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NYT-1201: STATE OF THE ART A Thermostat That's Clever, Not ...

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<strong>NYT</strong>-<strong>1201</strong>: <strong>STATE</strong> <strong>OF</strong> <strong>THE</strong> <strong>ART</strong><br />

A <strong>Thermostat</strong> <strong>That's</strong> <strong>Clever</strong>, <strong>Not</strong> Clunky ... By DAVID<br />

POGUE<br />

The Nest Learning <strong>Thermostat</strong> can save on heating a<br />

nd cooling costs for your home. It even looks pret<br />

ty on your wall.<br />

===== notyet<br />

Steve Jobs may have transformed a bunch of industr<br />

ies, but his great skill wasn’t really inventing.<br />

Instead, he was the world’s greatest makeover wiza<br />

rd. He’d look at some industry, identify what had<br />

been wrong with it for years, and then figure out<br />

how to make it beautiful and simple and joyous.<br />

Now that Steve’s gone, who will look around for wor<br />

lds that need changing?<br />

Well, how about Tony Fadell? He seems to have the<br />

pedigree. He helped design the iPod. He ran the iP<br />

od and iPhone divisions of Apple for years.<br />

He’s got that spot-what’s-wrong-with-it gene.<br />

With his new company, Nest, he has decided to rein<br />

vent a tech item that hasn’t seen much innovation<br />

in decades: the thermostat.<br />

Don’t snicker. This isn’t trivial. According to Ne<br />

st, there are a quarter of a billion thermostats i<br />

n this country alone; 10 million more are bought e<br />

ach year.<br />

Half of your home’s energy is controlled by this u<br />

gly, beige tool. Most people never even bother to<br />

program their programmable thermostats. As a resul<br />

t, their houses actually use more energy than home<br />

s without them. Two years ago, the federal governm<br />

ent eliminated the entire programmable thermostat<br />

category from its Energy Star program.<br />

The Nest Learning <strong>Thermostat</strong> ($250) doesn’t introd<br />

uce just one radical rethinking of the thermostat;


it introduces four of them.<br />

RADICAL CHANGE 1 The look. The Nest is gorgeous. I<br />

t’s round. Its screen is slightly domed glass; its<br />

barrel has a mirror finish that reflects your wal<br />

l. Its color screen glows orange when it’s heating<br />

, blue when it’s cooling; it turns on when you app<br />

roach it, and discreetly goes dark when nobody’s n<br />

earby.<br />

Sweating over attractiveness makes sense; after al<br />

l, this is an object you mount on your wall at eye<br />

level. A thermostat should be one of the most bea<br />

utiful items on your wall, not the ugliest.<br />

RADICAL CHANGE 2 The Nest has Wi-Fi, so it’s onlin<br />

e. It can download software updates. You can progr<br />

am it on a Web site.<br />

You can also use a free iPhone or Android app, fro<br />

m anywhere you happen to be, to see the current te<br />

mperature and change it — to warm up the house bef<br />

ore you arrive, for example. (At this moment, vaca<br />

tion-home owners all over the world are wiping dro<br />

ol off their keyboards.)<br />

RADICAL CHANGE 3 Learning. The Nest is supposed to<br />

program itself — and save you energy in the proce<br />

ss. When you first install the Nest, you turn its<br />

ring to change the temperature as you would a norm<br />

al thermostat — at bedtime, when you leave for wor<br />

k, and so on. A big, beautiful readout shows you t<br />

he new setting and lets you know how long it will<br />

take your house to reach that temperature. That in<br />

formation, Nest says, is intended to discourage pe<br />

ople from setting their thermostats to 90 degrees,<br />

for example, thinking that the temperature will r<br />

ise to 70 faster. (It doesn’t.)<br />

Over the course of a week or so, the thermostat le<br />

arns from your manual adjustments. It notes when t<br />

hat happened, and what the temperature and humidit


y were, and so on. And it begins to set its own sc<br />

hedule based on your living patterns.<br />

RADICAL CHANGE 4 Energy savings. Let’s face it, $2<br />

50 is a lot to pay for a thermostat. But Nest says<br />

that you’ll recoup that through energy savings in<br />

less than two years.<br />

The mere act of having a correctly programmed ther<br />

mostat is the big one, of course. Why should you w<br />

aste money heating or cooling the downstairs when<br />

you’re in bed upstairs? Or when you’re away at wor<br />

k all day?<br />

But the Nest’s smartphone-based components offer o<br />

ther goodies, like Auto Away. The Nest contains tw<br />

o proximity sensors (near and far), which detect w<br />

hether anybody is actually in a room. If the senso<br />

rs decide that nobody’s home, they let the tempera<br />

ture drop or rise to an outer limit you’ve defined<br />

— say, 65 in winter, 80 in summer — even if that<br />

absence isn’t part of your normal schedule.<br />

This feature is useless, of course, if your thermo<br />

stat can’t see the room — say, if it’s in a closet<br />

or behind an open door. But often I’ll return fro<br />

m a day trip, having forgotten to turn down the he<br />

at, and see Auto Away on the screen. Good ol’ Nest!<br />

Nest says that turning down your thermostat by eve<br />

n a single degree can save you 5 percent in energy<br />

. To that end, it offers a little motivational log<br />

o: a green leaf. It glows brighter as you turn the<br />

ring beyond your standard comfort zone. As a posi<br />

tive-reinforcement technique, it’s a lot more effe<br />

ctive than an exhortation from Jimmy Carter to put<br />

on a sweater.<br />

This all sounds spectacular, of course, and mostly<br />

, it is. But feathering my Nest wasn’t all smooth<br />

sailing.


