NYT-1201: STATE OF THE ART A Thermostat That's Clever, Not ...
NYT-1201: STATE OF THE ART A Thermostat That's Clever, Not ...
NYT-1201: STATE OF THE ART A Thermostat That's Clever, Not ...
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<strong>NYT</strong>-1204<br />
A Second Arrival for 'Once' ... By PATRICK HEALY<br />
The stars of the film "Once" and those of the stag<br />
e musical discuss what is similar - and what is no<br />
t - about the two versions.<br />
===== notyet (2 pages)<br />
WHILE preparing for the lead role of Girl in the n<br />
ew Off Broadway musical “Once,” Cristin Milioti ma<br />
de a choice common among performers in screen-to-s<br />
tage adaptations: She avoided watching the origina<br />
l film, a 2006 indie romance from Ireland that won<br />
an Academy Award for the song “Falling Slowly.” H<br />
er concern was that she might slip into mimicking<br />
Marketa Irglova, the spirited young Czech musician<br />
who became a fan favorite as Girl in the movie.<br />
It turns out Ms. Milioti’s decision did not sit we<br />
ll with Glen Hansard, who played Guy in the pictur<br />
e. (Guy, Girl — get it?) He and Ms. Irglova fell i<br />
n love while filming “Once,” a real-life consummat<br />
ion of longings between their characters, two lost<br />
souls wandering around Dublin and playing guitar<br />
(him) and piano (her). They had since broken up, b<br />
ut the 41-year-old Mr. Hansard felt protective of<br />
Ms. Irglova, who is 18 years his junior. He though<br />
t any other actress playing Girl needed to watch t<br />
he genuine article.<br />
“I wanted Cristin to know how good Mar is in the m<br />
ovie,” Mr. Hansard recalled. “I had a hard time at<br />
first with someone else playing Girl, because Gir<br />
l to me was Mar.”<br />
Mr. Hansard didn’t blink as he revealed these feel<br />
ings last month at a table across from Ms. Milioti<br />
, during an interview at an East Village brasserie<br />
. Nor was she fazed. After more than a year of wor<br />
kshops and out-of-town tryout performances, everyo<br />
ne involved with “Once” has become reconciled to t<br />
he complexities of art’s imitating life in the mus<br />
ical, which opens Tuesday at New York Theater Work<br />
shop.