NYT-1201: STATE OF THE ART A Thermostat That's Clever, Not ...
NYT-1201: STATE OF THE ART A Thermostat That's Clever, Not ...
NYT-1201: STATE OF THE ART A Thermostat That's Clever, Not ...
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<strong>NYT</strong>-<strong>1201</strong>: <strong>STATE</strong> <strong>OF</strong> <strong>THE</strong> <strong>ART</strong><br />
A <strong>Thermostat</strong> <strong>That's</strong> <strong>Clever</strong>, <strong>Not</strong> Clunky ... By DAVID<br />
POGUE<br />
The Nest Learning <strong>Thermostat</strong> can save on heating a<br />
nd cooling costs for your home. It even looks pret<br />
ty on your wall.<br />
===== notyet<br />
Steve Jobs may have transformed a bunch of industr<br />
ies, but his great skill wasn’t really inventing.<br />
Instead, he was the world’s greatest makeover wiza<br />
rd. He’d look at some industry, identify what had<br />
been wrong with it for years, and then figure out<br />
how to make it beautiful and simple and joyous.<br />
Now that Steve’s gone, who will look around for wor<br />
lds that need changing?<br />
Well, how about Tony Fadell? He seems to have the<br />
pedigree. He helped design the iPod. He ran the iP<br />
od and iPhone divisions of Apple for years.<br />
He’s got that spot-what’s-wrong-with-it gene.<br />
With his new company, Nest, he has decided to rein<br />
vent a tech item that hasn’t seen much innovation<br />
in decades: the thermostat.<br />
Don’t snicker. This isn’t trivial. According to Ne<br />
st, there are a quarter of a billion thermostats i<br />
n this country alone; 10 million more are bought e<br />
ach year.<br />
Half of your home’s energy is controlled by this u<br />
gly, beige tool. Most people never even bother to<br />
program their programmable thermostats. As a resul<br />
t, their houses actually use more energy than home<br />
s without them. Two years ago, the federal governm<br />
ent eliminated the entire programmable thermostat<br />
category from its Energy Star program.<br />
The Nest Learning <strong>Thermostat</strong> ($250) doesn’t introd<br />
uce just one radical rethinking of the thermostat;
it introduces four of them.<br />
RADICAL CHANGE 1 The look. The Nest is gorgeous. I<br />
t’s round. Its screen is slightly domed glass; its<br />
barrel has a mirror finish that reflects your wal<br />
l. Its color screen glows orange when it’s heating<br />
, blue when it’s cooling; it turns on when you app<br />
roach it, and discreetly goes dark when nobody’s n<br />
earby.<br />
Sweating over attractiveness makes sense; after al<br />
l, this is an object you mount on your wall at eye<br />
level. A thermostat should be one of the most bea<br />
utiful items on your wall, not the ugliest.<br />
RADICAL CHANGE 2 The Nest has Wi-Fi, so it’s onlin<br />
e. It can download software updates. You can progr<br />
am it on a Web site.<br />
You can also use a free iPhone or Android app, fro<br />
m anywhere you happen to be, to see the current te<br />
mperature and change it — to warm up the house bef<br />
ore you arrive, for example. (At this moment, vaca<br />
tion-home owners all over the world are wiping dro<br />
ol off their keyboards.)<br />
RADICAL CHANGE 3 Learning. The Nest is supposed to<br />
program itself — and save you energy in the proce<br />
ss. When you first install the Nest, you turn its<br />
ring to change the temperature as you would a norm<br />
al thermostat — at bedtime, when you leave for wor<br />
k, and so on. A big, beautiful readout shows you t<br />
he new setting and lets you know how long it will<br />
take your house to reach that temperature. That in<br />
formation, Nest says, is intended to discourage pe<br />
ople from setting their thermostats to 90 degrees,<br />
for example, thinking that the temperature will r<br />
ise to 70 faster. (It doesn’t.)<br />
Over the course of a week or so, the thermostat le<br />
arns from your manual adjustments. It notes when t<br />
hat happened, and what the temperature and humidit
y were, and so on. And it begins to set its own sc<br />
hedule based on your living patterns.<br />
RADICAL CHANGE 4 Energy savings. Let’s face it, $2<br />
50 is a lot to pay for a thermostat. But Nest says<br />
that you’ll recoup that through energy savings in<br />
less than two years.<br />
The mere act of having a correctly programmed ther<br />
mostat is the big one, of course. Why should you w<br />
aste money heating or cooling the downstairs when<br />
you’re in bed upstairs? Or when you’re away at wor<br />
k all day?<br />
But the Nest’s smartphone-based components offer o<br />
ther goodies, like Auto Away. The Nest contains tw<br />
o proximity sensors (near and far), which detect w<br />
hether anybody is actually in a room. If the senso<br />
rs decide that nobody’s home, they let the tempera<br />
ture drop or rise to an outer limit you’ve defined<br />
— say, 65 in winter, 80 in summer — even if that<br />
absence isn’t part of your normal schedule.<br />
This feature is useless, of course, if your thermo<br />
stat can’t see the room — say, if it’s in a closet<br />
or behind an open door. But often I’ll return fro<br />
m a day trip, having forgotten to turn down the he<br />
at, and see Auto Away on the screen. Good ol’ Nest!<br />
Nest says that turning down your thermostat by eve<br />
n a single degree can save you 5 percent in energy<br />
. To that end, it offers a little motivational log<br />
o: a green leaf. It glows brighter as you turn the<br />
ring beyond your standard comfort zone. As a posi<br />
tive-reinforcement technique, it’s a lot more effe<br />
ctive than an exhortation from Jimmy Carter to put<br />
on a sweater.<br />
This all sounds spectacular, of course, and mostly<br />
, it is. But feathering my Nest wasn’t all smooth<br />
sailing.
First, of course, you have to install the thing. N<br />
est goes to extraordinary lengths to help you out.<br />
The elegant package includes a screwdriver and th<br />
e Nest itself has a built-in bubble level. YouTube<br />
how-to videos and tech support are available.<br />
But in the end, replacing a thermostat is not a jo<br />
b for a novice. It involves cutting power to your<br />
existing thermostats (after figuring out which cir<br />
cuit breaker is responsible); removing your old th<br />
ermostat (revealing an ugly, gaping maw in your wa<br />
ll); hooking up about four colored wires (nasty-lo<br />
oking and very short); covering up the gaping maw<br />
with the included rectangular base plate (necessar<br />
y only if the maw is larger than the Nest, which i<br />
s likely); and snapping the Nest into place.<br />
Nest’s installer performed the surgery on my downs<br />
tairs thermostat as I watched; I did the deed myse<br />
lf on the upstairs one. It took about half an hour<br />
to install each thermostat. If you don’t feel up<br />
to the task, Best Buy will send somebody to do it<br />
for you at $120 (plus $25 more for each additional<br />
Nest).<br />
Second, my test Nests were cuckoo for the first co<br />
uple of weeks. They’d decide for themselves to bla<br />
st the heat to 73 degrees — at 4 a.m.<br />
That was a little alarming. You know those sci-fi<br />
movies where our machines turn on their human over<br />
lords? Yeah, like that.<br />
The company chalked my problems up to first-releas<br />
e bugs, and had me reset my thermostats. (The soft<br />
ware is very iPod-like. You turn the barrel to cho<br />
ose from the colorful on-screen menus, and you cli<br />
ck inward to make a selection.) After two such res<br />
ets, the Nests are now working perfectly and savin<br />
g me money.<br />
The software has room to improve. For some reason,
the Nest’s own screen shows you a lot more about<br />
what’s going on with your thermostat than the Web<br />
site or the phone apps. For example, the Web and t<br />
he app don’t show you when Auto Away kicked in or<br />
when you manually adjusted your thermostats. (The<br />
company says it will remedy that situation soon.)<br />
The Web site is beautiful, but programming your Ne<br />
sts using its Schedule tab is clumsy and tedious.<br />
It takes too many unnecessary clicks to introduce<br />
a change in the schedule.<br />
I found some bugs, too. For example, if you have m<br />
ultiple Nests, just coming back home doesn’t disen<br />
gage the Auto Away mode automatically; you have to<br />
click each thermostat’s screen within two minutes<br />
. (Bizarre.)<br />
Fortunately, software is fixable.<br />
Goodness knows there are cheaper thermostats. And<br />
there are other learning thermostats with color sc<br />
reens and Internet connections. But they don’t hav<br />
e the sensors that let them self-adjust. They don’<br />
t look like pieces of art. They’re sold and packag<br />
ed for contractors, not humans.<br />
And they actually cost more: for example, similar<br />
models of the Honeywell Prestige and Ecobee Smart<br />
<strong>Thermostat</strong> go for more than $300 on Amazon.com. (C<br />
an you imagine what the arrival of the Nest and it<br />
s team of former Apple superstars must be doing to<br />
morale at those companies? The Friday beer blasts<br />
must be a bummer these days.)<br />
The Nest is gorgeous, elegant and very, very smart<br />
. It will keep your house at the right temperature<br />
, save you money and do some good for the planet.<br />
Put another way, it can make you comfortable in mo<br />
re ways than one.<br />
E-mail:pogue@nytimes.com
~~~~~~~~~~<br />
<strong>NYT</strong>-<strong>1201</strong><br />
12 Things You Didn't Know Facebook Could Do ... By<br />
PAUL BOUTIN<br />
The social network has been adding functions to ma<br />
ke it more useful, although many on the site are u<br />
naware of them.<br />
===== notyet<br />
The designers and engineers who build Facebook are<br />
anything but complacent about their success. They<br />
face a constant threat from the career-centric Li<br />
nkedIn, specialized upstarts like Instagram’s mobi<br />
le photo network and now Google’s fast-growing Goo<br />
gle+, an attempt to improve on Facebook’s core des<br />
ign that has picked up tens of millions of users i<br />
n its first few weeks.<br />
So Facebook has been adding features to make the r<br />
eigning social network more useful and convenient.<br />
As the number of features grows, though, so does a<br />
corresponding problem: Most of Facebook’s 750 mil<br />
lion users don’t know these features exist. Some d<br />
on’t know how to find them, some don’t go hunting<br />
for them in Facebook’s ever-growing interface of c<br />
ontrols and many don’t even think of them in the f<br />
irst place. A few minutes of exploration can uncov<br />
er functions that make Facebook not just an addict<br />
ion but a pleasure to use.<br />
EDIT LINK NAMES AND DESCRIPTIONS If you want to po<br />
st a link to your Facebook page but don’t like the<br />
title or description that Facebook automatically<br />
pulls from the linked page, you can change it. Bef<br />
ore you click the Share button, click on the title<br />
or description in your pending post. They will ch<br />
ange into editing boxes, like those to rename a fi<br />
le on your computer desktop. When you’re done edit<br />
ing, press Enter to save your changes.<br />
TAG FRIENDS IN UPDATES AND COMMENTS If you type th
e name of a Facebook friend while editing a status<br />
update or a comment, Facebook will automatically<br />
create a link to the friend’s page. In fact, it wi<br />
ll pop up a list of possible completions for names<br />
like "John." Once you’ve entered a name, you can<br />
backspace over it to erase the last name for infor<br />
mality’s sake, or click in the middle to edit the<br />
first, turning "Kenneth Smith" into "Kenneth" or "<br />
Smith." Sorry, you can only shorten names — you ca<br />
n’t edit "Kenneth Smith" into "Snuggles."<br />
POST A PLAYABLE MP3 If you paste a link that ends<br />
in ".mp3" into a status update, Facebook will crea<br />
te a player in the middle of the update that lets<br />
other users play the music file without having to<br />
click through to its host site.<br />
MAKE A PHOTO YOUR PR<strong>OF</strong>ILE PICTURE Any photo on Fac<br />
ebook that has been tagged with your name includes<br />
an extra blue link at the lower-left corner of it<br />
s page labeled Make Profile Picture. Click that, a<br />
nd Facebook pops up an editing page in which you c<br />
an crop the photo to be just right for your profile.<br />
CREATE A POLL Hiding in plain sight above the box<br />
to enter status updates is a Question button. Post<br />
ing a question looks just like posting an update,<br />
except that it takes the first three answers from<br />
your friends and turns them into a poll to keep th<br />
e discussion focused. You can also set up the poll<br />
with your own answers, or add more to those Faceb<br />
ook creates.<br />
COLLABORATE ON A DOCUMENT Within a Group page, cli<br />
ck on Docs at the top of the page and then the Cre<br />
ate a Doc button on the right-hand side to create<br />
a text-only document that everyone in the group ca<br />
n edit. When you save the document, it will be pos<br />
ted to the group’s feed, just like a status update<br />
, with an Edit button in the upper-right corner. T<br />
o see previous revisions, click Recent Changes.
INVITE NON-FACEBOOKERS TO AN EVENT When you are cr<br />
eating an event on Facebook, the Select Guests men<br />
u shows your existing friends, but it also lets yo<br />
u enter the e-mail addresses of people who do not<br />
have Facebook accounts. Type one or more e-mail ad<br />
dress, separated by commas, into the Invite by E-m<br />
ail Address box. Your invitees will receive a mess<br />
age with a link to your event page that, unfortuna<br />
tely, prompts them to sign up for Facebook before<br />
they can look at it.<br />
GET <strong>THE</strong> TICKER OUT <strong>OF</strong> YOUR WAY Facebook recently a<br />
dded a constantly scrolling window on the right si<br />
de of the screen that shows your friends’ updates<br />
as they come in. Fun for some, agitating for other<br />
s. You can’t turn it off entirely, but you can mak<br />
e the moving ticker as small as possible. Using yo<br />
ur cursor, grab the bar that separates the Ticker<br />
from your Facebook Chat window. Drag it upward unt<br />
il the Ticker is as small as possible — the size o<br />
f two status updates. That will reduce the level o<br />
f unwanted distraction it causes while you’re tryi<br />
ng to read the rest of the page, while still letti<br />
ng you see new updates.<br />
ADD A CALENDAR TO YOUR PAGE If you’re a business o<br />
wner, a team coach or a performer who wants to kee<br />
p everyone on Facebook apprised of your coming eve<br />
nts, simply creating separate Facebook events for<br />
each one can be ineffective. These can get lost in<br />
the stream of events, making it hard for people t<br />
o check for, say, your next game. As an alternativ<br />
e, use the Social Calendar app, which was not deve<br />
loped by Facebook. Go to facebook.com/SocialCalend<br />
ar and click the Add to My Page link in the lower<br />
left corner. That will pop up a menu of pages you<br />
manage. Click Add to Page next to one or more page<br />
s, then click Close. Those pages will now include<br />
a Calendar link in their upper left corner, just b<br />
elow Wall, Info and Photos. Social Calendar is pre<br />
tty smart — it will autocomplete the names of even<br />
ts you’ve already created, and if you type in an A
ddress field, it will add a map link to the locati<br />
on on the calendar. But for maximum attendance, yo<br />
u should still post status updates announcing an event.<br />
TRACK YOUR PAGE’S SUCCESS On any page you own, whe<br />
ther it is for your business or your clog-dancing<br />
club, click View Insights in the upper right corne<br />
r. Facebook will display charts of user informatio<br />
n and page interactions. Beyond the number of Like<br />
s and comments, it will plot a graph of page views<br />
and user feedback, plus a breakdown of which Web<br />
domains are sending traffic to your page, and the<br />
demographics of your visitors. If you want to do y<br />
our own number-crunching, you can export the data<br />
into an Excel-compatible file.<br />
KEEP A BIRTHDAY P<strong>ART</strong>Y A SECRET Do you want to let<br />
everyone except one or two people know what you’re<br />
up to? Edit a status update as usual, but before<br />
you post, click the lock icon below the editing bo<br />
x. That will pop up a menu with options for specif<br />
ying who can see your update. By default, it’s set<br />
to Everyone. Choose Customize instead, and in the<br />
dialog box that pops up, enter one or more names<br />
in the box near the bottom that says Hide This Fro<br />
m. There’s another button to make this your defaul<br />
t setting for future updates, so you needn’t worry<br />
about accidental oversharing.<br />
BLOCK ANNOYING COMMENTERS Do you have a friend who<br />
constantly posts inappropriate comments on your u<br />
pdates but whom you can’t bring yourself to unfrie<br />
nd? In the uppermost right corner of Facebook, cli<br />
ck Account and choose Privacy Settings. That will<br />
take you to a page labeled Choose Your Privacy Set<br />
tings. Near the bottom is a section labeled Sharin<br />
g on Facebook. Hiding at the bottom of that sectio<br />
n is a link labeled Customize Settings. Scroll dow<br />
n to Things Others Share. There’s a setting for "P<br />
ermission to comment on your posts." It works just<br />
like the filter for sharing status updates: click<br />
Customize, and enter names of people to keep Face
ook from presenting them with comment features wh<br />
en they look at your posts. Maybe they’ll get the hint.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-<strong>1201</strong><br />
Brilliant and Bold, in Any Language ... By DAVID WA<br />
LDSTEIN<br />
What makes Bobby Valentine's selection as Boston's<br />
new manager so intriguing is his curiosity and hi<br />
s daring, best exemplified by his time spent manag<br />
ing in Japan.<br />
===== notyet (2 pages)<br />
Early in his tenure as manager of the Chiba Lotte<br />
Marines in Japan, Bobby Valentine decided to run a<br />
drill to practice pickoff moves at second base. H<br />
e instructed his pitchers to throw behind the runn<br />
er, but for some reason they refused to do as he a<br />
sked.<br />
As Valentine grew frustrated over the inability of<br />
his pitchers to follow his instructions, Satoru K<br />
omiyama, a veteran who had played for Valentine wh<br />
en he managed the Mets, came forward to offer an e<br />
xplanation.<br />
"We will be happy to do it in games," he told Vale<br />
ntine. "But in practice we don’t want to injure ou<br />
r teammates by throwing the ball at their behinds."<br />
It was not the first problem with translation that<br />
Valentine encountered in Japan, nor would it be h<br />
is last. But he would eventually learn 2,042 kanji<br />
characters out of an instructional book, practici<br />
ng them in the dirt with the toe of his cleats dur<br />
ing practice, and by the time he made his tearful<br />
goodbye speech to the team’s fans in 2009, he did<br />
so in Japanese.<br />
"There’s a lot of guys who go over there just look<br />
ing to get a paycheck," said the current Mets mana<br />
ger Terry Collins, who managed the Orix Buffaloes<br />
for two seasons in Japan and competed there agains
t Valentine. "Bobby completely embraced everything<br />
about it and had the mind-set to succeed there. I<br />
wish I had listened to him more."<br />
When the Boston Red Sox began courting Valentine i<br />
n early November to replace Terry Francona as thei<br />
r next manager, he was cited for his baseball bril<br />
liance. Valentine is indeed smart and observant, b<br />
ut so are some other people in major league dugouts.<br />
What sets Valentine apart from his peers, what mak<br />
es his selection as Boston’s new manager so intrig<br />
uing, is his curiosity. And maybe his daring. And<br />
those traits are probably best exemplified by his<br />
willingness to not just manage in Japan, but to pl<br />
unge headfirst into its culture, both accepting an<br />
d challenging it all at once.<br />
"There is no question that he is more worldly than<br />
other managers," said Steve Phillips, who was Val<br />
entine’s former boss with the Mets, went to the Wo<br />
rld Series with him and now accepts responsibility<br />
for the friction in their relationship.<br />
"It’s not even close," Phillips added of Valentine<br />
’s one-of-a-kind approach. "His enthusiasm for new<br />
concepts, new ideas is unparalleled, and he wants<br />
them to succeed."<br />
Valentine became an adored figure in Japan, which<br />
will not be an easy feat to duplicate in Boston, w<br />
here the baseball culture is intense and entrenche<br />
d, where the current roster contains a lot of vete<br />
ran players, not all of whom may want to do things<br />
any differently.<br />
But that is unlikely to deter Valentine, or inhibi<br />
t him. He took on Japan. Why not Beantown?<br />
"I think he’ll be great in Boston," said John Blak<br />
e, a longtime Texas Rangers executive who was with<br />
Valentine when he managed that team and who has a
lso worked for the Red Sox.<br />
"Bobby brings incredible passion and energy," Blak<br />
e said. "In Boston, the Red Sox are such a religio<br />
n. He will revel in that, and the fans will pick u<br />
p on it."<br />
The Red Sox will go into spring training trying to<br />
shake off their historic collapse in September. I<br />
t is a talented team with leftover issues — includ<br />
ing players consuming beer and chicken during game<br />
s — and Valentine will have plenty to deal with ri<br />
ght from the start.<br />
As was the case in Japan. Having already managed t<br />
he Marines in Japan’s Pacific League for one year<br />
in 1995, Valentine knew what would greet him when<br />
he arrived there for his second stint in 2004 — a<br />
lethargic fan base, a team expecting to again fini<br />
sh dead last. Faced with that challenge, Valentine<br />
over the next six years transformed the club, its<br />
stadium and, to some extent, Japanese baseball.<br />
By the time he left, the Marines had won their fir<br />
st championship in 31 years, he had become the fir<br />
st foreign recipient of the prestigious Shoriki Aw<br />
ard for service to Japanese baseball, and attendan<br />
ce at Marine Stadium had grown 400 percent.<br />
When traditional Japanese baseball strategies work<br />
ed, Valentine left them alone. "He told me, don’t<br />
mess with relays, they know how to do it," Collins<br />
said.<br />
But Valentine also shortened workouts, told player<br />
s to wear shorts during batting practice in hot mo<br />
nths and instituted a day off every fourth day in<br />
spring training — all unheard of in a baseball env<br />
ironment where hard work is the bare minimum. He e<br />
ncouraged players to grow their hair longer if the<br />
y wished and even pose a little bit after a home r<br />
un. Have some fun.
"Bobby is a baseball genius," said Matt Franco, th<br />
e former Met who played for Valentine in Queens an<br />
d in Japan. "Sometimes that gets under people’s sk<br />
in. But the players loved him. They could see he w<br />
as out for them."<br />
Before he made any changes in Japan, Valentine wou<br />
ld first take on what he wanted to alter, particul<br />
arly the rigorous workouts. He fielded so many gro<br />
und balls he felt his arm was going to fall off. "<br />
It has to be right," he would say to his bench coa<br />
ch, Frank Rampen, as he thought about what to chan<br />
ge.<br />
Valentine wasn’t always right, though. He institut<br />
ed changes with the team draft that sometimes back<br />
fired, and offended others with the new uniforms h<br />
e helped design. But he kept going.<br />
In 2005, when the young third baseman Toshiaki Ima<br />
e asked for three days off to be with his wife as<br />
she gave birth, Valentine’s Japanese coaches said<br />
it was out of the question. Valentine gave him the<br />
three days, and when Imae returned he went on a h<br />
itting tear and was eventually named the most valu<br />
able player of the Japan Series.<br />
Perhaps the biggest change that Valentine brought<br />
about involved the fans’ access to the players. He<br />
insisted that the eight-foot chicken-wire fences<br />
that extended from foul pole to foul pole and sepa<br />
rated the fans from the players should come down.<br />
He wanted his players to sign autographs. Accordin<br />
g to Larry Rocca, a former sportswriter who became<br />
a Marines executive, Valentine’s reasoning wasn’t<br />
only about building good will. When Valentine fir<br />
st returned in 2004, the players were lacking in s<br />
elf-esteem. Why would anyone want their autographs<br />
? The team was no good. But Valentine reasoned tha<br />
t if the players saw fans asking for autographs, t<br />
heir confidence might get a boost and so might the
ir performances on the field.<br />
He encountered resistance. At first a slit was cut<br />
into the fence, for fans to pass papers to the pl<br />
ayers to sign. Only after two years did the fences<br />
come down.<br />
But Valentine had made his point. A year after he<br />
returned, the Marines won the championship, with t<br />
he young players he promoted leading the way. Vale<br />
ntine’s popularity soared. A beer, Bobeer, would b<br />
e named after him, as well as a street in Chiba, V<br />
alentine Way.<br />
But by 2009 the adventure was over as the front of<br />
fice said it could no longer afford his high salar<br />
y. The fans organized large in-game protests and c<br />
ollected thousands of signatures on a petition. Th<br />
eir pleas went unanswered.<br />
At the airport the day he left, hundreds of fans a<br />
ssembled to see him off, waving flags with his lik<br />
eness on them and singing the "Bobby" song they wr<br />
ote for him. As his plane taxied down the runway,<br />
they ran out on a roof after it, waving their flag<br />
s and shouting his name as a tearful Valentine wat<br />
ched from the plane.<br />
This time, nothing was lost in translation.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-<strong>1201</strong><br />
Judy Lewis, Secret Daughter of Hollywood, Dies at 7<br />
6 ... By PAUL VITELLO<br />
Ms. Lewis, the daughter of an unwed Loretta Young<br />
and Clark Gable, was 31 before she confronted her<br />
mother and learned the truth of her upbringing.<br />
===== notyet<br />
Her mother was Loretta Young. Her father was Clark<br />
Gable.<br />
Yet Judy Lewis spent her first 19 months in hideaw
ays and orphanages, and the rest of her early life<br />
untangling a web of lies spun by a young mother h<br />
ungry for stardom but unwilling to end her unwed p<br />
regnancy.<br />
Loretta Young’s deception was contrived to protect<br />
her budding movie career and the box-office power<br />
of the matinee idol Gable, who was married to som<br />
eone else when they conceived their child in snowe<br />
d-in Washington State. They were on location, shoo<br />
ting the 1935 film "The Call of the Wild," fiction<br />
al lovers in front of the camera and actual lovers<br />
outside its range.<br />
Ms. Lewis, a former actress who died on Friday at<br />
the age of 76, was 31 before she discerned the sco<br />
pe of the falsehoods that cast her, a daughter of<br />
Hollywood royalty, into what she later described a<br />
s a Cinderella-like childhood. Confronted by Ms. L<br />
ewis, Young finally made a tearful confession in 1<br />
966 at her sprawling home in Palm Springs, Calif.<br />
Young was 22 and unmarried when she and Gable, 34<br />
and married to Maria Langham, had their brief affa<br />
ir. She spent most of her pregnancy in Europe to a<br />
void Hollywood gossip. Ms. Lewis was born on Nov.<br />
6, 1935, in a rented house in Venice, Calif. Soon<br />
she was turned over to a series of caretakers, inc<br />
luding St. Elizabeth’s Infants Hospital in San Fra<br />
ncisco, so that Young could return to stardom.<br />
When Ms. Lewis was 19 months old, her mother broug<br />
ht her back home and announced through the gossip<br />
columnist Louella Parsons that she had adopted the<br />
child.<br />
Ms. Lewis grew up in Los Angeles, cushioned in the<br />
luxury of her mother’s movie-star lifestyle even<br />
as she endured what she later described as an outs<br />
ider’s isolation within her family and the teasing<br />
of children at school.