First, of course, you have to install the thing. N<br />

est goes to extraordinary lengths to help you out.<br />

The elegant package includes a screwdriver and th<br />

e Nest itself has a built-in bubble level. YouTube<br />

how-to videos and tech support are available.<br />

But in the end, replacing a thermostat is not a jo<br />

b for a novice. It involves cutting power to your<br />

existing thermostats (after figuring out which cir<br />

cuit breaker is responsible); removing your old th<br />

ermostat (revealing an ugly, gaping maw in your wa<br />

ll); hooking up about four colored wires (nasty-lo<br />

oking and very short); covering up the gaping maw<br />

with the included rectangular base plate (necessar<br />

y only if the maw is larger than the Nest, which i<br />

s likely); and snapping the Nest into place.<br />

Nest’s installer performed the surgery on my downs<br />

tairs thermostat as I watched; I did the deed myse<br />

lf on the upstairs one. It took about half an hour<br />

to install each thermostat. If you don’t feel up<br />

to the task, Best Buy will send somebody to do it<br />

for you at $120 (plus $25 more for each additional<br />

Nest).<br />

Second, my test Nests were cuckoo for the first co<br />

uple of weeks. They’d decide for themselves to bla<br />

st the heat to 73 degrees — at 4 a.m.<br />

That was a little alarming. You know those sci-fi<br />

movies where our machines turn on their human over<br />

lords? Yeah, like that.<br />

The company chalked my problems up to first-releas<br />

e bugs, and had me reset my thermostats. (The soft<br />

ware is very iPod-like. You turn the barrel to cho<br />

ose from the colorful on-screen menus, and you cli<br />

ck inward to make a selection.) After two such res<br />

ets, the Nests are now working perfectly and savin<br />

g me money.<br />

The software has room to improve. For some reason,


the Nest’s own screen shows you a lot more about<br />

what’s going on with your thermostat than the Web<br />

site or the phone apps. For example, the Web and t<br />

he app don’t show you when Auto Away kicked in or<br />

when you manually adjusted your thermostats. (The<br />

company says it will remedy that situation soon.)<br />

The Web site is beautiful, but programming your Ne<br />

sts using its Schedule tab is clumsy and tedious.<br />

It takes too many unnecessary clicks to introduce<br />

a change in the schedule.<br />

I found some bugs, too. For example, if you have m<br />

ultiple Nests, just coming back home doesn’t disen<br />

gage the Auto Away mode automatically; you have to<br />

click each thermostat’s screen within two minutes<br />

. (Bizarre.)<br />

Fortunately, software is fixable.<br />

Goodness knows there are cheaper thermostats. And<br />

there are other learning thermostats with color sc<br />

reens and Internet connections. But they don’t hav<br />

e the sensors that let them self-adjust. They don’<br />

t look like pieces of art. They’re sold and packag<br />

ed for contractors, not humans.<br />

And they actually cost more: for example, similar<br />

models of the Honeywell Prestige and Ecobee Smart<br />

<strong>Thermostat</strong> go for more than $300 on Amazon.com. (C<br />

an you imagine what the arrival of the Nest and it<br />

s team of former Apple superstars must be doing to<br />

morale at those companies? The Friday beer blasts<br />

must be a bummer these days.)<br />

The Nest is gorgeous, elegant and very, very smart<br />

. It will keep your house at the right temperature<br />

, save you money and do some good for the planet.<br />

Put another way, it can make you comfortable in mo<br />

re ways than one.<br />

E-mail:pogue@nytimes.com


~~~~~~~~~~<br />

<strong>NYT</strong>-<strong>1201</strong><br />

12 Things You Didn't Know Facebook Could Do ... By<br />

PAUL BOUTIN<br />

The social network has been adding functions to ma<br />

ke it more useful, although many on the site are u<br />

naware of them.<br />

===== notyet<br />

The designers and engineers who build Facebook are<br />

anything but complacent about their success. They<br />

face a constant threat from the career-centric Li<br />

nkedIn, specialized upstarts like Instagram’s mobi<br />

le photo network and now Google’s fast-growing Goo<br />

gle+, an attempt to improve on Facebook’s core des<br />

ign that has picked up tens of millions of users i<br />

n its first few weeks.<br />

So Facebook has been adding features to make the r<br />

eigning social network more useful and convenient.<br />

As the number of features grows, though, so does a<br />

corresponding problem: Most of Facebook’s 750 mil<br />

lion users don’t know these features exist. Some d<br />

on’t know how to find them, some don’t go hunting<br />

for them in Facebook’s ever-growing interface of c<br />

ontrols and many don’t even think of them in the f<br />

irst place. A few minutes of exploration can uncov<br />

er functions that make Facebook not just an addict<br />

ion but a pleasure to use.<br />

EDIT LINK NAMES AND DESCRIPTIONS If you want to po<br />

st a link to your Facebook page but don’t like the<br />

title or description that Facebook automatically<br />

pulls from the linked page, you can change it. Bef<br />

ore you click the Share button, click on the title<br />

or description in your pending post. They will ch<br />

ange into editing boxes, like those to rename a fi<br />

le on your computer desktop. When you’re done edit<br />

ing, press Enter to save your changes.<br />

TAG FRIENDS IN UPDATES AND COMMENTS If you type th


e name of a Facebook friend while editing a status<br />

update or a comment, Facebook will automatically<br />

create a link to the friend’s page. In fact, it wi<br />

ll pop up a list of possible completions for names<br />

like "John." Once you’ve entered a name, you can<br />

backspace over it to erase the last name for infor<br />

mality’s sake, or click in the middle to edit the<br />

first, turning "Kenneth Smith" into "Kenneth" or "<br />

Smith." Sorry, you can only shorten names — you ca<br />

n’t edit "Kenneth Smith" into "Snuggles."<br />

POST A PLAYABLE MP3 If you paste a link that ends<br />

in ".mp3" into a status update, Facebook will crea<br />

te a player in the middle of the update that lets<br />

other users play the music file without having to<br />

click through to its host site.<br />

MAKE A PHOTO YOUR PR<strong>OF</strong>ILE PICTURE Any photo on Fac<br />

ebook that has been tagged with your name includes<br />

an extra blue link at the lower-left corner of it<br />

s page labeled Make Profile Picture. Click that, a<br />

nd Facebook pops up an editing page in which you c<br />

an crop the photo to be just right for your profile.<br />

CREATE A POLL Hiding in plain sight above the box<br />

to enter status updates is a Question button. Post<br />

ing a question looks just like posting an update,<br />

except that it takes the first three answers from<br />

your friends and turns them into a poll to keep th<br />

e discussion focused. You can also set up the poll<br />

with your own answers, or add more to those Faceb<br />

ook creates.<br />

COLLABORATE ON A DOCUMENT Within a Group page, cli<br />

ck on Docs at the top of the page and then the Cre<br />

ate a Doc button on the right-hand side to create<br />

a text-only document that everyone in the group ca<br />

n edit. When you save the document, it will be pos<br />

ted to the group’s feed, just like a status update<br />

, with an Edit button in the upper-right corner. T<br />

o see previous revisions, click Recent Changes.


INVITE NON-FACEBOOKERS TO AN EVENT When you are cr<br />

eating an event on Facebook, the Select Guests men<br />

u shows your existing friends, but it also lets yo<br />

u enter the e-mail addresses of people who do not<br />

have Facebook accounts. Type one or more e-mail ad<br />

dress, separated by commas, into the Invite by E-m<br />

ail Address box. Your invitees will receive a mess<br />

age with a link to your event page that, unfortuna<br />

tely, prompts them to sign up for Facebook before<br />

they can look at it.<br />

GET <strong>THE</strong> TICKER OUT <strong>OF</strong> YOUR WAY Facebook recently a<br />

dded a constantly scrolling window on the right si<br />

de of the screen that shows your friends’ updates<br />

as they come in. Fun for some, agitating for other<br />

s. You can’t turn it off entirely, but you can mak<br />

e the moving ticker as small as possible. Using yo<br />

ur cursor, grab the bar that separates the Ticker<br />

from your Facebook Chat window. Drag it upward unt<br />

il the Ticker is as small as possible — the size o<br />

f two status updates. That will reduce the level o<br />

f unwanted distraction it causes while you’re tryi<br />

ng to read the rest of the page, while still letti<br />

ng you see new updates.<br />

ADD A CALENDAR TO YOUR PAGE If you’re a business o<br />

wner, a team coach or a performer who wants to kee<br />

p everyone on Facebook apprised of your coming eve<br />

nts, simply creating separate Facebook events for<br />

each one can be ineffective. These can get lost in<br />

the stream of events, making it hard for people t<br />

o check for, say, your next game. As an alternativ<br />

e, use the Social Calendar app, which was not deve<br />

loped by Facebook. Go to facebook.com/SocialCalend<br />

ar and click the Add to My Page link in the lower<br />

left corner. That will pop up a menu of pages you<br />

manage. Click Add to Page next to one or more page<br />

s, then click Close. Those pages will now include<br />

a Calendar link in their upper left corner, just b<br />

elow Wall, Info and Photos. Social Calendar is pre<br />

tty smart — it will autocomplete the names of even<br />

ts you’ve already created, and if you type in an A


ddress field, it will add a map link to the locati<br />

on on the calendar. But for maximum attendance, yo<br />

u should still post status updates announcing an event.<br />

TRACK YOUR PAGE’S SUCCESS On any page you own, whe<br />

ther it is for your business or your clog-dancing<br />

club, click View Insights in the upper right corne<br />

r. Facebook will display charts of user informatio<br />

n and page interactions. Beyond the number of Like<br />

s and comments, it will plot a graph of page views<br />

and user feedback, plus a breakdown of which Web<br />

domains are sending traffic to your page, and the<br />

demographics of your visitors. If you want to do y<br />

our own number-crunching, you can export the data<br />

into an Excel-compatible file.<br />

KEEP A BIRTHDAY P<strong>ART</strong>Y A SECRET Do you want to let<br />

everyone except one or two people know what you’re<br />

up to? Edit a status update as usual, but before<br />

you post, click the lock icon below the editing bo<br />

x. That will pop up a menu with options for specif<br />

ying who can see your update. By default, it’s set<br />

to Everyone. Choose Customize instead, and in the<br />

dialog box that pops up, enter one or more names<br />

in the box near the bottom that says Hide This Fro<br />

m. There’s another button to make this your defaul<br />

t setting for future updates, so you needn’t worry<br />

about accidental oversharing.<br />

BLOCK ANNOYING COMMENTERS Do you have a friend who<br />

constantly posts inappropriate comments on your u<br />

pdates but whom you can’t bring yourself to unfrie<br />

nd? In the uppermost right corner of Facebook, cli<br />

ck Account and choose Privacy Settings. That will<br />

take you to a page labeled Choose Your Privacy Set<br />

tings. Near the bottom is a section labeled Sharin<br />

g on Facebook. Hiding at the bottom of that sectio<br />

n is a link labeled Customize Settings. Scroll dow<br />

n to Things Others Share. There’s a setting for "P<br />

ermission to comment on your posts." It works just<br />

like the filter for sharing status updates: click<br />

Customize, and enter names of people to keep Face


ook from presenting them with comment features wh<br />

en they look at your posts. Maybe they’ll get the hint.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-<strong>1201</strong><br />

Brilliant and Bold, in Any Language ... By DAVID WA<br />

LDSTEIN<br />

What makes Bobby Valentine's selection as Boston's<br />

new manager so intriguing is his curiosity and hi<br />

s daring, best exemplified by his time spent manag<br />

ing in Japan.<br />

===== notyet (2 pages)<br />

Early in his tenure as manager of the Chiba Lotte<br />

Marines in Japan, Bobby Valentine decided to run a<br />

drill to practice pickoff moves at second base. H<br />

e instructed his pitchers to throw behind the runn<br />

er, but for some reason they refused to do as he a<br />

sked.<br />

As Valentine grew frustrated over the inability of<br />

his pitchers to follow his instructions, Satoru K<br />

omiyama, a veteran who had played for Valentine wh<br />

en he managed the Mets, came forward to offer an e<br />

xplanation.<br />

"We will be happy to do it in games," he told Vale<br />

ntine. "But in practice we don’t want to injure ou<br />

r teammates by throwing the ball at their behinds."<br />

It was not the first problem with translation that<br />

Valentine encountered in Japan, nor would it be h<br />

is last. But he would eventually learn 2,042 kanji<br />

characters out of an instructional book, practici<br />

ng them in the dirt with the toe of his cleats dur<br />

ing practice, and by the time he made his tearful<br />

goodbye speech to the team’s fans in 2009, he did<br />

so in Japanese.<br />

"There’s a lot of guys who go over there just look<br />

ing to get a paycheck," said the current Mets mana<br />

ger Terry Collins, who managed the Orix Buffaloes<br />

for two seasons in Japan and competed there agains


t Valentine. "Bobby completely embraced everything<br />

about it and had the mind-set to succeed there. I<br />

wish I had listened to him more."<br />

When the Boston Red Sox began courting Valentine i<br />

n early November to replace Terry Francona as thei<br />

r next manager, he was cited for his baseball bril<br />

liance. Valentine is indeed smart and observant, b<br />

ut so are some other people in major league dugouts.<br />

What sets Valentine apart from his peers, what mak<br />

es his selection as Boston’s new manager so intrig<br />

uing, is his curiosity. And maybe his daring. And<br />

those traits are probably best exemplified by his<br />

willingness to not just manage in Japan, but to pl<br />

