visit Malaysia Year 2007 campaign by including<br />
the Petronas Twin Towers, KL Tower and Hibiscus.<br />
<strong>Brand</strong> <strong>Equity</strong> | 9<br />
...celebrate the<br />
colourful, rhythmic<br />
movement of our ‘live<br />
in the now’ spirit<br />
[[<br />
Other Pepsi <strong>Brand</strong>s<br />
Pepsi Twist: From Carnivale to local street fairs,<br />
the bright, vivid colours and patterns of Global festivals<br />
celebrate the colourful, rhythmic movement of our ‘live<br />
in the now’ spirit. This spirit is encapsulated in the<br />
design based on the ‘Festival’ theme.<br />
Pepsi Max: Inspired by the ‘Tattoo’ theme. With hit<br />
television series like, ‘Miami Ink’ and ‘Inked’, global<br />
youth have embraced using their bodies as a form<br />
of self-expression. Once considered something only<br />
engaged in by tough guys on Harley’s and service men,<br />
tattoo culture is being reframed as artistry.<br />
Pepsi Light: In a world that continues to move<br />
faster, more and more people seek a way to slow down.<br />
From Yoga to meditation, finding the ‘me moment’ has<br />
become key.
Pepsi’s Propositions – Key Milestones<br />
1958<br />
Pepsi identifies itself with young, fashionable<br />
consumers with the ‘Be sociable, have a Pepsi’<br />
theme.<br />
1961<br />
The younger, post-war generation inspired the theme<br />
‘Now it’s Pepsi, for those who think young.’ It defined<br />
youth as a state of mind as much as a chronological<br />
age, maintaining its appeal to all market segments.<br />
1963<br />
Pepsi recognizes one of the most significant<br />
demographic events in commercial history, the<br />
post-war phenomenon and positions the brand as<br />
belonging to the new ‘Pepsi Generation’. Advertising<br />
history is made with ‘Come alive! you’re in the Pepsi<br />
Generation.’ It is the first time a product is identified,<br />
not so much by its attributes, as by its consumers’<br />
lifestyles.<br />
1969<br />
There is a shift in Pepsi Generation advertising<br />
strategy with a new theme, ‘you’ve got a lot to live.<br />
Pepsi’s got a lot to give.’ youth and lifestyle are still<br />
the campaign’s driving forces, but with ‘Live/Give,’<br />
a new awareness and a reflection of contemporary<br />
events and mood become integral parts of the<br />
advertising’s texture.<br />
1973<br />
‘Join the Pepsi People, Feelin’ Free’ captures the<br />
mood of a nation involved in massive social and<br />
political change. It pictures us the way we are – one<br />
people, but many personalities.<br />
1975<br />
The Pepsi Challenge, a landmark marketing strategy,<br />
convinces millions of consumers that the taste of<br />
Pepsi is superior.<br />
1976<br />
‘Have a Pepsi Day’ is the Pepsi Generation’s upbeat<br />
reflection of an improving national mood.<br />
1984<br />
A new generation has emerged – in the United States,<br />
around the world and in Pepsi advertising, too.<br />
‘Pepsi. The Choice of a New Generation’ announces<br />
the change, and the most popular entertainer of<br />
the time, Michael Jackson, stars in the first two<br />
commercials of the new campaign.<br />
<strong>Brand</strong> <strong>Equity</strong> | 10<br />
1993<br />
‘Be young, have fun, drink Pepsi’ advertising,<br />
starring basketball superstar Shaquille O’Neal, is<br />
rated as best in U.S.<br />
1997<br />
In the early part of the year, Pepsi pushes into a<br />
new era with the unveiling of the GeneratioNext<br />
campaign. GeneratioNext is about everything that is<br />
young and fresh, a celebration of the creative spirit.<br />
It is about the kind of attitude that challenges the<br />
norm with new ideas at every step of the way.<br />
2003<br />
Pepsi-Cola unveils a new advertising campaign,<br />
‘Pepsi. It’s the Cola,’ which is the brand’s first<br />
major campaign shift since 1999. The new campaign<br />
highlights the popular soft drink that goes with<br />
everything from food to fun.