They teased her about her ears: they stuck out lik<br />
e Dumbo’s. Or, as Hollywood rumors had it, they st<br />
uck out like Clark Gable’s. Ms. Lewis’s mother dre<br />
ssed her in bonnets to hide them. When Ms. Lewis w<br />
as 7 her ears were surgically altered to make them<br />
less prominent.<br />
Until Ms. Lewis, as an adult, confronted her years<br />
later, Young did not acknowledge that Ms. Lewis w<br />
as her biological daughter, or that Gable was Ms.<br />
Lewis’s father. When Young married and had two chi<br />
ldren with Tom Lewis, a radio producer, Judy took<br />
his name but remained the family’s "adopted" daugh<br />
ter.<br />
And though conceding the story privately to her da<br />
ughter — and later to the rest of her family — You<br />
ng remained mum publicly all her life, agreeing to<br />
acknowledge the facts only in her authorized biog<br />
raphy, "Forever Young," and only on the condition<br />
that it be published after her death. She died in<br />
2000.<br />
But Ms. Lewis revealed the story of her parentage<br />
in her own memoir, "Uncommon Knowledge," in 1994.<br />
She described feeling a powerful sense of alienati<br />
on as a child. "It was very difficult for me as a<br />
little girl not to be accepted or acknowledged by<br />
my mother, who, to this day, will not publicly ack<br />
nowledge that I am her biological child," she said<br />
in an interview that year.<br />
After Ms. Lewis released the memoir, her mother ref<br />
used to speak to her for three years.<br />
The lightning bolt that gave Ms. Lewis the first h<br />
int about her parentage came during an identity cr<br />
isis before her wedding day. Two weeks before her<br />
marriage in 1958, Ms. Lewis told her fiance, Tom T<br />
inney, that she did not understand her confusing r<br />
elationship with her mother and that she did not k<br />
now who her father was. "I can’t marry you," she s
aid she told him. "I don’t know anything about mys<br />
elf."<br />
Mr. Tinney could offer little guidance about her m<br />
other, she wrote, but about her father’s identity<br />
he was clear.<br />
"It’s common knowledge, Judy," he said. "Your fathe<br />
r is Clark Gable."<br />
She had no inkling, she wrote.<br />
In interviews after her book was published, Ms. Le<br />
wis was philosophical about the secrecy in which s<br />
he grew up. If Young and Gable had acknowledged he<br />
r in 1935, she said, "both of them would have lost<br />
their careers."<br />
Much of Ms. Lewis’s account was painful to recall,<br />
she said. She quoted Young as saying, "And why sh<br />
ouldn’t I be unhappy?," explaining her decision to<br />
give birth. "Wouldn’t you be if you were a movie<br />
star and the father of your child was a movie star<br />
and you couldn’t have an abortion because it was<br />
a mortal sin?"<br />
Young was a Roman Catholic.<br />
After graduating from Marymount, a girls’ Catholic<br />
school, Ms. Lewis left Los Angeles to pursue acti<br />
ng in New York. She was a regular on one soap oper<br />
a, "The Secret Storm," from 1964 to 1971, and had<br />
featured parts on numerous others. She appeared in<br />
several Broadway plays, produced television shows<br />
, and in her mid-40s decided to return to school.<br />
She earned a bachelor’s degree and a master’s degr<br />
ee in clinical psychology from Antioch University<br />
in Los Angeles, and became a licensed family and c<br />
hild counselor in 1992.<br />
Ms. Lewis, who was a clinical psychologist special<br />
izing in foster care and marriage therapy, died of
lymphoma at her home in Gladwyne, Pa., her daught<br />
er, Maria Tinney Dagit, said.<br />
Besides her daughter, Ms. Lewis is survived by two<br />
grandsons and her half-brothers, Christopher and<br />
Peter Lewis. Her marriage to Mr. Tinney ended in d<br />
ivorce.<br />
In a 2001 interview on CNN with Larry King, Ms. Le<br />
wis recalled speaking to her mother about her earl<br />
y life.<br />
"I was also asking her about being adopted," she s<br />
aid, "as adopted children do. They say, ‘Where are<br />
my ... ‘’ "<br />
Mr. King interjected, " ‘Who’s my mother?’ "<br />
"Yes," Ms. Lewis said. " ‘Who’s my mother? Who’s m<br />
y father?’ And she would answer it very easily by<br />
saying, ‘I couldn’t love you any more than if you<br />
were my own child,’ which, of course, didn’t answe<br />
r the question, but it said, ‘Don’t ask the questi<br />
on.’ "<br />
But at that point Ms. Lewis was wistful about her<br />
past. "Call of the Wild," she said, was one of her<br />
favorite movies. The love scenes between her pare<br />
nts, she said, "show the love they feel for each o<br />
ther."<br />
Mr. King asked if she ever fantasized about the li<br />
fe she might have had if her parents had married a<br />
nd brought her up.<br />
"I would have liked them to have," she replied. "B<br />
ut that is just my dream, you know. Life is very s<br />
trange. Doesn’t give us what we want."<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1202
Sneaking Up on Defenses, Until He's Past Them ... B<br />
y PAT BORZI<br />
Two weeks ago, Packers quarterback Aaron Rodgers o<br />
ffered a theory on why receiver Jordy Nelson wasn'<br />
t drawing double coverage: because Nelson is white.<br />
===== notyet<br />
GREEN BAY — Eleven games into his breakout season,<br />
Green Bay Packers receiver Jordy Nelson did not n<br />
eed a calculator or even his fingers to count the<br />
number of times that he had faced double coverage<br />
this year.<br />
"I would say never," he said this week. "<strong>Not</strong> that I<br />
know of."<br />
It seems improbable. Nelson, remember, had nine ca<br />
tches for 140 yards and a touchdown in Green Bay’s<br />
Super Bowl victory last season. His 21 postseason<br />
catches earned him a share of the franchise recor<br />
d with Greg Jennings. This season, Nelson has deve<br />
loped into a serious threat for the undefeated Pac<br />
kers, with more receiving touchdowns (nine) than i<br />
n his previous three seasons combined (six). Two h<br />
ave gone for more than 80 yards.<br />
So why are opposing defenses not focusing on him mo<br />
re?<br />
Two weeks ago, Packers quarterback Aaron Rodgers o<br />
ffered a frank theory on his Tuesday afternoon rad<br />
io show: because Nelson is white.<br />
Rodgers recounted a conversation he had with Packe<br />
rs cornerback Charles Woodson, who is black, after<br />
Nelson’s two touchdown catches in a 45-7 win over<br />
Minnesota on Nov. 14.<br />
"I was talking to Wood in the fourth quarter and h<br />
e said: ‘When you see Jordy out there, you think,<br />
oh well, he’s a white wide receiver. He won’t be v<br />
ery athletic,’ " Rodgers said on his radio show. "<br />
But Jordy sort of breaks all those stereotypes. I’
m not sure why he keeps sneaking up on guys."<br />
The next day, Nelson went along with Rodgers’s ass<br />
essment. So did Jennings. The subsequent commotion<br />
, with people from ESPN analysts to Rush Limbaugh<br />
weighing in, embarrassed Nelson, and neither Rodge<br />
rs nor Jennings chose to revisit the issue this we<br />
ek.<br />
"He’s a hard worker, he practices well, he’s a pro<br />
fessional," Rodgers said. "And for some reason or<br />
another, he’s just not respected, maybe, as some o<br />
f our other pass-catching threats.<br />
"When you put a third or fourth corner on him, we<br />
like that matchup. He’s been consistently getting<br />
open and making the plays when they present themse<br />
lves."<br />
The rugged Nelson, a middle child of Kansas farmer<br />
s, goes into Sunday’s game against the Giants rank<br />
ed third in the N.F.L. with an average of 17.8 yar<br />
ds a catch. Among Packers receivers, only Jennings<br />
exceeds Nelson’s 44 catches for a career-high 782<br />
yards. Nelson’s growing rapport with Rodgers, who<br />
is having one of those seasons where he can seemi<br />
ngly hit a bumblebee in the thorax from 50 yards,<br />
has played a big part in his production.<br />
Beginning with the penultimate regular-season game<br />
last year, Nelson caught three touchdown passes o<br />
f more than 80 yards in an eight-game stretch — th<br />
e only player to do so since the 1970 merger, acco<br />
rding to the Elias Sports Bureau. All this from a<br />
former college walk-on with a crew cut who bears a<br />
resemblance to Yankee outfielder Brett Gardner.<br />
Packers receivers coach Edgar Bennett, who is blac<br />
k, smiled at the suggestion of race but declined t<br />
o cite that with Nelson. "He’s a good player, bott<br />
om line," he said.
Instead, Bennett said Nelson benefitted from defen<br />
ses respecting the playmaking abilities of Jenning<br />
s and tight end Jermichael Finley. The 6-3, 217-po<br />
und Nelson often draws a smaller, less-skilled def<br />
ensive back, especially in multiple receiver sets.<br />
"With those two guys on the field, that certainly<br />
helps the situation," Bennett said of Jennings and<br />
Finley. "And I think he’s been able to continue t<br />
o improve and get better and take advantage of tho<br />
se one-on-one situations."<br />
Nelson’s family raised and bred cattle near Manhat<br />
tan, Kan., and as a child, he helped out with all<br />
the chores, even the much less glamorous ones. Whe<br />
n Packer wideouts Jennings, James Jones and Brett<br />
Swain visited the farm with their wives two summer<br />
s ago, Nelson demonstrated how to artificially ins<br />
eminate a cow. All three then took a turn at it.<br />
A quarterback and defensive back in high school, N<br />
elson walked on at Kansas State as a safety but sw<br />
itched to wide receiver as a sophomore. He led the<br />
team in receptions that season. When he was a sen<br />
ior, Nelson broke the team record with 122 catches<br />
and was one of three finalists for the Biletnikof<br />
f Award, which goes to the nation’s top receiver.<br />
"He killed us my last year at Texas," Finley said,<br />
referring to a 41-21 Wildcats upset of the Longho<br />
rns in 2007. Nelson caught 12 passes for 116 yards<br />
with one score, and returned a punt 89 yards for<br />
another touchdown. The Packers drafted him in the<br />
second round in 2008.<br />
"He’s been doing what he does since he got here, a<br />
nd he did it before he got here," Packers General<br />
Manager Ted Thompson said. "He runs. He gets open.<br />
He’s got quickness. I just think sometimes people<br />
tend to take him for granted."<br />
Why?
"I don’t know," Thompson said. "He doesn’t beat his<br />
chest a lot. Or try to get out in front."<br />
Finley does not understand it, either. In describi<br />
ng why opponents underestimated Nelson, Finley see<br />
med to feel the need to invent a new word.<br />
"People downlook him, but he’s the strongest, most<br />
underrated receiver in the league," Finley said.<br />
"That’s why you see him getting plays like that, b<br />
ecause guys look down on him, and A-Rod just keeps<br />
feeding him."<br />
Greg Bishop contributed reporting.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1202: <strong>ART</strong> REVIEW<br />
Unfurling a Thousand Years of Gods, Demons and Roma<br />
nce ... By ROBERTA SMITH<br />
"Storytelling in Japanese Art" at the Metropolitan<br />
Museum of Art reveals the narrative side of Japan<br />
ese art in a lavish assortment of hand scrolls, ha<br />
nging scrolls, screens and books.<br />
===== notyet<br />
"Storytelling in Japanese Art," at the Metropolita<br />
n Museum of Art, is a captivating combination of s<br />
how and tell, read and look. Curatorially speaking<br />
, the exhibition takes us gently in hand and, thro<br />
ugh text panels, captions and diagrams, reveals th<br />
e narrative side of Japanese art with memorable cl<br />
arity.<br />
It has been organized by Masako Watanabe, a senior<br />
research associate in the Met’s Asian art departm<br />
ent, and while installed in the museum’s Japanese<br />
permanent-collection galleries, it is a temporary<br />
show full of significant loans. Illuminating the t<br />
ales played out in a lavish assortment of hand scr<br />
olls, hanging scrolls, screens and books, the exhi<br />
bition, with its explications and elucidations, gi<br />
ves didacticism a good name. It deserves return vi
sits, especially for its second rotation, starting<br />
Feb. 8, when, due to fragility, several hand scro<br />
lls will be wound to different scenes and five scr<br />
eens will be replaced by others.<br />
The show contains more than 100 works that span mo<br />
stly from the 13th to the 19th centuries. At its c<br />
ore are some 20 hand scrolls, or emaki, an ingenio<br />
us medium evolved from the illustrated sutras that<br />
began landing in Japan from China in the eighth c<br />
entury as part of the spread of Buddhism. While fu<br />
ll of wonderfully observed natural details, Japane<br />
se hand scrolls, unlike their Chinese precedents,<br />
developed less as vehicles for pure landscape than<br />
as stages on which to unfurl human dramas of all<br />
kinds, in something like real time and space. In t<br />
he hands of Japanese artists the scrolls were tant<br />
amount to primitive films. Their fluidity, emotion<br />
al expressiveness and sense of action and lived ex<br />
perience give them an uncannily contemporary immediacy.<br />
This is established at the start of the show with<br />
a masterpiece: the five scrolls known as the "Illu<br />
strated Legends of the Kitano Tenjin Shrine," a su<br />
blime example of Chinese-style ink painting highli<br />
ghted with translucent washes of color from the 13<br />
th-century Kamakura period. Acquired in 1925, thes<br />
e scrolls constitute one of the Met’s great painti<br />
ngs, but they have never been exhibited together b<br />
efore, and this alone makes "Storytelling in Japan<br />
ese Art" a must-see.<br />
With seductive intimacy the scrolls recount the li<br />
fe and turbulent afterlife of Sugawara Michizane,<br />
a ninth-century poet-statesman said to have died o<br />
f a broken heart after being unjustly slandered. T<br />
he tale includes the destruction unleashed by his<br />
angry spirit (floods, fire, shattered buildings, s<br />
ome of it delivered by a magnificent black-clad th<br />
under god) and the dangerous journey to hell and b<br />
ack by Nichizo, an intrepid acolyte sent to divine<br />
how to placate Michizane. (It takes a temple.)
Nichizo’s pictorially breathtaking odyssey involve<br />
s help from both monks and demons, a pause to pray<br />
in a cave (dragon notwithstanding) and braving a<br />
fabulous fire-breathing monster with eight heads a<br />
nd nine tails who guards the fiery furnace that is<br />
hell. All this is played out in a sparsely limned<br />
landscape whose mutations from gentle to spiked t<br />
o lunar make it a star in its own right.<br />
A similarly spare, evocative landscape also figure<br />
s in "A Long Tale for an Autumn Night," another in<br />
k-and-color painting from around 1400. Its anguish<br />
ed plot concerns an aspiring monk’s love for a bea<br />
utiful boy and ends, as this genre usually did, wi<br />
th the death of the boy, who is revealed to be a m<br />
anifestation of the bodhisattva Kannon.<br />
"Storytelling in Japanese Art" is not a historical<br />
ly thorough survey. Its main goal is to follow the<br />
mingling of different narrative and pictorial gen<br />
res and styles. Its arrangement is as much themati<br />
c as chronological, with groupings of different wo<br />
rks from different centuries attesting to the cont<br />
inuing attraction that certain stories exerted on<br />
the imagination.<br />
In the section devoted to "The Tale of Genji," the<br />
12th-century novel that is among Japan’s greatest<br />
contributions to world literature, for example, m<br />
odest books and hand scrolls are grouped around a<br />
pair of Edo-period screens by the 16th-century mas<br />
ter Kano Soshu like small craft around a magnifice<br />
nt ocean liner.<br />
And early in the exhibition En No Gyoja, the legen<br />
dary founder of a mountain-based asceticism combin<br />
ing aspects of Shinto and Buddhist beliefs known a<br />
s Shugendo, moves through several mediums, includi<br />
ng intentional hanging scrolls and what might be c<br />
alled accidental ones, those made from fragments e<br />
xcised from hand scrolls and mounted on textiles,
as well as intact hand scrolls. He is especially a<br />
ppealing in a Kamakura-period hand scroll fragment<br />
about the history of the Jin’oji Temple. It shows<br />
him in a garden with low-flying clouds conversing<br />
with a local deity, while a visiting Korean god a<br />
lights on the top of a pine tree, causing one of E<br />
n No Gyoja’s loyal servant-demons to fall to his knees.<br />
From there the show traces the pictorial life of v<br />
arious cherished narratives from medium to medium.<br />
Sacred tales about building temples or the spirit<br />
ual evolution of semidivine beings give way to cel<br />
ebrations of rulers’ lives, epic military battles<br />
or endlessly triangulating romances whose female p<br />
articipants usually pay the price. In the late-16t<br />
h-century hand scroll "The Tale of Gio" the title<br />
character, a dancer, generously allows another wom<br />
an to perform for her patron in a green-carpeted p<br />
avilion, and of course her life ends up in ruins.<br />
Here, as in later works throughout the show, freehand<br />
ink painting gives way to stiffer figuration<br />
and bright opaque colors, and open landscapes are<br />
more and more punctuated by steeply tilted buildin<br />
gs whose sumptuous interiors become central.<br />
Partly because of the exhibition’s placement in th<br />
e permanent-collection galleries, Ms. Watanabe has<br />
supplemented the scrolls, books and screens with<br />
works in other mediums. A lacquer box and a kimono<br />
decorated with images of books suggest the high v<br />
alue placed on literature, and lacquer stirrups an<br />
d saddles are placed near several screens recounti<br />
ng historic battles that had assumed mythic status<br />
in Japanese culture. They teem with mounted soldi<br />
ers and archers and, according to the label, can d<br />
epict up to 80 separate episodes.<br />
If you wonder what a six-legged red-lacquer storag<br />
e case is doing in the show, look no farther than<br />
the pair of painted screens next to it. On one a n<br />
early identical case is boldly outlined in ink. Ac<br />
cording to the label a brave samurai cut off the a
m of a wicked demon and hid it the case, until th<br />
e demon returned in the guise of the warrior’s mot<br />
her and tricked him out it. On the second screen t<br />
he demon, rendered larger than life with exaggerat<br />
ed vigor, is shown speeding away, clutching her li<br />
vidly red arm. The work’s creator, Shibata Zeshin<br />
(1807-91), was known internationally during his li<br />
fetime as a master of lacquer; a nearby preparator<br />
y study for the image is just as large, but less s<br />
trained.<br />
The same storage case, this time in black, appears<br />
in the show’s final gallery in "Night Parade of 1<br />
00 Demons," where it is being torn apart by one of<br />
the hand scroll’s wonderfully grotesque creatures<br />
in an effort to free several more of his ilk trap<br />
ped inside. This final gallery is dominated by dep<br />
ictions of anthropomorphized animals, among them t<br />
he frolicking creatures on a 12th-century hanging<br />
scroll that was excised from a set of 12th-century<br />
hand scrolls revered in Japan as one of the start<br />
ing points of manga. Also here is "The Tale of Mic<br />
e," one of several impressive loans from the New Y<br />
ork Public Library, with its cast of well-dressed<br />
white rodents. One wonders if Art Spiegelman knew<br />
of its existence when he undertook "Maus," his gra<br />
phic novel of Jewish mice and Nazi cats.<br />
"The Tale of Mice" is one of many points in "Story<br />
telling in Japanese Art" where you may find yourse<br />
lf wondering if Japan, despite its small size, has<br />
contributed far more than its share to today’s po<br />
pular culture. There is no hard science by which t<br />
o arrive at a definitive answer. Still, this fasci<br />
nating show reverberates with that tantalizing pos<br />
sibility.<br />
"Storytelling in Japanese Art" is on view through<br />
May 6 at the Metropolitan Museum of Art; (212) 535<br />
-7710, metmuseum.org.<br />
~~~~~~~~~~
<strong>NYT</strong>-1203<br />
Center of Penn State Scandal, Sandusky Tells His Ow<br />
n Story ... By JO BECKER<br />
In an extensive interview, Jerry Sandusky, the for<br />
mer assistant football coach, insisted that he had<br />
never sexually abused any child.<br />
===== notyet<br />
The former Penn State assistant football coach Jer<br />
ry Sandusky, in his first extended interview since<br />
his indictment on sexual abuse charges last month<br />
, said Coach Joe Paterno never spoke to him about<br />
any suspected misconduct with minors. Mr. Sandusky<br />
also said the charity he worked for never restric<br />
ted his access to children until he became the sub<br />
ject of a criminal investigation in 2008.<br />
The failure by Mr. Paterno to act more aggressivel<br />
y after being told in 2002 that Mr. Sandusky had m<br />
olested a 10-year-old boy in the showers of the un<br />
iversity’s football building played a role in Mr.<br />
Paterno’s firing last month after 62 years at Penn<br />
State. Mr. Sandusky, in the interview, said that<br />
Mr. Paterno did not speak to him or confront him o<br />
ver the accusation, despite the fact that Mr. Sand<br />
usky had been one of his assistant coaches for thr<br />
ee decades and was a regular presence at the footb<br />
all team’s complex for years after the 2002 episode.<br />
Mr. Sandusky, in a nearly four-hour interview over<br />
two days this week, insisted he had never sexuall<br />
y abused any child, but he confirmed details of so<br />
me of the events that prosecutors have cited in ch<br />
arging him with 40 counts of molesting young boys,<br />
all of whom came to know Mr. Sandusky through the<br />
charity he founded, known as the Second Mile.<br />
Mr. Sandusky said he regularly gave money to the d<br />
isadvantaged boys at his charity, opened bank acco<br />
unts for them, and gave them gifts that had been d<br />
onated to the charity.<br />
Prosecutors have said Mr. Sandusky used such gifts
as a way to build a sense of trust and loyalty am<br />
ong boys he then repeatedly abused.<br />
Mr. Sandusky, after repeated requests, agreed to t<br />
he interview because he said his decades of work w<br />
ith children had been misunderstood and distorted<br />
by prosecutors.<br />
“They’ve taken everything that I ever did for any<br />
young person and twisted it to say that my motives<br />
were sexual or whatever,” Mr. Sandusky said. He a<br />
dded: “I had kid after kid after kid who might say<br />
I was a father figure. And they just twisted that<br />
all.”<br />
Yet over the course of the interview, Mr. Sandusky<br />
described what he admitted was a family and work<br />
life that could often be chaotic, even odd, one th<br />
at lacked some classic boundaries between adults a<br />
nd children, and thus one that was open to interpr<br />
etation — by those who have defended him as a gene<br />
rous mentor and those who have condemned him as a<br />
serial predator.<br />
He said his household in State College, Pa., over<br />
the years came to be a kind of recreation center o<br />
r second home for dozens of children from the char<br />
ity, a place where games were played, wrestling ma<br />
tches staged, sleepovers arranged, and from where<br />
trips to out-of-town sporting events were launched<br />
. Asked directly why he appeared to interact with<br />
children who were not his own without many of the<br />
typical safeguards other adults might apply — show<br />
ering with them, sleeping alone with them in hotel<br />
rooms, blowing on their stomachs — he essentially<br />
said that he saw those children as his own.<br />
“It was, you know, almost an extended family,” Mr.<br />
Sandusky said of his household’s relationship wit<br />
h children from the charity. He then characterized<br />
his close experiences with children he took under<br />
his wing as “precious times,” and said that the p
hysical aspect of the relationships “just happened<br />
that way.”<br />
Wrestling, hugging — “I think a lot of the kids rea<br />
lly reached out for that,” he said.<br />
Mr. Sandusky said his wife, Dorothy, known as Dott<br />
ie, ultimately had some concerns about the househo<br />
ld dynamics. He said she had warned him not to neg<br />
lect his own children — the Sanduskys had adopted<br />
six children, including one from the Second Mile —<br />
“for the sake of other kids.” Mr. Sandusky recall<br />
ed one scene after a Penn State football game that<br />
underscored her concerns.<br />
“I remember the kids were downstairs, and we alway<br />
s had dogs,” he said. “And Dottie said, ‘You bette<br />
r go down and check on those kids, you know those<br />
Second Mile kids after football games.’ I went dow<br />
n, and I look, and there goes a kid flying over a<br />
couch, there goes a dog flying over a couch. And I<br />
go, ‘I don’t think she wants to see this.’ ”<br />
He said of his household: “Yeah, I mean it was turm<br />
oil. It was turmoil.”<br />
During the interview, conducted at the home of his<br />
lawyer, Mr. Sandusky was at times subdued, but oc<br />
casionally capable of humor — some of it awkward l<br />
aughter about his legal jeopardy and ruined reputa<br />
tion, some of it bright amusement at a recalled an<br />
ecdote about his own father, who himself had worke<br />
d with disadvantaged and disabled children, or a m<br />
oment of remembered comedy at one of the many summ<br />
er camps he helped run for children.<br />
He grew most animated when talking about his relat<br />
ionships with children, and he grew most disconsol<br />
ate when he, with a touch of childlike reverence,<br />
spoke of Mr. Paterno and Penn State, and the damag<br />
e his indictment had caused them. “I don’t think i<br />
t was fair,” he said.
During the interview, Joseph Amendola, Mr. Sandusk<br />
y’s lawyer, captured what he asserted was his clie<br />
nt’s predicament:<br />
“All those good things that you were doing have be<br />
en turned around,” Mr. Amendola said, speaking to<br />
his client, “and the people who are painting you a<br />
s a monster are saying, ‘Well, they’re the types o<br />
f things that people who are pedophiles exhibit.’ ”<br />
Prosecutors, in their indictment of Mr. Sandusky,<br />
charged him with a horrific array of abuse, includ<br />
ing the repeated assaults of young boys.<br />
Mr. Sandusky, in the interview, confirmed aspects<br />
of what prosecutors have said was a manipulative s<br />
cheme: he gave money and gifts to Second Mile chil<br />
dren, including computers and golf clubs. However,<br />
Mr. Sandusky presented his actions in a benevolen<br />
t light.<br />
“I would call kids on the phone and work with them<br />
academically,” he said. “I tried to reward them s<br />
ometimes with a little money in hand, just so that<br />
they could see something. But more often than not<br />
, I tried to set up, maybe get them to save the mo<br />
ney, and I put it directly into a savings account<br />
established for them.”<br />
Sometimes, he said, he found work for the children<br />
at his football camps. Sometimes he bought them s<br />
hoes or a shirt with his money. And sometimes, he<br />
passed along gifts to them that had been given to<br />
the charity by donors. “I never bought a computer<br />
for any kid; I had a computer given to me to give<br />
to a kid,” he said. “I never bought golf clubs. Pe<br />
ople gave things because they knew there would be<br />
kids. They wanted to get rid of things.”<br />
It is unclear whether the supervisors or directors<br />
of the charity knew of Mr. Sandusky’s setting up
ank accounts or giving away donated gifts. Invest<br />
igators with the Pennsylvania attorney general’s o<br />
ffice have subpoenaed the financial records of the<br />
charity, but say they have been alarmed to learn<br />
that some records from some years are missing.<br />
Jack Raykovitz, the executive director of Second M<br />
ile, resigned after Mr. Sandusky’s indictment.<br />
Mr. Sandusky, in the interview, said Penn State of<br />
ficials had contacted Mr. Raykovitz after the epis<br />
ode in 2002. An assistant football coach has told<br />
investigators that he saw Mr. Sandusky raping a yo<br />
ung boy in the football building’s showers, and th<br />
at he told Mr. Paterno some version of that scene<br />
the following day. Mr. Paterno has testified that<br />
he then informed the university’s athletic directo<br />
r, Tim Curley, that Mr. Sandusky had done somethin<br />
g sexually inappropriate with a young boy.<br />
Mr. Sandusky, in the interview, said word of an ep<br />
isode with a young boy in the shower reached Mr. R<br />
aykovitz. He said he talked with Mr. Raykovitz, an<br />
d identified the boy he thought Penn State was con<br />
cerned about. Mr. Sandusky, though, said Mr. Rayko<br />
vitz did not see fit to limit his interaction with<br />
youths, in part because he was aware of the natur<br />
e of Mr. Sandusky’s mentoring relationship with th<br />
e boy, and in part because he knew Mr. Sandusky ha<br />
d undergone repeated background checks clearing hi<br />
m to work with children.<br />
Mr. Raykovitz’s lawyer, Kevin L. Hand, called Mr.<br />
Sandusky’s account inaccurate, but refused to say<br />
more.<br />
As for Mr. Paterno, Mr. Sandusky said the two neve<br />
r spoke about any incidents, not the episode in 20<br />
02 or an earlier complaint of child molestation ma<br />
de against Mr. Sandusky in 1998 that was investiga<br />
ted by the Penn State campus police.