unge headfirst into its culture, both accepting an<br />

d challenging it all at once.<br />

"There is no question that he is more worldly than<br />

other managers," said Steve Phillips, who was Val<br />

entine’s former boss with the Mets, went to the Wo<br />

rld Series with him and now accepts responsibility<br />

for the friction in their relationship.<br />

"It’s not even close," Phillips added of Valentine<br />

’s one-of-a-kind approach. "His enthusiasm for new<br />

concepts, new ideas is unparalleled, and he wants<br />

them to succeed."<br />

Valentine became an adored figure in Japan, which<br />

will not be an easy feat to duplicate in Boston, w<br />

here the baseball culture is intense and entrenche<br />

d, where the current roster contains a lot of vete<br />

ran players, not all of whom may want to do things<br />

any differently.<br />

But that is unlikely to deter Valentine, or inhibi<br />

t him. He took on Japan. Why not Beantown?<br />

"I think he’ll be great in Boston," said John Blak<br />

e, a longtime Texas Rangers executive who was with<br />

Valentine when he managed that team and who has a


lso worked for the Red Sox.<br />

"Bobby brings incredible passion and energy," Blak<br />

e said. "In Boston, the Red Sox are such a religio<br />

n. He will revel in that, and the fans will pick u<br />

p on it."<br />

The Red Sox will go into spring training trying to<br />

shake off their historic collapse in September. I<br />

t is a talented team with leftover issues — includ<br />

ing players consuming beer and chicken during game<br />

s — and Valentine will have plenty to deal with ri<br />

ght from the start.<br />

As was the case in Japan. Having already managed t<br />

he Marines in Japan’s Pacific League for one year<br />

in 1995, Valentine knew what would greet him when<br />

he arrived there for his second stint in 2004 — a<br />

lethargic fan base, a team expecting to again fini<br />

sh dead last. Faced with that challenge, Valentine<br />

over the next six years transformed the club, its<br />

stadium and, to some extent, Japanese baseball.<br />

By the time he left, the Marines had won their fir<br />

st championship in 31 years, he had become the fir<br />

st foreign recipient of the prestigious Shoriki Aw<br />

ard for service to Japanese baseball, and attendan<br />

ce at Marine Stadium had grown 400 percent.<br />

When traditional Japanese baseball strategies work<br />

ed, Valentine left them alone. "He told me, don’t<br />

mess with relays, they know how to do it," Collins<br />

said.<br />

But Valentine also shortened workouts, told player<br />

s to wear shorts during batting practice in hot mo<br />

nths and instituted a day off every fourth day in<br />

spring training — all unheard of in a baseball env<br />

ironment where hard work is the bare minimum. He e<br />

ncouraged players to grow their hair longer if the<br />

y wished and even pose a little bit after a home r<br />

un. Have some fun.


"Bobby is a baseball genius," said Matt Franco, th<br />

e former Met who played for Valentine in Queens an<br />

d in Japan. "Sometimes that gets under people’s sk<br />

in. But the players loved him. They could see he w<br />

as out for them."<br />

Before he made any changes in Japan, Valentine wou<br />

ld first take on what he wanted to alter, particul<br />

arly the rigorous workouts. He fielded so many gro<br />

und balls he felt his arm was going to fall off. "<br />

It has to be right," he would say to his bench coa<br />

ch, Frank Rampen, as he thought about what to chan<br />

ge.<br />

Valentine wasn’t always right, though. He institut<br />

ed changes with the team draft that sometimes back<br />

fired, and offended others with the new uniforms h<br />

e helped design. But he kept going.<br />

In 2005, when the young third baseman Toshiaki Ima<br />

e asked for three days off to be with his wife as<br />

she gave birth, Valentine’s Japanese coaches said<br />

it was out of the question. Valentine gave him the<br />

three days, and when Imae returned he went on a h<br />

itting tear and was eventually named the most valu<br />

able player of the Japan Series.<br />

Perhaps the biggest change that Valentine brought<br />

about involved the fans’ access to the players. He<br />

insisted that the eight-foot chicken-wire fences<br />

that extended from foul pole to foul pole and sepa<br />

rated the fans from the players should come down.<br />

He wanted his players to sign autographs. Accordin<br />

g to Larry Rocca, a former sportswriter who became<br />

a Marines executive, Valentine’s reasoning wasn’t<br />

only about building good will. When Valentine fir<br />

st returned in 2004, the players were lacking in s<br />

elf-esteem. Why would anyone want their autographs<br />

? The team was no good. But Valentine reasoned tha<br />

t if the players saw fans asking for autographs, t<br />

heir confidence might get a boost and so might the


ir performances on the field.<br />

He encountered resistance. At first a slit was cut<br />

into the fence, for fans to pass papers to the pl<br />

ayers to sign. Only after two years did the fences<br />

come down.<br />

But Valentine had made his point. A year after he<br />

returned, the Marines won the championship, with t<br />

he young players he promoted leading the way. Vale<br />

ntine’s popularity soared. A beer, Bobeer, would b<br />

e named after him, as well as a street in Chiba, V<br />

alentine Way.<br />

But by 2009 the adventure was over as the front of<br />

fice said it could no longer afford his high salar<br />

y. The fans organized large in-game protests and c<br />

ollected thousands of signatures on a petition. Th<br />

eir pleas went unanswered.<br />

At the airport the day he left, hundreds of fans a<br />

ssembled to see him off, waving flags with his lik<br />

eness on them and singing the "Bobby" song they wr<br />

ote for him. As his plane taxied down the runway,<br />

they ran out on a roof after it, waving their flag<br />

s and shouting his name as a tearful Valentine wat<br />

ched from the plane.<br />

This time, nothing was lost in translation.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-<strong>1201</strong><br />

Judy Lewis, Secret Daughter of Hollywood, Dies at 7<br />

6 ... By PAUL VITELLO<br />

Ms. Lewis, the daughter of an unwed Loretta Young<br />

and Clark Gable, was 31 before she confronted her<br />

mother and learned the truth of her upbringing.<br />

===== notyet<br />

Her mother was Loretta Young. Her father was Clark<br />

Gable.<br />

Yet Judy Lewis spent her first 19 months in hideaw


ays and orphanages, and the rest of her early life<br />

untangling a web of lies spun by a young mother h<br />

ungry for stardom but unwilling to end her unwed p<br />

regnancy.<br />

Loretta Young’s deception was contrived to protect<br />

her budding movie career and the box-office power<br />

of the matinee idol Gable, who was married to som<br />

eone else when they conceived their child in snowe<br />

d-in Washington State. They were on location, shoo<br />

ting the 1935 film "The Call of the Wild," fiction<br />

al lovers in front of the camera and actual lovers<br />

outside its range.<br />

Ms. Lewis, a former actress who died on Friday at<br />

the age of 76, was 31 before she discerned the sco<br />

pe of the falsehoods that cast her, a daughter of<br />

Hollywood royalty, into what she later described a<br />

s a Cinderella-like childhood. Confronted by Ms. L<br />

ewis, Young finally made a tearful confession in 1<br />

966 at her sprawling home in Palm Springs, Calif.<br />

Young was 22 and unmarried when she and Gable, 34<br />

and married to Maria Langham, had their brief affa<br />

ir. She spent most of her pregnancy in Europe to a<br />

void Hollywood gossip. Ms. Lewis was born on Nov.<br />

6, 1935, in a rented house in Venice, Calif. Soon<br />

she was turned over to a series of caretakers, inc<br />

luding St. Elizabeth’s Infants Hospital in San Fra<br />

ncisco, so that Young could return to stardom.<br />

When Ms. Lewis was 19 months old, her mother broug<br />

ht her back home and announced through the gossip<br />

columnist Louella Parsons that she had adopted the<br />

child.<br />

Ms. Lewis grew up in Los Angeles, cushioned in the<br />

luxury of her mother’s movie-star lifestyle even<br />

as she endured what she later described as an outs<br />

ider’s isolation within her family and the teasing<br />

of children at school.


They teased her about her ears: they stuck out lik<br />

e Dumbo’s. Or, as Hollywood rumors had it, they st<br />

uck out like Clark Gable’s. Ms. Lewis’s mother dre<br />

ssed her in bonnets to hide them. When Ms. Lewis w<br />

as 7 her ears were surgically altered to make them<br />

less prominent.<br />

Until Ms. Lewis, as an adult, confronted her years<br />

later, Young did not acknowledge that Ms. Lewis w<br />

as her biological daughter, or that Gable was Ms.<br />

Lewis’s father. When Young married and had two chi<br />

ldren with Tom Lewis, a radio producer, Judy took<br />

his name but remained the family’s "adopted" daugh<br />

ter.<br />

And though conceding the story privately to her da<br />

ughter — and later to the rest of her family — You<br />

ng remained mum publicly all her life, agreeing to<br />

acknowledge the facts only in her authorized biog<br />

raphy, "Forever Young," and only on the condition<br />

that it be published after her death. She died in<br />

2000.<br />

But Ms. Lewis revealed the story of her parentage<br />

in her own memoir, "Uncommon Knowledge," in 1994.<br />

She described feeling a powerful sense of alienati<br />

on as a child. "It was very difficult for me as a<br />

little girl not to be accepted or acknowledged by<br />

my mother, who, to this day, will not publicly ack<br />

nowledge that I am her biological child," she said<br />

in an interview that year.<br />

After Ms. Lewis released the memoir, her mother ref<br />

used to speak to her for three years.<br />

The lightning bolt that gave Ms. Lewis the first h<br />

int about her parentage came during an identity cr<br />

isis before her wedding day. Two weeks before her<br />

marriage in 1958, Ms. Lewis told her fiance, Tom T<br />

inney, that she did not understand her confusing r<br />

elationship with her mother and that she did not k<br />

now who her father was. "I can’t marry you," she s


aid she told him. "I don’t know anything about mys<br />

elf."<br />

Mr. Tinney could offer little guidance about her m<br />

other, she wrote, but about her father’s identity<br />

he was clear.<br />

"It’s common knowledge, Judy," he said. "Your fathe<br />

r is Clark Gable."<br />

She had no inkling, she wrote.<br />

In interviews after her book was published, Ms. Le<br />

wis was philosophical about the secrecy in which s<br />

he grew up. If Young and Gable had acknowledged he<br />

r in 1935, she said, "both of them would have lost<br />

their careers."<br />

Much of Ms. Lewis’s account was painful to recall,<br />

she said. She quoted Young as saying, "And why sh<br />

ouldn’t I be unhappy?," explaining her decision to<br />

give birth. "Wouldn’t you be if you were a movie<br />

star and the father of your child was a movie star<br />

and you couldn’t have an abortion because it was<br />

a mortal sin?"<br />

Young was a Roman Catholic.<br />

After graduating from Marymount, a girls’ Catholic<br />

school, Ms. Lewis left Los Angeles to pursue acti<br />

ng in New York. She was a regular on one soap oper<br />

a, "The Secret Storm," from 1964 to 1971, and had<br />

featured parts on numerous others. She appeared in<br />

several Broadway plays, produced television shows<br />

, and in her mid-40s decided to return to school.<br />

She earned a bachelor’s degree and a master’s degr<br />

ee in clinical psychology from Antioch University<br />

in Los Angeles, and became a licensed family and c<br />

hild counselor in 1992.<br />

Ms. Lewis, who was a clinical psychologist special<br />

izing in foster care and marriage therapy, died of


lymphoma at her home in Gladwyne, Pa., her daught<br />

er, Maria Tinney Dagit, said.<br />

Besides her daughter, Ms. Lewis is survived by two<br />

grandsons and her half-brothers, Christopher and<br />

Peter Lewis. Her marriage to Mr. Tinney ended in d<br />

ivorce.<br />

In a 2001 interview on CNN with Larry King, Ms. Le<br />

wis recalled speaking to her mother about her earl<br />

y life.<br />

"I was also asking her about being adopted," she s<br />

aid, "as adopted children do. They say, ‘Where are<br />

my ... ‘’ "<br />

Mr. King interjected, " ‘Who’s my mother?’ "<br />

"Yes," Ms. Lewis said. " ‘Who’s my mother? Who’s m<br />

y father?’ And she would answer it very easily by<br />

saying, ‘I couldn’t love you any more than if you<br />

were my own child,’ which, of course, didn’t answe<br />

r the question, but it said, ‘Don’t ask the questi<br />

on.’ "<br />

But at that point Ms. Lewis was wistful about her<br />

past. "Call of the Wild," she said, was one of her<br />

favorite movies. The love scenes between her pare<br />

nts, she said, "show the love they feel for each o<br />

ther."<br />

Mr. King asked if she ever fantasized about the li<br />

fe she might have had if her parents had married a<br />

nd brought her up.<br />

"I would have liked them to have," she replied. "B<br />

ut that is just my dream, you know. Life is very s<br />

trange. Doesn’t give us what we want."<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1202


Sneaking Up on Defenses, Until He's Past Them ... B<br />

y PAT BORZI<br />

Two weeks ago, Packers quarterback Aaron Rodgers o<br />

ffered a theory on why receiver Jordy Nelson wasn'<br />

t drawing double coverage: because Nelson is white.<br />

===== notyet<br />

GREEN BAY — Eleven games into his breakout season,<br />

Green Bay Packers receiver Jordy Nelson did not n<br />

eed a calculator or even his fingers to count the<br />

number of times that he had faced double coverage<br />

this year.<br />

"I would say never," he said this week. "<strong>Not</strong> that I<br />

know of."<br />

It seems improbable. Nelson, remember, had nine ca<br />

tches for 140 yards and a touchdown in Green Bay’s<br />

Super Bowl victory last season. His 21 postseason<br />

catches earned him a share of the franchise recor<br />

d with Greg Jennings. This season, Nelson has deve<br />

loped into a serious threat for the undefeated Pac<br />

kers, with more receiving touchdowns (nine) than i<br />

n his previous three seasons combined (six). Two h<br />