<strong>Brand</strong> <strong>Equity</strong> Interaction Marketing<br />
Involve, Empower, Engage<br />
Proactive brands cannot afford to ignore the enormous<br />
opportunities presented by interaction touch points<br />
‘Let consumers participate!’ Is the new mantra in brand<br />
building. It’s a tenet that is gaining ground, albeit at a<br />
feverish pace, and is infiltrating every touch point that<br />
brand builders deploy to ensnare customers.<br />
‘In a simpler economy with fewer choices, it is easier<br />
to figure out a clearly differentiated brand message,<br />
when to deliver it and through which medium. In a less<br />
sophisticated economy, it’s easier to achieve a desired<br />
consumer perception or action with just messaging as<br />
a platform. Not so today,’ says Chin Weng Keong, head<br />
honcho of the Arachnid Group which consists of Malaysia’s<br />
leading and most-awarded interactive agency, Arachnid and<br />
its subsidiary Slipknot.<br />
It’s obvious that today’s consumers shop in a highly<br />
proliferated environment, with lesser and lesser<br />
differentiation in tow. ‘It’s so much easier to switch brands<br />
these days. Consumers have also become more immune<br />
to traditional marketing messages and are more prone to<br />
ignore them. Furthermore, media has become incredibly<br />
fragmented and the consumption of media itself has<br />
changed so even reaching them in the first place is getting<br />
harder, much less getting heard.’<br />
So are there better ways for brands to stake an<br />
undisputed claim, be recognized, heighten consumer<br />
involvement and race ahead of the pack? Chin emphasizes<br />
that the solution lies in the realm of interaction marketing.<br />
He explains that interaction marketing gives consumers<br />
the opportunity to be closer to the brand than ever. ‘<strong>Brand</strong>s<br />
that let consumers create something for them, or to have a<br />
resounding voice, are giving consumers the opportunity to<br />
become one with it. They get to experience and to affect,<br />
rather than merely “consume” a bunch of messages.’<br />
It’s a two-way street on which consumers have a say in<br />
how their relationships with brands will develop. They are<br />
empowered to seek, manage or modify what’s targeted at<br />
them.<br />
‘What’s more, giving consumers the opportunity to take<br />
joint ownership of the brand, to be co-creators of its voice<br />
and actions, often results in a higher propensity to share<br />
the experience with friends and peers,’ says Chin.<br />
But it is a vicious cycle that we are dealing with in<br />
the battlefield. Interact yes, but competitors are bound<br />
to catch-up. Chin reasons that the answer lies in the<br />
campaign’s core idea and its capacity to deliver value at<br />
all times.<br />
‘Interaction marketing campaigns must deliver value<br />
<strong>Brand</strong> <strong>Equity</strong> | 12<br />
to create excitement, always. <strong>Brand</strong>s risk attrition in the<br />
absence of value, or if the value proposition is weak. Value<br />
to consumers can mean more entertainment, utility, or<br />
empowerment to take control. Something that serves a<br />
distinct sense of purpose must be delivered,’ he says.<br />
Case in point would be Brylcreem’s microsite<br />
sohhemsem.com. Conceived by Chin’s team, the content<br />
not only entertains but also empowers users to determine<br />
and share key elements of the content. And pacheye.<br />
com gave visitors the opportunity to design album art and<br />
merchandise, upload remixed music tracks and become<br />
contributors to the artiste’s album.<br />
‘Interaction marketing is about driving engagement<br />
and depth. When done right, consumers are no longer<br />
intrusively marketed at but become willing allies in the<br />
advancement of a brand,’ says Chin.<br />
Chin Weng Keong can be reached at wengky@arachnid.com.my<br />
Chin Weng Keong
THE LONG AND SHORT OF BMW SHORTIES 2007<br />
Background<br />
In December 2006, BMW Malaysia launched BMW<br />
Shorties – a corporate social responsibility program aimed<br />
at discovering and promoting Malaysian film-makers in the<br />
form of a short film competition for amateurs.<br />
Judges included some of Malaysia’s most respected<br />