“I never talked to him about either one,” Mr. Sand<br />
usky said of Mr. Paterno. “That’s all I can say. I<br />
mean, I don’t know.”<br />
Mr. Paterno, through his son, Scott, has denied kn<br />
owing about the 1998 investigation at the time it<br />
happened.<br />
“He’s the only one who knows whether anybody ever<br />
said anything to him,” Mr. Sandusky said of Mr. Pa<br />
terno.<br />
In the interview, Mr. Sandusky, the longtime defen<br />
sive coordinator at Penn State, said that his rela<br />
tionships and activities with Second Mile children<br />
did cause some strain with Mr. Paterno, but only<br />
in that Mr. Sandusky worried that having some of t<br />
he children with him at hotels before games, or on<br />
the sideline during games, risked being seen as a<br />
distraction by the demanding Mr. Paterno.<br />
“I would have dreams of we being in a squad meetin<br />
g and that door fly open and kids come running thr<br />
ough chasing one another, and what was I going to<br />
do?” he said. “Because, I mean, Joe was serious ab<br />
out football.”<br />
Mr. Sandusky, despite expressing concern about tal<br />
king about the formal charges made against him, di<br />
d talk about his relationships with several of the<br />
eight people cited as victims by prosecutors last<br />
month. He said his relationships with more than o<br />
ne of them had extended for years after the suspec<br />
ted episodes of molestation or inappropriate behav<br />
ior.<br />
In 1998, the mother of a child reported concerns t<br />
o the Penn State campus police when she learned he<br />
r son had showered with Mr. Sandusky at the univer<br />
sity. After an investigation, Mr. Sandusky admitte<br />
d to the police and child welfare authorities that<br />
he had most likely done something inappropriate,
according to prosecutors. The local district attor<br />
ney declined to prosecute.<br />
In the interview this week, Mr. Sandusky said the<br />
boy and his mother remained a part of his life for<br />
years. He said that the mother had sought him out<br />
for tickets to Penn State games for her son, and<br />
that Mr. Sandusky had contributed financially year<br />
s later, when the young man, interested in the min<br />
istry, went on a mission.<br />
“He went to Mexico in the poverty-stricken areas a<br />
nd worked with the kids and things like that,” Mr.<br />
Sandusky said of the young man. “He showed me, he<br />
sent me pictures of he and the kids.”<br />
In the grand jury report, prosecutors cited Mr. Sa<br />
ndusky’s attempts to reach some of his accusers. H<br />
e acknowledged that he reached out to at least one<br />
, but said he thought the young man might be a cha<br />
racter witness on his behalf, and was unaware that<br />
prosecutors had listed him as a victim.<br />
Asked how he came to be involved more closely with<br />
some children rather than others, Mr. Sandusky sa<br />
id he got to know many of them at Second Mile summ<br />
er camps.<br />
“Some of them sought me out,” Mr. Sandusky said.<br />
Mr. Sandusky, facing grave charges and the possibi<br />
lity of imprisonment, discussed how much was now m<br />
issing from his life, and how much more might be m<br />
issing in the future.<br />
“I miss coaching,” he said. “I miss Second Mile. I<br />
miss Second Mile kids. I miss interrelationships<br />
with all kinds of people. I miss my own grandkids.<br />
I miss, I mean you know I’m going to miss my dog.<br />
So, I mean, yeah, I miss, yeah. Good grief.<br />
“I used to have a lot of contact with a lot of peo
ple and so that circle is diminished, and as it di<br />
minished, you know Bo is still there,” he said of<br />
his dog. “And I swear he understands. I swear he k<br />
nows. And you know I love him dearly for that.”<br />
Nate Schweber contributed reporting.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1203<br />
Oh, for the Good Old Days of Rude Cellphone Gabbers<br />
... By NICK WINGFIELD<br />
When virtual assistants like Apple's Siri are used<br />
in public places, the results can be annoying, ev<br />
en creepy, to unwilling listeners.<br />
===== notyet<br />
Is talking to a phone the same as talking on it?<br />
The sound of someone gabbing on a cellphone is par<br />
t of the soundtrack of daily life, and most of us<br />
have learned when to be quiet — no talking in “qui<br />
et cars” on trains, for example.<br />
But the etiquette of talking to a phone — more pre<br />
cisely, to a “virtual assistant” like Apple’s Siri<br />
, in the new iPhone 4S — has not yet evolved. And<br />
eavesdroppers are becoming annoyed.<br />
In part, that is because conversations with machin<br />
es have a robotic, unsettling quality. Then there<br />
is the matter of punctuation. If you want it, you<br />
have to say it.<br />
“How is he doing question mark how are you doing q<br />
uestion mark,” Jeremy Littau of Bethlehem, Pa., fo<br />
und himself telling his new iPhone recently as he<br />
walked down the street, dictating a text message t<br />
o his wife, who was home with their newborn. The m<br />
achine spoke to him in Siri’s synthesized female v<br />
oice.<br />
Passers-by gawked. “It’s not normal human behavior<br />
to have people having a conversation with a phone
on the street,” concluded Mr. Littau, 36, an assi<br />
stant professor of journalism and communication at<br />
Lehigh University.<br />
The technology behind voice-activated mobile phone<br />
s has been around for a few years — allowing peopl<br />
e to order their phones around like digital factot<br />
ums, commanding them to dictate text messages, jot<br />
down appointments on their calendars and search f<br />
or nearby sushi restaurants. Apple, though, has ta<br />
ken it to another level with Siri.<br />
“Happy birthday smiley face,” was what Dani Klein<br />
heard a man say to his phone on the Long Island Ra<br />
il Road, using the command to insert a grinning em<br />
oticon into a message.<br />
“It sounded ridiculous,” said Mr. Klein, 28, who wo<br />
rks in social media marketing.<br />
Talking to your phone is so new that there are no<br />
official rules yet on, say, public transportation<br />
systems.<br />
Cliff Cole, a spokesman for Amtrak, said the train<br />
line’s quiet-car policy applied to any use of voi<br />
ce with cellphones, though it explicitly bans only<br />
“phone calls,” not banter with a virtual assistan<br />
t. “We may have to adjust the language if it becom<br />
es a problem,” Mr. Cole said.<br />
Voice-activated technology in smartphones first ap<br />
peared a few years ago when mobile phones running<br />
Google’s Android operating system and other softwa<br />
re began offering basic voice commands to do Web s<br />
earches and other tasks. Apple’s Siri, introduced<br />
this fall, is a more sophisticated iteration of th<br />
e technology; it responds to natural-sounding phra<br />
ses like, “What’s the weather looking like?” and “<br />
Wake me up at 8 a.m.”<br />
Apple gave Siri a dash of personality, too, reinfo
cing the impression that the iPhone’s users were<br />
actually talking to someone. Ask Siri for the mean<br />
ing of life, and it responds, “I find it odd you w<br />
ould ask this of an inanimate object.”<br />
Technology executives say voice technologies are h<br />
ere to stay if only because they can help cellphon<br />
e users be more productive.<br />
“I don’t think the keyboard is going to go away, b<br />
ut it’s going to be less used,” said Martin Cooper<br />
, who developed the first portable cellular phone<br />
while at Motorola in the 1970s.<br />
Another irritant in listening to people talk to th<br />
eir phones is the awareness that most everything y<br />
ou can do with voice commands can also be done sil<br />
ently. Billy Brooks, 43, was standing in line at t<br />
he service department of a car dealership in Los A<br />
ngeles recently, when a woman broke the silence of<br />
the room by dictating a text message into her iPh<br />
one.<br />
“You’re unnecessarily annoying others at that poin<br />
t by not just typing out your message,” said Mr. B<br />
rooks, a visual effects artist in the film industr<br />
y, adding that the woman’s behavior was “just ridi<br />
culous and kind of sad.”<br />
James E. Katz, director of the Center for Mobile C<br />
ommunication Studies at Rutgers, said people who u<br />
se their voices to control their phones are creati<br />
ng an inconvenience for others — noise — rather th<br />
an coping with an inconvenience for themselves — t<br />
he discomfort of having to type slowly on a crampe<br />
d cellphone keyboard. Mr. Katz compared the behavi<br />
or with that of someone who leaves a car’s engine<br />
running while parked, creating noise and fumes for<br />
people surrounding them.<br />
While Apple has tried to enable natural-sounding c<br />
onversations with Siri, they are often anything bu
t. Nirav Tolia, an Internet entrepreneur, was ridi<br />
ng a crowded elevator down from his office in San<br />
Francisco recently when a man tried to use Siri to<br />
find a new location of a cafe, Coffee Bar. The ph<br />
one gave him listings for other coffee houses — th<br />
e wrong ones — forcing him to repeat the search se<br />
veral times.<br />
“Just say ‘Starbucks,’ dude,” another passenger sa<br />
id, pushing past the Coffee Bar-seeker when the el<br />
evator reached the ground floor.<br />
When talking to their cellphones, people sometimes<br />
start sounding like machines themselves. Jimmy Wo<br />
ng, 24, was at an after-hours diner with friends i<br />
n Los Angeles recently when they found themselves<br />
next to a man ordering Siri to write memos and dic<br />
tate e-mails. They found the man’s conversation wi<br />
th his phone “creepy,” without any of the natural<br />
pauses and voice inflections that occur in a discu<br />
ssion between two people.<br />
“It was very robotic,” he said.<br />
Yet the group could not stop eavesdropping.<br />
People who study the behavior of cellphone users b<br />
elieve the awkwardness of hearing people in hotels<br />
, airports and cafes treating their phones like ad<br />
ministrative assistants will simply fade over time.<br />
“We’ll see an evolution of that initial irritation<br />
with it, to a New Yorker cartoon making fun of it<br />
, and then after a while it will largely be accept<br />
ed by most people,” said Mr. Katz from Rutgers.<br />
But, he predicted, “there will be a small minority<br />
of traditionalists who yearn for the good old day<br />
s when people just texted in public.”<br />
~~~~~~~~~~
<strong>NYT</strong>-1204<br />
A Second Arrival for 'Once' ... By PATRICK HEALY<br />
The stars of the film "Once" and those of the stag<br />
e musical discuss what is similar - and what is no<br />
t - about the two versions.<br />
===== notyet (2 pages)<br />
WHILE preparing for the lead role of Girl in the n<br />
ew Off Broadway musical “Once,” Cristin Milioti ma<br />
de a choice common among performers in screen-to-s<br />
tage adaptations: She avoided watching the origina<br />
l film, a 2006 indie romance from Ireland that won<br />
an Academy Award for the song “Falling Slowly.” H<br />
er concern was that she might slip into mimicking<br />
Marketa Irglova, the spirited young Czech musician<br />
who became a fan favorite as Girl in the movie.<br />
It turns out Ms. Milioti’s decision did not sit we<br />
ll with Glen Hansard, who played Guy in the pictur<br />
e. (Guy, Girl — get it?) He and Ms. Irglova fell i<br />
n love while filming “Once,” a real-life consummat<br />
ion of longings between their characters, two lost<br />
souls wandering around Dublin and playing guitar<br />
(him) and piano (her). They had since broken up, b<br />
ut the 41-year-old Mr. Hansard felt protective of<br />
Ms. Irglova, who is 18 years his junior. He though<br />
t any other actress playing Girl needed to watch t<br />
he genuine article.<br />
“I wanted Cristin to know how good Mar is in the m<br />
ovie,” Mr. Hansard recalled. “I had a hard time at<br />
first with someone else playing Girl, because Gir<br />
l to me was Mar.”<br />
Mr. Hansard didn’t blink as he revealed these feel<br />
ings last month at a table across from Ms. Milioti<br />
, during an interview at an East Village brasserie<br />
. Nor was she fazed. After more than a year of wor<br />
kshops and out-of-town tryout performances, everyo<br />
ne involved with “Once” has become reconciled to t<br />
he complexities of art’s imitating life in the mus<br />
ical, which opens Tuesday at New York Theater Work<br />
shop.
With few original musicals opening on Broadway thi<br />
s season, the producers are considering a transfer<br />
in the spring. Some Broadway executives are alrea<br />
dy betting on “Once” as a contender for the Tony A<br />
ward for best musical, seeing it as a prestige pro<br />
ject. Ms. Milioti said she was glad that the two s<br />
tars of the movie felt invested in the stage versi<br />
on, even in her acting choices, “because there wou<br />
ld have been a cold void in the project otherwise.<br />
” She added, “We’re here because they made this be<br />
autiful music.”<br />
Also at the interview were Ms. Irglova and the act<br />
or Steve Kazee, who plays Mr. Hansard’s role onsta<br />
ge. It quickly became hard not to view the foursom<br />
e in two distinct pairs.<br />
On one side of the table were the Guy and the Girl<br />
with European accents, who memorably infused thei<br />
r vaguely written movie characters with their own<br />
personalities. These were the Guy and Girl who spo<br />
ke so winningly in accepting their Academy Award —<br />
they wrote the songs for the movie that form the<br />
score for the musical — and they were the Guy and<br />
Girl whose breakup was painfully rendered in a fol<br />
low-up to “Once,” the 2011 documentary “The Swell<br />
Season.”<br />
On the other side were the Guy and the Girl who we<br />
re still working with a dialect coach. If their lo<br />
oks were camera ready, this Guy and Girl also spok<br />
e nervously about balancing their desire to take o<br />
wnership of the characters with an awareness that<br />
admirers of the film might buy tickets to the musi<br />
cal expecting to see the other Guy and Girl they r<br />
emembered.<br />
Mr. Kazee and Ms. Milioti inevitably lack the sort<br />
of chemistry born out of actual love, but they ha<br />
ve worked on “Once” long enough that they evince a<br />
n openness and respect toward each other. Mr. Kaze
e has seen the movie, and Ms. Milioti said she cou<br />
ld vouch that it is among his top five favorite fi<br />
lms of all time.<br />
Mr. Kazee’s affection for the film proved unnervin<br />
g, however, when he was offered the role of Guy, h<br />
e said. He recalled an earlier experience playing<br />
Lancelot in the Broadway musical “Spamalot,” which<br />
was based on the film “Monty Python and the Holy<br />
Grail.” John Cleese had played Lancelot in that mo<br />
vie, but Mr. Kazee said he was determined “to do m<br />
y own thing.”<br />
“I did, and you could hear crickets in the audienc<br />
e every night, I think because people expected me<br />
to be word-perfect Monty Python,” Mr. Kazee said.<br />
“You have to balance being yourself and paying som<br />
e tribute to the original. Still, when we started<br />
working on this musical, I was scared I’d muck it<br />
up. I didn’t want to be the guy who was responsibl<br />
e for doing the first bad thing to ‘Once.’ ”<br />
The movie, which was shot in 17 days on a $150,000<br />
budget, was rejected by several film festivals un<br />
til a scout for the Sundance Film Festival picked<br />
it up after a screening in Galway. “Once” emerged<br />
as an unexpected audience favorite at Sundance and<br />
was bought for $500,000 by Fox Searchlight Pictur<br />
es; the movie went on to gross more than $20 million.<br />
The musical adaptation follows the plot of the fil<br />
m and its frustrated romance (when they meet, both<br />
Guy and Girl have other love interests), but the<br />
stage version fleshes out several characters and s<br />
ubplots that were barely featured in the movie. Su<br />
ch adaptations as “Shrek the Musical” and “Catch M<br />
e if You Can” have struggled on Broadway in recent<br />
years, especially when they have hewed too closel<br />
y to the films.<br />
Mr. Kazee and Ms. Milioti said trying to recreate<br />
the loose, casual feel of the film scenes would be
particular folly, and their counterparts seconded<br />
them. Ms. Irglova said most of those scenes had b<br />
een either improvised or shot with little rehearsa<br />
l, and that she and Mr. Hansard — neither of whom<br />
had acting training — basically riffed on their ow<br />
n personalities.<br />
“Girl was a kind of woman I would aspire to be som<br />
eday, because she had great honesty and integrity,<br />
which are important to me,” Ms. Irglova said. “If<br />
part of the character isn’t in you, I don’t think<br />
it’s believable.”<br />
Ms. Milioti took a somewhat different point of view<br />
.<br />
“I like acting because you have so many things you<br />
can do in performance to hide behind, when you’re<br />
nervous during a moment onstage,” said Ms. Miliot<br />
i, who has appeared in dramatic roles at New York<br />
Theater Workshop in “The Little Foxes” and “The He<br />
art Is a Lonely Hunter.” “I often paint my charact<br />
ers in broad colors, big expressive moments, where<br />
as in reality I’m pretty direct and unsentimental.”<br />
Those two adjectives, as it happens, are good desc<br />
riptions of Ms. Irglova’s performance in the film.<br />
During one scene, in both the movie and the music<br />
al, the two main characters sit in his bedroom and<br />
Guy suddenly asks Girl to spend the night. It was<br />
one of the hardest scenes for Mr. Hansard, he rec<br />
alled, but relatively easy for Ms. Irglova.<br />
“I felt the proposition came out of nowhere,” Mr.<br />
Hansard said, “but Mar was grand. She just sat on<br />
the bed in that scene and held my gaze and looked<br />
like someone you could say anything to. No pretens<br />
e.”<br />
Mr. Kazee said he and Ms. Milioti were performing<br />
the scene in a similar way, but not because they w<br />
anted to ape the film.
“It’s a delicate, quiet story — both the movie and<br />
the musical — and you risk disrupting that if you<br />
overplay the emotion,” he said. “Cristin is a nat<br />
ural at that. She’s got this quiet drive to her, a<br />
n intense power in a tiny package,” he added, refe<br />
rring to the actress’s relatively small frame.<br />
Transforming the intimate atmospherics of the film<br />
to a theater — especially a large, multilevel one<br />
if the show moves to Broadway — is a concern for<br />
all four performers.<br />
“I thought a live musical would ruin what was spec<br />
ial about ‘Once,’ ” Mr. Hansard said. “So I went t<br />
o see the show ‘In the Heights,’ to try to feel be<br />
tter, and I loved the energy, but I still thought<br />
that musicals were bigger and louder and more perf<br />
ormance driven than two reserved people just talki<br />
ng and singing to each other.”<br />
Speaking for Ms. Irglova, as he did with her seemi<br />
ng assent a few times in the interview, he added:<br />
“Mar is not a nostalgist. She just moves forward,<br />
so I thought she’d be more O.K. with the show.”<br />
“Yeah,” said Ms. Irglova, who has gone on to marry<br />
a studio engineer. “As long as there wasn’t anybo<br />
dy saying I want to re-edit our movie, I was O.K.<br />
But still, you want to make sure the story works o<br />
nstage.”<br />
Mr. Kazee too said he had worried about what would<br />
happen to Guy, who first connects with Girl by of<br />
fering to fix her vacuum cleaner. “I imagined a da<br />
ncing chorus of vacuum cleaners and other big Broa<br />
dway showy stuff,” he said. But then he learned th<br />
at the director was John Tiffany, who blended emot<br />
ional intensity and steadfast friendships in the I<br />
raq war play “Black Watch,” and that the book writ<br />
er was the Irish playwright Enda Walsh, known for<br />
lyrical prose in plays like “Penelope.”
A brief tryout run at the American Repertory Theat<br />
er in Massachusetts last spring, however, allayed<br />
Mr. Hansard’s qualms. He recalled watching Ms. Mil<br />
ioti’s Girl telling Mr. Kazee’s Guy “to shape up,<br />
to live life, and everything would be all right” —<br />
moments that sent frissons through him.<br />
“The essence of the characters was still there,” Mr<br />
. Hansard said.<br />
Backstage afterward, Mr. Kazee recalled, he anxiou<br />
sly awaited Mr. Hansard’s review. “When Glen arriv<br />
ed, I stuck out my hand, and he just put his arms<br />
around me and gave me a big hug,” Mr. Kazee said.<br />
“He offered to tell me anything I wanted, anything<br />
about what he was thinking when he and Marketa wr<br />
ote the songs.<br />
“And who wouldn’t want that? Looking at the Mona L<br />
isa is great, but wouldn’t it be better if you cou<br />
ld actually talk to da Vinci while looking at it?”<br />
“That’s very generous,” Mr. Hansard said grandly, d<br />
rawing laughter.<br />
“But it’s true,” Mr. Kazee said. “Glen and Mar wer<br />
e at rehearsal the other day. We were singing ‘Fal<br />
ling Slowly’ in this tiny little room, and they we<br />
re there watching us, and it was the first time th<br />
at everything felt truly right.”<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1206: SCIENCE TIMES<br />
Creating Artificial Intelligence Based on the Real<br />
Thing ... By STEVE LOHR<br />
Facing the physical limits of conventional design,<br />
researchers work to design a computing architectu<br />
re that more closely resembles that of the brain.<br />
===== notyet<br />
Ever since the early days of modern computing in t
he 1940s, the biological metaphor has been irresis<br />
tible. The first computers — room-size behemoths —<br />
were referred to as “giant brains” or “electronic<br />
brains,” in headlines and everyday speech. As com<br />
puters improved and became capable of some tasks f<br />
amiliar to humans, like playing chess, the term us<br />
ed was “artificial intelligence.” DNA, it is said,<br />
is the original software.<br />
For the most part, the biological metaphor has lon<br />
g been just that — a simplifying analogy rather th<br />
an a blueprint for how to do computing. Engineerin<br />
g, not biology, guided the pursuit of artificial i<br />
ntelligence. As Frederick Jelinek, a pioneer in sp<br />
eech recognition, put it, “airplanes don’t flap th<br />
eir wings.”<br />
Yet the principles of biology are gaining ground a<br />
s a tool in computing. The shift in thinking resul<br />
ts from advances in neuroscience and computer scie<br />
nce, and from the prod of necessity.<br />
The physical limits of conventional computer desig<br />
ns are within sight — not today or tomorrow, but s<br />
oon enough. Nanoscale circuits cannot shrink much<br />
further. Today’s chips are power hogs, running hot<br />
, which curbs how much of a chip’s circuitry can b<br />
e used. These limits loom as demand is acceleratin<br />
g for computing capacity to make sense of a surge<br />
of new digital data from sensors, online commerce,<br />
social networks, video streams and corporate and<br />
government databases.<br />
To meet the challenge, without gobbling the world’<br />
s energy supply, a different approach will be need<br />
ed. And biology, scientists say, promises to contr<br />
ibute more than metaphors. “Every time we look at<br />
this, biology provides a clue as to how we should<br />
pursue the frontiers of computing,” said John E. K<br />
elly, the director of research at I.B.M.<br />
Dr. Kelly points to Watson, the question-answering
computer that can play “Jeopardy!” and beat two h<br />
uman champions earlier this year. I.B.M.’s clever<br />
machine consumes 85,000 watts of electricity, whil<br />
e the human brain runs on just 20 watts. “Evolutio<br />
n figured this out,” Dr. Kelly said.<br />
Several biologically inspired paths are being expl<br />
ored by computer scientists in universities and co<br />
rporate laboratories worldwide. But researchers fr<br />
om I.B.M. and four universities — Cornell, Columbi<br />
a, the University of Wisconsin, and the University<br />
of California, Merced — are engaged in a project<br />
that seems particularly intriguing.<br />
The project, a collaboration of computer scientist<br />
s and neuroscientists begun three years ago, has b<br />
een encouraging enough that in August it won a $21<br />
million round of government financing from the De<br />
fense Advanced Research Projects Agency, bringing<br />
the total to $41 million in three rounds. In recen<br />
t months, the team has developed prototype “neuros<br />
ynaptic” microprocessors, or chips that operate mo<br />
re like neurons and synapses than like conventiona<br />
l semiconductors.<br />
But since 2008, the project itself has evolved, be<br />
coming more focused, if not scaled back. Its exper<br />
ience suggests what designs, concepts and techniqu<br />
es might be usefully borrowed from biology to push<br />
the boundaries of computing, and what cannot be a<br />
pplied, or even understood.<br />
At the outset, Dharmendra S. Modha, the I.B.M. com<br />
puter scientist leading the project, described the<br />
research grandly as “the quest to engineer the mi<br />
nd by reverse-engineering the brain.” The project<br />
embarked on supercomputer simulations intended to<br />
equal the complexity of animal brains — a cat and<br />
then a monkey. In science blogs and online forums,<br />
some neuroscientists sharply criticized I.B.M. fo<br />
r what they regarded as exaggerated claims of what<br />
the project could achieve.
These days at the I.B.M. Almaden Research Center i<br />
n San Jose, Calif., there is not a lot of talk of<br />
reverse-engineering the brain. Wide-ranging ambiti<br />
ons that narrow over time, Dr. Modha explained, ar<br />
e part of research and discovery, even if his earl<br />
ier rhetoric was inflated or misunderstood.<br />
“Deciding what not to do is just as important as d<br />
eciding what to do,” Dr. Modha said. “We’re not tr<br />
ying to replicate the brain. That’s impossible. We<br />
don’t know how the brain works, really.”<br />
The discussion and debate across disciplines has h<br />
elped steer the research, as the team pursues the<br />
goals set out by Darpa, the Pentagon’s research ag<br />
ency. The technology produced, according to the gu<br />
idelines, should have the characteristics of being<br />
self-organizing, able to “learn” instead of merel<br />
y responding to conventional programming commands,<br />
and consuming very little power.<br />
“We have this fantastic network of specialists who<br />
talk to each other,” said Giulio Tononi, a psychi<br />
atrist and neuroscientist at the University of Wis<br />
consin. “It focuses our thinking as neuroscientist<br />
s and guides the thinking of the computer scientis<br />
ts.”<br />
In early 2010, Dr. Modha made a decision that put<br />
the project on its current path. While away from t<br />
he lab for a few weeks, because of a Hawaiian vaca<br />
tion and a bout of flu, he decided to streamline t<br />
he work of the far-flung researchers. The biologic<br />
ally inspired chip under development would come fi<br />
rst, Dr. Modha said. That meant a lot of experimen<br />
tal software already written was scrapped. But, he<br />
said, “chip-first as an organizing principle gave<br />
us a coherent plan.”<br />
In designing chips that bear some structural resem<br />
blance to the brain, so-called neuromorphic chips,
neuroscience was a guiding principle as well. Bra<br />
ins are low-power, nimble computing mechanisms — r<br />
eal-world proof that it is possible.<br />
A brain does its computing with a design drastical<br />
ly different from today’s computers. Its processor<br />
s — neurons — are, in computing terms, massively d<br />
istributed; there are billions in a human brain. T<br />
hese neuron processors are wrapped in its data mem<br />
ory devices — synapses — so that the brain’s paths<br />
of communication are extremely efficient and dive<br />
rse, through the neuron’s axons, which conduct ele<br />
ctrical impulses.<br />
A machine that adopts that approach, Dr. Modha sai<br />
d, would represent “a crucial shift away from von<br />
Neumann computing.” He was referring to a design w<br />
ith processor and memory physically separated and<br />
connected by a narrow communications channel, or b<br />
us, and operating according to step-by-step sequen<br />
tial methods — the von Neumann architecture used i<br />
n current computers, named after the mathematician<br />
John von Neumann.<br />
The concept of neuromorphic electronic systems is<br />
more than two decades old; Carver Mead, a renowned<br />
computer scientist, described such devices in an<br />
engineering journal article in 1990. Earlier biolo<br />
gically inspired devices, scientists say, were mos<br />
tly analog, single-purpose sensors that mimicked o<br />
ne function, like an electronic equivalent of a re<br />
tina for sensing image data.<br />
But the I.B.M. and university researchers are purs<br />
uing a more versatile digital technology. “It seem<br />
s that we can build a computing architecture that<br />
is quite general-purpose and could be used for a l<br />
arge class of applications,” said Rajit Manohar, a<br />
professor of electrical and computer engineering<br />
at Cornell University.<br />
What might such applications be, 5 or 10 years fro
m now, if the technology proves successful? They w<br />
ould be the sorts of tasks that humans find effort<br />
less and that computers struggle with — the patter<br />
n recognition of seeing and identifying someone, w<br />
alking down a crowded sidewalk without running int<br />
o people, learning from experience. Specifically,<br />
the scientists say, the applications might include<br />
robots that can navigate a battlefield environmen<br />
t and be trained; low-power prosthetic devices tha<br />
t would allow blind people to see; and computerize<br />
d health-care monitors that watch over people in n<br />
ursing homes and send alerts to human workers if a<br />
resident’s behavior suggests illness.<br />
It is an appealing vision, but there are formidabl<br />
e obstacles. The prototype chip has 256 neuron-lik<br />
e nodes, surrounded by more than 262,000 synaptic<br />
memory modules. That is impressive, until one cons<br />
iders that the human brain is estimated to house u<br />
p to 100 billion neurons. In the Almaden research<br />
lab, a computer running the chip has learned to pl<br />
ay the primitive video game Pong, correctly moving<br />
an on-screen paddle to hit a bouncing cursor. It<br />
can also recognize numbers 1 through 10 written by<br />
a person on a digital pad — most of the time. But<br />
the project still has a long way to go.<br />
It is still questionable whether the scientists ca<br />
n successfully assemble large clusters of neuromor<br />
phic chips. And though the intention is for the ma<br />
chines to evolve more from learning than from bein<br />
g programmed, the software that performs that magi<br />
c for any kind of complex task has yet to be writt<br />
en.<br />
The project’s Pentagon sponsor is encouraged. “I’m<br />
surprised that we’re so far along, and I don’t se<br />
e any fundamental reason why it can’t be done,” sa<br />
id Todd Hylton, a program manager.<br />
If it succeeds, the project would seem to make pea<br />
ce with the “airplanes don’t flap their wings” cri
tique. “Yes, they are different, but bird wings an<br />
d plane wings both depend on the same aerodynamic<br />
principles to get lift,” said Christopher T. Kello<br />
, director of the Cognitive Mechanics Lab at the U<br />
niversity of California, Merced. “It’s the same wi<br />
th this project. You can use essential design elem<br />
ents from biology.”<br />
~~~~~~~~~<br />
<strong>NYT</strong>-1207<br />
Japan Split on Hope for Vast Radiation Cleanup ...<br />
By M<strong>ART</strong>IN FACKLER<br />
Japan hopes the cleanup near the tsunami-ravaged F<br />
ukushima Daiichi nuclear plant will allow the disp<br />
laced to return home.<br />
===== notyet (2 pages)<br />
FUTABA, Japan — Futaba is a modern-day ghost town<br />
— not a boomtown gone bust, not even entirely a vi<br />
ctim of the devastating earthquake and tsunami tha<br />
t leveled other parts of Japan’s northeast coast.<br />
Its traditional wooden homes have begun to sag and<br />
collapse since they were abandoned in March by re<br />
sidents fleeing the nuclear plant on the edge of t<br />
own that began spiraling toward disaster. Roofs po<br />
ssibly damaged by the earth’s shaking have let rai<br />
n seep in, starting the rot that is eating at the<br />
houses from the inside.<br />
The roadway arch at the entrance to the empty town<br />
almost seems a taunt. It reads:<br />
“Nuclear energy: a correct understanding brings a p<br />
rosperous lifestyle.”<br />
Those who fled Futaba are among the nearly 90,000<br />
people evacuated from a 12-mile zone around the Fu<br />
kushima Daiichi plant and another area to the nort<br />
hwest contaminated when a plume from the plant sca<br />
ttered radioactive cesium and iodine.