ave gone for more than 80 yards.<br />

So why are opposing defenses not focusing on him mo<br />

re?<br />

Two weeks ago, Packers quarterback Aaron Rodgers o<br />

ffered a frank theory on his Tuesday afternoon rad<br />

io show: because Nelson is white.<br />

Rodgers recounted a conversation he had with Packe<br />

rs cornerback Charles Woodson, who is black, after<br />

Nelson’s two touchdown catches in a 45-7 win over<br />

Minnesota on Nov. 14.<br />

"I was talking to Wood in the fourth quarter and h<br />

e said: ‘When you see Jordy out there, you think,<br />

oh well, he’s a white wide receiver. He won’t be v<br />

ery athletic,’ " Rodgers said on his radio show. "<br />

But Jordy sort of breaks all those stereotypes. I’


m not sure why he keeps sneaking up on guys."<br />

The next day, Nelson went along with Rodgers’s ass<br />

essment. So did Jennings. The subsequent commotion<br />

, with people from ESPN analysts to Rush Limbaugh<br />

weighing in, embarrassed Nelson, and neither Rodge<br />

rs nor Jennings chose to revisit the issue this we<br />

ek.<br />

"He’s a hard worker, he practices well, he’s a pro<br />

fessional," Rodgers said. "And for some reason or<br />

another, he’s just not respected, maybe, as some o<br />

f our other pass-catching threats.<br />

"When you put a third or fourth corner on him, we<br />

like that matchup. He’s been consistently getting<br />

open and making the plays when they present themse<br />

lves."<br />

The rugged Nelson, a middle child of Kansas farmer<br />

s, goes into Sunday’s game against the Giants rank<br />

ed third in the N.F.L. with an average of 17.8 yar<br />

ds a catch. Among Packers receivers, only Jennings<br />

exceeds Nelson’s 44 catches for a career-high 782<br />

yards. Nelson’s growing rapport with Rodgers, who<br />

is having one of those seasons where he can seemi<br />

ngly hit a bumblebee in the thorax from 50 yards,<br />

has played a big part in his production.<br />

Beginning with the penultimate regular-season game<br />

last year, Nelson caught three touchdown passes o<br />

f more than 80 yards in an eight-game stretch — th<br />

e only player to do so since the 1970 merger, acco<br />

rding to the Elias Sports Bureau. All this from a<br />

former college walk-on with a crew cut who bears a<br />

resemblance to Yankee outfielder Brett Gardner.<br />

Packers receivers coach Edgar Bennett, who is blac<br />

k, smiled at the suggestion of race but declined t<br />

o cite that with Nelson. "He’s a good player, bott<br />

om line," he said.


Instead, Bennett said Nelson benefitted from defen<br />

ses respecting the playmaking abilities of Jenning<br />

s and tight end Jermichael Finley. The 6-3, 217-po<br />

und Nelson often draws a smaller, less-skilled def<br />

ensive back, especially in multiple receiver sets.<br />

"With those two guys on the field, that certainly<br />

helps the situation," Bennett said of Jennings and<br />

Finley. "And I think he’s been able to continue t<br />

o improve and get better and take advantage of tho<br />

se one-on-one situations."<br />

Nelson’s family raised and bred cattle near Manhat<br />

tan, Kan., and as a child, he helped out with all<br />

the chores, even the much less glamorous ones. Whe<br />

n Packer wideouts Jennings, James Jones and Brett<br />

Swain visited the farm with their wives two summer<br />

s ago, Nelson demonstrated how to artificially ins<br />

eminate a cow. All three then took a turn at it.<br />

A quarterback and defensive back in high school, N<br />

elson walked on at Kansas State as a safety but sw<br />

itched to wide receiver as a sophomore. He led the<br />

team in receptions that season. When he was a sen<br />

ior, Nelson broke the team record with 122 catches<br />

and was one of three finalists for the Biletnikof<br />

f Award, which goes to the nation’s top receiver.<br />

"He killed us my last year at Texas," Finley said,<br />

referring to a 41-21 Wildcats upset of the Longho<br />

rns in 2007. Nelson caught 12 passes for 116 yards<br />

with one score, and returned a punt 89 yards for<br />

another touchdown. The Packers drafted him in the<br />

second round in 2008.<br />

"He’s been doing what he does since he got here, a<br />

nd he did it before he got here," Packers General<br />

Manager Ted Thompson said. "He runs. He gets open.<br />

He’s got quickness. I just think sometimes people<br />

tend to take him for granted."<br />

Why?


"I don’t know," Thompson said. "He doesn’t beat his<br />

chest a lot. Or try to get out in front."<br />

Finley does not understand it, either. In describi<br />

ng why opponents underestimated Nelson, Finley see<br />

med to feel the need to invent a new word.<br />

"People downlook him, but he’s the strongest, most<br />

underrated receiver in the league," Finley said.<br />

"That’s why you see him getting plays like that, b<br />

ecause guys look down on him, and A-Rod just keeps<br />

feeding him."<br />

Greg Bishop contributed reporting.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1202: <strong>ART</strong> REVIEW<br />

Unfurling a Thousand Years of Gods, Demons and Roma<br />

nce ... By ROBERTA SMITH<br />

"Storytelling in Japanese Art" at the Metropolitan<br />

Museum of Art reveals the narrative side of Japan<br />

ese art in a lavish assortment of hand scrolls, ha<br />

nging scrolls, screens and books.<br />

===== notyet<br />

"Storytelling in Japanese Art," at the Metropolita<br />

n Museum of Art, is a captivating combination of s<br />

how and tell, read and look. Curatorially speaking<br />

, the exhibition takes us gently in hand and, thro<br />

ugh text panels, captions and diagrams, reveals th<br />

e narrative side of Japanese art with memorable cl<br />

arity.<br />

It has been organized by Masako Watanabe, a senior<br />

research associate in the Met’s Asian art departm<br />

ent, and while installed in the museum’s Japanese<br />

permanent-collection galleries, it is a temporary<br />

show full of significant loans. Illuminating the t<br />

ales played out in a lavish assortment of hand scr<br />

olls, hanging scrolls, screens and books, the exhi<br />

bition, with its explications and elucidations, gi<br />

ves didacticism a good name. It deserves return vi


sits, especially for its second rotation, starting<br />

Feb. 8, when, due to fragility, several hand scro<br />

lls will be wound to different scenes and five scr<br />

eens will be replaced by others.<br />

The show contains more than 100 works that span mo<br />

stly from the 13th to the 19th centuries. At its c<br />

ore are some 20 hand scrolls, or emaki, an ingenio<br />

us medium evolved from the illustrated sutras that<br />

began landing in Japan from China in the eighth c<br />

entury as part of the spread of Buddhism. While fu<br />

ll of wonderfully observed natural details, Japane<br />

se hand scrolls, unlike their Chinese precedents,<br />

developed less as vehicles for pure landscape than<br />

as stages on which to unfurl human dramas of all<br />

kinds, in something like real time and space. In t<br />

he hands of Japanese artists the scrolls were tant<br />

amount to primitive films. Their fluidity, emotion<br />

al expressiveness and sense of action and lived ex<br />

perience give them an uncannily contemporary immediacy.<br />

This is established at the start of the show with<br />

a masterpiece: the five scrolls known as the "Illu<br />

strated Legends of the Kitano Tenjin Shrine," a su<br />

blime example of Chinese-style ink painting highli<br />

ghted with translucent washes of color from the 13<br />

th-century Kamakura period. Acquired in 1925, thes<br />

e scrolls constitute one of the Met’s great painti<br />

ngs, but they have never been exhibited together b<br />

efore, and this alone makes "Storytelling in Japan<br />

ese Art" a must-see.<br />

With seductive intimacy the scrolls recount the li<br />

fe and turbulent afterlife of Sugawara Michizane,<br />

a ninth-century poet-statesman said to have died o<br />

f a broken heart after being unjustly slandered. T<br />

he tale includes the destruction unleashed by his<br />

angry spirit (floods, fire, shattered buildings, s<br />

ome of it delivered by a magnificent black-clad th<br />

under god) and the dangerous journey to hell and b<br />

ack by Nichizo, an intrepid acolyte sent to divine<br />

how to placate Michizane. (It takes a temple.)


Nichizo’s pictorially breathtaking odyssey involve<br />

s help from both monks and demons, a pause to pray<br />

in a cave (dragon notwithstanding) and braving a<br />

fabulous fire-breathing monster with eight heads a<br />

nd nine tails who guards the fiery furnace that is<br />

hell. All this is played out in a sparsely limned<br />

landscape whose mutations from gentle to spiked t<br />

o lunar make it a star in its own right.<br />

A similarly spare, evocative landscape also figure<br />

s in "A Long Tale for an Autumn Night," another in<br />

k-and-color painting from around 1400. Its anguish<br />

ed plot concerns an aspiring monk’s love for a bea<br />

utiful boy and ends, as this genre usually did, wi<br />

th the death of the boy, who is revealed to be a m<br />

anifestation of the bodhisattva Kannon.<br />

"Storytelling in Japanese Art" is not a historical<br />

ly thorough survey. Its main goal is to follow the<br />

mingling of different narrative and pictorial gen<br />

res and styles. Its arrangement is as much themati<br />

c as chronological, with groupings of different wo<br />

rks from different centuries attesting to the cont<br />

inuing attraction that certain stories exerted on<br />

the imagination.<br />

In the section devoted to "The Tale of Genji," the<br />

12th-century novel that is among Japan’s greatest<br />

contributions to world literature, for example, m<br />

odest books and hand scrolls are grouped around a<br />

pair of Edo-period screens by the 16th-century mas<br />

ter Kano Soshu like small craft around a magnifice<br />

nt ocean liner.<br />

And early in the exhibition En No Gyoja, the legen<br />

dary founder of a mountain-based asceticism combin<br />

ing aspects of Shinto and Buddhist beliefs known a<br />

s Shugendo, moves through several mediums, includi<br />

ng intentional hanging scrolls and what might be c<br />

alled accidental ones, those made from fragments e<br />

xcised from hand scrolls and mounted on textiles,


as well as intact hand scrolls. He is especially a<br />

ppealing in a Kamakura-period hand scroll fragment<br />

about the history of the Jin’oji Temple. It shows<br />

him in a garden with low-flying clouds conversing<br />

with a local deity, while a visiting Korean god a<br />

lights on the top of a pine tree, causing one of E<br />

n No Gyoja’s loyal servant-demons to fall to his knees.<br />

From there the show traces the pictorial life of v<br />

arious cherished narratives from medium to medium.<br />

Sacred tales about building temples or the spirit<br />

ual evolution of semidivine beings give way to cel<br />

ebrations of rulers’ lives, epic military battles<br />

or endlessly triangulating romances whose female p<br />

articipants usually pay the price. In the late-16t<br />

h-century hand scroll "The Tale of Gio" the title<br />

character, a dancer, generously allows another wom<br />

an to perform for her patron in a green-carpeted p<br />

avilion, and of course her life ends up in ruins.<br />

Here, as in later works throughout the show, freehand<br />

ink painting gives way to stiffer figuration<br />

and bright opaque colors, and open landscapes are<br />

more and more punctuated by steeply tilted buildin<br />

gs whose sumptuous interiors become central.<br />

Partly because of the exhibition’s placement in th<br />

e permanent-collection galleries, Ms. Watanabe has<br />

supplemented the scrolls, books and screens with<br />

works in other mediums. A lacquer box and a kimono<br />

decorated with images of books suggest the high v<br />

alue placed on literature, and lacquer stirrups an<br />

d saddles are placed near several screens recounti<br />

ng historic battles that had assumed mythic status<br />

in Japanese culture. They teem with mounted soldi<br />

ers and archers and, according to the label, can d<br />

epict up to 80 separate episodes.<br />

If you wonder what a six-legged red-lacquer storag<br />

e case is doing in the show, look no farther than<br />

the pair of painted screens next to it. On one a n<br />

early identical case is boldly outlined in ink. Ac<br />

cording to the label a brave samurai cut off the a


m of a wicked demon and hid it the case, until th<br />

e demon returned in the guise of the warrior’s mot<br />

her and tricked him out it. On the second screen t<br />

he demon, rendered larger than life with exaggerat<br />

ed vigor, is shown speeding away, clutching her li<br />

vidly red arm. The work’s creator, Shibata Zeshin<br />

(1807-91), was known internationally during his li<br />

fetime as a master of lacquer; a nearby preparator<br />

y study for the image is just as large, but less s<br />

trained.<br />

The same storage case, this time in black, appears<br />

in the show’s final gallery in "Night Parade of 1<br />

00 Demons," where it is being torn apart by one of<br />

the hand scroll’s wonderfully grotesque creatures<br />

in an effort to free several more of his ilk trap<br />

ped inside. This final gallery is dominated by dep<br />

ictions of anthropomorphized animals, among them t<br />

he frolicking creatures on a 12th-century hanging<br />

scroll that was excised from a set of 12th-century<br />

hand scrolls revered in Japan as one of the start<br />

ing points of manga. Also here is "The Tale of Mic<br />

e," one of several impressive loans from the New Y<br />

ork Public Library, with its cast of well-dressed<br />

white rodents. One wonders if Art Spiegelman knew<br />

of its existence when he undertook "Maus," his gra<br />

phic novel of Jewish mice and Nazi cats.<br />

"The Tale of Mice" is one of many points in "Story<br />

telling in Japanese Art" where you may find yourse<br />

lf wondering if Japan, despite its small size, has<br />

contributed far more than its share to today’s po<br />

pular culture. There is no hard science by which t<br />

o arrive at a definitive answer. Still, this fasci<br />

nating show reverberates with that tantalizing pos<br />

sibility.<br />

"Storytelling in Japanese Art" is on view through<br />

May 6 at the Metropolitan Museum of Art; (212) 535<br />

-7710, metmuseum.org.<br />

