COOLEST - Designmuseum Danmark

FROM THE
COOLEST
CORNER
DK / ENG
NORDISK SMYKKEKUNST
/ NORDIC JEWELLERY
28.06 – 15.09.2013
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INTRODUKTION INTRODUCTION
From the Coolest Corner er en
stor samlet udstilling af, hvad der
rører sig på den nordiske smykkescene
i 2013. Efter de succesfulde
udstillinger i 1995 og 2001
har Designmuseum Danmark i
samarbejde med Röhsska Museet
i Gøteborg, Nasjonalmuseet for
kunst, arkitektur og design i Oslo
og Designmuseet i Helsinki skabt
en rejseudstilling, der fremviser en
lang række fremtrædende smykkekunstneres
værker, skabt til denne
udstilling.
Udstillingen viser udvalgt smykkekunst
fra Danmark, Sverige,
Norge, Finland, Island og Estland,
og det er på ingen måde smykker
i traditionel forstand, man
skal forvente at se. Kunstnerne
har på hver deres måde fortolket
og udfordret smykkegenren og
de stereotype opfattelser af, hvad
nordeuropæisk smykkekunst er.
Med udstillingen bliver der sat
spørgsmålstegn ved, om man i nu-
tidens internationalt orienterede
tidsalder stadigvæk kan tale om et
særligt nordisk udtryk inden for
smykkedesign, som man tidligere
har set det.
En jury har udvalgt 61 kunstnere
til at deltage på udstillingen,
herunder fem særligt inviterede.
Danmark er repræsenteret af de
7 smykkekunstnere: Josephine
Winther, orkild Harboe øgersen,
Marie-Louise Kristensen,
Kaori Juzu, Annette Dam, Julie
Bach og æresgæsten Kim Buck.
Udstillingen ledsages af en smuk
publikation, der kan købes i Designmuseets
butik.
From the Coolest Corner is a
major exhibition showcasing
the pinnacle of contemporary
Nordic jewellery design. Following
the successful exhibitions of
1995 and 2001, Designmuseum
Danmark – in collaboration with
Gothenburg’s Röhsska Museun,
Oslo’s National Museum of Art,
Architecture and Design, and e
Helsinki Design Museum – has
created an exhibition that brings
together the work of a wide range
of leading Nordic jewellery artists,
much of which has been created
specically for the 2013 exhibition.
e exhibition presents a selection
of unique and non-traditional
jewellery art from Denmark, Sweden,
Norway, Finland, Iceland and
Estonia. Each artist in his or her
own way has interpreted the art
of jewellery making, challenging
the stereotypical perceptions of
what Northern European jewellery
art is. e exhibition raises the
question as to whether or not in
today’s globalised world of international
focus it is still possible to
talk of a unique ‘Nordic expression
form’ in jewellery design, as
once was previously the case.
e 61 exhibiting artists – including
ve special guest exhibitors
– have all been specially selected
to participate by a jury. Denmark
is represented by the following
7 designers: Josephine Winther,
orkild Harboe øgersen,
Marie-Louise Kristensen, Kaori
Juzu, Annette Dam, Julie Bach,
and special guest exhibitor – Kim
Buck.
An elegantly designed publication
has been produced to accompany
the exhibition, and is available for
purchase at the Designmuseum
shop.
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Josephine Winther (DK), necklaces Ding , 2011, 45 bells, five
different bronze alloys, silver, gold/copper alloy, porcelain,
4 amber, agat, 30 x 25 x 25 mm to 40 x 20 x 20 mm
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INFORMATION OM KUNSTNERNE
Uddrag fra utstillingskataloget From the Coolest Corner – Nordic Jewellery
Æresgæster
Kim Buck — født i 1957
Kim Bucks værker præges af en begejstret, men samtidig kritisk
holdning til smykkeindustriens forskellige kreationer. Resultatet bliver
smykker, som maner til eftertanke. Bucks arbejder kan ses som ironiske
kommentarer til mange af dagens smykker, som blot undtagelsesvis
demonstrerer et omhyggeligt og præcist håndværk. J. V.
Konrad Mehus — født i 1941
Mehus’ arbejder kendetegnes af en udforskning af brugte materialer, som
sættes ind i nye sammenhænge. Spænder udgør en vigtig del af den norske
folkedragt, og Konrad Mehus har i mange år brugt mønter, knapper
og potteskår til at skabe moderne udgaver af disse traditionelle smykker.
Brudekroner er et andet eksempel på Mehus’ arbejde, som er inspireret
af norsk folkekunst. J. V.
Kadri Mälk — født i 1958
Kadri Mälk arbejder med naturlige materialer som sten, mineraler, træ
og koraller. I hendes smykker nder vi både håb (Yehudi Menuhin),
men også mystik (Black Menhir), sorg og fortvivlelse (Very Guilty,
Medusa V). Hendes smykker handler om livets lidenskaber i det lyse og
mørke - hvilket kommer til udtryk på en meget personlig, poetisk og
forførende måde. L.d.B.
INFORMATION ABOUT THE ARTISTS
Excerpt from the From the Coolest Corner – Nordic Jewellery exhibition catalogue
Special Guest Ehxibitors
Kim Buck — born 1957
Kim Bucks works are characterised by an enthusiastic, yet critical, attitude
towards the various creations of the jewellery industry. e result
is a highly though-provoking collection. Buck’s works can be seen as
ironic comments upon many of today’s jewellery - jewellery that more
often than not demonstrates little in the way of meticulous and precise
craftsmanship. J.V.
Konrad Mehus — born 1941
Mehus’s work is characterised by its exploration of used materials that
he recreates within completely new contexts. For many years, Konrad
Mehus has used coins, buttons and shards of pottery to make modern
versions the ornamental buckles that feature prominently in traditional
Norwegian national costumes. His bridal crowns are another example of
work that has drawn inspiration from Norwegian folk art. J.V.
Kadri Mälk — born 1958
Kadri Mälk works with natural materials such as stone, minerals,
wood and corals. In her jewellery, not only do we nd hope (Yehudi
Menuhin), but also mystery (Black Menhir), sorrow and despair (Very
Guilty, Medusa V). Her jewellery deals with the dark and light passions
of life – which are expressed in a highly personal, poetic and seductive
manner. L.d.B.
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Helena Lehtinen — født i 1952
Helene Lehtinens smykker er som malerier eller skulpturer og består af
blandingsformer, hvor det bløde og runde møder det hårde og kantede. I
Gardens nder vi former, som minder os om planter, hvor man kan sige,
at glasperler binder smykkerne sammen. I Temperatures-serien bruger
Lehtinen både køligt sølv til at fremstille vinterkulden og forskellige
nuancer af hvidt til at tolke sneen. P.R.
Tore Svensson — født i 1948
Koncentration og præcision er selve varemærket for Tore Svensson,
som udmærker sig ved sin ranerede brug af stål. Hans nyeste værker,
Portraits, er en gruppe små, medaljonlignende brocher, som afbilder
menneskehoveder set enten forfra eller fra siden. Med udgangspunkt i
fotograer stiliserer Svensson portrætterne og kopierer dem på stålplader
ved hjælp af forskellige teknikker såsom radering, forgyldning, sværtning
og maling. L.J.
Information om kunstnerne:
Tobias Alm — født i 1985
Smykkerne, som Traces of Function-serien repræsenterer, minder om
knapper, håndtag og knagerækker, men som genstande virker de ikke
desto mindre undvigende og hemmelighedsfulde. Formerne ser nærmest
stumme og tilbageholdende ud uden kommunikation, der udfordrer
tilskueren. Alm er optaget af, hvordan man kan se en genstands funktion
«uden at vide, hvad den kan bruges til, eller er blevet brugt til». L.J.
Helena Lehtinen — born 1952
Helene Lehtinen’s jewellery is like paintings or sculptures, and it embodies
a merging of the soft and the curved with the hard and sharp-edged.
In Gardens, we nd forms that are reminiscent of plants, with the glass
beads bringing the jewellery pieces together. In her Temperatures collection,
Lehtinen uses cold silver to represent the frigid winter and various
tones of white to represent the many shades of white in snow. P.R.