Now, Japan is drawing up plans for a cleanup that<br />
is both monumental and unprecedented, in the hopes<br />
that those displaced can go home.<br />
The debate over whether to repopulate the area, if<br />
trial cleanups prove effective, has become a prox<br />
y for a larger battle over the future of Japan. Su<br />
pporters see rehabilitating the area as a chance t<br />
o showcase the country’s formidable determination<br />
and superior technical skills — proof that Japan i<br />
s still a great power.<br />
For them, the cleanup is a perfect metaphor for Jap<br />
an’s rebirth.<br />
Critics counter that the effort to clean Fukushima<br />
Prefecture could end up as perhaps the biggest of<br />
Japan’s white-elephant public works projects — an<br />
d yet another example of post-disaster Japan rever<br />
ting to the wasteful ways that have crippled econo<br />
mic growth for two decades.<br />
So far, the government is following a pattern set<br />
since the nuclear accident, dismissing dangers, of<br />
ten prematurely, and laboring to minimize the scop<br />
e of the catastrophe. Already, the trial cleanups<br />
have stalled: the government failed to anticipate<br />
communities’ reluctance to store tons of soil to b<br />
e scraped from contaminated yards and fields.<br />
And a radiation specialist who tested the results<br />
of an extensive local cleanup in a nearby city fou<br />
nd that exposure levels remained above internation<br />
al safety standards for long-term habitation.<br />
Even a vocal supporter of repatriation suggests th<br />
at the government has not yet leveled with its peo<br />
ple about the seriousness of their predicament.<br />
“I believe it is possible to save Fukushima,” said<br />
the supporter, Tatsuhiko Kodama, director of the<br />
Radioisotope Center at the University of Tokyo. “B
ut many evacuated residents must accept that it wo<br />
n’t happen in their lifetimes.”<br />
To judge the huge scale of what Japan is contempla<br />
ting, consider that experts say residents can retu<br />
rn home safely only after thousands of buildings a<br />
re scrubbed of radioactive particles and much of t<br />
he topsoil from an area the size of Connecticut is<br />
replaced.<br />
Even forested mountains will probably need to be d<br />
econtaminated, which might necessitate clear-cutti<br />
ng and literally scraping them clean.<br />
The Soviet Union did not attempt such a cleanup af<br />
ter the Chernobyl accident of 1986, the only nucle<br />
ar disaster larger than that at Fukushima Daiichi.<br />
The government instead relocated about 300,000 pe<br />
ople, abandoning vast tracts of farmland.<br />
Many Japanese officials believe that they do not h<br />
ave that luxury; the evacuation zone covers more t<br />
han 3 percent of the landmass of this densely popu<br />
lated nation.<br />
“We are different from Chernobyl,” said Toshitsuna<br />
Watanabe, 64, the mayor of Okuma, one of the town<br />
s that was evacuated. “We are determined to go bac<br />
k. Japan has the will and the technology to do thi<br />
s.”<br />
Such resolve reflects, in part, a deep attachment<br />
to home for rural Japanese like Mr. Watanabe, whos<br />
e family has lived in Okuma for 19 generations. Th<br />
eir heartfelt appeals to go back have won wide sym<br />
pathy across Japan, making it hard for people to o<br />
ppose their wishes.<br />
But quiet resistance has begun to grow, both among<br />
those who were displaced and those who fear the c<br />
ountry will need to sacrifice too much without gua<br />
rantees that a multibillion-dollar cleanup will pr
ovide enough protection.<br />
Soothing pronouncements by local governments and a<br />
cademics about the eventual ability to live safely<br />
near the ruined plant can seem to be based on lit<br />
tle more than hope.<br />
No one knows how much exposure to low doses of rad<br />
iation causes a significant risk of premature deat<br />
h. That means Japanese living in contaminated area<br />
s are likely to become the subjects of future stud<br />
ies — the second time in seven decades that Japane<br />
se have become a test case for the effects of radi<br />
ation exposure, after the bombings of Hiroshima an<br />
d Nagasaki.<br />
The national government has declared itself respon<br />
sible for cleaning up only the towns in the evacua<br />
tion zone; local governments have already begun cl<br />
eaning cities and towns outside that area.<br />
Inside the 12-mile ring, which includes Futaba, th<br />
e Environmental Ministry has pledged to reduce rad<br />
iation levels by half within two years — a relativ<br />
ely easy goal because short-lived isotopes will de<br />
teriorate. The bigger question is how long it will<br />
take to reach the ultimate goal of bringing level<br />
s down to about 1 millisievert per year, the annua<br />
l limit for the general public from artificial sou<br />
rces of radiation that is recommended by the Inter<br />
national Commission on Radiological Protection. Th<br />
at is a much more daunting task given that it will<br />
require removing cesium 137, an isotope that will<br />
remain radioactive for decades.<br />
Trial cleanups have been delayed for months by the<br />
search for a storage site for enough contaminated<br />
dirt to fill 33 domed football stadiums. Even eva<br />
cuated communities have refused to accept it.<br />
And Tomoya Yamauchi, the radiation expert from Kob<br />
e University who performed tests in Fukushima City
after extensive remediation efforts, found that r<br />
adiation levels inside homes had dropped by only a<br />
bout 25 percent. That left parts of the city with<br />
levels of radiation four times higher than the rec<br />
ommended maximum exposure.<br />
“We can only conclude that these efforts have so fa<br />
r been a failure,” he said.<br />
Minamisoma, a small city whose center sits about 1<br />
5 miles from the nuclear plant, is a good place to<br />
get a sense of the likely limitations of decontam<br />
ination efforts.<br />
The city has cleaned dozens of schools, parks and<br />
sports facilities in hopes of enticing back the 30<br />
,000 of its 70,000 residents who have yet to retur<br />
n since the accident. On a recent morning, a small<br />
army of bulldozers and dump trucks were resurfaci<br />
ng a high school soccer field and baseball diamond<br />
with a layer of reddish brown dirt. Workers burie<br />
d the old topsoil in a deep hole in a corner of th<br />
e soccer field. The crew’s overseer, Masahiro Saku<br />
ra, said readings at the field had dropped substan<br />
tially, but he remains anxious because many parts<br />
of the city were not expected to be decontaminated<br />
for at least two years.<br />
These days, he lets his three young daughters outd<br />
oors only to go to school and play in a resurfaced<br />
park. “Is it realistic to live like this?” he ask<br />
ed.<br />
The challenges are sure to be more intense inside<br />
the 12-mile zone, where radiation levels in some p<br />
laces have reached nearly 510 millisieverts a year<br />
, 25 times above the cutoff for evacuation.<br />
Already, the proposed repatriation has opened rift<br />
s among those who have been displaced. The 11,500<br />
displaced residents of Okuma — many of whom now li<br />
ve in rows of prefabricated homes 60 miles inland
— are enduring just such a divide.<br />
The mayor, Mr. Watanabe, has directed the town to<br />
draw up its own plan to return to its original loc<br />
ation within three to five years by building a new<br />
town on farmland in Okuma’s less contaminated wes<br />
tern edge.<br />
Although Mr. Watanabe won a recent election, his c<br />
hallenger found significant support among resident<br />
s with small children for his plan to relocate to<br />
a different part of Japan. Mitsue Ikeda, one suppo<br />
rter, said she would never go home, especially aft<br />
er a medical exam showed that her 8-year-old son,<br />
Yuma, had ingested cesium.<br />
“It’s too dangerous,” Ms. Ikeda, 47, said. “How ar<br />
e we supposed to live, by wearing face masks all t<br />
he time?”<br />
She, like many other evacuees, berated the governm<br />
ent, saying it was fixated on cleaning up to avoid<br />
paying compensation.<br />
Many older residents, by contrast, said they should<br />
be allowed to return.<br />
“Smoking cigarettes is more dangerous than radiati<br />
on,” said Eiichi Tsukamoto, 70, who worked at the<br />
Daiichi plant for 40 years as a repairman. “We can<br />
make Okuma a model to the world of how to restore<br />
a community after a nuclear accident.”<br />
But even Mr. Kodama, the radiation expert who supp<br />
orts a government cleanup, said such a victory wou<br />
ld be hollow, and short-lived if young people did<br />
not return. He suggested that the government start<br />
rebuilding communities by rebuilding trust eroded<br />
over months of official evasion.<br />
“Saving Fukushima requires not just money and effo<br />
rt, but also faith,” he said. “There is no point i
f only older people go back.”<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1207: DINING & WINE - SPIRITS <strong>OF</strong> <strong>THE</strong> TIMES<br />
From Scotland, Fog and Smoke and Mystery ... By ERI<br />
C ASIMOV<br />
The panel tasted 2o single malts from Islay, smoky<br />
whiskies that demand a sense of wonder.<br />
===== notyet<br />
TASTING whiskies can be a clinical, prosaic task,<br />
nosing and assessing, jotting notes, reconsidering<br />
, lips compressed in concentration, brow furrowed.<br />
Yet, as the spirits panel tasted 20 single malts<br />
from Islay, we reminded ourselves to step back a m<br />
oment, to contemplate with no small amount of awe<br />
the magic of what was in the glass. Islay demands<br />
a sense of wonder.<br />
I’ve never visited Islay, that island off Scotland<br />
’s western coast with the evocative pronunciation<br />
EYE-lah. But sipping a good Islay single malt, wit<br />
h its astounding range of complex expressions, tra<br />
nsports you to an Islay that seems as mythical as<br />
it is real.<br />
It’s a world unscarred by modernity’s claws, an is<br />
land of fog, smoke, brine and mystery, where ancie<br />
nt distilleries, after years of throbbing producti<br />
on, go dark when demand wanes. There they sit, aba<br />
ndoned on the green and craggy landscape, their di<br />
stinctive pagoda roofs intact, yet silent like pha<br />
ntom freighters.<br />
Some remain that way, their sites revered like anc<br />
ient stone circles by whisky lovers. For others co<br />
mes reincarnation when market conditions change ag<br />
ain. The ghostly cobwebs are cleared away, the pot<br />
stills rejuvenated, and once more they will yield<br />
the precious distilled vapors of malted barley, p<br />
eat, yeast, crystalline water and air.
If it seems odd to consider air an ingredient, you<br />
have to stick your nose in a glass of Islay singl<br />
e malt. Along with all the other components, a sav<br />
ory whiff of salty sea breeze is unmistakable.<br />
The sense of mystery in the terrain is palpable as<br />
well. “As you explore you can see how it compress<br />
es its secrets into tight parcels: dune-fringed be<br />
aches, remote hills, cliffs, caves, peat bogs, sta<br />
nding stones, lost parliaments, abandoned township<br />
s and Celtic memories,” Michael Jackson wrote in “<br />
Whiskey: The Definitive World Guide” (DK, 2005). “<br />
It is a tapestry of geographical and historical tr<br />
easures through which whiskey runs like a golden t<br />
hread.”<br />
It’s this air of mystery, along with a reputation<br />
for the smokiest, most robust and challenging malt<br />
s, that seems to set Islay apart from Scotland’s o<br />
ther whisky regions. Most experts, however, agree<br />
that whiskies can no longer be classified geograph<br />
ically. Production methods have become so homogeni<br />
zed that they no longer reflect local eccentriciti<br />
es as much as they do a distiller’s predilections.<br />
The smokiness comes from the tradition of using pe<br />
at — bog soil made of decomposed vegetable matter<br />
that was harvested to fuel kilns used for drying b<br />
arley. Assertive peating has long been a trait of<br />
famous Islay malts, like Laphroaig, Lagavulin and<br />
Ardbeg, but it is not exclusive to Islay. And just<br />
as much a part of the Islay tradition are gentler<br />
malts like Bunnahabhain (BUN-na-hah-ven) and Brui<br />
chladdich (brook-LAD-dy), which are lighter in bod<br />
y and more floral than peaty. Another tradition, s<br />
hared throughout Scotland, seems to be names that<br />
are impossible to sound out phonetically.<br />
Our 20 Islay single malts included bottles from ea<br />
ch of the eight working Islay distilleries. Indeed<br />
, two of the eight, Bruichladdich and Ardbeg, were<br />
dormant for years, only to be reawakened to disti
ll again. The revival of another distillery, Port<br />
Charlotte, is planned.<br />
With 20 whiskies, we tried to mix in widely availa<br />
ble, well-known bottles with some of each distille<br />
ry’s more esoteric malts. We also included one mys<br />
tery malt, a bottle packaged by a whisky merchant<br />
who does not reveal the actual distiller.<br />
For the tasting Florence Fabricant and I were join<br />
ed by Flavien Desoblin, an owner of the Brandy Lib<br />
rary in TriBeCa, which has more than 250 single ma<br />
lts on its list, including 50 from Islay. Also wit<br />
h us was Pete Wells, who next month takes over as<br />
the restaurant critic.<br />
The gathering of 20 samples from Islay made it as<br />
clear as a Scottish spring that whatever traits th<br />
e whiskies had in common were overshadowed by thei<br />
r differences.<br />
“To pull utterly different characters out of essen<br />
tially the same material is stunning,” Pete said.<br />
“It’s a wonderful demonstration of range and diver<br />
sity.”<br />
The tasting also testified to the high level of qu<br />
ality in Islay malts. Seven of the eight distiller<br />
ies were represented among our top 10, and the eig<br />
hth did not miss the cut by much. Islay malts are<br />
not cheap. With a cap at $100, our 20 bottles rang<br />
ed from $36 to $97, with 16 of them $50 or over.<br />
Our No. 1 bottle was one of the easiest Islay malt<br />
s to find, the Laphroaig 10-Year-Old. It was one o<br />
f the smokiest of the group yet one of the subtles<br />
t and most complex as well, with all of the rich m<br />
edicinal, waxy, savory and saline flavors that peo<br />
ple associate with Islay, but with an underlying s<br />
weetness, too. At $45, it was also our best value.<br />
By contrast, the Laphroaig 18-Year-Old, our No. 5
ottle, was less bracing and mellower. The smokine<br />
ss was more of an undercurrent, amplifying its flo<br />
ral, honey and meadowlike qualities.<br />
We found similar distinctions in comparing two oth<br />
er pairs of bottles that made our list. Our No. 2<br />
bottle, the Ardbeg Corryvreckan, was huge and robu<br />
st, with layers of complex flavors. Smokiness was<br />
only a small part of the majestic picture. Its 10year-old<br />
sibling, the No. 4 bottle, was likewise c<br />
omplex, but emphasized a briny, smoky, almost ocea<br />
nic quality.<br />
Our No. 3 bottle, the Lagavulin Distillers Edition<br />
1993, showed the warm, burnished complexity of ag<br />
e with a spicy, raisiny fruitcake quality that per<br />
haps attests to time spent in barrels previously u<br />
sed for sweet sherry. The basic Lagavulin 16 Years<br />
, our No. 10, though not appreciably younger, was<br />
much less complex, mildly smoky with both savory a<br />
nd sweet flavors. I must say that, as a fan of Lag<br />
avulin 16 Years, which I remember as so robust it<br />
demanded a bit of water for sipping, this example<br />
seemed a bit meek.<br />
The bottles rounding out our list show the range o<br />
f Islay. Bruichladdich, No. 7, was the gentlest, m<br />
ost delicate malt, with sweet notes of butterscotc<br />
h. Caol Ila, No. 9, was huge and oily in texture,<br />
smoky yet fresh, too. In the middle was Bowmore, N<br />
o. 8, rich, balanced, moderate, delicious nonethel<br />
ess.<br />
That leaves the new guy, Kilchoman, which began pr<br />
oduction in 2005. Its Spring 2011 Release was one<br />
of the youngest in our tasting, if you do the arit<br />
hmetic, yet it was superb, fresh and complex with<br />
plenty of smoke.<br />
Bunnahabhain was the only Islay distillery not on<br />
our top-10 list, and although Florence and Flavien<br />
loved the 18-year-old (the $97 bottle), it barely
missed the cut. Other bottles worth recommending<br />
that did not overcome the stiff competition includ<br />
e Bowmore’s 15-Years-Old Darkest, which Flavien an<br />
d Pete especially liked, and the Laphroaig Triple<br />
Wood, which we all liked.<br />
And the mystery malt? It was simply called Smokehe<br />
ad, a whisky that, judging by its busy graphics an<br />
d aggressive packaging, is being marketed to young<br />
single-malt newcomers. It was powerful and smoky,<br />
and Pete and I liked it more than Flavien and Flo<br />
rence did.<br />
“It’s for peat freaks,” Flavien said.<br />
Guilty. But I will allow that, while I liked it, I<br />
would not classify Smokehead among the more conte<br />
mplative malts in the bunch. No, for woolgathering<br />
and armchair voyaging, preferably in front of a f<br />
ire, I would be most happy with any of our favorit<br />
es. I prefer them straight, with maybe a spoonful<br />
of water and an equal amount of wonder. As the son<br />
g goes, thinking is the best way to travel.<br />
Tasting Report<br />
BEST VALUE<br />
Laphroaig Islay, $45, *** ?<br />
10 Years, 43%<br />
Heavily smoked, richly medicinal, savory, subtle,<br />
complex and deep. (Laphroaig Import, Deerfield, Il<br />
l.)<br />
Ardbeg Islay, $80, *** ?<br />
Corryvreckan, 57.1%<br />
Lightly smoky and sweet with rich citrus, soy and s<br />
aline flavors. (Moet Hennessy, New York)<br />
Lagavulin Islay, $90, *** ?<br />
Distillers Edition 1993 Double Matured, 43%<br />
Complex and mellow with flavors of smoke, wax, citr<br />
us and fruitcake. (Diageo, Norwalk, Conn.)
Ardbeg Islay, $50, *** ?<br />
10 Years, 46%<br />
Multidimensional and oceanic with smoky, briny, med<br />
icinal flavors. (Moet Hennessy)<br />
Laphroaig Islay, $75, ***<br />
18 Years, 48%<br />
Like a meadow, with aromas of flowers, honey, spic<br />
es and a light touch of smoke and citrus. (Laphroa<br />
ig Import)<br />
Kilchoman Islay, $65, ***<br />
Spring 2011 Release, 46%<br />
Fresh yet complicated with aromas of smoke, butter<br />
cream and citrus. (Impex Beverages, Burlingame, C<br />
alif.)<br />
Bruichladdich Islay, $52, ***<br />
12 Years Second Edition, 46%<br />
Gentle and mild, with aromas and flavors of citrus<br />
, honey, flowers and butterscotch. (Winebow, New Y<br />
ork)<br />
Bowmore Islay, $45, ***<br />
12 Years, 40%<br />
Rich and well balanced with aromas of flowers, for<br />
est and beeswax, and an underlying smokiness. (Sky<br />
y Spirits, San Francisco)<br />
Caol Ila Islay, $57, ** ?<br />
12 Years, 43%<br />
Big, broad and almost oily in texture, with ample<br />
citrus and smokiness yet a freshness as well. (Dia<br />
geo, Norwalk, Conn.)<br />
Lagavulin Islay, $57, ** ?<br />
16 Years, 43%<br />
Pleasant and mildly smoky, with savory flavors but<br />
also a creamy sweetness. (Diageo, Norwalk, Conn.)<br />
~~~~~~~~~~
<strong>NYT</strong>-1207: DINING & WINE<br />
With Rude Names, Wine Stops Minding Its Manners ...<br />
By WILLIAM GRIMES<br />
A growing army of budget-priced wines with names l<br />
ike Bitch and Fat Bastard have shoved their way in<br />
to stores.<br />
===== notyet<br />
IT’S peppery and full of fight. The tannins have g<br />
rip. The nose takes no prisoners. This shiraz is a<br />
bitch.<br />
It says so on the label. Royal Bitch is the name o<br />
f the wine, one of a teeming sisterhood of caberne<br />
ts and chardonnays from a variety of producers wit<br />
h labels like Sassy Bitch, Jealous Bitch, Tasty Bi<br />
tch and Sweet Bitch. They’re reinforcements for a<br />
growing army of rude, budget-priced wines that hav<br />
e shoved their way into wine stores and supermarke<br />
ts in the past few years — most recently Happy Bit<br />
ch, a Hudson Valley rose that made its debut last<br />
month.<br />
The Alcohol and Tobacco Tax and Trade Bureau, an a<br />
gency of the Treasury Department, approves about 1<br />
20,000 applications for wine labels every year. Mo<br />
st names are traditional, often genteel, especiall<br />
y at the lower price points. It’s natural for a ch<br />
ardonnay or cabernet priced below $15 or even $10<br />
to buff the image a bit. Woodbridge, Coastal Estat<br />
es and Turning Leaf could be suburban subdivisions.<br />
Then there are the others. Wines like the Ball Bus<br />
ter, a beefy shiraz-cabernet-merlot blend from the<br />
Barossa Valley in Australia. Or BigAss Red, from<br />
Milano Family Winery in California. Or Stench, an<br />
Australian sparkler from R Winery, the company tha<br />
t collaborated with the American importer Dan Phil<br />
ips of the Grateful Palate in 2004 to get the post<br />
feminist ball rolling with a grenache named, simpl<br />
y, Bitch.<br />
Like a slap across the face, Bitch grabbed the att
ention of a certain type of consumer, primarily yo<br />
ung women en route to a bachelorette or divorce pa<br />
rty, or looking for a special way to say, “I love<br />
you” on Mother’s Day.<br />
“They can buy it and say, ‘Here, bitch, I bought y<br />
ou a present,’ ” said John F. Umbach, the owner of<br />
Joseph Victori Wines, which distributes Royal Bit<br />
ch and Sweet Bitch.<br />
Chatham Imports sensed the appeal of an irreverent<br />
women’s drink in 2005 when one of its distributor<br />
s developed a promotional rum cocktail called Jeal<br />
ous Bitch and shopped it around, diffidently, to b<br />
ars and nightclubs. The sales representatives were<br />
a little nervous about how the name might go over<br />
. But young women loved it, and the company develo<br />
ped a wine to match the name.<br />
“The thing is, if you come out with a conservative<br />
label, it’s hard to separate yourself from the he<br />
rd on the shelf,” Mr. Umbach said. “The competitio<br />
n is just brutal.”<br />
The competition is especially keen at the lower en<br />
d of the market, where winemakers clamor for the a<br />
ttention of consumers looking for a drinkable char<br />
donnay or cabernet for under $20.<br />
For years, winemakers and marketers have been fran<br />
tically popularizing their products, shedding the<br />
chateau image and embracing a blue-collar beer aes<br />
thetic. Last year, the top-selling wine brand in t<br />
he United States was Barefoot. The label shows not<br />
a stately mansion among the vines, but the footpr<br />
int of one of the winery’s former owners.<br />
That irreverence reflects an evolution in the cult<br />
ural presentation of wine that the San Francisco M<br />
useum of Modern Art mapped in the recent exhibitio<br />
n “How Wine Became Modern: Design and Wine 1976 to<br />
Now.” Traditionally, wine labels were purely info
mational. “Around 1980, however — earlier in the<br />
New World, somewhat later in Europe — labels becam<br />
e surfaces for communication, projecting a brand i<br />
dentity for the wine and trying to reach a target<br />
audience,” said Henry Urbach, an architectural cur<br />
ator who organized the exhibition with the archite<br />
cts Diller Scofidio & Renfro.<br />
Casual became cheeky. Now, cheeky has given way to<br />
saucy. In 2005, Brandever Strategy, a Vancouver b<br />
rand consultancy, was hired by Scherzinger Estates<br />
, a sleepy winery in British Columbia, to create a<br />
new image and name. It came up with Dirty Laundry<br />
Vineyard — an allusion to a Chinese laundry and b<br />
ordello that flourished nearby during the gold rus<br />
h era.<br />
“Your immediate reaction is, this is not a good na<br />
me for a wine, but that’s why it is a good name,”<br />
said Bernie Hadley-Beauregard, a principal in Bran<br />
dever. “It has a scratchy hook to it.”<br />
Highway workers posted a new sign along the local<br />
wine route. Traffic into the winery increased tenf<br />
old. “The owner called me and said, ‘We haven’t do<br />
ne any advertising, but suddenly we’re the toast o<br />
f the Okanagan Valley.’ ”<br />
The newer, racier-sounding wines are unlikely to d<br />
isplace Barefoot, but they all chase the same drea<br />
m. On the golden horizon, they see Fat Bastard, a<br />
line of wines from the Languedoc-Roussillon region<br />
that was introduced in the United States in 1998.<br />
Imported by Peter Click of Click Wine Group, the l<br />
ine sold just over 2,000 cases at $10 a bottle in<br />
its first year. By 2004, Fat Bastard was selling 4<br />
25,000 cases, making it one of the most popular Fr<br />
ench wines in the United States.<br />
The other wines do not come close to those numbers<br />
, but they have their little niche. Jim Knight, a
salesman and buyer at the Wine House in Los Angele<br />
s, which stocks about 7,000 labels, says he sells<br />
about five cases of Bitch and the Ball Buster ever<br />
y month. “We carry them because people ask for the<br />
m,” he said. “They’re good wines that people can g<br />
ive with a smile on their face.”<br />
John Gorman, the vice president of sales and marke<br />
ting at Southern Starz, which imports the Ball Bus<br />
ter, said, “The wine makes its way to a lot of law<br />
yers from their clients.”<br />
Under the rules of the federal alcohol bureau, lab<br />
els cannot contain incorrect or misleading informa<br />
tion, disparage a competitor’s product, or have a<br />
statement or image that is obscene or indecent. Bu<br />
t the agency routinely gives the go-ahead for tast<br />
eless or risque labels, which was not always the c<br />
ase.<br />
“It’s actually a good place to see the cultural fa<br />
ult lines shift,” said Robert C. Lehrman, whose co<br />
mpany, Lehrman Beverage Law, advises clients on go<br />
vernment regulations. “Because of a series of comm<br />
ercial speech decisions, not many things are off l<br />
imits anymore.”<br />
Winemakers have some way to go before equaling the<br />
shock value of Jersey’s Toxic Waste, a specialty<br />
spirit. But the bitch category may yield dividends<br />
. Take Rae-Jean Beach, a blended white wine. (The<br />
name needs to be said aloud.) She’s got a husband,<br />
a zinfandel. Sorry, but the name is not printable<br />
here.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1207: OP-ED<br />
A Reluctant Enemy ... By IAN W. TOLL<br />
The architect of the attack on Pearl Harbor had be<br />
en against going to war with the United States at<br />
all.<br />
===== notyet
San Francisco - ON a bright Hawaiian Sunday mornin<br />
g 70 years ago today, hundreds of Japanese warplan<br />
es appeared suddenly over Pearl Harbor and laid wa<br />
ste to the United States Pacific Fleet. The Americ<br />
an people boiled over in righteous fury, and Ameri<br />
ca plunged into World War II. The “date which will<br />
live in infamy” was the real turning point of the<br />
war, which had been raging for more than two year<br />
s, and it opened an era of American internationali<br />
sm and global security commitments that continues<br />
to this day.<br />
By a peculiar twist of fate, the Japanese admiral<br />
who masterminded the attack had persistently warne<br />
d his government not to fight the United States. H<br />
ad his countrymen listened, the history of the 20t<br />
h century might have turned out much differently.<br />
Adm. Isoroku Yamamoto foresaw that the struggle wo<br />
uld become a prolonged war of attrition that Japan<br />
could not hope to win. For a year or so, he said,<br />
Japan might overrun locally weak Allied forces —<br />
but after that, its war economy would stagger and<br />
its densely built wood-and-paper cities would suff<br />
er ruinous air raids. Against such odds, Yamamoto<br />
could “see little hope of success in any ordinary<br />
strategy.” His Pearl Harbor operation, he confesse<br />
d, was “conceived in desperation.” It would be an<br />
all-or-nothing gambit, a throw of the dice: “We sh<br />
ould do our best to decide the fate of the war on<br />
the very first day.”<br />
During the Second World War and for years afterwar<br />
d, Americans despised Yamamoto as an archvillain,<br />
the perpetrator of an ignoble sneak attack, a pers<br />
onification of “Oriental treachery.” Time magazine<br />
published his cartoon likeness on its Dec. 22, 19<br />
41, cover — sinister, glowering, dusky yellow comp<br />
lexion — with the headline “Japan’s Aggressor.” He<br />
was said to have boasted that he would “dictate t<br />
erms of peace in the White House.”