~~~~~~~~~~


<strong>NYT</strong>-1203<br />

Center of Penn State Scandal, Sandusky Tells His Ow<br />

n Story ... By JO BECKER<br />

In an extensive interview, Jerry Sandusky, the for<br />

mer assistant football coach, insisted that he had<br />

never sexually abused any child.<br />

===== notyet<br />

The former Penn State assistant football coach Jer<br />

ry Sandusky, in his first extended interview since<br />

his indictment on sexual abuse charges last month<br />

, said Coach Joe Paterno never spoke to him about<br />

any suspected misconduct with minors. Mr. Sandusky<br />

also said the charity he worked for never restric<br />

ted his access to children until he became the sub<br />

ject of a criminal investigation in 2008.<br />

The failure by Mr. Paterno to act more aggressivel<br />

y after being told in 2002 that Mr. Sandusky had m<br />

olested a 10-year-old boy in the showers of the un<br />

iversity’s football building played a role in Mr.<br />

Paterno’s firing last month after 62 years at Penn<br />

State. Mr. Sandusky, in the interview, said that<br />

Mr. Paterno did not speak to him or confront him o<br />

ver the accusation, despite the fact that Mr. Sand<br />

usky had been one of his assistant coaches for thr<br />

ee decades and was a regular presence at the footb<br />

all team’s complex for years after the 2002 episode.<br />

Mr. Sandusky, in a nearly four-hour interview over<br />

two days this week, insisted he had never sexuall<br />

y abused any child, but he confirmed details of so<br />

me of the events that prosecutors have cited in ch<br />

arging him with 40 counts of molesting young boys,<br />

all of whom came to know Mr. Sandusky through the<br />

charity he founded, known as the Second Mile.<br />

Mr. Sandusky said he regularly gave money to the d<br />

isadvantaged boys at his charity, opened bank acco<br />

unts for them, and gave them gifts that had been d<br />

onated to the charity.<br />

Prosecutors have said Mr. Sandusky used such gifts


as a way to build a sense of trust and loyalty am<br />

ong boys he then repeatedly abused.<br />

Mr. Sandusky, after repeated requests, agreed to t<br />

he interview because he said his decades of work w<br />

ith children had been misunderstood and distorted<br />

by prosecutors.<br />

“They’ve taken everything that I ever did for any<br />

young person and twisted it to say that my motives<br />

were sexual or whatever,” Mr. Sandusky said. He a<br />

dded: “I had kid after kid after kid who might say<br />

I was a father figure. And they just twisted that<br />

all.”<br />

Yet over the course of the interview, Mr. Sandusky<br />

described what he admitted was a family and work<br />

life that could often be chaotic, even odd, one th<br />

at lacked some classic boundaries between adults a<br />

nd children, and thus one that was open to interpr<br />

etation — by those who have defended him as a gene<br />

rous mentor and those who have condemned him as a<br />

serial predator.<br />

He said his household in State College, Pa., over<br />

the years came to be a kind of recreation center o<br />

r second home for dozens of children from the char<br />

ity, a place where games were played, wrestling ma<br />

tches staged, sleepovers arranged, and from where<br />

trips to out-of-town sporting events were launched<br />

. Asked directly why he appeared to interact with<br />

children who were not his own without many of the<br />

typical safeguards other adults might apply — show<br />

ering with them, sleeping alone with them in hotel<br />

rooms, blowing on their stomachs — he essentially<br />

said that he saw those children as his own.<br />

“It was, you know, almost an extended family,” Mr.<br />

Sandusky said of his household’s relationship wit<br />

h children from the charity. He then characterized<br />

his close experiences with children he took under<br />

his wing as “precious times,” and said that the p


hysical aspect of the relationships “just happened<br />

that way.”<br />

Wrestling, hugging — “I think a lot of the kids rea<br />

lly reached out for that,” he said.<br />

Mr. Sandusky said his wife, Dorothy, known as Dott<br />

ie, ultimately had some concerns about the househo<br />

ld dynamics. He said she had warned him not to neg<br />

lect his own children — the Sanduskys had adopted<br />

six children, including one from the Second Mile —<br />

“for the sake of other kids.” Mr. Sandusky recall<br />

ed one scene after a Penn State football game that<br />

underscored her concerns.<br />

“I remember the kids were downstairs, and we alway<br />

s had dogs,” he said. “And Dottie said, ‘You bette<br />

r go down and check on those kids, you know those<br />

Second Mile kids after football games.’ I went dow<br />

n, and I look, and there goes a kid flying over a<br />

couch, there goes a dog flying over a couch. And I<br />

go, ‘I don’t think she wants to see this.’ ”<br />

He said of his household: “Yeah, I mean it was turm<br />

oil. It was turmoil.”<br />

During the interview, conducted at the home of his<br />

lawyer, Mr. Sandusky was at times subdued, but oc<br />

casionally capable of humor — some of it awkward l<br />

aughter about his legal jeopardy and ruined reputa<br />

tion, some of it bright amusement at a recalled an<br />

ecdote about his own father, who himself had worke<br />

d with disadvantaged and disabled children, or a m<br />

oment of remembered comedy at one of the many summ<br />

er camps he helped run for children.<br />

He grew most animated when talking about his relat<br />

ionships with children, and he grew most disconsol<br />

ate when he, with a touch of childlike reverence,<br />

spoke of Mr. Paterno and Penn State, and the damag<br />

e his indictment had caused them. “I don’t think i<br />

t was fair,” he said.


