24.07.2013 Views

Telephone Conversation - Nexuslearning.net

Telephone Conversation - Nexuslearning.net

Telephone Conversation - Nexuslearning.net

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Telephone</strong> <strong>Conversation</strong><br />

Wole Soyinka<br />

The price seemed reasonable, location<br />

Indifferent. The landlady swore she lived<br />

Off premises. Nothing remained<br />

But self-confession. “Madam,” I warned,<br />

5 “I hate a wasted journey—I am African.”<br />

Silence. Silenced transmission of<br />

Pressurized good-breeding. Voice, when it came,<br />

Lipstick coated, long gold-rolled<br />

Cigarette-holder pipped. Caught I was, foully.<br />

10 “HOW DARK?” . . . I had not misheard . . . “ARE YOU LIGHT<br />

OR VERY DARK?” Button B. Button A. Stench<br />

Of rancid breath of public hide-and-speak.<br />

Red booth. Red pillar-box.° Red double-tiered<br />

Omnibus° squelching tar. It was real! Shamed<br />

15 By ill-mannered silence, surrender<br />

Pushed dumbfoundment to beg simplification.<br />

Considerate she was, varying the emphasis—<br />

“ARE YOU DARK? OR VERY LIGHT?” Revelation came.<br />

“You mean—like plain or milk chocolate?”<br />

20 Her assent was clinical, crushing in its light<br />

Impersonality. Rapidly, wavelength adjusted,<br />

I chose. “West African sepia”—and as an afterthought,<br />

“Down in my passport.” Silence for spectroscopic<br />

Flight of fancy,° till truthfulness clanged her accent<br />

25 Hard on the mouthpiece. “WHAT’S THAT?” conceding,<br />

“DON’T KNOW WHAT THAT IS.” “Like bru<strong>net</strong>te.”<br />

“THAT’S DARK, ISN’T IT?” “Not altogether.<br />

Facially, I am bru<strong>net</strong>te, but madam, you should see<br />

The rest of me. Palm of my hand, soles of my feet<br />

30 Are a peroxide blonde. Friction, caused—<br />

Foolishly, madam—by sitting down, has turned<br />

My bottom raven black—One moment madam!”—sensing<br />

Her receiver rearing on the thunderclap<br />

About my ears—“Madam,” I pleaded, “wouldn’t you rather<br />

35 See for yourself?”


Making Meanings<br />

<strong>Telephone</strong> <strong>Conversation</strong><br />

textbook page 1173<br />

First Thoughts<br />

1. This poem dramatizes a battle. Who do you think<br />

finally wins, and why?<br />

Shaping Interpretations<br />

2. Paraphrase what happens in this poem, and then<br />

state what you feel is the poem’s theme.<br />

3. What does their dialogue reveal about these two<br />

characters?<br />

4. This poem is full of colors—and not just of skin.<br />

What colors do you see in the poem? What does<br />

Soyinka want to communicate through these<br />

images of color?<br />

5. What irony do you find in lines 23–26? What irony<br />

do you find in the description of the woman as<br />

well-bred?<br />

6. What do you think of the speaker’s final question?<br />

Connecting with the Text<br />

7. Since the speaker was prepared for prejudice, why<br />

do you think the woman’s question disturbs him so<br />

much?<br />

8. If you faced this kind of discrimination, how would<br />

you react to it?<br />

Challenging the Text<br />

9. Review your Quickwrite notes from Before You<br />

Read, and then think about whether Soyinka’s<br />

poem is an effective way of making others aware<br />

of prejudice. Is it more, or less, effective than<br />

other ways? How so? Explain.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!