and exciting film professionals – Yasmin Ahmad, Paul<br />
Loosley, James Lee, Affandi Jamaludin, Danny Lim and<br />
Gregory Wee. On top of which, a 1-day film workshop was<br />
conducted by the judges to provide tips for aspiring filmmakers.<br />
The grand prize was two-fold. BMW Malaysia granted<br />
the winner RM50,000 production budget to fund his/<br />
her next short film project. After which, BMW Malaysia<br />
endeavored to help showcase the film by submitting it<br />
into international film festivals and competitions; a first in<br />
Malaysia.<br />
Non-Traditional Communications<br />
In generating awareness for the program, BMW Malaysia<br />
broke away from convention. With the help of Slipknot, it<br />
embarked on an awareness exercise utilizing blogs, social<br />
networks and viral films to tap into the online community<br />
of film enthusiasts who were the target audience of the<br />
campaign, directing visitors to the official website – www.<br />
bmwshorties.com.my – for details and entry forms.<br />
<strong>Brand</strong> <strong>Equity</strong> | 13<br />
Of <strong>note</strong> was a humorous ‘short film’ shot and posted to<br />
video sharing sites, looking like a scene from a Chinese<br />
gangster movie, but ending in humorous chaos as the<br />
result of a low production budget. The viral film was shot<br />
using amateur equipment and finished with intentionally<br />
low production values to strike a chord with the indie film<br />
making community that is often rich in creativity but poor<br />
in production pocket.<br />
74 film submissions<br />
received within<br />
64-day submission<br />
period<br />
Engaging the Public<br />
From the perspective of the competition itself, BMW<br />
Shorties tapped into the growing popularity of independent<br />
short films in this country thanks to the excellent quality of<br />
films being produced in recent years.<br />
Hence, the People’s Choice Awards category was added<br />
to the BMW Shorties competition. Ten of the best short film<br />
entries were short-listed and uploaded to the BMW Shorties<br />
website for viewing.<br />
And for 9 days, the public voted to determine the<br />
People’s Choice Award winner. During the same period, a<br />
public survey ran on the website to determine the efficacy<br />
of the Internet strategy.<br />
Runaway Success<br />
This marks the first BMW Malaysia campaign to be driven<br />
via the Internet almost exclusively (the only ‘traditional’<br />
component was a requisite PR campaign in newspapers and<br />
magazines).<br />
The results not only demonstrated the popularity of the<br />
program, but also the viability of the Internet as a platform<br />
for reaching relevant audiences, fully convincing BMW<br />
Malaysia to continue its support of the program using this<br />
strategy.
Results in Brief<br />
•74 film submissions received within 64-day submission<br />
period (more than double the expectations).<br />
•210 workshop applications received within 33-day<br />
sign-up period (more than 7 times overbooked), forcing<br />
the original 25-seat limit to be increased to 36.<br />
•3,580 votes received within the 9-day People’s Choice<br />
Awards voting window (daily average 398 votes).<br />
•2,528 website surveys filled within 9-day survey<br />
period (daily average 281surveys). The survey was not<br />
incentivised.<br />
•88% of respondents cited “word of mouth” as their<br />
source of awareness of the BMW Shorties program –<br />
via blogs, forums, email, instant messaging, portals,<br />
websites, web links and mobile.<br />
•10,000+ website mentions and talk about BMW<br />
Shorties (Source: Google.com 30 March 2007)<br />
•Word of mouth crossed national boundaries on the<br />
Internet bringing visitors to www.bmwshorties.com.my<br />
<strong>Brand</strong> <strong>Equity</strong> | 14<br />
from not just Malaysia – Malaysia 80%, UK 13.3%, and<br />
Australia 6.7% (Source: Alexa.com)<br />
More to Come<br />
BMW Shorties 2007 is far from over. It is now just about<br />
to enter its second phase. The Grand Prize winner, Abdullah<br />
Zahir bin Omar, will soon begin production on his next film<br />
on the RM50K prize money production budget.<br />
At the same time, he will be blogging his experience on<br />