During the interview, Joseph Amendola, Mr. Sandusk<br />

y’s lawyer, captured what he asserted was his clie<br />

nt’s predicament:<br />

“All those good things that you were doing have be<br />

en turned around,” Mr. Amendola said, speaking to<br />

his client, “and the people who are painting you a<br />

s a monster are saying, ‘Well, they’re the types o<br />

f things that people who are pedophiles exhibit.’ ”<br />

Prosecutors, in their indictment of Mr. Sandusky,<br />

charged him with a horrific array of abuse, includ<br />

ing the repeated assaults of young boys.<br />

Mr. Sandusky, in the interview, confirmed aspects<br />

of what prosecutors have said was a manipulative s<br />

cheme: he gave money and gifts to Second Mile chil<br />

dren, including computers and golf clubs. However,<br />

Mr. Sandusky presented his actions in a benevolen<br />

t light.<br />

“I would call kids on the phone and work with them<br />

academically,” he said. “I tried to reward them s<br />

ometimes with a little money in hand, just so that<br />

they could see something. But more often than not<br />

, I tried to set up, maybe get them to save the mo<br />

ney, and I put it directly into a savings account<br />

established for them.”<br />

Sometimes, he said, he found work for the children<br />

at his football camps. Sometimes he bought them s<br />

hoes or a shirt with his money. And sometimes, he<br />

passed along gifts to them that had been given to<br />

the charity by donors. “I never bought a computer<br />

for any kid; I had a computer given to me to give<br />

to a kid,” he said. “I never bought golf clubs. Pe<br />

ople gave things because they knew there would be<br />

kids. They wanted to get rid of things.”<br />

It is unclear whether the supervisors or directors<br />

of the charity knew of Mr. Sandusky’s setting up


ank accounts or giving away donated gifts. Invest<br />

igators with the Pennsylvania attorney general’s o<br />

ffice have subpoenaed the financial records of the<br />

charity, but say they have been alarmed to learn<br />

that some records from some years are missing.<br />

Jack Raykovitz, the executive director of Second M<br />

ile, resigned after Mr. Sandusky’s indictment.<br />

Mr. Sandusky, in the interview, said Penn State of<br />

ficials had contacted Mr. Raykovitz after the epis<br />

ode in 2002. An assistant football coach has told<br />

investigators that he saw Mr. Sandusky raping a yo<br />

ung boy in the football building’s showers, and th<br />

at he told Mr. Paterno some version of that scene<br />

the following day. Mr. Paterno has testified that<br />

he then informed the university’s athletic directo<br />

r, Tim Curley, that Mr. Sandusky had done somethin<br />

g sexually inappropriate with a young boy.<br />

Mr. Sandusky, in the interview, said word of an ep<br />

isode with a young boy in the shower reached Mr. R<br />

aykovitz. He said he talked with Mr. Raykovitz, an<br />

d identified the boy he thought Penn State was con<br />

cerned about. Mr. Sandusky, though, said Mr. Rayko<br />

vitz did not see fit to limit his interaction with<br />

youths, in part because he was aware of the natur<br />

e of Mr. Sandusky’s mentoring relationship with th<br />

e boy, and in part because he knew Mr. Sandusky ha<br />

d undergone repeated background checks clearing hi<br />

m to work with children.<br />

Mr. Raykovitz’s lawyer, Kevin L. Hand, called Mr.<br />

Sandusky’s account inaccurate, but refused to say<br />

more.<br />

As for Mr. Paterno, Mr. Sandusky said the two neve<br />

r spoke about any incidents, not the episode in 20<br />

02 or an earlier complaint of child molestation ma<br />

de against Mr. Sandusky in 1998 that was investiga<br />

ted by the Penn State campus police.


“I never talked to him about either one,” Mr. Sand<br />

usky said of Mr. Paterno. “That’s all I can say. I<br />

mean, I don’t know.”<br />

Mr. Paterno, through his son, Scott, has denied kn<br />

owing about the 1998 investigation at the time it<br />

happened.<br />

“He’s the only one who knows whether anybody ever<br />

said anything to him,” Mr. Sandusky said of Mr. Pa<br />

terno.<br />

In the interview, Mr. Sandusky, the longtime defen<br />

sive coordinator at Penn State, said that his rela<br />

tionships and activities with Second Mile children<br />

did cause some strain with Mr. Paterno, but only<br />

in that Mr. Sandusky worried that having some of t<br />

he children with him at hotels before games, or on<br />

the sideline during games, risked being seen as a<br />

distraction by the demanding Mr. Paterno.<br />

“I would have dreams of we being in a squad meetin<br />

g and that door fly open and kids come running thr<br />

ough chasing one another, and what was I going to<br />

do?” he said. “Because, I mean, Joe was serious ab<br />

out football.”<br />

Mr. Sandusky, despite expressing concern about tal<br />

king about the formal charges made against him, di<br />

d talk about his relationships with several of the<br />

eight people cited as victims by prosecutors last<br />

month. He said his relationships with more than o<br />

ne of them had extended for years after the suspec<br />

ted episodes of molestation or inappropriate behav<br />

ior.<br />

In 1998, the mother of a child reported concerns t<br />

o the Penn State campus police when she learned he<br />

r son had showered with Mr. Sandusky at the univer<br />

sity. After an investigation, Mr. Sandusky admitte<br />

d to the police and child welfare authorities that<br />

he had most likely done something inappropriate,


according to prosecutors. The local district attor<br />

ney declined to prosecute.<br />

In the interview this week, Mr. Sandusky said the<br />

boy and his mother remained a part of his life for<br />

years. He said that the mother had sought him out<br />

for tickets to Penn State games for her son, and<br />

that Mr. Sandusky had contributed financially year<br />

s later, when the young man, interested in the min<br />

istry, went on a mission.<br />

“He went to Mexico in the poverty-stricken areas a<br />

nd worked with the kids and things like that,” Mr.<br />

Sandusky said of the young man. “He showed me, he<br />

sent me pictures of he and the kids.”<br />

In the grand jury report, prosecutors cited Mr. Sa<br />

ndusky’s attempts to reach some of his accusers. H<br />

e acknowledged that he reached out to at least one<br />

, but said he thought the young man might be a cha<br />

racter witness on his behalf, and was unaware that<br />

prosecutors had listed him as a victim.<br />

Asked how he came to be involved more closely with<br />

some children rather than others, Mr. Sandusky sa<br />

id he got to know many of them at Second Mile summ<br />

er camps.<br />

“Some of them sought me out,” Mr. Sandusky said.<br />

Mr. Sandusky, facing grave charges and the possibi<br />

lity of imprisonment, discussed how much was now m<br />

issing from his life, and how much more might be m<br />

issing in the future.<br />

“I miss coaching,” he said. “I miss Second Mile. I<br />

miss Second Mile kids. I miss interrelationships<br />

with all kinds of people. I miss my own grandkids.<br />

I miss, I mean you know I’m going to miss my dog.<br />

So, I mean, yeah, I miss, yeah. Good grief.<br />

“I used to have a lot of contact with a lot of peo


ple and so that circle is diminished, and as it di<br />

minished, you know Bo is still there,” he said of<br />

his dog. “And I swear he understands. I swear he k<br />

nows. And you know I love him dearly for that.”<br />

Nate Schweber contributed reporting.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1203<br />