Tore Svensson — born 1948
Concentration and precision are the trademarks of Tore Svensson, who
is noted for his rened use of steel. His newest collection – Portraits – is
a group of small, medal-like brooches portraying human heads as viewed
from either the front or in prole. Taking his inspiration from photography,
Svensson stylises the portraits and copies them onto steel plates
by means of various techniques, including etching, gilding, inking and
painting. L.J.
Information about the artists:
Tobias Alm — born 1985
Tobias Alm’s jewellery, which the Traces of Function collection represents,
looks like buttons, handles and coat hooks; nevertheless, as
objects, they remain evasive and secretive. e form of his jewellery
appears almost mute and reserved, instigating no form of dialogue with
those who view it. Much of his focus revolves around how we can see
an object’s function “without knowing what it is used for, or what it has
been used for in the past.” L.J.
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Sara Borgegård Älgå — født i 1976
I smykkerne kan vi øjne brudstykker og levn fra industrisamfundet.
Nogle detaljer kan lede tankerne hen på fabrikker, skakttårne og siloer.
Smykkerne kan også tolkes som en hyldest til æstetikken i moderne
teknologi og arkitektur, men de antyder også en reektion over samme
æstetiks uundgåelige undergang. L.J.
Julie Bach — født i 1979
Julie Bachs arbejde bærer præg af hendes søgen efter at forvandle livets
mangfoldige historier til kunst. Hun eksperimenterer med forskellige
udtryksformer, hvor hun arbejder med en række materialer. De to armbånd
i læder kommer fra en serie, der er inspireret af bær og som hylder
sensommerens overod. C.M.
Liv Blåvarp — født i 1956
Et tilbagevendende motiv i Liv Blåvarps arbejde er hendes brug af træ og
naturlige, organiske former. Blåvarp har udviklet et særegent og personligt
udtryk, hvor en sikker formsans forenes med en mesterlig evne til at
lave smykker, der er smidige og imødekommende både som brugs- og
pyntegenstande. K.A.B.
Sigurd Bronger — født i 1957
På sin debutudstilling i begyndelsen af 1980’erne præsenterede Sigurd
Bronger sine enkle, konstruktivistiske smykker. I 1990’erne introducerede
han æg- og ballonformer i sine smykker. En samlet vurdering af
Brongers arbejde fra de sidste 30 år kunne omfatte ord som konstruktion,
mekanik, surrealisme og «luftig» humor. K.A.B.
Linnéa Blakéus Calder — født i 1955
I projektet Your Trash My Treasure arbejder Calder med genstande, som
hun har fundet – og som hun så tager gipsafstøbninger af. Materialerne
Sara Borgegård Älgå — born 1976
Within the works of Sarah Borgegård Älgå we can glimpse industrial
fragments and remains. Some details lead us to think of factories, service
shafts and silos. e jewellery can also be interpreted as an homage to
the aesthetics of modern technology and architecture, yet it also suggests
a reection on the same aesthetics’ inevitable demise. L.J
Julie Bach — born 1979
Julie Bach’s work is characterised by her quest to transform the multitudinous
stories of life into art. She experiments with dierent forms
of expression, in which she works with a range of materials. e two
leather bracelets come from a collection that was inspired by berries and
which venerates the abundance of late summer. C.M.
Liv Blåvarp — born 1956
A recurring motif in the work of Liv Blåvarp is her use of wood and
natural, organic forms. Blåvarp has developed a distinctive and personal
form of expression, in which a solid sense of form is combined with a
masterly ability to produce jewellery which is supple and obliging – both
as objects with a clear function and as ornamental objects. K.A.B.
Sigurd Bronger — born 1957
Sigurd Bronger rst presented his simple and constructivist jewellery
at his debut exhibition in the early 1980s. In the 1990s, he introduced
the ‘egg’ and ‘balloon’ forms into his works. An overall evaluation of
Bronger’s work over the past three decades could include words such as
construction, mechanics, surrealism and “buoyant” humour. K.A.B.
Linnéa Blakéus Calder — born 1955
In the project Your Trash, My Treasure, Calder takes objects that she has
found and makes plaster casts of them. She nds her materials on the
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nder hun på stranden i nærheden af sit hjem. Smykkerne kan beskrives
som en krydsning mellen en urban, visuel kultur og shamanagtige
prydgenstande. Fotograet sætter smykket ind i en sammenhæng med
henblik på, hvem der bærer halssmykket, og hvilket miljø det præsenteres
i. K.A.B.
Nicolas Cheng — født i 1982
Smykkerne i Nicolas Chengs Wood-serie er hovedsageligt designet
med udgangspunkt i mindre genstande i træ, som Cheng har fundet i
nærheden af sit hjem i Stockholm. Værket har en bestanddel, som kan
springe op og foldes til siden, hvorved der afsløres en lille radering i den
underliggende træoverade. Kunstneren er her blevet inspireret af tekster
og symboler, som han har set ridset i træer. L.J.
Annette Dam — født i 1972
Annette Dams ønsker at «ette abstrakte tanker» ind i sine smykker. I
84,5 karat har hun anvendt guldsmedteknikker med humoristisk snit og
moderne materialer. Smykkestenene har hun sat i bokse, som guldsmede
traditionelt køber sten i, men her bruges de til at ramme halskæden ind.
C.M
Aino Favén — født i 1957
Aino Favén anvender gerne genbrugsmaterialer og skrald i sine smykker.
Halssmykket Garland er lavet af brugte plasticposer og kommenterer
på underfundig vis de store aaldsøer, der yder rundt i vores haver og
truer både planter og dyr. De fungerer også som mindekranse for fugle
og andre dyr, der er omkommet efter at have spist plasticaald. J.S.
Elise Hatlø — født i 1981
For Elise Hatlø er smykket et medium, som overfører fortællinger. Hatlø
er optaget af gamle håndværkstraditioner og de værdier og erfaringer,
som forbindes med dem. Hun er fascineret af tekstilarbejde såsom hæk-
beach near her home. Her jewellery can be described as a cross between
and urban, visual culture and shaman-like ornamental objects. e
photographs bestow a context upon the works, showing who is wearing
them and which milieu they represent. K.A.B.
Nicolas Cheng — born 1982
e works of jewellery in Nicolas Cheng’s Wood collection have primarily
taken their design inspiration from small wooden objects that Chang
has found near to his home in Stockholm. His works possess elements
which can pop up and be folded to one side, thereby revealing a small
image carved into the underlying wooden surface. Here, the artist had
been inspired by texts and symbols he has seen carved into tree trunks.
L.J.
Annette Dam — born 1972
Annette Dam has a desire to “weave abstract thoughts” into her works.
In the piece 84,5 karat [84.5 carats] she has used goldsmith techniques
with humorous cuts and modern materials. She has set her jewellery
stones in boxes typical of those in which goldsmiths traditionally buy
their stones, but here she used the boxes to frame the necklace. C.M.
Aino Favén — born 1957
Aino Favén enjoys using recycled materials and bits of rubbish in her
jewellery. Her Garland necklace has been created from used plastic
carrier bags and is a subtle comment on the huge lakes of garbage that
are oating around in our oceans threatening both plant and animal
life. ey also act as a form of memorial wreath for the many birds and
animals that have already died from ingesting this plastic waste. J.S
Elise Hatlø — born 1981
For Elise Hatlø, a piece of jewellery is a medium which relates stories.
Hatlø is fascinated by old handicraft traditions and the values and expe-
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ling, strikning og broderi, som hun ofte bruger som inspiration i sine
egne værker. K.A.B.
Daniela Hedman — født i 1979
Daniela Hedman reekterer i sine arbejder over kroppen som en fysisk
og æstetisk form. Den omhyggelige polering af tæerne i Toes bringer
materialets skønhed og tæernes skrøbelighed frem. Feet, et par fodsåler
i fuld størrelse, der er tænkt som, at de skal bæres som en halskæde, har
derimod noget mere monumentalt over sig. Kontrasterne giver begge
værker et poetisk billede af kroppen som tung og let på en gang, som
noget der trykker ned og som løfter op. L.J.