www.bmwshorties.com.my taking audiences along his<br />
journey of creativity all the way through the international<br />
film awards submissions.<br />
About Slipknot<br />
Slipknot is a new-generation integrated marketing<br />
communications agency that utilizes both traditional and<br />
digital mediums to build brands through consumer interaction,<br />
engagement and participation.<br />
Slipknot can be reached at slipknot@slipknot.com.my
<strong>Brand</strong> <strong>Equity</strong> Creative Media Strategy<br />
THE NEXT<br />
THING NOW<br />
The global brand expression of a Media Specialist<br />
delivers potent engagement solutions<br />
A policy-fronted blockade on any outbound<br />
communications that wanted to commend its<br />
achievements has been lifted of late.<br />
And fronting their success is a brand expression that<br />
is verbalized in three words ‘Next Thing Now.’<br />
‘Proof of success is what we have to show. Even<br />
though Next Thing Now was launched in June last<br />
year, we decided to demonstrate our capabilities with<br />
proof of delivery to our clients before talking about<br />
it. That is why we were silent about our global brand<br />
proposition,’ says its managing director, Gaurav Bhasin.<br />
And proof is what they have in hand to savor.<br />
Universal McCann Malaysia has been the Grand Prix<br />
Winner and the Runners’ Up for Media Agency of the<br />
Year for two consecutive years now. And it was the only<br />
media agency in South East Asia that got to the final<br />
at the recent Cannes Lions International Advertising<br />
Festival.<br />
Explains Bhasin, ‘Next Thing Now is our global brand<br />
expression and is about us actively embracing the<br />
future. It is about constant innovation and evolution<br />
in the way we do everything that’s relevant to our<br />
business and therefore our clients and their consumers<br />
as well.’<br />
‘It is about doing today what needs to be done<br />
tomorrow. It is a philosophy that enables us to lead our<br />
clients in the area of thought leadership,’ he says.<br />
Bhasin says that two values are embedded in their<br />
brand proposition –‘engagement innovation’ and<br />
‘accountable creativity’.<br />
‘Gone are the days when one goes about monetizing<br />
or creating wealth by creating excellent execution,<br />
or pumping lots of money to try to get discounts from<br />
media owners,’ says Bhasin.<br />
He explains that the aim of engagement innovation<br />
is to engage consumers innovatively. Detailed research<br />
is carried out to unearth consumer insights which<br />
in turn are used to craft relevant communications<br />
strategies.<br />
‘The next stage calls for exploring better ways to<br />
talk to the consumer. The intention is not to use a push<br />
model and expose the message as it was done in the<br />
[[<br />
<strong>Brand</strong> <strong>Equity</strong> | 16<br />
golden era of mass marketing. It is about finding better<br />
ways to talk to consumers so that they will get involved<br />
in the message. That is engagement innovation,’ says<br />
Bhasin.<br />
The second value alludes to the need for their<br />
creative media strategies to deliver. ‘We do not believe<br />
in creating solutions for the sake of being creative. The<br />
output must be accountable in terms of strategy and<br />
the outcome thereafter. Our innovative solutions must<br />
help our client brands,’ says Bhasin.<br />
Next Thing Now has delivered for top notch brands<br />
and the list includes Coca-Cola, Seasons Soy Milk,<br />
Johnson & Johnson’s lotion and among others, Stay free.<br />
‘We have not lost a single piece of business locally<br />
since the last three years. And we will grow 100% this<br />
year,’ says Bhasin.<br />
Gaurav Bhasin
‘Next Thing Now’ case repertoire<br />
1. Suria KLCC ‘Christmas Gift Ideas’<br />
Challenge:<br />
• Position SKLCC as the top of mind ‘gift hub’<br />
during the Christmas season amongst female<br />
purchasers.<br />
• Peak clutter period – Christmas usually the<br />
‘utopia’ of festive seasons as it contributes to<br />
high sales for retailers.<br />
<strong>Brand</strong> <strong>Equity</strong> | 17
Solution:<br />
Most female consumers use magazines as<br />
reference for Christmas gift ideas. The<br />