Oh, for the Good Old Days of Rude Cellphone Gabbers<br />

... By NICK WINGFIELD<br />

When virtual assistants like Apple's Siri are used<br />

in public places, the results can be annoying, ev<br />

en creepy, to unwilling listeners.<br />

===== notyet<br />

Is talking to a phone the same as talking on it?<br />

The sound of someone gabbing on a cellphone is par<br />

t of the soundtrack of daily life, and most of us<br />

have learned when to be quiet — no talking in “qui<br />

et cars” on trains, for example.<br />

But the etiquette of talking to a phone — more pre<br />

cisely, to a “virtual assistant” like Apple’s Siri<br />

, in the new iPhone 4S — has not yet evolved. And<br />

eavesdroppers are becoming annoyed.<br />

In part, that is because conversations with machin<br />

es have a robotic, unsettling quality. Then there<br />

is the matter of punctuation. If you want it, you<br />

have to say it.<br />

“How is he doing question mark how are you doing q<br />

uestion mark,” Jeremy Littau of Bethlehem, Pa., fo<br />

und himself telling his new iPhone recently as he<br />

walked down the street, dictating a text message t<br />

o his wife, who was home with their newborn. The m<br />

achine spoke to him in Siri’s synthesized female v<br />

oice.<br />

Passers-by gawked. “It’s not normal human behavior<br />

to have people having a conversation with a phone


on the street,” concluded Mr. Littau, 36, an assi<br />

stant professor of journalism and communication at<br />

Lehigh University.<br />

The technology behind voice-activated mobile phone<br />

s has been around for a few years — allowing peopl<br />

e to order their phones around like digital factot<br />

ums, commanding them to dictate text messages, jot<br />

down appointments on their calendars and search f<br />

or nearby sushi restaurants. Apple, though, has ta<br />

ken it to another level with Siri.<br />

“Happy birthday smiley face,” was what Dani Klein<br />

heard a man say to his phone on the Long Island Ra<br />

il Road, using the command to insert a grinning em<br />

oticon into a message.<br />

“It sounded ridiculous,” said Mr. Klein, 28, who wo<br />

rks in social media marketing.<br />

Talking to your phone is so new that there are no<br />

official rules yet on, say, public transportation<br />

systems.<br />

Cliff Cole, a spokesman for Amtrak, said the train<br />

line’s quiet-car policy applied to any use of voi<br />

ce with cellphones, though it explicitly bans only<br />

“phone calls,” not banter with a virtual assistan<br />

t. “We may have to adjust the language if it becom<br />

es a problem,” Mr. Cole said.<br />

Voice-activated technology in smartphones first ap<br />

peared a few years ago when mobile phones running<br />

Google’s Android operating system and other softwa<br />

re began offering basic voice commands to do Web s<br />

earches and other tasks. Apple’s Siri, introduced<br />

this fall, is a more sophisticated iteration of th<br />

e technology; it responds to natural-sounding phra<br />

ses like, “What’s the weather looking like?” and “<br />

Wake me up at 8 a.m.”<br />

Apple gave Siri a dash of personality, too, reinfo


cing the impression that the iPhone’s users were<br />

actually talking to someone. Ask Siri for the mean<br />

ing of life, and it responds, “I find it odd you w<br />

ould ask this of an inanimate object.”<br />

Technology executives say voice technologies are h<br />

ere to stay if only because they can help cellphon<br />

e users be more productive.<br />

“I don’t think the keyboard is going to go away, b<br />

ut it’s going to be less used,” said Martin Cooper<br />

, who developed the first portable cellular phone<br />

while at Motorola in the 1970s.<br />

Another irritant in listening to people talk to th<br />

eir phones is the awareness that most everything y<br />

ou can do with voice commands can also be done sil<br />

ently. Billy Brooks, 43, was standing in line at t<br />

he service department of a car dealership in Los A<br />

ngeles recently, when a woman broke the silence of<br />

the room by dictating a text message into her iPh<br />

one.<br />

“You’re unnecessarily annoying others at that poin<br />

t by not just typing out your message,” said Mr. B<br />

rooks, a visual effects artist in the film industr<br />

y, adding that the woman’s behavior was “just ridi<br />

culous and kind of sad.”<br />

James E. Katz, director of the Center for Mobile C<br />

ommunication Studies at Rutgers, said people who u<br />

se their voices to control their phones are creati<br />

ng an inconvenience for others — noise — rather th<br />

an coping with an inconvenience for themselves — t<br />

he discomfort of having to type slowly on a crampe<br />

d cellphone keyboard. Mr. Katz compared the behavi<br />

or with that of someone who leaves a car’s engine<br />

running while parked, creating noise and fumes for<br />

people surrounding them.<br />

While Apple has tried to enable natural-sounding c<br />

onversations with Siri, they are often anything bu


t. Nirav Tolia, an Internet entrepreneur, was ridi<br />

ng a crowded elevator down from his office in San<br />

Francisco recently when a man tried to use Siri to<br />

find a new location of a cafe, Coffee Bar. The ph<br />

one gave him listings for other coffee houses — th<br />

e wrong ones — forcing him to repeat the search se<br />

veral times.<br />

“Just say ‘Starbucks,’ dude,” another passenger sa<br />

id, pushing past the Coffee Bar-seeker when the el<br />

evator reached the ground floor.<br />

When talking to their cellphones, people sometimes<br />

start sounding like machines themselves. Jimmy Wo<br />

ng, 24, was at an after-hours diner with friends i<br />

n Los Angeles recently when they found themselves<br />

next to a man ordering Siri to write memos and dic<br />

tate e-mails. They found the man’s conversation wi<br />

th his phone “creepy,” without any of the natural<br />

pauses and voice inflections that occur in a discu<br />

ssion between two people.<br />

“It was very robotic,” he said.<br />

Yet the group could not stop eavesdropping.<br />

People who study the behavior of cellphone users b<br />

elieve the awkwardness of hearing people in hotels<br />

, airports and cafes treating their phones like ad<br />

ministrative assistants will simply fade over time.<br />

“We’ll see an evolution of that initial irritation<br />

with it, to a New Yorker cartoon making fun of it<br />

, and then after a while it will largely be accept<br />

ed by most people,” said Mr. Katz from Rutgers.<br />

But, he predicted, “there will be a small minority<br />

of traditionalists who yearn for the good old day<br />

s when people just texted in public.”<br />

~~~~~~~~~~


<strong>NYT</strong>-1204<br />

A Second Arrival for 'Once' ... By PATRICK HEALY<br />

The stars of the film "Once" and those of the stag<br />

e musical discuss what is similar - and what is no<br />

t - about the two versions.<br />

===== notyet (2 pages)<br />

WHILE preparing for the lead role of Girl in the n<br />

ew Off Broadway musical “Once,” Cristin Milioti ma<br />

de a choice common among performers in screen-to-s<br />

tage adaptations: She avoided watching the origina<br />

l film, a 2006 indie romance from Ireland that won<br />

an Academy Award for the song “Falling Slowly.” H<br />

er concern was that she might slip into mimicking<br />

Marketa Irglova, the spirited young Czech musician<br />

who became a fan favorite as Girl in the movie.<br />

It turns out Ms. Milioti’s decision did not sit we<br />

ll with Glen Hansard, who played Guy in the pictur<br />

e. (Guy, Girl — get it?) He and Ms. Irglova fell i<br />

n love while filming “Once,” a real-life consummat<br />

ion of longings between their characters, two lost<br />

souls wandering around Dublin and playing guitar<br />

(him) and piano (her). They had since broken up, b<br />

ut the 41-year-old Mr. Hansard felt protective of<br />

Ms. Irglova, who is 18 years his junior. He though<br />

t any other actress playing Girl needed to watch t<br />

he genuine article.<br />

“I wanted Cristin to know how good Mar is in the m<br />

ovie,” Mr. Hansard recalled. “I had a hard time at<br />

first with someone else playing Girl, because Gir<br />

l to me was Mar.”<br />

Mr. Hansard didn’t blink as he revealed these feel<br />

ings last month at a table across from Ms. Milioti<br />

, during an interview at an East Village brasserie<br />

. Nor was she fazed. After more than a year of wor<br />

kshops and out-of-town tryout performances, everyo<br />

ne involved with “Once” has become reconciled to t<br />

he complexities of art’s imitating life in the mus<br />

ical, which opens Tuesday at New York Theater Work<br />

shop.


With few original musicals opening on Broadway thi<br />

s season, the producers are considering a transfer<br />

in the spring. Some Broadway executives are alrea<br />

dy betting on “Once” as a contender for the Tony A<br />

ward for best musical, seeing it as a prestige pro<br />

ject. Ms. Milioti said she was glad that the two s<br />

tars of the movie felt invested in the stage versi<br />

on, even in her acting choices, “because there wou<br />

ld have been a cold void in the project otherwise.<br />

” She added, “We’re here because they made this be<br />

autiful music.”<br />

Also at the interview were Ms. Irglova and the act<br />

or Steve Kazee, who plays Mr. Hansard’s role onsta<br />

ge. It quickly became hard not to view the foursom<br />

e in two distinct pairs.<br />

On one side of the table were the Guy and the Girl<br />

with European accents, who memorably infused thei<br />

r vaguely written movie characters with their own<br />

personalities. These were the Guy and Girl who spo<br />

ke so winningly in accepting their Academy Award —<br />

they wrote the songs for the movie that form the<br />

score for the musical — and they were the Guy and<br />

Girl whose breakup was painfully rendered in a fol<br />

low-up to “Once,” the 2011 documentary “The Swell<br />

Season.”<br />

On the other side were the Guy and the Girl who we<br />

re still working with a dialect coach. If their lo<br />

oks were camera ready, this Guy and Girl also spok<br />

e nervously about balancing their desire to take o<br />

wnership of the characters with an awareness that<br />

admirers of the film might buy tickets to the musi<br />

cal expecting to see the other Guy and Girl they r<br />

emembered.<br />

Mr. Kazee and Ms. Milioti inevitably lack the sort<br />

of chemistry born out of actual love, but they ha<br />

ve worked on “Once” long enough that they evince a<br />

n openness and respect toward each other. Mr. Kaze


e has seen the movie, and Ms. Milioti said she cou<br />

ld vouch that it is among his top five favorite fi<br />

lms of all time.<br />

Mr. Kazee’s affection for the film proved unnervin<br />

g, however, when he was offered the role of Guy, h<br />

e said. He recalled an earlier experience playing<br />

Lancelot in the Broadway musical “Spamalot,” which<br />

was based on the film “Monty Python and the Holy<br />

Grail.” John Cleese had played Lancelot in that mo<br />

vie, but Mr. Kazee said he was determined “to do m<br />

y own thing.”<br />

“I did, and you could hear crickets in the audienc<br />

e every night, I think because people expected me<br />

to be word-perfect Monty Python,” Mr. Kazee said.<br />

“You have to balance being yourself and paying som<br />

e tribute to the original. Still, when we started<br />

working on this musical, I was scared I’d muck it<br />

up. I didn’t want to be the guy who was responsibl<br />

e for doing the first bad thing to ‘Once.’ ”<br />

The movie, which was shot in 17 days on a $150,000<br />

budget, was rejected by several film festivals un<br />

til a scout for the Sundance Film Festival picked<br />

it up after a screening in Galway. “Once” emerged<br />

as an unexpected audience favorite at Sundance and<br />

was bought for $500,000 by Fox Searchlight Pictur<br />

es; the movie went on to gross more than $20 million.<br />

The musical adaptation follows the plot of the fil<br />

m and its frustrated romance (when they meet, both<br />

Guy and Girl have other love interests), but the<br />

stage version fleshes out several characters and s<br />

ubplots that were barely featured in the movie. Su<br />

ch adaptations as “Shrek the Musical” and “Catch M<br />

e if You Can” have struggled on Broadway in recent<br />

years, especially when they have hewed too closel<br />

y to the films.<br />

Mr. Kazee and Ms. Milioti said trying to recreate<br />

the loose, casual feel of the film scenes would be


particular folly, and their counterparts seconded<br />

them. Ms. Irglova said most of those scenes had b<br />

een either improvised or shot with little rehearsa<br />

l, and that she and Mr. Hansard — neither of whom<br />

had acting training — basically riffed on their ow<br />

n personalities.<br />

“Girl was a kind of woman I would aspire to be som<br />

eday, because she had great honesty and integrity,<br />

which are important to me,” Ms. Irglova said. “If<br />

part of the character isn’t in you, I don’t think<br />

it’s believable.”<br />

Ms. Milioti took a somewhat different point of view<br />

.<br />

“I like acting because you have so many things you<br />

can do in performance to hide behind, when you’re<br />

nervous during a moment onstage,” said Ms. Miliot<br />

i, who has appeared in dramatic roles at New York<br />

Theater Workshop in “The Little Foxes” and “The He<br />

art Is a Lonely Hunter.” “I often paint my charact<br />

ers in broad colors, big expressive moments, where<br />

as in reality I’m pretty direct and unsentimental.”<br />

Those two adjectives, as it happens, are good desc<br />

riptions of Ms. Irglova’s performance in the film.<br />

During one scene, in both the movie and the music<br />

al, the two main characters sit in his bedroom and<br />

Guy suddenly asks Girl to spend the night. It was<br />

one of the hardest scenes for Mr. Hansard, he rec<br />

alled, but relatively easy for Ms. Irglova.<br />

“I felt the proposition came out of nowhere,” Mr.<br />

Hansard said, “but Mar was grand. She just sat on<br />

the bed in that scene and held my gaze and looked<br />