Hanna Hedman — født i 1980
While ey Await Extinction-serien afbilder dyr og planter, der enten
er udrydningstruede eller allerede er uddøde. Kunstneren har i denne
sammenhæng bidt mærke i, hvordan vi ofte har en romantisk forestilling
om naturen såvel som vores egen plads i denne. Hun påminder os om,
at der er tale om et koniktfyldt forhold, hvor menneskeheden har været
en ødelæggende faktor. L.J.
Jenny Klemming — født i 1981
I lighed med en række andre unge svenske smykkekunstnere bruger
Jenny Klemming naturen som motiv. Kviste og knopper forekommer
ofte i hendes værker, og det samme gælder henvisninger til processer som
vækst og nedbrydning. Smykkerne er et udtryk for Klemmings ønske
om at debattere forholdet mellem natur og kultur. På en underfundig
måde udforsker smykkerne den uklare og tilfældige linje, der adskiller
det naturlige fra det kulturelle. L.J.
riences associated with these. Textile crafts, such as crocheting, knitting
and embroidery, are of particular interest to her, and she often uses these
as inspiration in her own works. K.A.B.
Daniela Hedman — born 1979
In her work, Daniela Hedman reects over the body as a physical and
aesthetic form. e meticulous polishing of the toes in her work of the
same name brings forth both the beauty of the material and the fragility
of toes. Feet, a pair of full-size soles that are intended to be worn as a
necklace, has a more monumental quality to it. e contrasts between
the two works provides a poetic image of the body as both heavy and
light at the same time – as something that both presses down and lifts
up. L.J.
Hanna Hedman — born 1980
Hanna Hedman’s While ey Await Extinction collection depicts animals
and plants that are either under threat of extinction or have already
died out. In this context, the artist has latched onto how we often have a
romantic perception of nature and our own place within it. She reminds
us that this is a relationship beset with conict, where it has been humans
who are the destructive factor. L.J.
Jenny Klemming — born 1981
Like many other young Swedish jewellery artists, Jenny Klemming uses
nature as her motif. Twigs and buds are a common recurrence in her
work, as are references to processes such as growth and decomposition.
Her works express Klemming’s desire to debate the relationship between
nature and culture. In its own subtle way, her jewellery examines the
blurred and random line that separates the natural from the cultural. L.J.
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Agnieszka Knap — født i 1966
Agnieszka Knap har specialiseret sig i emaljering. I Anatomy of Fear
præges et sæt med re ens formede vedhæng af en rød farveade, som
gradvis bliver større efter, at den først optræder som en lille prik på
det første vedhæng. Den røde farve spreder sig som et virus, indtil den
dominerer det sidste vedhæng fuldstændigt. L.J.
Julia Maria Künnap — født i 1979
Julia Maria Künnap fokuserer i sin smykkekunst på basismaterialer og
enkle teknikker såsom slibning og polering. Hendes smykker slibes fra
et enkelt mineral, enten obsidian eller røgkvarts. Stenene er skåret skarpt
på den ene side og ser nærmest ud til at forvandles til ydende form på
den anden side, når de enten drypper ned som tykke, transparente tårer
eller fusionerer til en sort, fedtet dam. L.d.B.
Anne Léger — født i 1966
Med naturen som inspirationskilde nder Anne Léger nye ideer og
realiserer dem i form af dekorative smykker. Hendes smykker er vældigt
udtryksfulde på den måde, de består af modsætningsfulde materialer,
farver, overader og temaer. De gør også brug af kontraster mellem det
oplyste og det dunkle, som om de forsøger at advare os om, at noget
urovækkende ligger og lurer under skønheden i de mest besnærende
farver og former. K.A.B.
Åsa Lockner — født i 1973
Halskæderne i Åsa Lockners Crown Jewels-serie kan nemt opfattes som
improviserede kombinationer, domineret af enkelte dele, hentet fra fortidens
modesmykker. Indtrykket snyder, for i virkeligheden fremstiller
Lockner samtlige dele fra bunden af helt uden genbrug af andre kilder.
Kunstneren leger bevidst med normer og forventninger, hvor formålet
er at skabe en stemning, hvor hendes værker kan opleves som noget
genkendeligt. L.J.
Agnieszka Knap — born 1966
Agnieszka Knap has specialised in enamelling. In her Anatomy of Fear
collection, a set of four identically shaped pendants is characterised by
a red colour. Gradually increasing in size from a small speck in the rst
pendent, this red colour spreads like a virus until it comes to completely
dominate the last pendent. L.J.
Julia Maria Künnap — born 1979
In her works, Julia Maria Künnap focusses on basic materials and simple
techniques, such as burnishing and polishing. Her jewellery is sanded
down from a single material, either obsidian or quartz. e stones are
cut with sharp edges on the one side, and on the other side they appear
almost to become liquid in their form when they drip down like thick
transparent tears of are fused like an inky black pond. L.d.B.
Anne Léger — born 1966
Taking her inspiration from the natural world, Anne Léger nds new
ideas and realises these in the form of decorative jewellery. Her works
are highly expressive in the way that they comprise contrasting materials,
colours, surfaces and themes. e also play on the contrast between
dark and light, as if they are trying to warn us that something disturbing
is lying in wait underneath the beauty of the bewitching colours and
shapes. K.A.B.
Åsa Lockner — born 1973
e necklaces in Åsa Lockner’s Crown Jewels collection can easily be
seen as improvised combinations, dominated by individual elements
gathered from in vogue jewellery from bygone years. is impression is,
however, deceptive; in reality, Lockner produces every single piece from
scratch without sourcing any materials from recycled sources. e artist
consciously plays with norms and expectations with the aim of creating
a mood where her works can be experienced as being recognisable. L.J.
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Märta Mattsson — født i 1982
Märta Mattssons bruger ofte rigtige insekter som materiale i sine smykker,
der kan minde om fortidens videnskabelige samlinger og raritetskabinetter.
Hendes værker refererer også til jugendstilens smykker, hvor
man ofte brugte motiver som sommerfugle, guldsmede og edderkopper.
Märta Mattsson har fremstillet et smykke med en særegen skønhed, men
som også har en snigende uro over sig. L.J.
Lina Peterson — født i 1979
Mimic-brocherne tager udgangspunkt i drivtømmer og småsten, som
kunstneren har fundet på en strand under et ophold i Skotland. Naturgenstandene
blev så sat sammen med de samme former lavet i harpiks.
Resultatet blev brocher, hvor det virkelige og det falske bindes sammen
som en genspejling af hinanden. L.J.
Annika Pettersson — født i 1981
Blomsternes ældgamle symbolik er noget, som dagens smykkekunstnere
bliver ved med at vende tilbage til. I Time to Rend-serien undergraver
Annika Pettersson den romantiske forestilling om blomster ved at
fremstille dem på en nærmest brutal måde. Træmassen i hendes smykker
stammer fra kasserede træstumpe, som kunstneren har revet og kløvet på
en voldsom måde. De skamferede blomster formår med deres underlige
skønhed at symbolisere forgængelighed og forfald. L.J.
Kristi Paap — født i 1973
Kristi Paap arbejder med naturlige materialer såsom kirsebærtræ, syrener,
kirsebærsten og blommesten, der giver lyd fra sig, når de bevæges. Hun
søger efter «lyden fra naturen: løv som rasler i vinden, insekter som
summer, og bølger som bryder mod stranden». Hendes smykker gør
én bevidst om naturens stille lyde, såsom når græshopperne pludselig
begynder at synge eller når et vindstød får sivet til at rasle. L.d.B.
Märta Mattsson — born 1982
Märtha Mattson often uses real insects as a material in her works, which
are reminiscent of the scientic collections and cabinets of curiosity of
yesteryear. Her works also make reference to the jewellery of the Art
Deco period, which often used butteries, dragonies and spiders as
motifs. Märtha Mattson has created jewellery with a unique beauty
that despite being pleasing to the eye nevertheless retains an element of
encroaching unease. L.J.
Lina Peterson — born 1979
e Mimic brooches are based around driftwood and pebbles that the
artist found on a beach during a visit to Scotland. ese natural objects
have been put together with the same forms made in resin. e result is
a collection of brooches that embody both the fake and the natural in a
reection of one another. L.J.