Yamamoto made no such boast — the quote was taken<br />
out of context from a private letter in which he h<br />
ad made precisely the opposite point. He could not<br />
imagine an end to the war short of his dictating<br />
terms in the White House, he wrote — and since Jap<br />
an could not hope to conquer the United States, th<br />
at outcome was inconceivable.<br />
In fact, Yamamoto was one of the most colorful, ch<br />
arismatic and broad-minded naval officers of his g<br />
eneration. He had graduated from the Japanese Nava<br />
l Academy in 1904, during the Russo-Japanese War.<br />
As a 21-year-old ensign, he fought in one of the m<br />
ost famous sea battles in history — the Battle of<br />
Tsushima, in 1905, a lopsided Japanese victory tha<br />
t shocked the world and forced Czar Nicholas II to<br />
sue for peace. Yamamoto was wounded in the action<br />
and wore the scars to prove it — his lower midsec<br />
tion was badly pockmarked by shrapnel, and he lost<br />
two fingers on his left hand.<br />
In the course of his naval career, he traveled wid<br />
ely through the United States and Europe, learning<br />
enough English — mostly during a two-year stint a<br />
t Harvard soon after World War I — to read books a<br />
nd newspapers and carry on halting conversations.<br />
He read several biographies of Lincoln, whom he ad<br />
mired as a man born into poverty who rose to becom<br />
e a “champion” of “human freedom.”<br />
From 1926 to 1928 he served as naval attache in Wa<br />
shington; while in America, he journeyed alone acr<br />
oss the country, paying his way with his own meage<br />
r salary, stretching his budget by staying in chea<br />
p hotels and skipping meals. His travels revealed<br />
the growing power of the American industrial machi<br />
ne. “Anyone who has seen the auto factories in Det<br />
roit and the oil fields in Texas,” he would later<br />
remark, “knows that Japan lacks the national power<br />
for a naval race with America.”<br />
Yamamoto didn’t drink; for vices, he preferred wom
en and gambling. He played shogi (Japanese chess),<br />
poker and bridge aggressively, and for high stake<br />
s. In Tokyo, Yamamoto spent his nights among the g<br />
eishas of the Shinbashi district, who nicknamed hi<br />
m 80 sen. (A manicure cost one yen, equivalent to<br />
100 sen; since he had only eight fingers he demand<br />
ed a discount.)<br />
When Yamamoto appeared in uniform, on the deck of<br />
his flagship or before Emperor Hirohito, he was th<br />
e picture of hatchet-faced solemnity. But in other<br />
settings he was prone to sentimentality, as when<br />
he freely wept at the death of a subordinate, or p<br />
oured out his heart in letters to his geisha lover.<br />
During the political turmoil of the 1930s, Yamamot<br />
o was a leading figure in the navy’s moderate “tre<br />
aty faction,” known for its support of unpopular d<br />
isarmament treaties. He criticized the mindlessly<br />
bellicose rhetoric of the ultranationalist right a<br />
nd opposed the radicals who used revolutionary vio<br />
lence and assassinations to achieve their ends. He<br />
despised the Japanese Army and its leaders, who s<br />
ubverted the power of civilian ministers and engin<br />
eered military adventures in Manchuria and other p<br />
arts of China.<br />
As navy vice minister from 1936 to 1939, Yamamoto<br />
staked his life on forestalling an alliance with N<br />
azi Germany. Right-wing zealots condemned him as a<br />
“running dog” of the United States and Britain an<br />
d vowed to assassinate him. A bounty was reportedl<br />
y placed on his head. He received letters warning<br />
him of an impending punishment “on heaven’s behalf<br />
,” and authorities discovered a plot to blow up a<br />
bridge as he passed over it.<br />
In August 1939, Yamamoto was named commander in ch<br />
ief of the Combined Fleet, the highest seagoing co<br />
mmand in the Japanese Navy. (As it placed him beyo<br />
nd the reach of his enemies, the appointment proba<br />
bly saved his life.) From his flagship, Nagato, us
ually anchored in Hiroshima Bay, Yamamoto continue<br />
d to warn against joining with the Nazis. He remin<br />
ded his government that Japan imported around four<br />
-fifths of its oil and steel from areas controlled<br />
by the Allies. To risk conflict, he wrote, was fo<br />
olhardy, because “there is no chance of winning a<br />
war with the United States for some time to come.”<br />
But Japan’s confused and divided government drifte<br />
d toward war while refusing to face the strategic<br />
problems it posed. It signed the Tripartite Pact w<br />
ith Germany and Italy in Berlin in September 1940.<br />
As Yamamoto had predicted, the American governmen<br />
t quickly restricted and finally cut off exports o<br />
f oil and other vital materials. The sanctions bro<br />
ught events to a head, because Japan had no domest<br />
ic oil production to speak of, and would exhaust i<br />
ts stockpiles in about a year.<br />
Yamamoto realized he had lost the fight to keep Ja<br />
pan out of war, and he fell in line with the plann<br />
ing process. But he continued to ask critical ques<br />
tions. Two decades of strategic planning for a war<br />
with the United States had envisioned a clash of<br />
battleships in the western Pacific — a decisive ba<br />
ttle like that at Tsushima. But Yamamoto now asked<br />
: What if the American fleet declined to play its<br />
part? What if the Americans instead chose to bide<br />
their time and build up their strength?<br />
IN 1940, President Franklin D. Roosevelt ordered t<br />
he fleet to Pearl Harbor. He had intended to signa<br />
l that the United States Navy was in striking dist<br />
ance of Japan — but “conversely,” Yamamoto observe<br />
d, “we’re within striking distance, too. In trying<br />
to intimidate us, America has put itself in a vul<br />
nerable position. If you ask me, they’re just that<br />
bit too confident.” Therein lay the germ of his p<br />
lan to launch a sudden carrier air attack on the H<br />
awaiian stronghold.<br />
Adm. Osami Nagano, chief of the Naval General Staf
f, stiffly resisted the proposed raid. His planner<br />
s worried that it would expose the Japanese aircra<br />
ft carriers to devastating counterstrikes. Yamamot<br />
o countered that the American Fleet was a “dagger<br />
pointed at Japan’s heart,” and surmised that the a<br />
ttack might even cause the Americans to recoil in<br />
shock and despair, “so that the morale of the U.S.<br />
Navy and the American people goes down to such an<br />
extent that it cannot be recovered.” At last, he<br />
threatened to resign unless his operation was appr<br />
oved, and Admiral Nagano capitulated: “If he has t<br />
hat much confidence, it’s better to let Yamamoto g<br />
o ahead.”<br />
Yamamoto appreciated the irony: having risked his<br />
life to prevent war with the United States, he was<br />
now its architect. “What a strange position I fin<br />
d myself in,” he wrote a friend, “having been assi<br />
gned the mission diametrically opposed to my own p<br />
ersonal opinion, with no choice but to push full s<br />
peed in pursuance of that mission. Alas, is that f<br />
ate?”<br />
And yet even in the final weeks of peace, Yamamoto<br />
continued to urge that the wiser course was not t<br />
o fight the United States at all. “We must not sta<br />
rt a war with so little a chance of success,” he t<br />
old Admiral Nagano. He recommended abrogating the<br />
Tripartite Pact and pulling Japanese troops out of<br />
China. Finally, he hoped that the emperor would i<br />
ntervene with a “sacred decision” against war. But<br />
the emperor remained silent.<br />
On Dec. 7, 1941, all eight battleships of the Paci<br />
fic Fleet were knocked out of action in the first<br />
half hour of the conflict. More than 180 American<br />
planes were destroyed, mostly on the ground, repre<br />
senting about two-thirds of the total American mil<br />
itary aircraft in the Pacific theater. The Japanes<br />
e carriers escaped with the loss of just 29 planes.<br />
The Japanese people exulted, and Yamamoto was lift
ed in their eyes to the status of a demigod. Now h<br />
e could dictate his wishes to the Tokyo admirals,<br />
and would continue to do so until his death in Apr<br />
il 1943, when American fighters shot down his airc<br />
raft in the South Pacific.<br />
And yet, Pearl Harbor aside, Yamamoto was not a gr<br />
eat admiral. His strategic blunders were numerous<br />
and egregious, and were criticized even by his own<br />
subordinate officers.<br />
Indeed, from a strategic point of view, Pearl Harb<br />
or was one of the most spectacular miscalculations<br />
in history. It aroused the American people to wag<br />
e total, unrelenting war until Japan was conquered<br />
. Yamamoto was also directly responsible for Japan<br />
’s cataclysmic defeat at the Battle of Midway, and<br />
for the costly failure of his four-month campaign<br />
to recapture the island of Guadalcanal.<br />
But perhaps the most important part of Yamamoto’s<br />
legacy was not his naval career at all, but the pa<br />
rt he played in the boisterous politics of prewar<br />
Japan. He was one of the few Japanese leaders of h<br />
is generation who found the moral courage to tell<br />
the truth — that waging war against the United Sta<br />
tes would invite a national catastrophe. As Japan<br />
lay in ashes after 1945, his countrymen would reme<br />
mber his determined exertions to stop the slide to<br />
ward war. In a sense, Isoroku Yamamoto was vindica<br />
ted by Japan’s defeat.<br />
Ian W. Toll is the author of “Pacific Crucible: War<br />
at Sea in the Pacific, 1941-1942.”<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1208: OPINION: OPINIONATOR - <strong>THE</strong> STONE<br />
Intellectuals and Politics ... By GARY GUTTING<br />
Good politicians don't need to be intellectuals, b<br />
ut they should at least have intellectual lives.<br />
===== notyet
The Stone is featuring occasional posts by Gary Gu<br />
tting, a professor of philosophy at the University<br />
of <strong>Not</strong>re Dame, that apply critical thinking to in<br />
formation and events that have appeared in the new<br />
s.<br />
The rise of Newt Gingrich, Ph.D.— along with the a<br />
pparent anti-intellectualism of many of the other<br />
Republican candidates — has once again raised the<br />
question of the role of intellectuals in American<br />
politics.<br />
In writing about intellectuals, my temptation is t<br />
o begin by echoing Marianne Moore on poetry: I, to<br />
o, dislike them. But that would be a lie: all els<br />
e equal, I really like intellectuals. Besides, I’<br />
m an intellectual myself, and their self-deprecati<br />
on is one thing I really do dislike about many int<br />
ellectuals.<br />
What is an intellectual? In general, someone seri<br />
ously devoted to what used to be called the “life<br />
of the mind”: thinking pursued not instrumentally,<br />
for the sake of practical goals, but simply for t<br />
he sake of knowing and understanding. Nowadays, u<br />
niversities are the most congenial spots for intel<br />
lectuals, although even there corporatism and care<br />
erism are increasing threats.<br />
Intellectuals tell us things we need to know: how<br />
nature and society work, what happened in our past<br />
, how to analyze concepts, how to appreciate art a<br />
nd literature. They also keep us in conversation<br />
with the great minds of our past. This conversat<br />
ion may not, as some hope, tap into a source of en<br />
during wisdom, but it at least provides a critical<br />
standpoint for assessing the limits of our curren<br />
t cultural assumptions.<br />
In his “Republic,” Plato put forward the ideal of<br />
a state ruled by intellectuals who combined compre<br />
hensive theoretical knowledge with the practical c
apacity for applying it to concrete problems. In<br />
reality, no one has theoretical expertise in more<br />
than a few specialized subjects, and there is no s<br />
trong correlation between having such knowledge an<br />
d being able to use it to resolve complex social a<br />
nd political problems. Even more important, our t<br />
heoretical knowledge is often highly limited, so t<br />
hat even the best available expert advice may be o<br />
f little practical value. An experienced and info<br />
rmed non-expert may well have a better sense of th<br />
ese limits than experts strongly invested in their<br />
disciplines. This analysis supports the traditio<br />
nal American distrust of intellectuals: they are n<br />
ot in general highly suited for political office.<br />
But it does not support the anti-intellectualism t<br />
hat tolerates or even applauds candidates who disd<br />
ain or are incapable of serious engagement with in<br />
tellectuals. Good politicians need not be intell<br />
ectuals, but they should have intellectual lives.<br />
Concretely, they should have an ability and inter<br />
est in reading the sorts of articles that appear i<br />
n, for example, Scientific American, The New York<br />
Review of Books, and the science, culture and op-e<br />
d sections of major national newspapers — as well<br />
as the books discussed in such articles.<br />
It’s often said that what our leaders need is comm<br />
on sense, not fancy theories. But common-sense id<br />
eas that work in individuals’ everyday lives are o<br />
ften useless for dealing with complex problems of<br />
society as a whole. For example, it’s common sens<br />
e that government payments to the unemployed will<br />
lead to more jobs because those receiving the paym<br />
ents will spend the money, thereby increasing dema<br />
nd, which will lead businesses to hire more worker<br />
s. But it’s also common sense that if people are<br />
paid for not working, they will have less incentiv<br />
e to work, which will increase unemployment. The<br />
trick is to find the amount of unemployment benefi<br />
ts that will strike the most effective balance bet<br />
ween stimulating demand and discouraging employmen
t. This is where our leaders need to talk to econ<br />
omists.<br />
Knowing how to talk to economists and other expert<br />
s is an essential skill of good political leaders.<br />
This in turn requires a basic understanding of h<br />
ow experts in various fields think and what they m<br />
ight have to offer for resolving a given problem.<br />
Leaders need to be intelligent “consumers” of expe<br />
rt opinions.<br />
Our current electoral campaigns are not very good<br />
at determining candidates’ understanding of releva<br />
nt intellectual issues. “Pop quizzes” from interv<br />
iewers on historical or geographical facts don’t t<br />
ell us much: those who know the answers may still<br />
have little grasp of fundamental policy questions,<br />
whereas a good grasp can be consistent with a lac<br />
k of quick factual recall. Nor does reading sophi<br />
sticated policy speeches that others have written<br />
or reciting pre-programmed talking points in inter<br />
views or news conferences tell us much about a can<br />
didate’s knowledge. Even quick-thinking responses<br />
in debates may indicate glibness rather than unde<br />
rstanding.<br />
The best evidence of how capable candidates are of<br />
fruitfully interacting with intellectuals would b<br />
e to see them doing just this. Concretely, I make<br />
the follow suggestion for the coming presidential<br />
election: Gather small but diverse panels of emi<br />
nent, politically uncommitted experts on, say, une<br />
mployment, the history of the Middle East, and cli<br />
mate science, and have each candidate lead an hour<br />
-long televised discussion with each panel. The c<br />
andidates would not be mere moderators but would b<br />
e expected to ask questions, probe disagreements,<br />
express their own ideas or concerns, and periodica<br />
lly summarize the state of discussion. Such engag<br />
ements would provide some of the best information<br />
possible for judging candidates, while also enormo<br />
usly improving the quality of our political discourse.
A utopian fantasy? Very likely — but imagine a ra<br />
ce between Barack Obama and Newt Gingrich, two for<br />
mer college professors, and who knows?<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1208<br />
Military Flexes Its Muscles as Islamists Gain in Eg<br />
ypt ... By DAVID D. KIRKPATRICK<br />
Gen. Mokhtar al-Molla of Egypt's ruling military c<br />
ouncil said it would manage the writing of the cou<br />
ntry's new constitution in order to insure against<br />
an Islamist takeover.<br />
<strong>NYT</strong>-1208<br />
Plot to Smuggle Qaddafi Son Into Mexico Is Disrupt<br />
ed, Government Official Says ... By RANDAL C. ARCH<br />
IBOLD<br />
Saadi el-Qaddafi and his family were going to rece<br />
ive false documents identifying them as Mexican, t<br />
he interior minister said.<br />
<strong>NYT</strong>-1208<br />
Drone Crash in Iran Reveals Secret U.S. Surveillan<br />
ce Effort ... By SCOTT SHANE and DAVID E. SANGER<br />
High-altitude flights of stealth C.I.A. drones fro<br />
m bases in Afghanistan had been among the most sec<br />
ret of many American intelligence-collection effor<br />
ts against Iran.<br />
<strong>NYT</strong>-1208<br />
New Orleans Struggles to Stem Homicides ... By CAMP<br />
BELL ROBERTSON<br />
The mayor says the problem is so bad that a studen<br />
t at a certain city high school was more likely to<br />
be killed than a soldier in Afghanistan.<br />
<strong>NYT</strong>-1208<br />
Democrats See a Two-Horse G.O.P. Race, Adding a Whi<br />
p ... By JEFF ZELENY and JIM RUTENBERG<br />
The White House and its allies hope to help stretc<br />
h the Republican presidential nominating contest i
nto a longer and bloodier battle between Mitt Romn<br />
ey and Newt Gingrich.<br />
<strong>NYT</strong>-1208<br />
2 Character Models for a Single Cinematic Point: W<br />
inning Elections at Any Cost ... By ADAM NAGOURNEY<br />
Two political movies seem likely to fuel debate ov<br />
er what is done in the name of winning elections.<br />
<strong>NYT</strong>-1208<br />
New Romney Ad Turns Up Heat on Gingrich ... By MICH<br />
AEL D. SHEAR<br />
Mitt Romney's campaign has shifted gears with a ne<br />
wly aggressive phase, less than a month before the<br />
Iowa caucuses.<br />
<strong>NYT</strong>-1208<br />
G.O.P. Candidates, at Jewish Coalition, Pledge to<br />
Be Israel's Best Friends ... By RICHARD A. OPPEL J<br />
r.<br />
Most candidates suggested they would differ substa<br />
ntially from previous Democratic and Republican ad<br />
ministrations on critical elements of the Middle E<br />
ast peace process.<br />
<strong>NYT</strong>-1208<br />
Frenzy of Year-End Activity for Congress ... By JEN<br />
NIFER STEINHAUER and ROBERT PEAR<br />
While the first session of the 112th Congress was<br />
defined by bruising fiscal battles, Democrats and<br />
Republicans have now moved to the election-year st<br />
age of governing.<br />
<strong>NYT</strong>-1208<br />
From Vacant to Vibrant ... By NICK BUNKLEY<br />
Developers, drawn by lower property values, have b<br />
een purchasing closed auto plants, which have help<br />
ed communities regain considerable tax revenue.<br />
<strong>NYT</strong>-1208<br />
Phones Get Game Power in the Cloud ... By NICK WING<br />
FIELD
The Silicon Valley start-up OnLive is introducing<br />
software to bring the power of its game service to<br />
mobile devices via so-called cloud computing.<br />
<strong>NYT</strong>-1208<br />
White House Pushes Vote on Consumer Agency Chief ..<br />
. By EDWARD WYATT<br />
President Obama is trying to sway enough Republica<br />
n Senators to allow a vote on the nomination of Ri<br />
chard Cordray to head the Consumer Financial Prote<br />
ction Bureau.<br />
<strong>NYT</strong>-1208<br />
Cellphones Test Strength of Gym Rules ... By CA<strong>THE</strong>R<br />
INE SAINT LOUIS<br />
The versatility of smartphones is a challenge to g<br />
yms, who seek to block users who want to make a ca<br />
ll, text or send e-mail.<br />
<strong>NYT</strong>-1208<br />
Central Park, the Soundtrack ... By JAMES C. McKINL<br />
EY Jr.<br />
The music duo Bluebrain created Central Park (List<br />
en to the Light), an app responding to a strolling<br />
visitor's location and movements.<br />
===== notyet<br />
Clamp on headphones, start up the iPhone app by th<br />
e musical duo Bluebrain and walk into Central Park<br />
. The music does not begin until you pass through<br />
an entrance and head into the trees. Then it sound<br />
s like an orchestra tuning up, a chaotic jumble of<br />
wind chimes, electronic moans and discordant stri<br />
ngs. Push farther into the park, and a sweet violi<br />
n melody emerges over languid piano chords.<br />
As you walk, new musical themes hit you every 20 o<br />
r 30 steps, as if they were emanating from statues<br />
, playgrounds, open spaces and landmarks. At the B<br />
ethesda Fountain a string quartet plays a hopeful<br />
march. The Kerbs Boathouse, with its tranquil pond<br />
full of model sailboats, triggers a soothing Pach<br />
elbel-like motif with a descending bass. Strolling
across Sheep Meadow you hear a pastoral piano the<br />
me with a bubbling undercurrent of electronic arpe<br />
ggios.<br />
The themes layer over one another, growing in volu<br />
me as you approach certain points on the map and f<br />
ading out as you move away. It’s a musical Venn di<br />
agram placed over the landscape, and at any time y<br />
ou might have two dozen tracks playing in your ear<br />
s, all meshing and colliding in surprising ways. T<br />
he path you take determines what you hear, and the<br />
biggest problem with what the composers call a “l<br />
ocation-aware album” is that you may get blisters<br />
on your feet trying to hear it all.<br />
“It’s like a choose-your-own-adventure album,” sai<br />
d Ryan Holladay, who forms this Washington electro<br />
-pop duo with his brother Hays.<br />
They released the app, called Central Park (Listen<br />
to the Light), for the iPhone and iPad in October<br />
. The app is free, but the brothers hope the music<br />
al format will become a commercially viable medium<br />
. It uses a global positioning network to activate<br />
different themes as the listener wanders through<br />
the park. The app contains more than 400 tracks, e<br />
ach tied to a location. They were written to fit t<br />
ogether harmonically like a sonic jigsaw puzzle.<br />
The Holladays are not the only musicians harnessin<br />
g such technology on iPhones, iPads and their imit<br />
ators. Bjork turned her most recent album, “Biophi<br />
lia,” into an audio-visual game of sorts for the i<br />
Phone, letting listeners rearrange and mix musical<br />
elements on some songs.<br />
A few others have experimented with music shaped b<br />
y the listener’s movements. In 2006 Jesse Stiles a<br />
nd Melissa St. Pierre of the Baltimore musical gro<br />
up Face Removal Services hitched a car’s global po<br />
sitioning system to a computer containing hundreds<br />
of dance beats on loops and created what they cal
led the Beatmap. As they drove the car across the<br />
Bonneville Salt Flats in Utah, the beats overlappe<br />
d, creating complex mash-ups.<br />
But Bluebrain’s project goes further, creating mus<br />
ic that not only must be listened to in a specific<br />
place but also is inspired by the landscape itsel<br />
f.<br />
“It’s not just that they are using this as a novel<br />
delivery mechanism,” said Peter Kirn, an electron<br />
ic composer who edits the Web site Create Digital<br />
Music. “It’s part of their musical process. They a<br />
re forcing you to go to a place because that place<br />
for them is musically meaningful.”<br />
The idea for such a project came to the Holladay b<br />
rothers more than two years ago, as they brainstor<br />
med about ways to use new applications available f<br />
or the iPhone. “Wouldn’t it be cool if there were<br />
an album that you would interact with in Central P<br />
ark?” Hays recalled saying. “Then we started think<br />
ing about what would you be controlling, and we ca<br />
me to the idea of: What if it were your movement?”<br />
It was easier said than done. It took months to fi<br />
nd Brian Feldman, a Brooklyn software developer wh<br />
o was willing to work for little money up front. T<br />
hey worked out bugs in the program as they compose<br />
d their first location-aware piece of music for th<br />
e National Mall in their hometown; they released t<br />
hat app in May.<br />
Mr. Feldman wrote a new software engine, which he<br />
named Sscape, for the application, borrowing ideas<br />
from video games that have different sound effect<br />
s and background music tied to places in their vir<br />
tual worlds. To use the program, the composers est<br />
ablish map coordinates for each track, and those t<br />
racks, usually loops of several minutes, are set o<br />
ff as the listener approaches. Last month the brot<br />
hers hired a second software firm, Zamtools, in To
onto, to improve and compress the program.<br />
“We didn’t want something to sound like a machine,<br />
” Mr. Feldman said. “We wanted it to sound like th<br />
ese guys were conducting an orchestra and watching<br />
where you are walking.”<br />
For Central Park the Holladays went for a classica<br />
l feeling. The melodies are mostly stately, slow m<br />
arches played on strings or the piano, usually inv<br />
olving a simple two- or four-chord progression, wi<br />
th some electronic chirps, loops and ambient sound<br />
s added in the higher registers or rumbling beneat<br />
h the melody.<br />
Josh Stewart, a 25-year-old publicist, who writes<br />
a blog about alternative music, was recently part<br />
of a group of 100 Bluebrain fans who came up from<br />
Washington to New York by chartered bus to try the<br />
new app.<br />
At the Lake, Mr. Stewart recalled, he heard paddle<br />
s in water keeping time to a string melody and had<br />
to take off the headphones to make sure the swish<br />
ing rhythm was on the recording and not coming fro<br />
m boaters.<br />
“You are walking around, and you are experiencing<br />
the park in your own way, and the music is kind of<br />
adapting to you,” he said. “I have never experien<br />
ced anything else like that.”<br />
The Holladay brothers grew up in Virginia, but say<br />
they fell in love with Central Park when they wer<br />
e going to college in New York in the late 1990s,<br />
Ryan at New York University and Hays at Columbia.<br />
While still students, they formed a five-piece ele<br />
ctro-pop band, the Epochs, and made two albums bef<br />
ore disbanding in 2008. In New York they were infl<br />
uenced by the works of the avant-garde composer Ph<br />
il Kline and participated in his boom-box walks in<br />
Greenwich Village, during which dozens of people
carry tape players carrying different recordings t<br />
hat complement one another.<br />
They moved back to Washington in the fall of 2009<br />
and began performing as Bluebrain, playing offbeat<br />
electronic music and pursuing experimental projec<br />
ts. They have financed the two location-aware albu<br />
ms — which together have been downloaded more than<br />
10,000 times — out of their own pockets, cajoling<br />
friends to play the string and percussion parts a<br />
nd recording the tracks at the Iguazu recording st<br />
udio in Arlington, Va., where Hays, 27, works. Rya<br />
n, 29, is an art curator.<br />
Mr. Feldman said the Central Park album only uses<br />
a fraction of his program’s potential. The program<br />
can create a virtual world of sound, with sources<br />
of music that move through the park and tracks th<br />
at change depending on factors like the weather an<br />
d the speed of the listener’s gait. “These guys ar<br />
e only scratching the surface,” he said.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1208<br />
BlackBerry Maker Changes New Operating System's Nam<br />
e ... By IAN AUSTEN<br />
Less than two months after Research in Motion anno<br />
unced that the new operating system to revive the<br />
BlackBerry brand would be called BBX, the company<br />
was ordered by a court not to use the name.<br />
===== notyet<br />
OTTAWA — Less than two months after Research In Mo<br />
tion announced that its new operating system to re<br />
vive the BlackBerry brand would be called BBX, the<br />
company has changed its mind. Now, it will be cal<br />
led BlackBerry 10.<br />
The late change followed the granting of a restrai<br />
ning order on Tuesday by a federal court in New Me<br />
xico to a small Albuquerque-based software maker,<br />
Basis International, that has long used the name B<br />
Bx.