credibility comes from the fact that gift ideas<br />
come from the editorial team.<br />
Armed with the above insights, Universal<br />
McCann created a simple yet innovative and<br />
relevant solution. They matched different gift<br />
ideas from Suria’s retailers with the content<br />
and persona of the magazine. These were then<br />
presented in the magazine’s unique style with<br />
the help of editors.<br />
Results:<br />
Within two weeks from the magazine’s on-sale<br />
dates, the featured products were all sold.<br />
2. J&J Bacteria (Care) Free<br />
Challenge:<br />
Amplify the core benefit of the new variant<br />
which contained tea tree (known for strong<br />
anti-bacterial properties) while engaging<br />
the mind of the target and increasing the<br />
relevance of using panty liners amongst<br />
college going females.<br />
Solution:<br />
• ‘Contextual Media Placement – WHAT you say<br />
is as important as HOW you say it.’<br />
<strong>Brand</strong> <strong>Equity</strong> | 18<br />
• Public toilets were identified as the place<br />
where incidence of bacteria was likely to<br />
be very high. Messages were the crafted<br />
for these negative environments to trigger<br />
an immediate link with the anti-bacteria<br />
proposition of Carefree Healthy Fresh.<br />
• To minimize wastage only potentially high<br />
traffic toilets in colleges (near computer<br />
labs, libraries, cafeterias etc) were used to<br />
communicate the benefit.<br />
Results:<br />
77% of the respondents who did not use panty<br />
liners indicated that they would now consider<br />
using Carefree Healthy Fresh.<br />
3. J&J Baby Soft Lotion Advergame<br />
Background:<br />
J&J had launched Johnson’s Baby Soft lotion<br />
with ‘24 hour’ moisturizing as its unique<br />
proposition. The challenge was to device an<br />
innovative solution that could demonstrate<br />
the core proposition in a context that would<br />
amplify its significance to office going females.<br />
Challenge:<br />
Create a platform to engage working white<br />
collar women with the ‘24 hour’ moisturizing<br />
property of the product.<br />
Solution:<br />
Insights revealed two things:<br />
• The segment experienced the driest skin in the<br />
office air-conditioned environment. This nailed<br />
the PLACE.<br />
• The also often go online to enjoy casual little<br />
breaks in the midst of their stressful day. The<br />
MEDIUM.<br />
- Developed in a fun & interesting manner,<br />
a stress busting advergame was designed<br />
showing the product’s efficacy in the frequent<br />
occurrence of skin dryness in the office.<br />
Result:<br />
The game was played by nearly 26,500<br />
people with 10% referring it to their friends &<br />
becoming brand advocates in the process.
<strong>Brand</strong> <strong>Equity</strong> Youth Trends<br />
New Youth Study Provides<br />
A new study on Malaysia’s urban<br />
youth, the first carried out by an<br />
advertising agency, is expected to<br />
help advertisers better target the<br />
country’s increasingly affluent under-<br />
30 market segment.<br />
The results of ‘Project After<br />
Sunset’, carried out by BBDO and<br />
Proximity Malaysia, will offer<br />
advertisers valuable insights into the<br />
lifestyles of Malaysia’s urban youth,<br />
allowing the former to better target<br />
their intended target market.<br />
‘We at BBDO and Proximity<br />
Malaysia know that there is a<br />
need for better understanding on<br />
what governs and dominates the<br />
consumption patterns of the youth.<br />
In short, we wanted to know what<br />
makes them tick and what draws<br />
them,’ said BBDO and Proximity<br />
Malaysia’s Group Chief Executive<br />
Jennifer Chan.<br />
Chan said the youth segment was<br />
a primary target audience for most<br />
brands across categories. More than<br />
60% of the Malaysian population was<br />
under the age of 30, making them<br />
the largest consumer segment of the<br />
day.<br />
‘We designed a methodology which<br />
went beyond normal focus group<br />
sessions. Instead of taking them out<br />
Economic Insights<br />
BBDO & Proximity<br />
trains the spotlight on youth<br />
consumption patterns<br />
of their environment, we went INTO<br />
their environment,’ she said.<br />