Annika Pettersson — born 1981
e ancient symbolism of owers is a theme that many of today’s jewellery
artists continue to return to. In the Time to Rend collection, Annika
Petterson subverts the romantic perception of owers by presenting then
in an almost brutal way. e mass of wood in her works originates from
discarded tree stumps that the artist has violently scratched and gouged.
With their peculiar beauty, the disgured and scarred owers symbolise
vanity and decay. L.J.
Kristi Paap — born 1973
Kristi Paap works with natural materials such as cherry wood, lilacs,
cherry stones and plum stones, which make a sound when they are
moved. She has a quest to nd “the sound of nature: leaves that rustle in
the wind, insects that buzz, and waves that crash against the shore”. Her
works make us aware of the quiet sounds of nature such as the sudden
18 19

Sanna Svedestedt — født i 1981
I Raw-serien har Sanna Svedestedt brugt cuir bouilli-metoden (hvor
læderet koges i vand, vrides til sin endelige form og til sidst sættes til at
stivne) til at fremstille mørke, udtryksfulde smykker, som ved første øjekast
ser ud til at være af metal. Inspirationen til arbejderne kommer både
fra natur og kultur. Kunstneren selv fremhæver bark, regnvåd asfalt og
modeskaberen Elsa Schiaparellis dristige silhuetter som inspirationskilder
til Raw-serien. L.J.
Janna Syvänoja — født i 1960
Janna Syvänojas værker fortolker smykkernes rolle, stoighed og værdi.
De er også et udtryk for hendes interesse for ikke-kostbare materialer og
genbrugte ting. De kan opleves som skulpturer i miniature, men samtidig
er de brugbare smykker, som er utrolig behagelige at gå med. J.S.
Anna Talbot — født i 1978
Anna Talbot sidestiller alle slags materialer og behandler dem som
ligeværdige. De eksemplicerer det, som kan kaldes en barok udsmykningsglæde,
forstærket med intense farver og en mesterlig komposition.
Mange af Talbots smykker er nærmest små, teatralske iscenesættelser
indrammet af blomsterdekorationer, tableauer som holder fast ved
øjeblikke fra sagn og eventyr, og som ofte er befolket med dyr og mennesker.
K.A.B.
chirping of grasshoppers or when the wind sends a whisper through the
rushes. L.d.B.
Sanna Svedestedt — born 1981
In the collection Raw, Sanna Svedested has used the cuir bouilli method
(whereby leather is boiled in water, wrung into its nal shape and then
left to dry) to create dark, expressive jewellery, which at rst glance looks
as if it is made from metal. Her inspiration comes from both the natural
world and the world of culture. e artist herself cites tree bark, wet
tarmac and the fashion designer Elsa Schiaparelli’s bold silhouettes as
key sources of her inspiration for the Raw collection. L.J.
Janna Syvänoja — born 1960
Janna Syvänoja’s works interpret the role, materiality and value of
jewellery, and they are also an expression of her interest in non-precious
materials and recycled objects. As well as being miniature sculptures,
Syvänoja’s works are nevertheless pieces of jewellery that are extremely
comfortable to wear. J.S.
Anna Talbot — born 1978
Anna Talbot juxtaposes all types of materials and treats them as equal
in status to each other. ey exemplify that which could be called a
Baroque joy of adornment, amplied with intense colours and a masterly
composition. Many of Talbot’s jewellery pieces are almost small,
theatrical scenes framed in oral decorations – tiny tableaux capturing
moments from mythical legends and fairy tales, often populated by
animals of people. K.A.B.
20 21

orkild Harboe øgersen — født i 1964
orkild Harboe øgersen præsenterer en serie med brocher og vedhæng,
som fokuserer på brugen af metaltråd i indviklede og kontrastrige
smykker. Resultatet er skrøbelige, sårbare former, som forestiller ygtige
øjeblikke og søger at nde en balance mellem det enkle og det kaotiske.
Til trods for at smykkerne ofte har et fælles udgangspunkt og struktur,
bliver deres særtræk og egenartede fortællinger fremhævet af titlerne.
C.M.
Josephine Winther — født i 1964
I de senere år har Josephine Winther arbejdet med lydens påvirkning af
krop og sind. Ding er en samling af 45 halskæder med bjælder, hver med
sin særegne udformning og lyd. Folk anspores dermed til at bruge forskellige
sanser, når de vælger et smykke. De forskellige lyde i hver enkelt
halskæde skabes gennem forskellige legeringer og den måde hver enkelt
bjælde bliver fremstillet på. C.M.
Peter de Wit — født i 1952
Peter de Wit er kendt for sin evne til at skabe variation i klassiske
prydgenstande og derigennem puste et nyt og dynamisk liv i de mere
traditionelle former med markante virkemidler. Hans smykker kan opleves
som små, intime kunstværker med et konstruktivistisk formsprog. Et
formsprog, som også bærer en form for surrealisme i sig. L.J.
Annika Åkerfelt — født i 1971
Ved at pryde sin porcelænskunst med overføringsbilleder åbner Annika
Åkerfelt op for en legende og sjov billedfortælling med præcise linjer og
detaljer. De motiver, hun bruger, skaber også en nostalgisk stemning.
Kunstnerens navn er indgraveret i smykkerne med elegante bogstaver,
hvilket også bidrager til at pryde hendes smykker. L.J.
orkild Harboe øgersen — born 1964
orkild Harboe øgersen presents a collection of brooches and pendants
that focuses on the use of metal wire in complex jewellery, rich in
contrasts. e result is fragile, delicate forms that represent ephemeral
moments endeavouring to strike a balance between the simple and the
chaotic. Despite the fact that the pieces often share a common origin
and structure, their individuality and unique stories are accentuate by
their titles. C.M.
Josephine Winther — born 1964
In recent years, Josephine Winther has worked with how sound aects
the body and mind. e onomatopoeically entitled collection Ding is
a collection of 45 necklaces with small cowbells attached – each with a
unique form and a unique sound. With these works, people are forced
to engage dierent senses when selecting a particular piece of jewellery.
e dierent sounds in each necklace are created by means of various
alloys and the way each bell is made. C.M.
Peter de Wit — born 1952
Peter de Wit is known for his ability to create variation in classic ornaments,
thereby giving fresh and new inspiration to the more traditional
forms. His works can be experienced as small, intimate works of art that
have a constructivist mode of expression – a form of expression that also
carries with it a certain sense of surrealism. L.J.
Annika Åkerfelt — born 1971
By ornamenting her porcelain art with transfer images, Annika Åkerfelt
introduces a playful and fun narrative with precise lines and details. e
motifs she uses also serve to create a sense of nostalgia. e artist’s name
is engraved into the pieces of jewellery with elegant lettering, which
endows an extra sense of ornamentation upon her works. L.J.