In a statement on Wednesday about the name change,<br />
RIM did not address the trademark infringement ac<br />
tion by Basis International. “The BlackBerry 10 na<br />
me reflects the significance of the new platform a<br />
nd will leverage the global strength of the BlackB<br />
erry brand while also aligning perfectly with RIM’<br />
s device branding,” the statement said. RIM did no<br />
t respond to questions about whether it has abando<br />
ned the BBX name.<br />
The sudden rebranding is the latest in a series of<br />
setbacks, both small and large, for RIM recently,<br />
including having to restate its financial guidanc<br />
e for the current quarter because of steep discoun<br />
ts on its tablet computer as well as the firing of<br />
two executives whose drunken outbursts forced the<br />
return of a Toronto-to-Beijing flight and led to<br />
criminal charges. The new financial guidance furth<br />
er depressed RIM’s already battered stock price.<br />
The new phone operating system was developed by QN<br />
X Software Systems, a company based in Ottawa that<br />
RIM acquired last year. The BBX name appeared to<br />
be an attempt to meld the BlackBerry and QNX names.<br />
Basis has been using both the BBX and BBx names fo<br />
r several years on products that allow developers<br />
to create apps that can work on any operating syst<br />
em.<br />
“Even the more cursory search for the BBX trademar<br />
k would have shown that we hold it,” said Nico Spe<br />
nce, the chief executive of Basis.<br />
After RIM announced the BBX name at a developers’<br />
conference in San Francisco in October, Basis soug<br />
ht a permanent injunction under trademark laws. It<br />
also asked for the temporary order, which is vali<br />
d for only 14 days, to prevent RIM from using the<br />
name at its developers conference in Singapore thi<br />
s week.
Mr. Spence said Wednesday that he had not heard an<br />
ything from RIM or its lawyers about the company’s<br />
new brand. He said that Basis would continue to s<br />
eek a permanent injunction as well as damages from<br />
RIM. “Their announcement is certainly encouraging<br />
in that it looks like they are abandoning it, but<br />
it may only be temporary,” he said.<br />
The new name follows RIM’s traditional practice of<br />
naming operating systems using numbers. The opera<br />
ting system it will replace is called BlackBerry 7.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1208: REPORTER'S NOTEBOOK<br />
Constantly Checking In, Without Ever Checking In ..<br />
. By HOWARD BECK<br />
For Howard Beck, the Times reporter who covered th<br />
e N.B.A. lockout, the 149-day ordeal was spent ins<br />
ide and outside some of New York's finest hotels.<br />
===== notyet<br />
This summer and fall, I spent 156 hours in some of<br />
New York’s finest hotels. I did not sleep, or sho<br />
wer, or earn rewards points. I was not, in the ver<br />
nacular of the service industry, a “guest.” At tim<br />
es, I felt more like a hostage, subsisting on a di<br />
et of stale pizza, trail mix and anonymous sources.<br />
To be a reporter covering the N.B.A. lockout was t<br />
o enter a parallel universe, where normalcy was su<br />
spended, truth was pliable and time had no meaning<br />
. Absurdity reigned.<br />
There were news conferences at 4 in the morning, B<br />
etty White sightings, a Gregg Popovich jog-by and<br />
a cameo by former President Bill Clinton.<br />
Bargaining sessions stretched for 15 hours while w<br />
e stood on sidewalks or loitered in chilled lobbie<br />
s, or sweated in stuffy conference rooms with bad<br />
wallpaper.
Twitter turned into a newswire, a lifeline to the<br />
outside world and a catchphrase machine, all in on<br />
e. A player’s inadvertent text message became a un<br />
iversal lockout greeting: “How u?”<br />
For the dozen or so reporters who covered every me<br />
eting, it often felt like we were living in our ow<br />
n twisted reality show: “Survivor: Lockout Edition<br />
.”<br />
The show mercifully ended at 3 a.m. Nov. 26, when<br />
owners and players at last agreed to a new labor d<br />
eal, on the lockout’s 149th day. That deal is expe<br />
cted to be ratified Thursday, at yet another Midto<br />
wn hotel, the final chapter of a dizzying stakeout<br />
saga.<br />
To our great surprise, thousands of people joined<br />
us for the ride via Twitter, clicking and “retweet<br />
ing” every trivial nugget (“Talks have broken for<br />
dinner”), every news conference quote (“Enormous c<br />
onsequences”) and every punch-drunk riff by report<br />
ers (“Mutant pizza”), no matter the hour.<br />
During one late-night session at the Waldorf-Astor<br />
ia, I heard from a Twitter follower in Australia.<br />
He was just getting out of work. My friend David A<br />
ldridge of TNT said he received Twitter responses<br />
from six continents that night. Everywhere but Ant<br />
arctica, where I’m guessing the Wi-Fi is a little<br />
sketchy.<br />
Covering a professional sports labor battle can be<br />
a thankless task. No one wants to hear about mill<br />
ionaire athletes and billionaire owners fighting o<br />
ver a $4 billion pie, especially in a depressed ec<br />
onomy. The average fan wants to know only three th<br />
ings:<br />
Is it over?<br />
Who won?
How does it affect my team?<br />
The rest is just posturing and mind-numbing jargon<br />
: escrow tax, BRI, repeater tax, the cliff, nontax<br />
payer midlevel exception.<br />
Somehow, these issues and phrases found a dedicate<br />
d audience which, through the beauty of modern tec<br />
hnology, could respond to all of us in real time a<br />
s we drifted into a late-night stupor at the Waldo<br />
rf, or the Sheraton, or the Lowell Hotel.<br />
Twitter provided instant gratification — Look, peo<br />
ple care! — reassuring us in 140-character bursts<br />
that the endless stakeouts were worthwhile.<br />
The fans helped keep us sane — along with reruns o<br />
f “Seinfeld” streaming on the touchpad screens of<br />
Ken Berger of CBSSports.com and Alan Hahn of Newsd<br />
ay.<br />
The fans kept us fed, too. A network of generous b<br />
loggers, coordinated by the salary-cap savant Larr<br />
y Coon — out of pity or support — regularly sent u<br />
s stacks of pizza. Marc Cornstein, a New York-base<br />
d player agent, sent two massive deli platters (th<br />
us inspiring a new sandwich title, the Cornstein o<br />
n rye). The Brooklyn-bound Nets also sent pizza on<br />
e afternoon, to the chagrin of the Waldorf securit<br />
y staff, which harrumphed at the stack of cardboar<br />
d boxes in their pristine lobby. (That lobby was r<br />
outinely chilled to what felt like 55 degrees, whi<br />
ch at least helped keep us awake.)<br />
The various hotel staffs generally tolerated us as<br />
we gradually took over every couch, every table a<br />
nd every wall outlet, our own little Occupy moveme<br />
nt.<br />
It was while waiting in the Waldorf lobby, on Oct.<br />
26, that we had our Betty White sighting. She was
eing honored at the 21st annual Broadcasting & C<br />
able Hall Of Fame awards. She left around 5:15 a.m<br />
., presumably after a solid night of sleep. I was<br />
still typing.<br />
Clinton passed through after a Nov. 8 player meeti<br />
ng at the Sheraton. He stopped long enough to shak<br />
e hands, hug the union president Derek Fisher and<br />
hand out copies of his book, before heading to a “<br />
Daily Show” taping.<br />
Along the way, I learned that the Cole Porter pian<br />
o, in the Waldorf lobby, is a major tourist attrac<br />
tion. (We resisted the urge to plank it.) I learne<br />
d that the Lowell, a boutique hotel on East 63rd S<br />
treet, makes amazing chocolate-chip cookies. The L<br />
owell also provided my back rest, as I sat on the<br />
63rd Street sidewalk on the night of Oct. 4, and w<br />
rote that the N.B.A. had just canceled the first t<br />
wo weeks of the season.<br />
The hotels were chosen, often at the last minute,<br />
based on the availability of conference rooms. N.B<br />
.A. officials had a particular affinity for the Lo<br />
well, which had a tiny lobby, forcing us to wait o<br />
utside.<br />
Passers-by, many of them walking tiny dogs, often<br />
asked if we were waiting for someone famous. No, w<br />
e told them, just David Stern.<br />
During one of the early stakeouts, Popovich, the S<br />
an Antonio Spurs coach, jogged by and seemed start<br />
led to find N.B.A. reporters on the sidewalk. He c<br />
laimed to have no idea that negotiations, which in<br />
volved the Spurs owner Peter Holt, were going on n<br />
earby.<br />
On another night, I watched a man surreptitiously<br />
videotape a couple having dinner at the French bis<br />
tro across the street. Apparently, someone was abo<br />
ut to get divorced.
That same night, two TV cameramen fought – poorly<br />
— after angrily wrestling for position during Ster<br />
n’s sidewalk press conference. That was the last t<br />
ime the sides used the Lowell.<br />
We thought the odyssey would end much sooner. For<br />
a minute, we thought it had. On Sept. 8, Roger Mas<br />
on Jr., a member of the players’ executive board,<br />
sent out a Twitter message: “Looking like a season<br />
. How u.” Mason said the message was inadvertent a<br />
nd was not intended as a prediction.<br />
Mason’s misstep spawned a lockout meme, later join<br />
ed by “marathon session,” “mutant pizza” and “enor<br />
mous consequences” in the lockout lexicon. An N.B.<br />
A. blog, Outside the Arc, immortalized them in a l<br />
yrical tribute, put to the tune of Billy Joel’s “W<br />
e Didn’t Start the Fire.”<br />
The last night was the longest. I filed an article<br />
announcing the lockout’s end around 6:30 a.m. The<br />
sun was rising as a cab took me over the Manhatta<br />
n Bridge. The New York Times was already on my sto<br />
op. The most surreal chapter in my N.B.A. reportin<br />
g career had reached its weary conclusion.<br />
With a vote by N.B.A. owners on Thursday afternoon,<br />
a sense of normalcy will return.<br />
It is, finally, looking like a season. How u?<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1208<br />
Millions? Private Jet? Columbia Offers New York ...<br />
By ANDREW KEH<br />
Columbia, which is searching for a new coach after<br />
a 1-9 season, can't compete with the likes of Ohi<br />
o State, but it does have its advantages.<br />
===== notyet<br />
Early one morning last week, inside Columbia’s sub<br />
terranean athletic center in Upper Manhattan, M. D
ianne Murphy leaned over a conference table and wr<br />
apped her fingers around a disposable cup of coffe<br />
e. There was no time to sleep these days, she said<br />
.<br />
Murphy, the university’s athletic director, was in<br />
the midst of a nationwide hunt for a new football<br />
coach, a circumstance shared by a high number of<br />
top-flight programs this fall. Earlier that week,<br />
Ohio State made headlines by hiring Urban Meyer, t<br />
he former coach at Florida, enticing him with a co<br />
mpensation package that included a base salary of<br />
$4 million per year, a country club membership, a<br />
$12,000 automobile stipend and the use of a privat<br />
e jet.<br />
As Murphy, bleary-eyed yet cheerful, prepared for<br />
another day of telephone interviews, the situation<br />
in Columbus seemed a far cry from the situation a<br />
t Columbia. The quirks of coaching Ivy League foot<br />
ball — not to mention finding a coach in the first<br />
place — are well known, but the idiosyncrasies fe<br />
el multiplied at Columbia, a university in the hea<br />
rt of a bustling city with a football program famo<br />
us for losing 44 straight games in the 1980s. And,<br />
of course, Murphy does not have an airplane to us<br />
e as a bargaining chip.<br />
“Wouldn’t that be nice?” Murphy said with a laugh.<br />
“Yeah, that would be nice. But the right person f<br />
or us is probably sitting in coach somewhere.”<br />
Murphy arrived at Columbia in 2005 with the task o<br />
f revitalizing a floundering athletics department,<br />
and in many respects she has seen success. Sports<br />
at Columbia have found some new respectability. T<br />
his past season, the men’s cross-country team qual<br />
ified for the N.C.A.A. nationals for the first tim<br />
e and the men’s soccer team came within a goal of<br />
its first league title since 1993.<br />
Football, though, has continued to lag. This year,
the team did not win a game until the final day o<br />
f the season. The next morning, the coach, Norries<br />
Wilson, was fired. He finished with a record of 1<br />
7-43 in six seasons.<br />
For decades, the football team has been at best a<br />
punch line and at worst an object of scorn. Last w<br />
eek, the Columbia Spectator, the campus newspaper,<br />
ran a column questioning whether the team should<br />
exist at all, painting the program as antithetical<br />
to the university’s academic values.<br />
Jim Pagels, one of the newspaper’s sports editors,<br />
said the views did not represent the majority of<br />
the student body, but that the football team in hi<br />
s view was indeed marginalized. “There is not a re<br />
al resentment or a call to disband the football te<br />
am,” he said. “But I think in general there is wid<br />
espread apathy and indifference.”<br />
Taken together, these factors might at first glanc<br />
e afford Murphy’s search a measure of quaintness.<br />
Yet, there are indications that the vacant job — t<br />
hough lacking in outward glamour — might be an une<br />
xpectedly enviable one.<br />
The average salary for the head coaches of Columbi<br />
a’s 14 men’s teams last year was $93,984, accordin<br />
g to a report from the United States Department of<br />
Education. The same report showed the university<br />
had spent $2,670,238 — far less than Meyer’s new a<br />
nnual salary — to cover the combined expenses of t<br />
he entire football program.<br />
The football coach, however, is compensated at a l<br />
evel comparable to senior administration officials<br />
and top faculty members, according to people fami<br />
liar with the program, and his base salary is actu<br />
ally closer to $250,000. Other benefits can includ<br />
e an apartment in Manhattan and assistance in enro<br />
lling a coach’s children in the competitive, unive<br />
rsity-run elementary school on the Upper West Side.
And the bonuses, many say, run deeper than that.<br />
“The perks in the Ivy League are more intangible t<br />
han they are material,” said Tom Beckett, the athl<br />
etic director at Yale. “The perks and salaries at<br />
these other big schools, that’s not going to happe<br />
n. But there are wonderful things that do happen.”<br />
Ivy League universities emphasize the prestige of<br />
their institutions to coaching candidates. This ye<br />
ar, Columbia was No. 4 in U.S. News and World Repo<br />
rt’s annual ranking of national universities, and<br />
people at the university consider its alumni netwo<br />
rk to be particularly strong.<br />
The athletic department in 2007 received pledges o<br />
f $10 million from William V. Campbell, the chairm<br />
an of the board of Intuit, and $5 million from Rob<br />
ert K. Kraft, the chairman of the Kraft Group and<br />
the owner of the New England Patriots. Both played<br />
football at Columbia. Campbell is also the chairm<br />
an of Columbia’s trustees, giving the team a power<br />
ful advocate on campus.<br />
“Even successful alums from other areas of the sch<br />
ool don’t have the same affinity for the school th<br />
at athletes do,” said Jake Novak, a senior produce<br />
r at Fox Business who chronicles Columbia athletic<br />
s on a widely read blog. “They can open so many do<br />
ors for a coach and give him entree into a differe<br />
nt world in New York.”<br />
Novak and others said that for a savvy coach, the<br />
Columbia job was a sparkling opportunity. The admi<br />
nistration has shown a new commitment to athletics<br />
, as evidenced by recent increases in operating bu<br />
dgets, the opening next year of a new primary faci<br />
lity for the athletics department and efforts to h<br />
elp athletes in areas like class scheduling.<br />
“Fifteen years ago, there was a long list of thing
s needed for the program to even begin to be compe<br />
titive, and that list has now largely been elimina<br />
ted,” said Mike Griffin, who was an assistant athl<br />
etic director from 1996 to 2004.<br />
And the endless losing seasons, combined with thes<br />
e recent advances, creates a sort of job security,<br />
where a handful of victories would be a major suc<br />
cess and losses would not create undue pressure.<br />
“There’s a certain hope-springs-eternal quality wi<br />
thin the job,” said Jim McMenemin, the director of<br />
principal gifts and senior adviser to the dean of<br />
the college. “This is particularly true now, as u<br />
niversity leadership is fully behind the football<br />
program being successful and believes it to be com<br />
patible with the academic and intellectual culture<br />
of the university.”<br />
Murphy acknowledged the futility of Columbia footb<br />
all, pointing out that it had only five winning se<br />
asons since 1956. She disputed, though, the charac<br />
terization of Columbia as apathetic toward footbal<br />
l. As an example — one she said she was disappoint<br />
ed to see — she said Wilson’s wife had been subjec<br />
ted to rude comments from angry fans at recent hom<br />
e games.<br />
She believes steadfastly that football is a core e<br />
lement of the college experience, even in New York<br />
.<br />
Murphy said in the past she had been “naive” about<br />
the influence of the city on the job, discounting<br />
such factors like the cost of living and where a<br />
coach would send his children to school. Now, she<br />
said, the city was one of her strongest selling po<br />
ints and that a candidate’s enthusiasm for it woul<br />
d be a primary concern as she looks to hire a coac<br />
h before a self-imposed Dec. 15 deadline.<br />
“There’s nothing like New York,” Murphy said. “And
if you’re going to be frustrated because the subw<br />
ay is slow, you’re not going to do well here.”<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1208<br />
To Sleep on the Subway, Maybe, but to Dream? Poor C<br />
hance ... By CHRISTINE HAUGHNEY<br />
A sleep researcher, with the aid of a drowsy strap<br />
hanger, set out to discover whether dozing undergr<br />
ound was worth its while.<br />
===== notyet<br />
A ride on the New York subway can be a sensory ove<br />
rload: musicians perform for change; conductors pl<br />
ead to those who hold open train doors to relent;<br />
and passengers, often in unimaginably close proxim<br />
ity, subject one another to all sorts of sights, s<br />
ounds, smells and touches, preferably inadvertent.<br />
Amid all of that, some New Yorkers nevertheless ma<br />
nage to fall asleep. Seats are found, trains begin<br />
their rhythmic rattles of movement, and eyelids f<br />
lutter closed. Gritted jaws loosen, furrowed brows<br />
release and heads nod.<br />
People outside of New York may wonder how in a cit<br />
y that never sleeps, so many New Yorkers manage to<br />
doze on the subway. There is no law against it, b<br />
ut those who take subway catnaps do so at their ow<br />
n risk; a recent Metropolitan Transportation Autho<br />
rity committee meeting featured a presentation on<br />
how criminals seeking iPhones slice open the pocke<br />
ts of dozing passengers.<br />
So are these naps really worth the trouble?<br />
Dr. Carl Bazil, director of the Epilepsy and Sleep<br />
Division at New York-Presbyterian Hospital/Columb<br />
ia University Medical Center, offered to try to fi<br />
nd out.<br />
After Dr. Bazil stepped into an uptown A train on
a recent morning, he tried to guess what stage of<br />
sleep the nappers onboard were in. He said that to<br />
reach Stage 1 sleep, the least restorative of the<br />
five stages, riders must be able to slow down the<br />
ir eye movements. To get Stage 2 sleep, riders mus<br />
t relax their muscles and stop moving their eyes e<br />
ntirely.<br />
As Dr. Bazil watched the riders sitting across fro<br />
m him, the nappers’ eyelids fluttered when train d<br />
oors opened. The riders also seemed to clench thei<br />
r messenger bags and backpacks with death grips.<br />
“I suspect all you get is Stage 1 sleep; it’s not<br />
going to be restorative,” he said. “It’s kind of w<br />
asted sleep.”<br />
At a reporter’s request, Dr. Bazil wired up a slee<br />
py subway rider to study his brain waves as he tri<br />
ed to nap. He enlisted Dr. Brandon Foreman, a 30-y<br />
ear-old neurology fellow, whose 2-year-old son, Ju<br />
de, still does not sleep through the night. Neithe<br />
r does Dr. Foreman.<br />
But he has observed how the subway lulls his son t<br />
o sleep, so he tries to replicate the train’s stop<br />
s and jerks when he puts his son to bed. Dr. Forem<br />
an is no stranger to subway napping: He began doin<br />
g so when commuting from Brooklyn during his resid<br />
ency, and said he coveted any sleep he could get.<br />
“Lectures, classes, I can pretty much sleep anywhe<br />
re,” Dr. Foreman said. “But it’s not usually a gre<br />
at sleep. It’s more the nodding off.”<br />
Both doctors met at the end of a long workweek aft<br />
er Dr. Foreman had been up every night dealing wit<br />
h his son’s cold. As Dr. Foreman yawned, Dr. Bazil<br />
had a technician attach 25 multicolored plastic w<br />
ires to Dr. Foreman’s head, connecting them to a m<br />
onitor slightly larger than an iPod to track his b<br />
rain waves. Then Dr. Foreman covered the wires wit
h a long sock and a winter hat.<br />
The pair got onto a southbound A train at 207th St<br />
reet. After Dr. Foreman chose a corner seat, Dr. B<br />
azil sat across from him to take notes. When the t<br />
rain left the station at 6:09 p.m., it seemed unli<br />
kely that Dr. Foreman would get any sleep. The tra<br />
in’s operator screeched the cars along as if she w<br />
ere training for Formula One. She shouted into the<br />
loudspeakers that her train was late, and peeled<br />
from stop to stop.<br />
Dr. Foreman yawned, folded his arms, crossed his l<br />
egs and shut his eyes. He opened his eyes when the<br />
train stopped. His eyes fluttered when several ne<br />
urologists boarded and chatted over his shoulder.<br />
The train jostled. He opened his eyes and yawned d<br />
eeply.<br />
By 6:18 p.m., two minutes after Dr. Foreman left t<br />
he 168th Street station, he looked as if he was fa<br />
lling asleep. He first held his head up and kept h<br />
is arms crossed. But he let his head nod back and<br />
forth slightly. Then his head fell, and he dozed u<br />
ntil 59th Street — no doubt aided by the uninterru<br />
pted run from 125th Street. As the doors opened at<br />
59th Street, Dr. Foreman jumped up and hopped off<br />
the train.<br />
After they briefly celebrated what looked like a s<br />
uccessful subway nap, the doctors boarded an uptow<br />
n train to see if Dr. Foreman could fall asleep ag<br />
ain. Dr. Foreman found a seat lodged between two p<br />
assengers. He put on his jacket hood, crossed his<br />
legs, folded his arms and let his head fall. While<br />
the conductor was quieter on this train, Dr. Fore<br />
man could not get back to sleep. At 145th Street,<br />
when a vendor stood before him and shouted that he<br />
was selling four DVDs for $10, Dr. Foreman opened<br />
his eyes widely.<br />
“No luck,” he said.
Dr. Bazil was more pleased with the results. After<br />
downloading the data about Dr. Foreman’s brain wa<br />
ves, Dr. Bazil found that Dr. Foreman had slept fo<br />
r 10 minutes out of a 23.5-minute ride. For three<br />
and a half minutes, Dr. Foreman reached a Stage 2<br />
level of sleep.<br />
“It looks like it is definitely possible to get sm<br />
all amounts of restorative sleep on the subway, bu<br />
t only very small amounts,” Dr. Bazil said. He add<br />
ed that some studies show “even a brief nap that i<br />
ncludes Stage 2 sleep can improve performance.”<br />
But Dr. Foreman was less persuaded that he got any<br />
productive sleep.<br />
“I don’t feel rested,” he said. “It’s not like I to<br />
ok a nap in bed.”<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1208: EDITORIALS<br />
<strong>Not</strong> What Mr. Putin Planned<br />
The lesson of this week's election is that Russian<br />
s' patience is not unlimited and a surprising numb<br />
er can imagine a world after Vladimir Putin.<br />
===== notyet<br />
Prime Minister Vladimir Putin of Russia has cynica<br />
lly dominated his country’s politics for the last<br />
11 years and intends to do it for many more years<br />
to come. Given the way he has muzzled independent<br />
media and hobbled opponents, it looked as though n<br />
othing could challenge his reign. Then came Sunday<br />
’s parliamentary election in which a surprising nu<br />
mber of voters made clear that they are tired of t<br />
he status quo and Mr. Putin.<br />
Mr. Putin’s party, United Russia, received just un<br />
der 50 percent of the votes. By Russian standards,<br />
that’s a stunning rebuke. What makes the numbers<br />
even more extraordinary is that Western election o<br />
bservers reported blatant and widespread fraud by
Putin supporters, including brazen stuffing of bal<br />
lot boxes. <strong>Not</strong> only did United Russia barely secur<br />
e a legislative majority — 238 seats out of 450, d<br />
own from 315 now — it had to cheat to do it.<br />
The Organization for Security and Cooperation in E<br />
urope said election administrators lacked independ<br />
ence and there was no free media to cover the camp<br />
aign. Some opposition parties were barred, and Uni<br />
ted Russia was given huge advantages over those th<br />
at could run.<br />
The United States needs Russia’s cooperation on a<br />
host of issues, most notably Iran, and the Obama a<br />
dministration made the right decision to try to “r<br />
eset” the relationship. But that can’t mean giving<br />
Mr. Putin’s authoritarian ways a pass. So it was<br />
good to hear Secretary of State Hillary Rodham Cli<br />
nton express “serious concerns” that the voting wa<br />
s neither free nor fair.<br />
Since then, Washington has said nothing about the<br />
government crackdown on protestors who have turned<br />
out by the thousands to denounce the electoral fr<br />
aud. More than 1,000 people have been detained, am<br />
ong them a number of prominent opposition figures.<br />
The administration needs to keep speaking out. It<br />
would certainly help to have an American ambassad<br />
or in Moscow, but Senator Mark Kirk, a Republican<br />
of Illinois, is still blocking the confirmation of<br />
Michael McFaul.<br />
Mr. Putin has promised to shuffle the government n<br />
ext year. What he really needs to do is listen to<br />
voters who are demanding a real chance at politica<br />
l competition and economic opportunity. Unfortunat<br />
ely, he has long ago made clear his disdain for de<br />
mocracy. And while his approval ratings have decli<br />
ned, they remain, for now, above 60 percent. But t<br />
he lesson of this week’s election is that Russians<br />
’ patience is not unlimited — and a surprising num<br />
ber can imagine a world after Putin.