Research for Project After<br />
Sunset was carried out through<br />
blog entries, focus groups and<br />
an ethnography study, where the<br />
research team followed a group<br />
of youths for six consecutive days,<br />
enabling the team to observe the<br />
subjects in their natural habitat.<br />
Among the findings include<br />
interesting facts such as:<br />
Night life for youths under the<br />
age of 24 is ruled by the ‘tribe<br />
vibe’, where choices on where<br />
they go have to be unanimous.<br />
<strong>Brand</strong> <strong>Equity</strong> | 20<br />
Hanging out at the local<br />
‘mamak’ is an almost daily<br />
ritual, although groups of<br />
friends will occasionally treat<br />
themselves to better, more<br />
expensive dining venues to<br />
indulge themselves.<br />
The Internet is like oxygen to<br />
the urban youth, who seems<br />
unable to survive without it.<br />
They spend an average one to<br />
three hours, sometimes more,<br />
a day surfing the Internet.<br />
Activities include downloading<br />
music, movies, chatting and<br />
playing games.<br />
Jennifer Chan
They also spend one to four<br />
hours a day watching television,<br />
with first jobbers spending<br />
the most time glued to the<br />
television. The difference<br />
is that they would usually<br />
download TV content from the<br />
Internet and watch it on their<br />
own time.<br />
Hard copy materials such<br />
as books, magazines and<br />
newspapers are perceived<br />
by this consumer segment as<br />
‘fillers’, when they need a<br />
break from all things digital and<br />
electronic.<br />
The ‘best friend’ concept<br />
is becoming a thing of the<br />
past, with youths hanging out<br />
with a core peer group but<br />
supplementing them with groups<br />
with similar ‘special interests’;<br />
BBDO & Proximity call ‘Passion<br />
Groups’. Passion groups are<br />
another way of segmenting this<br />
target audience.<br />
youths also have a tendency<br />
to mix and match their<br />
consumption to reflect<br />
extremes such as a dinner at a<br />
mamak stall followed by a night<br />
of partying at Zouk or taking<br />
a budget airline to a luxury<br />
resort. They are seen to be<br />
practicing ‘creative spending’.<br />
<strong>Brand</strong> <strong>Equity</strong> | 21<br />
‘We have discovered some<br />
interesting facts; facts that brands<br />
targeted at the youth audience<br />
can leverage on… the whole idea<br />
is to keep our finger on the pulse<br />
of this increasingly economically<br />
interesting segment of the<br />
population,’ Chan said at the media<br />
briefing showcasing the results of<br />
Project After Sunset today.<br />
Based on the findings of the project,<br />
BBDO and Proximity Malaysia are<br />
also launching the country’s first<br />
youth portal, called MyPod. The<br />
interactive website will be used as<br />
a strategic tool to keep tabs on the<br />
views and opinions of this particular<br />
market segment.<br />
With MyPod, BBDO and Proximity<br />
Malaysia will be able to identify the<br />
hottest trends and latest fads among<br />
the urban youth, receiving instant<br />
feedback on various online stimuli<br />
which could include advertisements,<br />
promotions and opinion polls as well<br />
as new products and services.<br />
‘To keep up with the ever-changing<br />
tastes of this segment of the<br />
population, we have to be able<br />
to spot the latest trend, predict<br />
the next new craze and forecast<br />
the next big thing. With all this<br />
information, we are certain we will<br />
be able to ensure that our clients<br />
get on and remain on the right track<br />
when it comes to targeting their<br />
audience,’ Chan said.
<strong>Brand</strong> <strong>Equity</strong> Shopper Trends<br />
The widely held view is that consumer goods brand<br />
custodians are expected to maneuver within and around<br />
an assortment of exciting challenges in the Malaysian<br />
shopping environment.<br />
A discussion with Kosta Conomos, the director of The<br />
Nielsen Company’s retailer service unit (Southeast Asia)<br />
just about confirmed the belief.<br />
Insights into shopping habits were compiled from<br />
discussions with 1472 target respondents, both male and<br />