22 23

Marie-Louise Kristensen (DK), brooch CPH: Park
Bench, 2011, brass, wood, 60 x 70 x 20 mm
24 25

LISTE OVER VÆRKER
From the Coolest Corner – Nordic Jewellery
Kim Buck, Danmark
1. Ringe, Bonsai I-V, birketræsstammer med
udskåret ring, 2012
2. Ringe, Pumpous Rings II–VI, guld,
sølvbelagt, 2011
3. Ringe, Pumpous Color, sølv, pulverlakeret,
2012
4. Brocher, Solitaire Ring, Pearl Earrings,
Cross in Anchor, Heart in Anchor Chain,
guld, 2003
Julie Bach, Danmark
1. Armbånd, Big Berry Bracelet, black and
pink, japansk kalveskind, lammeskindsnappa,
bomuld, 2010
2. Armbånd, Big Berry Bracelet, black,
japansk kalveskind, lammeskindsnappa,
bomuld, 2010
3. Armbånd, Big Berry Bracelet, pink,
japansk kalveskind, lammeskindsnappa,
bomuld, 2010
Annette Dahm, Danmark
Kæde, 84.5 karat, sølv, ædelsten, perler, hvid
koral, plast, 2011
Kaori Juzu, Danmark
1. Broche, Interference I – Field of Interference,
emalje, kobber, guld, 2011
2. Broche, Interference III – Field of Interference,
emalje, kobber, guld, 2011
3. Broche, Interference IV – Field of Interference,
emalje, kobber, guld, 2011
4. Broche, Interference V – Field of Interfe-
rence, emalje, kobber, guld, 2011
Marie-Louise Kristensen, Danmark
1. Broche, CPH: Park Bench, messing, træ,
2011
2. Broche, CPH: Reconstruction, sølv, træ,
plast, 2011
3. Broche, CPH: Helgoland, sølv, træ, plast,
2011
4. Broche, CPH: Faire la fête – et après,
genbrugt guldring, messing, 2011
orkild Harboe øgersen, Danmark
1. Broche, Black Hole, jerntråd, 2012
2. Broche, ere and Back Again, jerntråd,
2012
3. Broche, Frail Hope Seed Pod, jerntråd,
2012
4. Vedhæng, e Dream Trap, jerntråd,
2012
5. Vedhæng, Deated, jerntråd, 2012
Josephine Winther, Danmark
Halskæder, Ding, 45 bjælder, sølv, bronze-,
guld/kobber-legeringer, porcelæn, rav, agat,
2011
Kadri Mälk, Estland
1. Broche, Medusa V, sølv, plast, 2004
2. Broche, Black Menhir, jet (sort rav), sølv,
koral, 2012
3. Broche, Yehudi Menuhin, malet træ, sort
koral, cordierit, akvamarin, almandin, sølv,
2011
LIST OF WORKS
From the Coolest Corner – Nordic Jewellery exhibition catalogue
Kim Buck, Denmark
1. Rings, Bonsai I-V, birch tree trunk with
carved rings, 2012
2. Rings, Pumpous Rings II–VI, gold,
silver-plated, 2011
3. Rings, Pumpous Color, silver, powderlacquered,
2012
4. Brooches, Solitaire Ring, Pearl Earrings,
Cross in Anchor, Heart in Anchor Chain,
gold, 2003
Julie Bach, Denmark
1. Bracelet, Big Berry Bracelet, black and
pink, Japanese calfskin, lambskin, cotton,
2010
2. Bracelet, Big Berry Bracelet, black, Japanese
calfskin, lambskin, cotton, 2010
3. Bracelet, Big Berry Bracelet, pink, Japanese
calfskin, lambskin, cotton, 2010
Annette Dahm, Denmark
Chain, 84.5 carat, silver, gemstone, pearls,
white coral, plastic, 2011
Kaori Juzu, Denmark
1. Brooch, Interference I – Field of Interference,
enamel, copper, gold, 2011
2. Brooch, Interference III – Field of Interference,
enamel, copper, gold, 2011
3. Brooch, Interference IV – Field of Interference,
enamel, copper, gold, 2011
4. Brooch, Interference V – Field of Interference,
enamel, copper, gold, 2011
Marie-Louise Kristensen, Denmark
1. Brooch, CPH: Park Bench, brass, wood,
2011
2. Brooch, CPH: Reconstruction, silver,
wood, plastic, 2011
3. Brooch, CPH: Helgoland, silver, wood,
plastic, 2011
4. Brooch, CPH: Faire la fête – et après,
recycled gold ring, brass, 2011
orkild Harboe øgersen, Denmark
1. Brooch, Black Hole, iron wire, 2012
2. Brooch, ere and Back Again, iron wire,
2012
3. Brooch, Frail Hope Seed Pod, iron wire,
2012
4. Pendant, e Dream Trap, iron wire,
2012
5. Pendant, Deated, iron wire, 2012
Josephine Winther, Denmark
Necklaces, Ding, 45 small bells, silver,
bronze, gold/copper alloys, porcelain,
amber, agate, 2011
Kadri Mälk, Estonia
1. Brooch, Medusa V, silver, plastic, 2004
2. Brooch, Black Menhir, jet (black amber),
silver, coral, 2012
3. Brooch, Yehudi Menuhin, painted wood,
black coral, cordierite, aquamarine, almandine,
silver, 2011
4. Brooch, Very Guilty, Siberian jet, black
rhodium, gold, spinel, tourmaline, 2010
26 27

4. Broche, Very Guilty, sibirisk jet, sort
rhodium, guld, spinel, turmalin, 2010
5. Halskæde, Fata Morgana XXV Burkina
Faso, malet cibatool (syntetisk træ), oxideret
sølv, hæmatit, sort jade, almandin, L 690
(silicone), 2006
Julia Maria Künnap
1. Øreringe, A Grand Day Out, røgkvarts,
guld, 2011
2. Broche, From the Middle of a Dream,
obsidian (vulkansk glas), guld, 2010
3. Broche, Is this the Happiness, røgkvarts,
guld, 2012
Maarja Niinemägi, Estland
1. Broche, Wave Crest, opal, perlemor, sølv,
guld, 2011
2. Broche, Floating, opal, perlemor, sølv,
guld, 2011
3. Broche, Little White – Ear on a Float,
opal, agat, eg, sølv, guld, 2011
Kristi Paap, Estland
1. Broche, Ristik, kirsebærtræ/-sten, maling,
tråd, 2012
2. Broche, First View in White, syren,
tombak, sølv, 2010
3. Broche, Twelves View, kirsebærtræ, tråd,
sølv, 2011
Anne-Maria Saar, Estland
1. Bærbart objekt, Suering Interruptions,
fotogra og objekt, 135 hårstrå, 2012
2. Bærbart objekt, Persistence, sten, træ,
hår, 2010
3. Bærbart objekt, For the Survivor: Crown,
smedejern, 2009
4. Installation, Golden Brooch Ornament,
video, 2012
Tanel Veenre, Estland
1. Halskæde, Before Lightness and After
Dark, skeriåd i balsa, sølv, kosmisk støv,
2012
2. Halskæde, Seamingly Silent, åd i balsa,
eg, sølv, kosmisk støv, 2012
3. Halskæde, In the Beginning Was the
Word, jet (sort rav), tekstil, 2011
Selvportrætter som Emile Cioran, Karl
Ristikivi og Jean-Paul Sartre, foto, 2011
Helena Lehtinen, Finland
1. Halskæde, Gardens, træ, blade, bladguld,
sølv, perler, 2012
2. Halskæde, Gardens, træ, sølv, perler,
2012
3. Halskæde, Breaking up the Ice, sølv,
rekonstrueret sten, 2012
4. Halskæde, Ice, sølv, guld, 2012
5. Halskæde, Fire, sølv, bladguld, rekonstrueret
sten, 2012
Ami Avellán, Finland
Halskæde, Folium fra serien Spring Time,
birk, rensdyrskind, sølv, jute, silke, papir,
snøre, 2012
Aino Favén, Finland
Halskæde, Garland, brugte plastposer,
polyester, 2010
Clarice Finell, Finland
1. Vægstykke/vedhæng, Optimist, silke,
broderi, træ, maling, 2012
2. Vægstykke/vedhæng, Pessimist, silke,
broderi, træ, maling, 2012
Janne Hirvonen, Finland
Fra serien Family Portrait – Capitalistic
5. Necklace, Fata Morgana XXV Burkina
Faso, painted Cibatool (synthetic wood),
oxidised silver, hematite, black jade, almandine,