~~~~~~~~~~<br />
<strong>NYT</strong>-1208: OP-ED<br />
Bring the Iron Lady Back ... By RICHARD VINEN<br />
Margaret Thatcher was tough, decisive and widely d<br />
isliked. At a moment of crisis, Britain needs her<br />
type of adversarial politics, not consensus.<br />
===== notyet<br />
London<br />
MARGARET THATCHER has long been reviled by the Bri<br />
tish left, so much so that the singer Elvis Costel<br />
lo once fantasized about stomping on her grave in<br />
his 1989 song “Tramp the Dirt Down.” But Mrs. That<br />
cher achieved more than any other British peacetim<br />
e prime minister of the 20th century. It is rumore<br />
d that, when she dies, she will receive a state fu<br />
neral — an honor rarely accorded to anyone except<br />
monarchs. There are also plans for a public celebr<br />
ation.<br />
Her life is the inspiration for a new movie that o<br />
pens later this month, starring Meryl Streep as “T<br />
he Iron Lady.” It chronicles Mrs. Thatcher’s divis<br />
ive policies as prime minister as she led Britain<br />
through the economic doldrums of the 1980s. It was<br />
a time when the country faced financial ruin and<br />
politicians were compelled to make hard choices.<br />
Mrs. Thatcher was a tough, adversarial leader. She<br />
was never liked, even by those who supported her<br />
policies, and she was hated by those who opposed h<br />
er.<br />
Yet her political style may be just what Britain n<br />
eeds right now. The country is in the midst of an<br />
economic crisis that will force the government to<br />
make difficult, unpopular decisions. And that is w<br />
hat Mrs. Thatcher did so well. Facing long-term ec<br />
onomic decline and the brooding menace of the Sovi<br />
et Union, she broke the trade unions, sold off nat<br />
ionalized industries and helped imbue British capi
talists with a confidence that they had not felt s<br />
ince the death of Queen Victoria.<br />
She was at her best when the odds seemed against h<br />
er or when she had clear enemies. In 1982, she sen<br />
t an armada to fight the Argentines in the Falklan<br />
d Islands. And in 1984-85, she held out against a<br />
strike by the National Union of Mineworkers, which<br />
had been powerful enough to bring down a governme<br />
nt 10 years before.<br />
Although Mrs. Thatcher has become a respected symb<br />
ol of statesmanship outside Britain, she remains a<br />
reminder of social division within it. In 2008, t<br />
he future foreign secretary, William Hague, sought<br />
to reassure American officials that he and David<br />
Cameron, soon-to-be prime minister, were “Thatcher<br />
’s children.” When his comment leaked, the Labour<br />
opposition seized upon it, keen to circulate the q<br />
uote in the hopes that it would stir up old anti-T<br />
hatcher feelings. And despite being in power today<br />
, Conservative leaders still worry that they are a<br />
ssociated with the bitterness of the Thatcher year<br />
s. They speak of changing their image as “the nast<br />
y party” and the need to “detoxify the brand.”<br />
One reason British politicians feel uncomfortable<br />
with Thatcherism is that Britain has been relative<br />
ly prosperous in the last two decades, at least in<br />
part because of things the Thatcher government di<br />
d: tax cuts, financial-sector deregulation and wea<br />
ker unions all made Britain a more attractive plac<br />
e to do business.<br />
A new generation of politicians who grew up in an<br />
age of prosperity has ceased to think of politics<br />
in terms of hard choices and scarce resources; Mr.<br />
Cameron belongs to that generation. He was just 1<br />
2 years old when Mrs. Thatcher came to power in 19<br />
79 and he became leader of the Conservative Party<br />
in 2005, when the current economic storms seemed a<br />
lmost unimaginable. Even when Mr. Cameron became p
ime minister last year, the financial crisis stil<br />
l felt, to most of the British electorate, like so<br />
mething short-term and vaguely unreal.<br />
But British politics has lost something with its p<br />
ost-Thatcher embrace of consensus and optimism. Th<br />
atcherism was a galvanizing force. It mobilized ri<br />
ght-wingers to do things, such as selling off huge<br />
state-owned corporations, that many of them would<br />
once have considered impossible. It also mobilize<br />
d the left to develop radical alternatives: during<br />
the 1980s, the Labour Party veered toward support<br />
for unilateral nuclear disarmament and increased<br />
state intervention in the economy.<br />
Unlike today, voters in 1983 faced clear choices.<br />
A vote for Thatcher’s Tories was a vote for largescale<br />
privatization; a vote for Labour was a vote<br />
for socialism. A Conservative vote meant keeping B<br />
ritain in the European Economic Community; a Labou<br />
r vote meant withdrawal. A Tory vote meant station<br />
ing American cruise missiles in Britain; a Labour<br />
vote meant that they would be stopped.<br />
There are no longer such clear-cut choices. Explic<br />
it talk of class interests and inequality have bee<br />
n replaced by a vaguer and less divisive language<br />
of “fairness” and “equal opportunity.”<br />
The major political parties look remarkably simila<br />
r today. All are led by clean-cut 40-somethings wh<br />
o blend social liberalism (support for same-sex ma<br />
rriage and opposition to the death penalty) with a<br />
cceptance of the free market. Indeed, the Conserva<br />
tives now find themselves governing with strange b<br />
edfellows, in a coalition with the small Liberal D<br />
emocrat Party, whose president recently described<br />
Thatcherism as “organized wickedness.” Mrs. Thatch<br />
er hated coalitions. She most likely would have pr<br />
eferred to lose an election than to govern without<br />
an outright parliamentary majority.
Unlike Mr. Cameron, Mrs. Thatcher came to power at<br />
a time when people felt desperate. This desperati<br />
on, and the sense that she might be the last chanc<br />
e to restore Britain’s fortunes, accounted for muc<br />
h of her success.<br />
Thatcherism was not an alien invasion. It reflecte<br />
d a consensus by many members of the British estab<br />
lishment that things could not go on as they were.<br />
This is why so many supported Mrs. Thatcher’s pol<br />
icies, even when they disliked her personally.<br />
Mr. Cameron is certainly a more likable figure tha<br />
n Mrs. Thatcher, but likability may not be enough<br />
when the British people realize that their current<br />
predicament — requiring government spending cuts<br />
at a time of rising unemployment and financial cha<br />
os in Europe — is actually worse than the crisis w<br />
hen Mrs. Thatcher came to power in 1979.<br />
In these circumstances, it will take a bracing dos<br />
e of Thatcherite ideological confrontation to revi<br />
ve British politics.<br />
Richard Vinen, a professor of history at King’s Co<br />
llege, London, is the author of “Thatcher’s Britai<br />
n: The Politics and Social Upheaval of the 1980s.”<br />
~~~~~~~~~<br />
<strong>NYT</strong>-1209: U.S.: VIDEO<br />
An Unexpected Debut<br />
Boyd Lee Dunlop found his musical talent during th<br />
e Great Depression. But after years of playing in<br />
bars and nightclubs, it took a damaged piano in a<br />
Buffalo nursing home for him to be discovered.<br />
---<br />
<strong>NYT</strong>-1209: U.S. - THIS LAND<br />
Rhythms Flow as Aging Pianist Finds New Audience ..<br />
. By DAN BARRY<br />
After a chance encounter, Boyd Lee Dunlop, living<br />
in a nursing home in Buffalo, got a chance to reco
d a CD and headline a concert.<br />
===== notyet<br />
BUFFALO - For years, the donated piano sat upright<br />
and unused in a corner of the nursing home’s cafe<br />
teria. Now and then someone would wheel or wobble<br />
over to pound out broken notes on the broken keys,<br />
but those out-of-tune interludes were rare. Day a<br />
fter surrendering day, the flawed piano remained m<br />
ercifully silent.<br />
Then came a new resident, a musician in his 80s wi<br />
th a touch of forgetfulness named Boyd Lee Dunlop,<br />
and he could play a little. Actually, he could pl<br />
ay a lot, his bony fingers dancing the mad dance o<br />
f improvised jazz in a way that evoked a long life<br />
’s all.<br />
The lean times and the flush. The Saturday night h<br />
op and the Sunday morning hymn. Those long drives<br />
in a Packard to the next gig. That fine woman Adel<br />
aide, oh Adelaide, down in North Carolina. The dea<br />
ths of a beloved aunt and a difficult marriage. So<br />
me things you don’t forget, so Mr. Dunlop keeps a<br />
white towel handy to wipe his eyes dry.<br />
And so Mr. Dunlop would have remained, summoning t<br />
ranscendence from a damaged piano in the Delaware<br />
Nursing and Rehabilitation Center, his audience a<br />
couple of administrators, a few nurses and many pa<br />
tients beset with dementia, loneliness and age — w<br />
ere it not for a chance encounter and some cheesec<br />
ake.<br />
Instead, Boyd Lee Dunlop, 85, is the featured perf<br />
ormer at a concert on Saturday night at the Hallwa<br />
lls Contemporary Arts Center in downtown Buffalo.<br />
Admission is $10. And if you want to buy his debut<br />
CD, that will cost you another $15.<br />
Sitting at Table 8, guarding the cafeteria piano b<br />
eside him like a jealous lover, Mr. Dunlop accepts<br />
all of this with boastful humility. He thanks God
for the talent, shares a few unprintable thoughts<br />
, and turns to play a soulful take of “Come Back t<br />
o Sorrento.”<br />
“I got to be Boyd,” he says, as aides scrape the r<br />
emnants of pork fried rice from plastic dinner pla<br />
tes. “If I die Boyd, I’m still Boyd.”<br />
Mr. Dunlop arrived at the brown-brick nursing home<br />
nearly four years ago, a strong-willed but slight<br />
ly bent half-note. He had 50 cents in his pocket,<br />
too much sugar in his blood, and a need to be arou<br />
nd others. He liked to sit in the lobby and greet<br />
people, especially the women.<br />
After a while, Mr. Dunlop let it be known that he<br />
was a musician. This did not distinguish him in a<br />
place where someone might claim to be a retired co<br />
ncert violinist or President Obama’s mother, and,<br />
in the first case at least, be telling the truth.<br />
Also, music here usually meant something to be end<br />
ured — the weekly sing-along, say, with a resident<br />
armed with his own electric keyboard.<br />
The broken cafeteria piano was a tease that Mr. Du<br />
nlop could not resist. He played when no one else<br />
was around, between meals, early and late. He lear<br />
ned how to dodge the piano’s flaws, how to elongat<br />
e the good notes and suffocate the bad.<br />
<strong>Not</strong>hing like his music had been heard in these cle<br />
anser-scented halls. The sounds of Boyd, including<br />
the occasional yowl, would flow from the empty ca<br />
feteria to greet Kate Wannemacher, the director of<br />
nursing, as she arrived early in the morning. “He<br />
plays right out of his heart,” she says.<br />
Life kept time to a nursing home’s beat. Breakfast<br />
lunch dinner, breakfast lunch dinner, with occasi<br />
onal riffs of bingo, sing-alongs, insulin shots, p<br />
aranoia, and more bingo. Mr. Dunlop had his bellic<br />
ose moments, but mostly he was charming away in th
e lobby or, more likely, entranced by the cafeteri<br />
a piano.<br />
Then came that chance encounter.<br />
In the spring of 2010, a freelance photographer na<br />
med Brendan Bannon arrived to discuss an art proje<br />
ct with nursing home administrators — and Mr. Dunl<br />
op greeted him at the door. Mr. Bannon is balding,<br />
so Mr. Dunlop assumed for some reason that he was<br />
a doctor. “Hey doc!” he shouted. “Take my tempera<br />
ture.”<br />
A bond quickly developed, and before long Mr. Dunl<br />
op invited his new friend to hear him play what he<br />
referred to as “that thing they call a piano.” Mr<br />
. Bannon, who knows his Mingus from his Monk, coul<br />
d not believe the distinctive, vital music emanati<br />
ng from a tapped-out piano missing a few keys.<br />
“He was a beautiful player,” Mr. Bannon says. “He<br />
was making it work even though it was out of tune.<br />
”<br />
Now for the cheesecake.<br />
Sensing Mr. Dunlop’s growing frustration with the<br />
damaged piano, two nursing managers, Pete Amodeo a<br />
nd Sue Cercone, came up with an idea: a bake sale.<br />
He made several Italian cheesecakes, she baked so<br />
me cookies and other staff members helped out to r<br />
aise more than $100 — enough to pay for a visit by<br />
Vinny Tagliarino, a blind piano tuner.<br />
The tuner healed the piano. “And that moved me,” M<br />
r. Dunlop says, which means his white towel got a<br />
good workout that day. “The notes by themselves —<br />
they were sharp.”<br />
The crisp sounds now rising from the cafeteria’s c<br />
orner, that haunting take on “The Man I Love,” wer<br />
e so distinctive that Mr. Bannon sent cellphone re
cordings to his childhood friend Allen Farmelo, no<br />
w a music producer in New York. His question: Is t<br />
his any good?<br />
What Mr. Farmelo heard were snippets from the ongo<br />
ing composition of a black man who was born poor i<br />
n Winston-Salem and raised poor on Buffalo’s East<br />
Side. Whose mother cleaned houses and whose father<br />
is mostly clean from memory. Whose younger brothe<br />
r, Frankie, would become a world-famous jazz drumm<br />
er whose work is featured in more than 100 recordi<br />
ngs.<br />
Young Boyd found his own calling in a discarded pi<br />
ano in a neighbor’s backyard (“I got to play you!”<br />
he remembers thinking). He learned his chords fro<br />
m a Czerny guide and took five lessons from a loca<br />
l teacher. By 15 he was playing in church and in a<br />
downtown nightclub, where crowds came to listen a<br />
nd prostitutes chipped in to buy him a new suit.<br />
He was cocky, but then the great, lightning-fast A<br />
rt Tatum stopped at the house while passing throug<br />
h Buffalo to hear the kid, drink some beer, and pl<br />
ay a little. “So many keys being sounded off at on<br />
e time,” Mr. Dunlop recalls, awed still, partly be<br />
cause Tatum could play with a beer bottle in one h<br />
and.<br />
Mr. Dunlop played in the Army, he played in long-g<br />
one Buffalo nightclubs, he played after his shift<br />
at Bethlehem Steel, the soot coming off his hands<br />
to stain the ivory. Then, after a gut-check moment<br />
— “What am I doing here?” — he decided to play fu<br />
ll-time, traveling to New York, Chicago, Los Angel<br />
es.<br />
“Mr. Boyd, you have to get your insulin,” interrup<br />
ts a young nurse, Portia Pratt, who jokes that she<br />
loves to hear him play because it means he’s stil<br />
l alive.
“There’s my girlfriend,” Mr. Dunlop shouts. “Stick<br />
it in!”<br />
Seattle, with Big Jay McNeely. Green Bay, Wis., wh<br />
ere he won a $500 bet with a customer who said he<br />
couldn’t play 50 songs the customer named. Above a<br />
nd below the Mason-Dixon line, where he didn’t tak<br />
e kindly to being called the n-word. Outside Jones<br />
ville, N.C., where Adelaide worked as a waitress:<br />
“The way she walked, the way she moved. She glided<br />
! ‘Oh God, can I glide with you?’ ”<br />
All this was in the music Mr. Farmelo heard. The d<br />
aughters. The broken marriage. The gunshot wound i<br />
nflicted by a nephew. Church. Diabetes. Old age. “<br />
Come Back to Sorrento.”<br />
“I was pretty blown away,” Mr. Farmelo says.<br />
So, in late February, Mr. Bannon and Mr. Farmelo r<br />
ented a recording studio and hired two first-rate<br />
musicians: the drummer Virgil Day and the bassist<br />
Sabu Adeyola, who knew Mr. Dunlop from the still-o<br />
pen Colored Musicians Club in downtown Buffalo. Wh<br />
en Mr. Dunlop arrived for the session, he didn’t e<br />
ven take off his coat. He went right to the Steinw<br />
ay, and started to play a riff that would become p<br />
art of the CD, called “Boyd’s Blues.”<br />
“What I remember is how happy he was,” Mr. Adeyola<br />
says. “How extremely happy he was.”<br />
At the nursing home the other day, the remains of<br />
another chicken lunch were scraped from plastic pl<br />
ates, and another round of bingo was played. But n<br />
ot for Boyd Lee Dunlop.<br />
He put on a black winter coat over the shirt and s<br />
weatpants he’s been wearing for days, walked past<br />
an honor guard of wheelchairs, and headed for the<br />
door. He had to get to rehearsal, for that gig he’<br />
s got Saturday night.
~~~~~~~~~~<br />
<strong>NYT</strong>-1209: EDITORIALS<br />
As Russians protest their fraudulent elections, th<br />
e prime minister wants to blame the United States<br />
instead of acknowledging voters' dissatisfaction.<br />
===== notyet<br />
Twenty years after the fall of communism, Prime Mi<br />
nister Vladimir Putin of Russia seems determined t<br />
o resurrect the Soviet playbook. His United Russia<br />
Party tried to steal a parliamentary election on<br />
Sunday, and, when the results still delivered a st<br />
inging rebuke, he claimed the United States was wh<br />
ipping up protests and demonstrations.<br />
Mr. Putin could have acknowledged voters’ dissatis<br />
faction — his party’s parliamentary majority plumm<br />
eted from 315 to 238 seats — and tried to address<br />
it, like democratic leaders might do. Instead, on<br />
Thursday, he accused Secretary of State Hillary Ro<br />
dham Clinton of instigating street protests. He wa<br />
rned that Russia must protect against “interferenc<br />
e” by foreign governments and hinted darkly at rep<br />
risals against demonstrators.<br />
The charges are bizarre. After international obser<br />
vers reported widespread fraud by Putin supporters<br />
, Mrs. Clinton expressed “serious concerns” on Mon<br />
day and Tuesday that the vote was neither free nor<br />
fair. It was ludicrous for Mr. Putin to claim tha<br />
t that was a “signal” that brought Russians to the<br />
streets three days running despite a heavy police<br />
presence and more than 1,000 detentions. The prot<br />
esters were clear what motivated them: They were o<br />
utraged by the fraud and tired of the status quo a<br />
nd Mr. Putin.<br />
It’s true that Golos, Russia’s only independent el<br />
ectoral monitoring group, receives grants from the<br />
United States and Europe. But, as a member of the<br />
Organization for Security and Cooperation in Euro
pe, Russia agreed that foreign and domestic electi<br />
on observers enhance the electoral process. The So<br />
viet Union also signed a series of agreements on h<br />
uman rights that it ignored.<br />
Mrs. Clinton and the White House did the right thi<br />
ng on Thursday by repeating their criticisms of th<br />
e vote. She also expressed support for the “rights<br />
and aspirations” of the Russian people. They will<br />
need to keep speaking out; government opponents p<br />
lan another protest for Saturday.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1209: OP-ED<br />
A United Russia? Far From It ... By VALERY PANYUSHK<br />
IN<br />
Strategies to protest what are viewed as skewed pa<br />
rliamentary elections: a cartoon pig and a vote fo<br />
r any party but Putin's.<br />
===== notyet<br />
Moscow<br />
A FEW months before this week’s parliamentary elec<br />
tions, around 10 of us gathered in a small room at<br />
the Andrei Sakharov Museum and Public Center, a p<br />
lace meant to honor freedom of thought, a place th<br />
at no one visits.<br />
Boris Nemtsov was there, a former deputy prime min<br />
ister whose opposition party was one of the many e<br />
xcluded from the elections. And so was Viktor Shen<br />
derovich, who hosted a popular satirical TV show a<br />
nd now performs only rarely in tiny clubs. There w<br />
ere entrepreneurs with no business opportunities a<br />
nd lawyers kept from the courtroom. And then there<br />
was me: a disenchanted former political reporter.<br />
During the many years of Vladimir V. Putin’s rule,<br />
we lost our jobs and so much more. So our luckles<br />
s gang had met to ponder what to do about the comi<br />
ng elections, all too aware that nothing could be<br />
done about them.
This is how parliamentary elections work in Russia<br />
: Mr. Putin’s party, United Russia, faces off agai<br />
nst collaborating parties — which would never dare<br />
to criticize him. And the real opposition parties<br />
are banned. But one cannot simply vote against ev<br />
ery party involved. Nor is there any use in boycot<br />
ting, because the election would be considered leg<br />
itimate even if no one but the prime minister and<br />
president showed up.<br />
The only solution, we decided, was irreverent prot<br />
est. And so we came up with a cartoon pig called N<br />
ah-Nah, a name that, in Russian, evokes an unprint<br />
able version of “get lost!” — an expletive for wha<br />
t we’d like to say to those in power. We made post<br />
ers and animated cartoons depicting Nah-Nah at the<br />
polls, destroying the ballot. He would check the<br />
box for every party running and draw an X across t<br />
he ballot. He would do this not in hopes of changi<br />
ng anything, but to illustrate how nauseating thes<br />
e pretend elections are. We posted them online and<br />
called on real voters to follow Nah-Nah’s lead. M<br />
ostly, we wanted to laugh and misbehave a little,<br />
even as United Russia kept its throne.<br />
At the same time, a young activist and very well-k<br />
nown blogger, Aleksei Navalny, offered a different<br />
protest strategy for the elections. He proposed v<br />
oting for any of the collaborating parties in orde<br />
r to avoid casting a vote for United Russia — for<br />
the Communists, for A Just Russia, for Yabloko.<br />
These two protests — Nah-Nah and Navalny — gained<br />
attention, and for the first time in the history o<br />
f the anti-Putin movement, there was a real debate<br />
about methods, a conversation with substance and<br />
without enmity, taking place on the Internet, in c<br />
afes, in Moscow and the suburbs.<br />
Mr. Navalny’s supporters argued that destroying th<br />
e ballot would simply split the anti-Putin vote, g
iving United Russia a bigger victory.<br />
“Nonsense!” Nah-Nah’s fans insisted. “<strong>Not</strong>hing depe<br />
nds on the vote. Our only option is protest.”<br />
The Navalny faction thought there was hope for the<br />
collaborating parties. “If they could get enough<br />
seats in Parliament, you would see how quickly the<br />
y would move away from Putin.”<br />
The Nah-Nah enthusiasts disagreed. “The moment the<br />
y get to Parliament, they will obey Putin like wel<br />
l-trained puppies.”<br />
Though no one could convince anyone else, more and<br />
more people entered the conversation, more and mo<br />
re people abandoned the apathy that is the very fo<br />
undation of the Putin government.<br />
A few days before the election, I heard a rumor th<br />
at United Russia would be satisfied with only a si<br />
mple majority, as opposed to the two-thirds majori<br />
ty it has now — the party’s main concern is that t<br />
he presidential election in March appear legitimat<br />
e, so that Mr. Putin can replace Dmitri Medvedev,<br />
his underling and the current president, and stay<br />
in power until 2024. But in the end, when the gove<br />
rnment said that United Russia received half of th<br />
e vote, most Russians knew the results were manipu<br />
lated, and suspected the party got even less.<br />
That is because voters, fueled by the debate betwe<br />
en Nah-Nah and Navalny, came to the polls armed wi<br />
th cameras. There was footage of abuses and many a<br />
ccounts of corruption: witnesses said that the hea<br />
d of the Election Commission had thrown packaged b<br />
allots into a voting bin and that pro-Putin youth<br />
voted multiple times with fraudulent IDs; impossib<br />
ly different results from incredibly similar polli<br />
ng stations have been posted online. And the gover<br />
nment-controlled television stations said nothing.
On Monday, the day after the election, there was a<br />
protest in the center of Moscow; despite the rain<br />
, thousands assembled — a sight unseen since the t<br />
ime of Perestroika. The leaders of the Nah-Nah mov<br />
ement and Mr. Navalny’s supporters stood together.<br />
The police arrested nearly 300 people. Among them<br />
was one of the authors of the Nah-Nah strategy, I<br />
lya Yashin, as well as Aleksei Navalny himself. Th<br />
ey were held by the police all night, prevented fr<br />
om meeting with their lawyers. In the morning, the<br />
y were brought to court and sentenced to 15 days f<br />
or disobeying police orders and obstructing traffi<br />
c, respectively.<br />
An even larger protest is planned for Saturday. It<br />
seems that the government has decided to turn the<br />
two into heroes.<br />
Valery Panyushkin is the author of “12 Who Don’t A<br />
gree: The Battle for Freedom in Putin’s Russia.” T<br />
his essay was translated by Yevgeniya Traps from t<br />
he Russian.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1210: <strong>THE</strong> SATURDAY PR<strong>OF</strong>ILE<br />
Rousing Russia With a Phrase ... By ELLEN BARRY<br />
Aleksei Navalny has aroused Russians angry over wh<br />
at they say were fraudulent parliamentary election<br />
s, rebranding Vladimir V. Putin's United Russia pa<br />
rty as "the party of swindlers and thieves."<br />
===== notyet<br />
MOSCOW — The man most responsible for the extraord<br />
inary burst of antigovernment activism here over t<br />
he past week will not speak at a rally planned for<br />
Saturday, or even attend it, because he is in pri<br />
son.<br />
Cut off from the Internet, Russia’s best-known blo<br />
gger will have to wait until the next morning, whe<br />
n his lawyer will take him a stack of printouts te<br />
lling him what happened — whether the protest fizz
led, exploded into violence or made history. At a<br />
final coordinating meeting for the protest on Frid<br />
ay evening, where a roomful of veteran organizers<br />
were shouting to make themselves heard, a young en<br />
vironmental activist turned toward the crowd, sudd<br />
enly grave.<br />
“I’d like to thank Aleksei Navalny,” she said. “Th<br />
anks to him, specifically because of the efforts o<br />
f this concrete person, tomorrow thousands of peop<br />
le will come out to the square. It was he who unit<br />
ed us with the idea: all against ‘the Party of Swi<br />
ndlers and Thieves,’ ” the name Mr. Navalny coined<br />
to refer to Vladimir V. Putin’s political party,<br />
United Russia.<br />
A week ago, Mr. Navalny, 35, was famous mainly wit<br />
hin the narrow context of Russia’s blogosphere. Bu<br />
t after last Sunday’s parliamentary elections, he<br />
channeled accumulated anger over reported violatio<br />
ns into street politics, calling out to “nationali<br />
sts, liberals, leftists, greens, vegetarians, Mart<br />
ians” via his Twitter feed (135,750 followers) and<br />
his blog (61,184) to protest.<br />
If Saturday’s protest is as large as its organizer<br />
s expect — the city has granted a permit for 30,00<br />
0 — Mr. Navalny will be credited for mobilizing a<br />
generation of young Russians through social media,<br />
a leap much like the one that spawned Occupy Wall<br />
Street and youth uprisings across Europe this year.<br />
The full measure of Mr. Navalny’s charisma became<br />
clear after protests on Monday night; an estimated<br />
5,000 people materialized, making it the largest<br />
anti-Kremlin demonstration in recent memory, and M<br />
r. Navalny was arrested on charges of resisting th<br />
e police and sentenced to 15 days in prison.<br />
All that night, as temperatures dipped below freez<br />
ing, Mr. Navalny’s disciples stood vigil outside t<br />
he precinct where he was being held, their eyes on
their Twitter feeds. Someone had spread a rumor t<br />
hat he was dead, and even his lawyers were unsure<br />
of his whereabouts, adding to the sense that Mr. N<br />
avalny — who has been reluctant to present himself<br />
as a political leader — was at the center of ever<br />
ything that was happening.<br />
“He is the only man who can take all the common hi<br />
psters and make them go onto the street,” said Ant<br />
on Nikolayev, 35, who spent much of Tuesday outsid<br />
e courtrooms hoping to see Mr. Navalny. “He is a f<br />
igure who could beat Putin if he was allowed.”<br />
This assertion may sound far-fetched. Mr. Putin, n<br />
ow in his 12th year as the paramount leader, has a<br />
pproval ratings of above 60 percent, according to<br />
the independent Levada Center. As recently as two<br />
weeks ago, Levada found that 60 percent of Russian<br />
s surveyed were not willing to consider any figure<br />
from the anti-Putin opposition as a presidential<br />
candidate. Only 1 percent named Mr. Navalny, whose<br />
exposure is through Twitter and his blogs, Navaln<br />
y.ru and Rospil.info.<br />
But the aftermath of last Sunday’s parliamentary e<br />
lections has shaken political assumptions, largely<br />
because the authorities seem unable to regain con<br />
trol of the public discourse. For a decade, Russia<br />
’s political agenda has been determined inside the<br />
Kremlin, where strategists selected and promulgat<br />
ed themes for public discussion, said Konstantin R<br />
emchukov, editor of the daily newspaper Nezavisima<br />
ya Gazeta.<br />
“And now, just a few days after the elections, the<br />
political agenda is being determined by other peo<br />
ple,” like the longtime opposition leader Boris Y.<br />
Nemtsov and Mr. Navalny, he said. “This is shocki<br />
ng, and totally unpredictable.”<br />
MR. NAVALNY has Nordic good looks, a caustic sense<br />
of humor and no political organization.