female from all ethnic groups aged between 15 to 65 in<br />
a research exercise that covered 10 major cities across<br />
the length and breadth of Malaysia.<br />
Kosta spoke at length about happenings in the<br />
retail trade sector. Pointedly, the grocery retail trade<br />
Key Market Trends – Malaysia<br />
• Polarization of the Retail trade in key Urban centres is increasing. The key drivers:<br />
- Growth in Hypermarket & Small format store growth<br />
- Supermarkets in urban centres are increasingly ‘lost’ in the mix, there is a growing<br />
need for them to differentiate their offer<br />
- Retail leadership is generally city-based within format, not National<br />
• Significant growth in Retailer spend on above the line marketing - TV, Radio, Newspapers,<br />
Internet<br />
• There is significant growth in overall Private label (PL) awareness & purchase<br />
• There is increase in awareness of ‘Health & Well-being’ as part of everyday life<br />
• And increasingly, sophisticated shoppers are becoming more demanding of retailers<br />
overall offer, NOT only low prices<br />
Developments in the Trade Sector<br />
•<br />
•<br />
•<br />
•<br />
•<br />
•<br />
2006<br />
ShopperTrends<br />
Eye on Malaysia…<br />
Modern Trade (MT) outlet growth (+7%) continues to outstrip retailer sales growth<br />
(+4.5%) & population growth (+1.9%)<br />
Growth is being driven by the Central & Southern regions<br />
These trends, coupled with a decline in consumer confidence will likely lead to<br />
declining sales per outlet on a like for like & per square metre basis<br />
Retailers’ increasingly need to accelerate sales growth to match channel growth &<br />
growth in square meterage to ensure positive like for like<br />
In 2007 we will see the largest increase in Hypermarket numbers (+32%) since the<br />
year 2000<br />
What remains to be seen is whether Hypermarket growth will be countered by<br />
declines in sales & store numbers for other MT Store types to keep the balance<br />
<strong>Brand</strong> <strong>Equity</strong> | 22<br />
is expected to undergo structural<br />
changes. ‘In particular, the Modern<br />
Trade will surpass Traditional<br />
channels as the leading contributor<br />
to share of trade within 12 months,’<br />
he says.<br />
The bottom line is that brand<br />
builders are operating in challenging<br />
times and the elements are not about<br />
Kosta Conomos<br />
to ease-up anytime soon.<br />
Significant pointers that emerged from the discussion<br />
have been clustered for undemanding interpretation<br />
below.
Related charts<br />
Convenience Store (CVS) continues to escalate whereas Provision now<br />
shows a slight turn around…<br />
2600<br />
2200<br />
1800<br />
1400<br />
1000<br />
CVS<br />
Pharmacy<br />
1,081<br />
30000<br />
28000<br />
26000<br />
24000<br />
Hyper/Supermarket store growth is escalating…Hypers expected to grow to by<br />
+ 19 outlets in coming 12 months, an increase + 32.8% vs. today...<br />
60<br />
50<br />
40<br />
30<br />
Provision<br />
28,659<br />
HYPERMARKETS<br />
31<br />
500<br />
480<br />
460<br />
440<br />
420<br />
400<br />
+19.5%<br />
1,292<br />
416<br />
33<br />
-2.5%<br />
27,944<br />
SUPERMARKETS<br />
+25.2%<br />
1,618<br />
1128<br />
437<br />
37<br />
-4.4%<br />
26,723<br />
+19.8%<br />
1,939<br />
1212<br />
43<br />
439<br />
<strong>Brand</strong> <strong>Equity</strong> | 23<br />
+13.2%<br />
2,194<br />
-4.3% +1.5%<br />
25,586<br />
25,693<br />
53<br />
1377<br />
451<br />
58<br />
+14%<br />
2,502<br />
474<br />
1531<br />
+2.9%<br />
26,444<br />
2001 2002 2003 2005 2005 2006<br />
Hypermarkets continue to increase share of where shoppers ‘spend most money’,<br />
clearly impacting Supermarkets & more traditional channels…<br />
43<br />
52<br />
59<br />
33<br />
26<br />
24<br />
8 9<br />
7 7<br />
Hyperm arket Superm arket T raditional<br />
Groc ery<br />
2 0 0 4 2 0 0 5 2 0 0 6<br />
5<br />
3<br />
4<br />
3<br />
1 1 2<br />
Minim arts W et Markets C VS/Serv.<br />
Station<br />
3<br />
494<br />
Base: All respondents (2004 n=1207, 2005 n=1203, 2006 n=1472)
Summary: Shopper Behavior<br />
•<br />
Increasingly, Shoppers are spending more in the Modern Trade (MT) formats with 83% claiming to<br />
spend most money there. However…<br />