L 690 (silicone), 2006
Julia Maria Künnap
1. Earrings, A Grand Day Out, smoky
quartz, gold, 2011
2. Brooch, From the Middle of a Dream,
obsidian (volcanic glass), gold, 2010
3. Brooch, Is this the Happiness, smoky
quartz, gold, 2012
Maarja Niinemägi, Estonia
1. Brooch, Wave Crest, opal, mother of
pearl, silver, gold, 2011
2. Brooch, Floating, opal, mother of pearl,
silver, gold, 2011
3. Brooch, Little White – Ear on a Float,
opal, agate, oak, silver, gold, 2011
Kristi Paap, Estonia
1. Brooch, Ristik, cherry-wood/stone,
painted, wire, 2012
2. Brooch, First View in White, lilac, tombac,
silver, 2010
3. Brooch, Twelves View, cherry-wood, wire,
silver, 2011
Anne-Maria Saar, Estonia
1. Wearable object, Suering Interruptions,
photography and object, 135 strands of
hair, 2012
2. Wearable object, Persistence, stone,
wood, hair, 2010
3. Wearable object, For the Survivor:
Crown, wrought iron, 2009
4. Installation, Golden Brooch Ornament,
video, 2012
Tanel Veenre, Estonia
1. Necklace, Before Lightness and After
Dark, balsawood shing oat, silver, cosmic
dust, 2012
2. Necklace, Seamingly Silent, balsawood
oat, oak, silver, cosmic dust, 2012
3. Necklace, In the Beginning Was the
Word, jet (black amber), textile, 2011
Self-portraits as Emile Cioran, Karl Ristikivi
and Jean-Paul Sartre, photograph, 2011
Helena Lehtinen, Finland
1. Necklace, Gardens, wood, leaves, goldleaf,
silver, beads, 2012
2. Necklace, Gardens, wood, silver, beads,
2012
3. Necklace, Breaking up the Ice, silver,
reconstituted stone,2012
4. Necklace, Ice, silver, gold, 2012
5. Necklace, Fire, silver, gold-leaf, reconstituted
stone, 2012
Ami Avellán, Finland
Necklace, Folium from the collection Spring
Time, birch, reindeer skin, silver, jute, silk,
paper, cord/string, 2012
Aino Favén, Finland
Necklace, Garland, used carrier bags,
polyester, 2010
Clarice Finell, Finland
1. Charm/pendant, Optimist, silk, embroidery,
wood, paint, 2012
2. Charm/pendant, Pessimist, silk, embroidery,
wood, paint, 2012
Janne Hirvonen, Finland
From the collection Family Portrait – Capitalistic
Realism
28 29

Realism
1. Broche, Economist, kobber, 2011
2. Broche, Individualist, kobber, 2011
3. Broche, Jurist, kobber, 2011
4. Broche, Nationalist, kobber, 2011
Sirja Knaapi, Finland
1. Broche, Untitled, aluminium, plast, stål,
2011
2. Broche, Untitled, aluminium, plast, stål,
2011
Mervi Kurvinen, Finland
Halskæde, Freewheel, sølv, stål, porcelæn,
2012. Håndmalet af Tarja Häsästell
Mirja Marsch, Finland
1. Broche, Every Self-respecting Woman
should have a Rolling Pin, termisk billede
på tekstil, 2012
2. Øreringe, Searching for my Inner Justiina,
termisk billede på tekstil, 2012
Anna Rikkinen, Finland
Fotoserie, Halskæder fra serien A Dutch
Encounter Portrait, foto: Markus Henttonen,
2011
Anna Rikkinen, Finland
Halskæder fra serien A Dutch Encounter
Portrait, 2011
1. A Dutch Encounter V, lakeret træ,
papirgarn
2. A Dutch Encounter I, lakeret træ, reb
3. A Dutch Encounter III, spoler, sølv,
bomuldsbånd
4. A Dutch Encounter IV, lakeret træ, reb
5. A Dutch Encounter VI, lakeret træ, reb
6. A Dutch Encounter II, malet træ, reb
7. A Dutch Encounter VI, malet træ, tekstil
Janna Syvänoja, Finland
1. Halskæde, Untitled I, papir, ståltråd,
2012
2. Halskæde, Untitled, papir, ståltråd, 2012
Monica Wickström, Finland
Halskæde, Medals of Decadence, sølv,
tekstil, 2009
Hulda B. Ágústsdóttir, Island
Halssmykke, round&round, farvet nylontråd,
2000
Hildur Ýr Jónsdóttir, Island
1. Halskæde, Beauty or a Beast, porcelæn,
gips, jern, 2012
2. Halskæde, No Title 1, porcelæn, bomuldsreb,
2012
3. Halskæde, Hnútar Knots, porcelæn, jern,
2010
Helga Ragnhildur Mogensen, Island
1. Halskæde, e Read read, drivtømmer,
tråd, sterlingsølv, 2010
2. Halskæde, Are We Really at Dierent?
drivtømmer, sterlingsølv, 2009
Orr: Kjartan Örn Kjartansson og Ástþór
Helgason, Island
Halskæde/armbånd, A thing to wear in a
1000 dierent ways, Mengi, sølv, 2012
Konrad Mehus, Norge
1. Brudekrone, Krona på Verket 2 – Birds
Nest, sølv, kviste, 2003
2. Broche med æske, Bolesølje, sølv, potteskår,
mønter, perlemorsknapper, tinæske,
2012
3. Broche med æske, Potte-sølje, kobber,
sølv, træ, tinæske, 2012
1. Brooch, Economist, copper, 2011
2. Brooch, Individualist, copper, 2011
3. Brooch, Jurist, copper, 2011
4. Brooch, Nationalist, copper, 2011
Sirja Knaapi, Finland
1. Brooch, Untitled, aluminium, plastic,
steel, 2011
2. Brooch, Untitled, aluminium, plastic,
steel, 2011
Mervi Kurvinen, Finland
Necklace, Freewheel, silver, steel, porcelain,
2012. Hand painted by Tarja Häsästell
Mirja Marsch, Finland
1. Brooch, Every Self-respecting Woman
should have a Rolling Pin, thermic image
on textile, 2012
2. Earrings, Searching for my Inner Justiina,
thermic image on textile, 2012
Anna Rikkinen, Finland
Photo series, Necklaces from the collection
A Dutch Encounter Portrait, photo: Markus
Henttonen, 2011
Anna Rikkinen, Finland
Necklaces from the collection A Dutch
Encounter Portrait, 2011
1. A Dutch Encounter V, lacquered wood,
paper yarn
2. A Dutch Encounter I, lacquered wood,
rope
3. A Dutch Encounter III, reels, silver,
cotton ribbon
4. A Dutch Encounter IV, lacquered wood,
rope
5. A Dutch Encounter VI, lacquered wood,
rope
6. A Dutch Encounter II, painted wood,
rope
7. A Dutch Encounter VI, painted wood,
textile
Janna Syvänoja, Finland
1. Necklace, Untitled I, paper, steel wire,
2012
2. Necklace, Untitled, paper, steel wire,
2012
Monica Wickström, Finland
Necklace, Medals of Decadence, silver,
textile, 2009
Hulda B. Ágústsdóttir, Iceland
Necklace, round&round, dyed nylon
thread, 2000
Hildur Ýr Jónsdóttir, Iceland
1. Necklace, Beauty or a Beast, porcelain,
plaster, iron, 2012
2. Necklace, No Title 1, porcelain, cotton
cord, 2012
3. Necklace, Hnútar Knots, porcelain, iron,
2010
Helga Ragnhildur Mogensen, Iceland
1. Necklace, e Read read, driftwood,
wire, sterling silver, 2010
2. Necklace, Are We Really at Dierent?,
driftwood, sterling silver, 2009
Orr: Kjartan Örn Kjartansson and Ástþór
Helgason, Iceland
Necklace/bracelet, A thing to wear in a
1000 dierent ways, Mengi, silver, 2012
Konrad Mehus, Norway
1. Bridal tiara, Krona på Verket 2 – Birds
30 31

4. Broche med æske, Bolesølje, Svart, sølv,
træ, tinæske, 2012
Liv Blåvarp, Norge
1. Halskæde, Sundance II, peroba rosa,
amarello, amboina, hvaltand, 2010
2. Halskæde, Bat, ahorn (Birdseye), cocobolo,