Five years ago, he quit the liberal party Yabloko,<br />
frustrated with the liberals’ infighting and isol<br />
ation from mainstream Russian opinion. Liberals, m<br />
eanwhile, have deep reservations about him, becaus<br />
e he espouses Russian nationalist views. He has ap<br />
peared as a speaker alongside neo-Nazis and skinhe<br />
ads, and once starred in a video that compares dar<br />
k-skinned Caucasus militants to cockroaches. While<br />
cockroaches can be killed with a slipper, he says<br />
that in the case of humans, “I recommend a pistol.”<br />
What attracts people to Mr. Navalny is not ideolog<br />
y, but the confident challenge he mounts to the sy<br />
stem. A real estate lawyer by training, he employs<br />
data — on his Web sites he documents theft at sta<br />
te-run companies — and relentless, paint-stripping<br />
contempt. “Party of Swindlers and Thieves” has ma<br />
de its way into the vernacular with breathtaking s<br />
peed and severely damaged United Russia’s politica<br />
l brand.<br />
He projects a serene confidence that events are co<br />
nverging, slowly but surely, against the Kremlin.<br />
“Revolution is unavoidable,” he told the Russian e<br />
dition of Esquire, in an interview published this<br />
month. “Simply because the majority of people unde<br />
rstand that the system is wrong. When you are in t<br />
he company of bureaucrats you hear them talking ab<br />
out who has stolen everything, why nothing works a<br />
nd how horrible everything is.”<br />
He was less definitive about the future he envisio<br />
ned for the country, saying only that he hoped it<br />
would “resemble a huge, irrational, metaphysical C<br />
anada.”<br />
Mr. Navalny had become less obscure by the end of<br />
the week. On Wednesday, the former mayor of Moscow<br />
, Yuri M. Luzhkov, said he would consider appearin<br />
g at a protest if Mr. Navalny invited him. A few h
ours later, a blindingly profane reference to Mr.<br />
Navalny was reposted from President Dmitri A. Medv<br />
edev’s Twitter account, prompting his press office<br />
to release a statement explaining that the messag<br />
e had been sent out by a member of the technical s<br />
upport staff “during a routine password change.”<br />
On Thursday, United Russia published an attack on<br />
Mr. Navalny, describing his activism as “typical d<br />
irty self-promotion,” and Secretary of State Hilla<br />
ry Rodham Clinton issued a statement about his cas<br />
e. The consulting firm Medialogia documented a sud<br />
den leap in the number of mentions of Mr. Navalny<br />
in the Russian news media, from several hundred a<br />
day to around 3,000. On Friday, people started cir<br />
culating a Web site promoting him as a candidate i<br />
n the March presidential election. Mr. Navalny, ev<br />
en skeptics admit, managed to knit together a crow<br />
d that had not previously existed.<br />
“They had never gathered anywhere together before,<br />
” wrote Grigory Tumanov, a reporter for Gazeta.ru.<br />
“They just read Twitter, and to them it was clear<br />
that in this situation you have to go somewhere,<br />
do something, unite around someone, because it was<br />
intolerable. Let this be Navalny, with all his pl<br />
uses and minuses.”<br />
BY his appeals hearing on Wednesday, Mr. Navalny l<br />
ooked tired and disgusted. His supporters had foun<br />
d amateur video showing that he had not resisted a<br />
rrest, and that the officers who testified against<br />
him were not the ones who had arrested him, but t<br />
he judge refused to review it. A photograph taken<br />
from outside the detention center showed him gripp<br />
ing the bars on his window and staring out with a<br />
fierce, fixed gaze.<br />
“There are people standing here who were not recru<br />
ited by anyone,” said Viktor Masyagin, 28, outside<br />
a courtroom earlier in the week. “No one drove us<br />
here in buses, no one paid us anything, but here
we are anyway, and we have been here for more than<br />
a day.”<br />
“That should tell you something,” he said.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1210<br />
Tracing a Mother's Vagabond Path to Murder and Suic<br />
ide in Texas ... By MANNY FERNANDEZ<br />
Denied food stamps, Rachelle Grimmer, who had live<br />
d a wandering existence in recent months, took a h<br />
ostage at gunpoint at a social services office bef<br />
ore shooting her two children and herself.<br />
===== notyet<br />
LAREDO, Tex. — Months after being denied food stam<br />
ps, Rachelle Grimmer grabbed her two children, a .<br />
38-caliber revolver and 50 rounds of ammunition an<br />
d walked into the state social services office her<br />
e on Monday to demand answers.<br />
But Ms. Grimmer’s troubles were far deeper than a<br />
lack of food stamps, and neither the police nor th<br />
e employee she held hostage could resolve them.<br />
Divorced and living a vagabond existence in Texas<br />
in recent months, Ms. Grimmer, 38, told the police<br />
she was frustrated that she had been denied benef<br />
its in other states. She said that her former husb<br />
and was affiliated with the Russian mob and the Ku<br />
Klux Klan, a situation she said led to government<br />
harassment that prevented her from receiving publ<br />
ic assistance.<br />
Her hostage, Robert Reyes, a supervisor who had of<br />
fered himself in trade for two other employees Ms.<br />
Grimmer had taken hostage, granted her the food s<br />
tamp benefits she had requested — $3,050 worth, re<br />
troactive to July, the month she had first applied<br />
. The police slipped the paperwork under the door<br />
to show Ms. Grimmer it was for real. But she refus<br />
ed to leave the small office in the Texas Health a
nd Human Services building, at times sitting in a<br />
chair with her daughter on her lap and communicati<br />
ng with the police on an office phone.<br />
About 10 minutes before midnight, about seven hour<br />
s into the standoff, she hung up on hostage negoti<br />
ators. Moments later, three shots were heard. Ms.<br />
Grimmer had shot both of her children in the head,<br />
and then herself. She died at the scene. The chil<br />
dren were taken to University Hospital in San Anto<br />
nio. Her daughter, Ramie Marie Grimmer, 12, died o<br />
n Wednesday. Her son, Timothy Donald Grimmer, 10,<br />
died a day later.<br />
Carlos R. Maldonado, Laredo’s police chief, said t<br />
hat the denial of benefits was only one of a serie<br />
s of issues that had been troubling Ms. Grimmer, b<br />
ut that investigators had more questions than answ<br />
ers about her motive. The police were not certain<br />
if she was being treated for mental health problem<br />
s and did not know why she moved several months ag<br />
o to Laredo, a border city of 236,000, where she h<br />
ad no family.<br />
“Unfortunately in these situations, there’s a lot<br />
of questions that we have and a lot of those quest<br />
ions may never be answered,” Chief Maldonado said.<br />
“I think we did everything that we possibly could<br />
to resolve the situation. We heard people say, wh<br />
y didn’t the tactical team intervene and do someth<br />
ing about the mother and save the children? There<br />
was never any inclination, any information availab<br />
le to us, that the children were in any danger at<br />
all.”<br />
But Ramie appeared to have known her life was in d<br />
anger. At one point during the standoff, using an<br />
office computer, she updated her Facebook page, wr<br />
iting “may die 2day” in the section for posting wh<br />
ere she worked. Later, she wrote, “tear gas serias<br />
ly,” though none was used by the police.
Ms. Grimmer grew up in Montana and had been living<br />
in Ohio in 2005 when she divorced her husband and<br />
the children’s father, Dale R. Grimmer. By 2010 s<br />
he had moved to Texas, and in recent months she an<br />
d her children seemed to have no permanent address.<br />
In September 2010, the family was staying in a ten<br />
t on a beach on the South Texas coast. In Laredo,<br />
they lived at a mobile home park in a small traile<br />
r with a cracked wall. Neighbors and park workers<br />
would help them with groceries and cash. Ms. Grimm<br />
er sold her truck, forcing the family to walk long<br />
distances around town.<br />
Janie Rodriguez, the manager of Towne North Mobile<br />
Home and RV Park, said that Ms. Grimmer often tol<br />
d her she was frustrated by the state’s refusal to<br />
give her benefits and that, one day weeks ago, sh<br />
e showed her a fax receipt for documents she had s<br />
ent the social services office. “I do blame the st<br />
ate,” Ms. Rodriguez said. “She was a very intellig<br />
ent person and a very wonderful person, a very goo<br />
d mother. She was not mentally ill. The state neve<br />
r came to see how she was living.”<br />
The children were not enrolled in local schools, b<br />
ut were being home-schooled. The state’s child wel<br />
fare agency, the Department of Family and Protecti<br />
ve Services, had come in contact with the family a<br />
t least twice before.<br />
After receiving a report of possible neglect, inve<br />
stigators from the agency checked on the family in<br />
September 2010, when they were living on the beac<br />
h. But the children appeared to be taken care of,<br />
and Ms. Grimmer had food and money, so the case wa<br />
s closed, a department spokesman said. In June, Ms<br />
. Grimmer told the police in Corpus Christi that s<br />
he had been a victim of domestic violence. The age<br />
ncy checked on her and the children but had no con<br />
cerns, said the spokesman, Patrick Crimmins.
Ms. Grimmer had first applied for food stamps at t<br />
he Laredo social services office on July 7. She di<br />
d not meet the criteria to receive benefits within<br />
24 hours because she was receiving child support.<br />
But an employee scheduled a time with Ms. Grimmer<br />
for someone to call her the next day to review he<br />
r case, a spokeswoman for the Texas Health and Hum<br />
an Services Commission said. A caseworker called t<br />
wice but was unable to reach her, the spokeswoman<br />
said.<br />
A letter was sent to Ms. Grimmer asking her to res<br />
chedule, and the appointment was set for July 22.<br />
On that day, a caseworker interviewed Ms. Grimmer<br />
by phone and explained what information was needed<br />
, said the spokeswoman, Stephanie Goodman. Though<br />
Ms. Grimmer turned in some of the paperwork, she d<br />
id not supply materials verifying the amount of ch<br />
ild support she had been receiving monthly, Ms. Go<br />
odman said.<br />
On Aug. 8, the case was closed, and Ms. Grimmer wa<br />
s sent a letter informing her that she had been de<br />
nied food stamp benefits because of the missing in<br />
formation, Ms. Goodman said.<br />
In Texas, benefits applications are approved more<br />
often than they are denied: in the past six months<br />
, 85 percent of cases statewide were approved, and<br />
the median number of days to process an applicati<br />
on was 12, the agency said.<br />
In mid-November, Ms. Grimmer called the agency’s o<br />
mbudsman office, saying that she disagreed with th<br />
e reason she was denied benefits. A supervisor cal<br />
led her on Dec. 1 but could not reach her. No one<br />
in the Laredo office heard from her until she walk<br />
ed in on Monday.<br />
The agency is reviewing its handling of Ms. Grimme<br />
r’s case. “I think we did everything we could,” sa<br />
id Thomas M. Suehs, the commissioner of health and
human services. “It’s a tragic situation.”<br />
Outside the Grimmers’ trailer on Thursday, neighbo<br />
rs gathered to pray for the family. Standing next<br />
to a memorial of balloons and teddy bears, one mot<br />
her spoke of the sunflower bookmark Ms. Grimmer ha<br />
d drawn for her. Santiago Morantes Jr., 16, recall<br />
ed seeing Ms. Grimmer, Ramie and Tim walking to th<br />
e post office one morning. He remembered it becaus<br />
e he noticed all three of them were barefoot.<br />
~~~~~~~~~~<br />
<strong>NYT</strong>-1210: VENTURES<br />
Everyone Speaks Text Message ... By TINA ROSENBERG<br />
Is technology killing indigenous languages or savi<br />
ng them? Well, you may soon be able to text in N'K<br />
o.<br />
===== notyet (long)<br />
When Ibrahima Traore takes his sons to a park in M<br />
ontclair, N.J., he often sits on a bench and reads<br />
. He reads English, French and Arabic, but most of<br />
the time he reads N’Ko, a language few speakers o<br />
f those languages would recognize. N’Ko is the sta<br />
ndardized writing system for Mande languages, a fa<br />
mily of closely related tongues — among them Traor<br />
e’s language of Mandinka, but also Jula, Bamana, K<br />
oyaga, Marka — spoken, for the most part, in eight<br />
West African countries, by some 35 million people<br />
. N’Ko looks like a cross between Arabic and ancie<br />
nt Norse runes, written from right to left in a bl<br />
ocky script with the letters connected underneath.<br />
Traore types e-mail to his family on his laptop i<br />
n N’Ko, works on his Web site in N’Ko, tweets in N<br />
’Ko on his iPhone and iPad and reads books and new<br />
spapers written in N’Ko to prepare for the N’Ko cl<br />
asses he teaches in the Bronx and for his appearan<br />
ces on an Internet radio program to discuss cultur<br />
al issues around the use of N’Ko.<br />
For years, the Web’s lingua franca was English. Sp<br />
eakers of French, Hindi and Urdu, Arabic, Chinese
and Russian chafed at the advantage the Internet g<br />
ave not only American pop culture but also its lan<br />
guage. For those who lived at the intersection of<br />
modern technology and traditional cultures, the pr<br />
oblem was even worse. “For a long time, technology<br />
was the enemy,” says Inee Slaughter, executive di<br />
rector of the New Mexico-based Indigenous Language<br />
Institute, which teaches Native Americans and oth<br />
er indigenous peoples how to use digital technolog<br />
ies to keep their languages vital. Heritage langua<br />
ges were being killed off by increasing urbanizati<br />
on, the spread of formal education and the shift t<br />
o cash crops, which ended the isolation of indigen<br />
ous communities. Advances in technology seemed to<br />
intensify the decline. “Even in 1999 or 2000, peop<br />
le were saying technology killed their language,”<br />
Slaughter says. “Community elders worried about it<br />
. As television came into homes, English became pe<br />
rvasive 24/7. Mainstream culture infiltrated, and<br />
young kids want to be like that. It was a huge, hu<br />
ge problem, and it’s still there. But now we know<br />
ways technology can be helpful.”<br />
For many tiny, endangered languages, digital techno<br />
logy has become a lifeline.<br />
When Traore was born, N’Ko had already been in use<br />
for several years. But growing up, he did not kno<br />
w it existed. At 6, he was sent from his village o<br />
f Kiniebakoro in rural Guinea to live with a broth<br />
er in Ivory Coast, where he learned to read and wr<br />
ite in French, the language taught in school in bo<br />
th countries. He never saw a book, newspaper, medi<br />
cine label, store name or street sign in N’Ko.<br />
And yet, N’Ko was invented to allow Mande speakers<br />
like Traore to read and write in the languages th<br />
ey spoke at home. In 1943, Solomana Kante, a teach<br />
er’s son who worked as a merchant in Ivory Coast,<br />
resolved to develop a written form for the Mande l<br />
anguage family. (N’Ko means “I say” in Manden lang<br />
uages; speakers of Manden languages can typically
understand one another even if they don’t use all<br />
the same words for the same things.) He tried usin<br />
g the Arabic alphabet, then the Roman alphabet, bu<br />
t found that neither one could express the tonal v<br />
ariations of spoken Manden languages. So in 1949,<br />
he invented his own script — one flexible enough t<br />
o capture any Manden language in writing. Among th<br />
e first books he translated into N’Ko was the Kora<br />
n. He later compiled a history of Manden languages<br />
and culture.<br />
At the time, Guinea had a close relationship with<br />
the Soviet Union, and Kante managed to have two ty<br />
pewriters made in Eastern Europe with N’Ko letters<br />
. (He was given another one by the president of Gu<br />
inea, according to a Guinean newspaper.) “If there<br />
was a typewriter, ink and ribbons were hard to fi<br />
nd,” says Baba Mamadi Diane, a student of Kante’s<br />
who now teaches N’Ko at Cairo University. Almost a<br />
ll of the books and papers in N’Ko in Guinea were<br />
copied by hand by Kante’s students, like medieval<br />
monks, but with several sheets of carbon paper below.<br />
Designed as a language for the common man, N’Ko se<br />
emed destined to remain a code used by an elite. T<br />
hen came the digital revolution.<br />
Heritage languages like N’Ko are taking on new lif<br />
e thanks to technology. An Internet discussion gro<br />
up, Indigenous Languages and Technology, is full o<br />
f announcements for new software to build sound di<br />
ctionaries and a project to collect tweets in Tok<br />
Pisin, a creole language spoken throughout Papua N<br />
ew Guinea, or Pipil, an indigenous language of El<br />
Salvador. “It’s the amplification of Grandma’s voi<br />
ce,” Slaughter says.<br />
Whether a language lives or dies, says K. David Ha<br />
rrison, an associate professor of linguistics at S<br />
warthmore College, is a choice made by 6-year-olds<br />
. And what makes a 6-year-old want to learn a lang<br />
uage is being able to use it in everyday life. “La
nguage is driven from the ground up,” says Don Tho<br />
rnton, a software developer in Las Vegas who speci<br />
alizes in making video games and mobile apps in Na<br />
tive American languages. “It doesn’t matter if you<br />
have a million speakers — if your kids aren’t lea<br />
rning, you’re in big trouble.”<br />
Of 6,909 catalogued languages, hundreds are unlike<br />
ly to be passed on to the next generation. Thornto<br />
n, who has worked with more than 100 Native Americ<br />
an tribes, says that some are already using sophis<br />
ticated programs to preserve their languages. “Oth<br />
er groups,” he says, “we ask about their language<br />
program, and they say, ‘You’re it.’ We look at it<br />
from their standpoint — what are the coolest techn<br />
ologies out there? We start programming for that.”<br />
For the vast majority of the world, the cellphone,<br />
not the Internet, is the coolest available techno<br />
logy. And they are using those phones to text rath<br />
er than to talk. Though most of the world’s langua<br />
ges have no written form, people are beginning to<br />
transliterate their mother tongues into the alphab<br />
et of a national language. Now they can text in th<br />
e language they grew up speaking. Harrison tells o<br />
f traveling in Siberia, where he met a truck drive<br />
r who devised his own system for writing the endan<br />
gered Chulym language, using the Cyrillic alphabet<br />
. “You find people like him everywhere,” Harrison<br />
said. “We are getting languages where the first wr<br />
iting is not the translation of the Bible — as it<br />
has often happened — but text messages.”<br />
Traore, who left Guinea for New York in November 1<br />
988, did not discover N’Ko until a 2007 trip to vi<br />
sit his parents in his native village. When his wi<br />
fe, Greta, a software developer, went into his bro<br />
ther’s room, she noticed books in N’Ko on his shel<br />
ves. Puzzled, she called her husband in. “You said<br />
your language was not written. So what are these<br />
books?” Traore was shocked. (He and Traore did not<br />
grow up together.) When he came back to New York,
he googled N’Ko. “That was the big wow,” he said.<br />
He found a teacher in Queens. “When I listened to<br />
the alphabet, I listened to our history. Now I ca<br />
n read the same words my mother would say to me.”<br />
N’Ko first moved from hand-copied manuscripts into<br />
the digital age two decades ago. In the early 199<br />
0s, Diane, the teacher of N’Ko at Cairo University<br />
, was collating an N’Ko text in a copy shop when h<br />
e was approached by an employee. “Why are you kill<br />
ing yourself?” the man asked him. “Don’t you know<br />
about DOS?” The employee explained to Diane that u<br />
sing computer software, he could write a new scrip<br />
t and generate as many copies as he wished. Togeth<br />
er with information-technology experts at Cairo Un<br />
iversity, Diane developed a rudimentary font to us<br />
e on his own computer. But creating a font that an<br />
yone could use was a much more complicated task.<br />
First, it meant getting N’Ko into Unicode — the in<br />
ternational standard that assigns a unique number<br />
to each character in a given writing system. Then<br />
Microsoft picked up N’Ko for its local language pr<br />
ogram — sort of. N’Ko was included in Windows 7, b<br />
ut the ligatures were misaligned, and the letters<br />
were not linked from below as they should have bee<br />
n. “The original plan was to fully support it, but<br />
we just didn’t have the resources,” said Peter Co<br />
nstable, a senior program manager at Microsoft. Fo<br />
r Windows 8, which is still being tested, Microsof<br />
t has fixed the problem. Most writers of N’Ko down<br />
load the font for use with Open Office’s Graphite<br />
program, developed by SIL International, a Christi<br />
an group with an interest in seeing the Bible reac<br />
h every hut and yurt on the planet.<br />
Digital technology has already transformed how Tra<br />
ore communicates with his family. When his father<br />
died in 1994, his family in Kiniebakoro sent news<br />
of the death to cousins in Ivory Coast by going to<br />
the bus station and looking for a passenger headi<br />
ng toward their city; the cousins then mailed a le
tter to Traore in New York. It took two months. No<br />
w communication with Kiniebakoro takes a day: Trao<br />
re sends an e-mail in N’Ko. His nephew, who works<br />
in the nearby town of Siguiri, checks his e-mail a<br />
t the town’s Internet cafe, prints Traore’s letter<br />
and then goes down to the dock where canoes ferry<br />
people across the Niger River to Kiniebakoro. He<br />
asks someone on the boat to take the letter to Tra<br />
ore’s family’s house.<br />
For Traore and others, the most pressing reason fo<br />
r making N’Ko available to Mande speakers is that<br />
only a small percentage of Guineans can read and w<br />
rite. The United Nations puts the rate of adult li<br />
teracy at 39 percent, but that figure counts mostl<br />
y those who live in major cities — in rural areas,<br />
it is much lower. Schooling in rural Guinea is of<br />
ten conducted in the open air, with no chairs, per<br />
haps a blackboard, maybe one book. But most discou<br />
raging to students, it takes place in French, a la<br />
nguage they don’t speak at home.<br />
“The only hope for literacy in Guinea is N’Ko lite<br />
racy,” Traore says. For Mande speakers, he says, N<br />
’Ko is extremely simple to learn. He and his fello<br />
w N’Ko advocates have sponsored hundreds of inform<br />
al schools throughout Guinea that teach in Manden<br />
languages and N’Ko. This year, for the first time,<br />
N’Ko will be taught side by side with French in a<br />
n official school — the pilot program will be in K<br />
iniebakoro, Traore’s hometown.<br />
People had been working on breathing life into N’K<br />
o for years, but they found out about one another<br />
only when they began to put up N’Ko Web sites. The<br />
re is Traore’s site, kouroussaba.com, Diane’s kanj<br />
amadi.com and fakoli.net, the project of Mamady Do<br />
umbouya, a Guinean who worked as a software engine<br />
er in Philadelphia and is devoting his retirement<br />
to N’Ko. He also runs a small organization called<br />
the N’Ko Institute of America. Diane’s students in<br />
Cairo are subtitling DVDs for West Africa in N’Ko
. Among the first was a season of the TV show “24.”<br />
If you have an iPhone, tweeting and e-mailing in N<br />
’Ko is now easy. Eatoni, a company based in Manhat<br />
tan that has created software for cellphone keyboa<br />
rds in some 300 languages, released an N’Ko app ea<br />
rlier this year. The iPhone keyboard app works on<br />
the iPad too. Eatoni’s C.E.O., Howard Gutowitz, de<br />
veloped it after months of tests and advice from T<br />
raore, Diane and other N’Ko users. But iPhones are<br />
too expensive to be widely used in rural Africa.<br />
Almost every African villager owns or aspires to o<br />
wn a conventional cellphone (equipped with only a<br />
number pad) — even if he or she has to travel to t<br />
own to charge it.<br />
Africa is the world’s fastest-growing cellphone ma<br />
rket. Texting allows farmers to check crop prices.<br />
Nurses can send health information. People can do<br />
their banking. With airtime prohibitively expensi<br />
ve, texting is the preferred mode of communication<br />
. “Text messages would be a lifesaving tool for us<br />
in Guinea,” Traore said. He also says he believes<br />
that the ability to text in their own language wo<br />
uld give people a powerful reason to learn to read<br />
. “Before, men in my village used to brag about th<br />
eir wristwatches,” Traore said. “Now they brag abo<br />
ut their cellphones.” When he shows N’Ko speakers<br />
his iPhone and tells them, “This is your language,<br />
” they are dumbstruck. An N’Ko newspaper published<br />
in Conakry, Guinea’s capital, recently crowed: “D<br />
on’t look for N’Ko under a cabbage leaf any more.<br />
It’s on the iPhone now.”<br />
Those old cellphones don’t have apps, of course. Y<br />
ou use the language the phone comes with; in West<br />
Africa, that is French. The market for an N’Ko pho<br />
ne would be, potentially, tens of millions of peop<br />
le. But getting manufacturers to add new alphabets<br />
to cellphones isn’t easy. Gutowitz has had a long<br />
and frustrating experience trying to do so. “Most<br />
manufacturers roll their eyes,” he said. “I spent
a decade running around the world talking to cell<br />
phone manufacturers — everyone I could think of —<br />
saying, ‘Look, we can support 100 languages, it’s<br />
a big market.’ They didn’t care. People say, ‘Why<br />
don’t you go talk to Nokia?’ I have talked to Noki<br />
a. Again and again and again.”<br />
Lamine Dabo and Nouhan Sano, Guineans who live in<br />
Bangkok, where there is a prosperous and close-kni<br />
t Guinean community, have had a similar experience<br />
. They have been trying to persuade manufacturers<br />
to develop an N’Ko cellphone since 2007. Dabo and<br />
Sano’s gem-importing businesses take them all over<br />
Asia, and all over Asia they bring their list of<br />
more than 17,000 N’Ko words. Dabo says it’s possib<br />
le to build a cheap cellphone with N’Ko as its lan<br />
guage, a camera and slots for two SIM cards — a ne<br />
cessity in Africa, where reception is often spotty<br />
. When he went to Guinea and Mali to discuss the p<br />
hone with distributors, he said, he was mobbed wit<br />
h interest. But his briefcase was filled with reje<br />
ctions from manufacturers. Some asked him to put u<br />
p the money himself. “Everyone says it’s possible,<br />
but the money is not enough for them to make it a<br />
priority,” he said.<br />
Dabo and Sano are still trying. It might seem stra<br />
nge that the fortunes of N’Ko and of indigenous la<br />
nguages around the world should depend on the abil<br />
ity to subtitle “24,” to write with Windows and, a<br />
bove all, to text. But for hundreds of heritage la<br />
nguages, a four-inch bar of plastic and battery an<br />
d motherboard is the future of the past.<br />
~~~~~~~~~~