- There is no significant change in monthly household spend on Food, Grocery & Personal Care items<br />
- Shoppers appear to becoming more loyal to formats for specific category purchases e.g.<br />
Medicinal items from Drug stores, Groceries from Hypermarkets<br />
- Shoppers still visit Provision shops for fill-ups and quick trips<br />
- Wet markets remain the “place of most often purchase” for Shoppers in terms of fresh<br />
meat, seafood and vegetables<br />
- Ease of access to MT formats is assisting in driving Retailer value share growth<br />
- This is resulting in some cannibalization within and across MT store formats<br />
Related charts<br />
Shoppers still visit Provision shops once every 3 days...<br />
Average Number of Visits Per Month<br />
2.8 2.8<br />
2.4<br />
3.1<br />
2.6 2.5<br />
1.7 1.5<br />
1.4<br />
Most shoppers shopped at the same stores they always do or<br />
just go to the closest store...<br />
Shopping Around Habit<br />
[<br />
[<br />
Hyperm arkets Superm arkets Pers onal C are<br />
I s hopped at the sam e store I always do<br />
Stores<br />
I just went to the c losest store<br />
I chec ked the newspaper or flyers for coupons and<br />
went to the s tore with the attractive deals<br />
I shopped at a s tore that a c olleague, friend or<br />
relative had recom m ended<br />
I was passing a store that c aught m y attention and I<br />
tried it<br />
I heard of a new s tore and dec ided to try it<br />
I c hose the store that I'd s een advertis ed recently<br />
I was vis iting friends / fam ily and went to a store that<br />
they usually s hop at<br />
<strong>Brand</strong> <strong>Equity</strong> | 24<br />
4.7<br />
6.3<br />
5.9<br />
C onvenience<br />
Stores in Gas<br />
Stations<br />
2 0 0 4 2 0 0 5 2 0 0 6<br />
8 %<br />
8 %<br />
7 %<br />
6 %<br />
3 %<br />
1 4 %<br />
7.8<br />
9.1<br />
10.5<br />
T raditional<br />
Groc ery<br />
8.3<br />
Base: Visited in Past Year<br />
6.3<br />
8.2<br />
W et Markets<br />
6 7 %<br />
7 8 %<br />
Base: All Supermarket/Hypermarket shoppers (n=1230
Private Label penetration in past 4 weeks has increased to 47% as<br />
shoppers become more familiar with Private Labels...<br />
- 2006 -<br />
13% do not know<br />
any Private Label<br />
<strong>Brand</strong>s<br />
Summary: Trade Sector Trends<br />
•<br />
•<br />
•<br />
•<br />
•<br />
- 2005 -<br />
23% do not know<br />
any Private Label<br />
<strong>Brand</strong>s<br />
Buyers of Private Label <strong>Brand</strong>s in Past 4 Weeks<br />
4 7<br />
Shoppers association with low prices is diminishing as they expect retailers to be competitive on<br />
price…<br />
- Two thirds shop at closest store<br />
- Three quarters go to the same store out of habit<br />
Where there is an overlap is store catchments shoppers are selecting stores based on the best<br />
‘overall’ offer<br />
- It is far more than ‘low prices’ & ‘promotions’ that are driving store selection,<br />
perception & loyalty<br />
39<br />
Retailer spend on ‘above the line’ marketing is at all time highs, however the ability of each to<br />
convert ‘regular shoppers’ to ‘dependables’ is mixed at best<br />
Retailers’ have placed greater emphasis on Private Labels, thus growing overall awareness.<br />
However, it is unclear as yet to what extent this is driving store selection<br />
- More focus needs to be placed on the education of shoppers with respect to PL<br />
in order to increases the ‘stickiness’ of shoppers to retailers’ specific PL brands<br />
Similarly, General Merchandise represents a significant opportunity to grow store equity & sales<br />
- 33% - 88% of shoppers would consider buying General Merchandise categories<br />
- However, increased emphasis is required on the ‘service’ element if success is to<br />
be met with the current approach<br />
Shopper Expectations & Action<br />
•<br />
•<br />
Shoppers expect quality, safe, consistent products available when they want them at a ‘value<br />
for money’ price<br />
Shoppers are increasingly weighing up the overall ‘offer’ in selecting their shopping<br />
destination<br />
<strong>Brand</strong> <strong>Equity</strong> | 25<br />
31<br />
- 2004-<br />
31% do not know<br />
any Private Label<br />
<strong>Brand</strong>s<br />
Base: Visited in Past Year