ibenholt, 2011
Sigurd Bronger, Norge
1. Broche, Carrying Device for Liquid
Fluid, forgyldt messing, rustfrit stål, gummi,
2012
2. Broche, Fan Brooch, forgyldt messing,
stål, emaljemaling, 2009
3. Broche, Carrying Device for Black Sea
Shell, emalje, messing, maling, stål, gummi,
skaller, 2011
4. Halskæde, Carrying Device for Seashell,
forgyldt messing, skaller, gummisnøre, 2011
Linnéa Blakéus Calder
Foto af et halssmykke, Your Trash my Treasure,
readymades, gips og maling, fotoprint
på aluminium, 2012
Lillan Eliassen, Norge
1. Halssmykke, Every Road Is Just Another
Way Home, støbning i ler, sølv, 2012
2. Halssmykke, Courage, støbning i ler,
kobber, 2012
3. Halssmykke, Run Baby Run, beton, kobber,
stål, 2012
Foto: Halssmykke, Every Road Is Just
Another Way Home
Foto: Halssmykke, Courage
Elise Hatlø, Norge
1. Broche, Grandma Sings the Blues,
sølv, kobber, røgkvarts, agat, silke, lak,
2011–2012
2. Halssmykke, Grandma Sings the Blues,
sølv, kobber, citrin, agat, bjergkrystal, silke,
lak, 2011–2012
Anne Léger, Norge
1. Halskæde, Prelude, træ sølv, emalje,
månesten, kvarts, 2012
2. Halskæde, Nocturne, træ sølv, perle,
emalje, 2012
Anna Talbot, Norge
1. Halskæde, kissmekissmekissme, readymade,
anodiseret aluminium, træ, sølv,
messing, 2012
2. Halskæde, Don’t Lead Me Astray, readymade,
anodiseret aluminium, træ, lak, sølv,
messing, 2012
3. Halskæde, Oh My Deer, readymade, anodiseret
aluminium, sølv, lak, messing, 2011
Gunhild Tjåland, Norge
1. Halskæde, Topogra, sølv, 2011
2. Halskæde, Umbillicus, sølv, 2011
Tore Svensson, Sverige
Fra serien Portraits, 2011–2012
1. Broche, Couple, stål, forgyldning, 2011
2. Broche, Mr T, stål, forgyldning, maling,
2012
3. Broche, Miss K, stål, 2012
4. Broche, SH, stål, 2012
5. Broche, Lasse P, stål, forgyldning, maling,
2012
6. Broche, KJ, stål, maling, 2012
7. Broche, Else, stål, forgyldning, 2012
8. Halskæde, ætset stål, sølvbelagt, 1999
Nest, silver, twigs, 2003
2. Brooch with box, Bolesølje, silver, pottery
fragments, coins, mother-of-pearl buttons,
pewter box, 2012
3. Brooch with box, Potte-sølje, copper,
silver, wood, pewter box, 2012
4. Brooch with box, Bolesølje, Svart, silver,
wood, pewter box, 2012
Liv Blåvarp, Norway
1. Necklace, Sundance II, peroba rosa,
amarello, amboina, whale tooth, 2010
2. Necklace, Bat, maple (Birdseye), cocobolo,
ebony, 2011
Sigurd Bronger, Norway
1. Brooch, Carrying Device for Liquid
Fluid, gilded brass, stainless steel, rubber,
2012
2. Brooch, Fan Brooch, gilded brass, steel,
enamel paint, 2009
3. Brooch, Carrying Device for Black Sea
Shell, enamel, brass, paint, steel, rubber,
shells, 2011
4. Necklace, Carrying Device for Seashell,
gilded brass, shells, rubber laces, 2011
Linnéa Blakéus Calder
Photo of a necklace, Your Trash my
Treasure, readymades, plaster and paint,
photo-print on aluminium, 2012
Lillan Eliassen, Norway
1. Necklace, Every Road Is Just Another
Way Home, casting in clay, silver, 2012
2. Necklace, Courage, casting in clay, copper,
2012
3. Necklace, Run Baby Run, concrete, copper,
steel, 2012
Photograph: Necklace, Every Road Is Just
Another Way Home
Photograph: Necklace, Courage
Elise Hatlø, Norway
1. Brooch, Grandma Sings the Blues, silver,
copper, smoky quartz, agate, silk, lacquer,
2011–2012
2. Necklace, Grandma Sings the Blues, silver,
copper, citrine, agate, rock crystal (clear
quartz), silk, lacquer, 2011–2012
Anne Léger, Norway
1. Necklace, Prelude, wood, silver, enamel,
moonstone, quartz, 2012
2. Necklace, Nocturne, wood, silver, beads,
enamel, 2012
Anna Talbot, Norway
1. Necklace, kissmekissmekissme, readymade,
anodised aluminium, wood, silver,
brass, 2012
2. Necklace, Don’t Lead Me Astray, readymade,
anodised aluminium, wood, lacquer,
silver, brass, 2012
3. Necklace, Oh My Deer, readymade, anodised
aluminium, silver, lacquer, brass, 2011
Gunhild Tjåland, Norway
1. Necklace, Topogra, silver, 2011
2. Necklace, Umbillicus, silver, 2011
Tore Svensson, Sweden
From the collection Portraits, 2011–2012
1. Brooch, Couple, steel, gilding, 2011
2. Brooch, Mr T, steel, gilding, paint, 2012
3. Brooch, Miss K, steel, 2012
4. Brooch, SH, steel, 2012
5. Brooch, Lasse P, steel, gilding, paint,
2012
6. Brooch, KJ, steel, paint, 2012
32 33

Annika Åkerfelt, Sverige
1. Halssmykke, Men on Spheres, porcelæn,
overføringsprint, sølv, stål, plast, 2008
2. Broche, A on a Balloon, porcelæn, overføringsprint,
sølv, stål, 2008
Sara Borgegård Älgå
1. Halskæde, Straw, jern, silketråd, lak,
2011
2. Halskæde, Beam, jern, rendegarn, 2011
3. Halskæde, Silo, jern, rendegarn, lak,
2011
4. Broche, Twilight, jern, lak, 2011
Tobias Alm, Sverige
1. Broche, Traces of Function XVII, træ,
stål, 2012
2. Broche, Traces of Function XVIII, træ,
bomuld, stål, 2012
3. Halssmykke, Traces of Function XIX,
træ, bomuld, 2012
Beatrice Brovia, Sverige
1. Halskæde, Binding Works I, silke, latexslange,
oxideret sølv, magneter, 2010
2. Halskæde, Binding Works II, bomuldstråd,
ståltråd, latex, oxideret sølv, magneter,
2010
Nicolas Cheng, Sverige
Broche I, fra e Wood Series, sølv, nér,
gummi, bomuld, urethanplast, 2010
Åsa Elmstam, Sverige
1. Halskæde, ings I, messing, plast, 2010
2. Halskæde, ings 3, messing, 2010
3. Øreringe, ings 4, messing, sølv, 2010
Daniela Hedman, Sverige
Fra e Ground Series
1. Halskæde, Feet, kobber, tråd, 2010
2. Halskæde, Toes, træ, læder, kobberstifter,
2010
Hanna Hedman, Sverige
Fra serien While ey Await Extinction
1. Halskæde, Percina rex, oxideret sølv,
pulverlakeret kobber, maling, 2011
2. Halskæde, Spheniscus magellanicus, sølv,
oxideret sølv, pulverlakeret kobber, maling,
2011
Karin Johansson, Sverige
Fra serien NEW PLACES: Abstractions of
a City
1. Halskæde, Property, guld, sølv, emalje,
rekonstruerede materialer, 2011
2. Halskæde, Blue Sky, guld, sølv, emalje,
rekonstruerede materialer, 2012
3. Halskæde, Evening Square, guld, sølv,
emalje, rekonstruerede materialer, 2012
Jenny Klemming, Sverige
1. Halskæde, Greenery, kobber, stål, emalje,
2011
2. Broche, Landing, patineret kobber,
lepidolit, sølv, stål, 2011
3. Broche, Laced, kobber, stål, sølv, lak,
2011
Agnieszka Knapp, Sverige
Halskæder fra serien Anatomy of Fear,
emalje, kobber, sølv, silke, 2011
Agnes Larsson, Sverige
1. Halskæde, Carbo, karbon, hestehår, 2010
2. Halskæde, Carbo, karbon, hestehår, jern,
2010
3. Halskæde, Carbo, karbon, ståltråd, 2010
7. Brooch, Else, steel, gilding, 2012
8. Necklace, acid-etched steel, silver plated,
1999
Annika Åkerfelt, Sweden
1. Necklace, Men on Spheres, porcelain,
transfer print, silver, steel, plastic, 2008
2. Brooch, A on a Balloon, porcelain, transfer
print, silver, steel, 2008
Sara Borgegård Älgå
1. Necklace, Straw, iron, silk thread, lacquer,
2011
2. Necklace, Beam, iron, jewellery-chain
wire, 2011
3. Necklace, Silo, iron, jewellery-chain wire,
lacquer, 2011
4. Brooch, Twilight, iron, lacquer, 2011
Tobias Alm, Sweden
1. Brooch, Traces of Function XVII, wood,
steel, 2012
2. Brooch, Traces of Function XVIII, wood,
cotton, steel, 2012
3. Necklace, Traces of Function XIX, wood,
cotton, 2012
Beatrice Brovia, Sweden
1. Necklace, Binding Works I, silk, latex
piping, oxidised silver, magnets, 2010
2. Necklace, Binding Works II, cotton
thread, steel wire, latex, oxidised silver,
magnets, 2010
Nicolas Cheng, Sweden
Brooch I, from e Wood Series, silver, veneer,
rubber, cotton, urethane plastic, 2010
Åsa Elmstam, Sweden
1. Necklace, ings I, brass, plastic, 2010
2. Necklace, ings 3, brass, 2010
3. Earrings, ings 4, brass, silver, 2010
Daniela Hedman, Sweden
Fra e Ground Series
1. Necklace, Feet, copper, wire, 2010
2. Necklace, Toes, wood, leather, copper
tacks, 2010
Hanna Hedman, Sweden
From the collection While ey Await
Extinction
1. Necklace, Percina rex, oxidised silver,
powder-lacquered copper, paint, 2011
2. Necklace, Spheniscus magellanicus, silver,
oxidised silver, powder-lacquered copper,
paint, 2011
Karin Johansson, Sweden
From the collection NEW PLACES:
Abstractions of a City
1. Necklace, Property, gold, silver, enamel,
reconstructed materials, 2011
2. Necklace, Blue Sky, gold, silver, enamel,
reconstructed materials, 2012
3. Necklace, Evening Square, gold, silver,
enamel, reconstructed materials, 2012
Jenny Klemming, Sweden
1. Necklace, Greenery, copper, steel,
enamel, 2011
2. Brooch, Landing, patinated copper,
lepidolite, silver, steel, 2011
3. Brooch, Laced, copper, steel, silver,
lacquer, 2011
Agnieszka Knapp, Sweden
Necklaces from the collection Anatomy of
Fear, enamel, copper, silver, silk, 2011
Agnes Larsson, Sweden
34 35

Kajsa Lindberg, Sverige
Fra serien Counterfeiting, mdf, akryl på
lærred, silketryk, 2011
1. Halskæde, 1000 SEK Gustav Vasa
2. Halskæde, 1000 SEK Gustav Vasa Black
3. Halskæde, 500 SEK Christopher Polhem
4. Halskæde 500 SEK Christopher Polhem
Black
5. Halskæde, 20 SEK Selma Lagerlöf Black
6. Halskæde, 20 SEK Selma Lagerlöf
Paula Lindblom, Sverige
1. Halskæde, Polar Bear – Global Warming,
readymades, plast, glasperler, diverse materialer,
2011
2. Broche, e Essence of Nature, readymades,
plast, glasperler, sølv, diverse materialer,
2012
Åsa Lockner, Sverige
1. Halskæde, Crown Jewels VI, sølv, agat,
træ, 2011
2. Halskæde, Crown Jewels VII, sølv, sar,
agat, månesten, 2011
Märta Mattsson, Sverige
1. Halskæde, Fossils, cikader, knust azurit
og pyrit, harpiks, sølv, 2011.
2. Broche, Camouage, cikade, harpiks,
glitter, sølv, 2012
3. Broche, Fossils, cikader, knust pyrit,
harpiks, sølv, 2011
Lena Olson, Sverige
1. Vedhæng, Black, ibenholt, 2012
2. Vedhæng, Tan, pæretræ, 2011
3. Ring, Brave, rosa ibenholt, 2011
4. Ring, Wind, ibenholt, 2011
Lina Peterson, Sverige
1. Broche, Mimic I, drivtømmer, harpiks,
hvidt ædelmetal, 2012
2. Broche, Mimic II, drivtømmer, harpiks,
hvidt ædelmetal, 2012
Annika Pettersson, Sverige
1. Halskæde, Time to Rend 1, træ, 2012
2. Halskæde, Time to Rend 2, træ, jern,
2012
3. Halskæde, Time to Rend 3, træ, jern,
2012
Margareth Sandström, Sverige
1. Ring, Wearable Object, sølv, 2011
2. Ring, Wearable Object, guld, 2011
3. Ring, Wearable Object, sølv, 2011
Sanna Svedestedt, Sverige
1. Ring, Raw Ring I, koskind, lak, 2012
2. Ring, Raw Ring 3, koskind, lak, 2012
Anna Unsgaard, Sverige
Halskæde, Sun on Grass, græs, plast, 2012
Peter de Wit
1. Cube in a Cube, guld, diamant, 2011
2. Ring, Cube with Retractable Shank, guld,
diamant, 2011
3. Ring, Sphere on Sphere, guld, 2011
1. Necklace, Carbo, carbon, horsehair, 2010
2. Necklace, Carbo, carbon, horsehair, iron,
2010
3. Necklace, Carbo, carbon, steel wire, 2010
Kajsa Lindberg, Sweden
From the collection Counterfeiting, MDF,
acrylic on canvas, silk-screen print, 2011
1. Necklace, 1000 SEK Gustav Vasa
2. Necklace, 1000 SEK Gustav Vasa Black
3. Necklace, 500 SEK Christopher Polhem
4. Necklace 500 SEK Christopher Polhem
Black
5. Necklace, 20 SEK Selma Lagerlöf Black
6. Necklace, 20 SEK Selma Lagerlöf
Paula Lindblom, Sweden
1. Necklace, Polar Bear – Global Warming,
readymades, plastic, glass beads, misc.
materials, 2011
2. Brooch, e Essence of Nature,
readymades, plastic, glass beads, silver, misc.
materials, 2012
Åsa Lockner, Sweden
1. Necklace, Crown Jewels VI, silver, agate,
wood, 2011
2. Necklace, Crown Jewels VII, silver, sapphire,
agate, moonstone, 2011
Märta Mattsson, Sweden
1. Necklace, Fossils, Cicadas, crushed azurite
and pyrite, resin, silver, 2011.
2. Brooch, Camouage, Cikadas, resin,
glitter, silver, 2012
3. Brooch, Fossils, Cicadas, crushed pyrite,
resin, silver, 2011
Lena Olson, Sweden
1. Pendant, Black, ebony, 2012
2. pendant, Tan, pear wood, 2011
3. Ring, Bambere, rose ebony, 2011
4. Ring, Wind, ebony, 2011
Lina Peterson, Sweden
1. Brooch, Mimic I, driftwood, resin, white
metal, 2012
2. Brooch, Mimic II, driftwood, resin, white
metal, 2012
Annika Pettersson, Sweden
1. Necklace, Time to Rend 1, wood, 2012
2. Necklace, Time to Rend 2, wood, iron,
2012
3. Necklace, Time to Rend 3, wood, iron,
2012
Margareth Sandström, Sweden
1. Ring, Wearable Object, silver, 2011
2. Ring, Wearable Object, gold, 2011
3. Ring, Wearable Object, silver, 2011
Sanna Svedestedt, Sweden
1. Ring, Raw Ring I, cow-skin, lacquer,
2012
2. Ring, Raw Ring 3, cow-skin, lacquer,
2012
Anna Unsgaard, Sweden
Necklace, Sun on Grass, grass, plastic, 2012
Peter de Wit
1. Cube in a Cube, gold, diamond, 2011
2. Ring, Cube with Retractable Shank, gold,
diamond, 2011
3. Ring, Sphere on Sphere, gold, 2011
36 37

Forside / Front: Lillan Eliassen (NO), necklace
Every Road Is Just Another Way Home, 2012,
casting clay, silver, 140 x 240 mm
Bagside / Back: Kim Buck (DK), Bonsai, 2012,
series of five birch trunks ending in a carved
ring, H c. 150 mm each
Julie Bach (DK), Big Berry Bracelet, black, 2010,
Japanese calf skin, lamb nappa skin, cotton
stuffing, 60 x 100 x 120 mm
38 39