like someone you could say anything to. No pretens<br />

e.”<br />

Mr. Kazee said he and Ms. Milioti were performing<br />

the scene in a similar way, but not because they w<br />

anted to ape the film.


“It’s a delicate, quiet story — both the movie and<br />

the musical — and you risk disrupting that if you<br />

overplay the emotion,” he said. “Cristin is a nat<br />

ural at that. She’s got this quiet drive to her, a<br />

n intense power in a tiny package,” he added, refe<br />

rring to the actress’s relatively small frame.<br />

Transforming the intimate atmospherics of the film<br />

to a theater — especially a large, multilevel one<br />

if the show moves to Broadway — is a concern for<br />

all four performers.<br />

“I thought a live musical would ruin what was spec<br />

ial about ‘Once,’ ” Mr. Hansard said. “So I went t<br />

o see the show ‘In the Heights,’ to try to feel be<br />

tter, and I loved the energy, but I still thought<br />

that musicals were bigger and louder and more perf<br />

ormance driven than two reserved people just talki<br />

ng and singing to each other.”<br />

Speaking for Ms. Irglova, as he did with her seemi<br />

ng assent a few times in the interview, he added:<br />

“Mar is not a nostalgist. She just moves forward,<br />

so I thought she’d be more O.K. with the show.”<br />

“Yeah,” said Ms. Irglova, who has gone on to marry<br />

a studio engineer. “As long as there wasn’t anybo<br />

dy saying I want to re-edit our movie, I was O.K.<br />

But still, you want to make sure the story works o<br />

nstage.”<br />

Mr. Kazee too said he had worried about what would<br />

happen to Guy, who first connects with Girl by of<br />

fering to fix her vacuum cleaner. “I imagined a da<br />

ncing chorus of vacuum cleaners and other big Broa<br />

dway showy stuff,” he said. But then he learned th<br />

at the director was John Tiffany, who blended emot<br />

ional intensity and steadfast friendships in the I<br />

raq war play “Black Watch,” and that the book writ<br />

er was the Irish playwright Enda Walsh, known for<br />

lyrical prose in plays like “Penelope.”


A brief tryout run at the American Repertory Theat<br />

er in Massachusetts last spring, however, allayed<br />

Mr. Hansard’s qualms. He recalled watching Ms. Mil<br />

ioti’s Girl telling Mr. Kazee’s Guy “to shape up,<br />

to live life, and everything would be all right” —<br />

moments that sent frissons through him.<br />

“The essence of the characters was still there,” Mr<br />

. Hansard said.<br />

Backstage afterward, Mr. Kazee recalled, he anxiou<br />

sly awaited Mr. Hansard’s review. “When Glen arriv<br />

ed, I stuck out my hand, and he just put his arms<br />

around me and gave me a big hug,” Mr. Kazee said.<br />

“He offered to tell me anything I wanted, anything<br />

about what he was thinking when he and Marketa wr<br />

ote the songs.<br />

“And who wouldn’t want that? Looking at the Mona L<br />

isa is great, but wouldn’t it be better if you cou<br />

ld actually talk to da Vinci while looking at it?”<br />

“That’s very generous,” Mr. Hansard said grandly, d<br />

rawing laughter.<br />

“But it’s true,” Mr. Kazee said. “Glen and Mar wer<br />

e at rehearsal the other day. We were singing ‘Fal<br />

ling Slowly’ in this tiny little room, and they we<br />

re there watching us, and it was the first time th<br />

at everything felt truly right.”<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1206: SCIENCE TIMES<br />

Creating Artificial Intelligence Based on the Real<br />

Thing ... By STEVE LOHR<br />

Facing the physical limits of conventional design,<br />

researchers work to design a computing architectu<br />

re that more closely resembles that of the brain.<br />

===== notyet<br />

Ever since the early days of modern computing in t


he 1940s, the biological metaphor has been irresis<br />

tible. The first computers — room-size behemoths —<br />

were referred to as “giant brains” or “electronic<br />

brains,” in headlines and everyday speech. As com<br />

puters improved and became capable of some tasks f<br />

amiliar to humans, like playing chess, the term us<br />

ed was “artificial intelligence.” DNA, it is said,<br />

is the original software.<br />

For the most part, the biological metaphor has lon<br />

g been just that — a simplifying analogy rather th<br />

an a blueprint for how to do computing. Engineerin<br />

g, not biology, guided the pursuit of artificial i<br />

ntelligence. As Frederick Jelinek, a pioneer in sp<br />

eech recognition, put it, “airplanes don’t flap th<br />

eir wings.”<br />

Yet the principles of biology are gaining ground a<br />

s a tool in computing. The shift in thinking resul<br />

ts from advances in neuroscience and computer scie<br />

nce, and from the prod of necessity.<br />

The physical limits of conventional computer desig<br />

ns are within sight — not today or tomorrow, but s<br />

oon enough. Nanoscale circuits cannot shrink much<br />

further. Today’s chips are power hogs, running hot<br />

, which curbs how much of a chip’s circuitry can b<br />

e used. These limits loom as demand is acceleratin<br />

g for computing capacity to make sense of a surge<br />

of new digital data from sensors, online commerce,<br />

social networks, video streams and corporate and<br />

government databases.<br />

To meet the challenge, without gobbling the world’<br />

s energy supply, a different approach will be need<br />

ed. And biology, scientists say, promises to contr<br />

ibute more than metaphors. “Every time we look at<br />

this, biology provides a clue as to how we should<br />

pursue the frontiers of computing,” said John E. K<br />

elly, the director of research at I.B.M.<br />

Dr. Kelly points to Watson, the question-answering


computer that can play “Jeopardy!” and beat two h<br />

uman champions earlier this year. I.B.M.’s clever<br />

machine consumes 85,000 watts of electricity, whil<br />

e the human brain runs on just 20 watts. “Evolutio<br />

n figured this out,” Dr. Kelly said.<br />

Several biologically inspired paths are being expl<br />

ored by computer scientists in universities and co<br />

rporate laboratories worldwide. But researchers fr<br />

om I.B.M. and four universities — Cornell, Columbi<br />

a, the University of Wisconsin, and the University<br />

of California, Merced — are engaged in a project<br />

that seems particularly intriguing.<br />

The project, a collaboration of computer scientist<br />

s and neuroscientists begun three years ago, has b<br />

een encouraging enough that in August it won a $21<br />

million round of government financing from the De<br />

fense Advanced Research Projects Agency, bringing<br />

the total to $41 million in three rounds. In recen<br />

t months, the team has developed prototype “neuros<br />

ynaptic” microprocessors, or chips that operate mo<br />

re like neurons and synapses than like conventiona<br />

l semiconductors.<br />

But since 2008, the project itself has evolved, be<br />

coming more focused, if not scaled back. Its exper<br />

ience suggests what designs, concepts and techniqu<br />

es might be usefully borrowed from biology to push<br />

the boundaries of computing, and what cannot be a<br />

pplied, or even understood.<br />

At the outset, Dharmendra S. Modha, the I.B.M. com<br />

puter scientist leading the project, described the<br />

research grandly as “the quest to engineer the mi<br />

nd by reverse-engineering the brain.” The project<br />

embarked on supercomputer simulations intended to<br />

equal the complexity of animal brains — a cat and<br />

then a monkey. In science blogs and online forums,<br />

some neuroscientists sharply criticized I.B.M. fo<br />

r what they regarded as exaggerated claims of what<br />

the project could achieve.


These days at the I.B.M. Almaden Research Center i<br />

n San Jose, Calif., there is not a lot of talk of<br />

reverse-engineering the brain. Wide-ranging ambiti<br />

ons that narrow over time, Dr. Modha explained, ar<br />

e part of research and discovery, even if his earl<br />

ier rhetoric was inflated or misunderstood.<br />

“Deciding what not to do is just as important as d<br />

eciding what to do,” Dr. Modha said. “We’re not tr<br />

ying to replicate the brain. That’s impossible. We<br />

don’t know how the brain works, really.”<br />

The discussion and debate across disciplines has h<br />

elped steer the research, as the team pursues the<br />

goals set out by Darpa, the Pentagon’s research ag<br />

ency. The technology produced, according to the gu<br />

idelines, should have the characteristics of being<br />

self-organizing, able to “learn” instead of merel<br />

y responding to conventional programming commands,<br />

and consuming very little power.<br />

“We have this fantastic network of specialists who<br />

talk to each other,” said Giulio Tononi, a psychi<br />

atrist and neuroscientist at the University of Wis<br />

consin. “It focuses our thinking as neuroscientist<br />

s and guides the thinking of the computer scientis<br />

ts.”<br />

In early 2010, Dr. Modha made a decision that put<br />

the project on its current path. While away from t<br />

he lab for a few weeks, because of a Hawaiian vaca<br />

tion and a bout of flu, he decided to streamline t<br />

he work of the far-flung researchers. The biologic<br />

ally inspired chip under development would come fi<br />

rst, Dr. Modha said. That meant a lot of experimen<br />

tal software already written was scrapped. But, he<br />

said, “chip-first as an organizing principle gave<br />

us a coherent plan.”<br />

In designing chips that bear some structural resem<br />

blance to the brain, so-called neuromorphic chips,


neuroscience was a guiding principle as well. Bra<br />

ins are low-power, nimble computing mechanisms — r<br />

eal-world proof that it is possible.<br />

A brain does its computing with a design drastical<br />

ly different from today’s computers. Its processor<br />

s — neurons — are, in computing terms, massively d<br />

istributed; there are billions in a human brain. T<br />

hese neuron processors are wrapped in its data mem<br />

ory devices — synapses — so that the brain’s paths<br />

of communication are extremely efficient and dive<br />

rse, through the neuron’s axons, which conduct ele<br />

ctrical impulses.<br />

A machine that adopts that approach, Dr. Modha sai<br />

d, would represent “a crucial shift away from von<br />

Neumann computing.” He was referring to a design w<br />

ith processor and memory physically separated and<br />

connected by a narrow communications channel, or b<br />

us, and operating according to step-by-step sequen<br />

tial methods — the von Neumann architecture used i<br />

n current computers, named after the mathematician<br />

John von Neumann.<br />

The concept of neuromorphic electronic systems is<br />

more than two decades old; Carver Mead, a renowned<br />

computer scientist, described such devices in an<br />

engineering journal article in 1990. Earlier biolo<br />

gically inspired devices, scientists say, were mos<br />

tly analog, single-purpose sensors that mimicked o<br />

ne function, like an electronic equivalent of a re<br />

tina for sensing image data.<br />

But the I.B.M. and university researchers are purs<br />

uing a more versatile digital technology. “It seem<br />

s that we can build a computing architecture that<br />

is quite general-purpose and could be used for a l<br />

arge class of applications,” said Rajit Manohar, a<br />

professor of electrical and computer engineering<br />

at Cornell University.<br />

What might such applications be, 5 or 10 years fro


m now, if the technology proves successful? They w<br />

ould be the sorts of tasks that humans find effort<br />

less and that computers struggle with — the patter<br />

n recognition of seeing and identifying someone, w<br />

alking down a crowded sidewalk without running int<br />

o people, learning from experience. Specifically,<br />

the scientists say, the applications might include<br />

robots that can navigate a battlefield environmen<br />

t and be trained; low-power prosthetic devices tha<br />

t would allow blind people to see; and computerize<br />

d health-care monitors that watch over people in n<br />

ursing homes and send alerts to human workers if a<br />

resident’s behavior suggests illness.<br />

It is an appealing vision, but there are formidabl<br />

e obstacles. The prototype chip has 256 neuron-lik<br />

e nodes, surrounded by more than 262,000 synaptic<br />

memory modules. That is impressive, until one cons<br />

iders that the human brain is estimated to house u<br />

p to 100 billion neurons. In the Almaden research<br />

lab, a computer running the chip has learned to pl<br />

ay the primitive video game Pong, correctly moving<br />

an on-screen paddle to hit a bouncing cursor. It<br />

can also recognize numbers 1 through 10 written by<br />

a person on a digital pad — most of the time. But<br />

the project still has a long way to go.<br />

It is still questionable whether the scientists ca<br />

n successfully assemble large clusters of neuromor<br />

phic chips. And though the intention is for the ma<br />

chines to evolve more from learning than from bein<br />

g programmed, the software that performs that magi<br />

c for any kind of complex task has yet to be writt<br />

en.<br />

The project’s Pentagon sponsor is encouraged. “I’m<br />

surprised that we’re so far along, and I don’t se<br />

e any fundamental reason why it can’t be done,” sa<br />

id Todd Hylton, a program manager.<br />

If it succeeds, the project would seem to make pea<br />

ce with the “airplanes don’t flap their wings” cri


tique. “Yes, they are different, but bird wings an<br />

d plane wings both depend on the same aerodynamic<br />

principles to get lift,” said Christopher T. Kello<br />

, director of the Cognitive Mechanics Lab at the U<br />

niversity of California, Merced. “It’s the same wi<br />

th this project. You can use essential design elem<br />

ents from biology.”<br />

~~~~~~~~~<br />

<strong>NYT</strong>-1207<br />

Japan Split on Hope for Vast Radiation Cleanup ...<br />

By M<strong>ART</strong>IN FACKLER<br />

Japan hopes the cleanup near the tsunami-ravaged F<br />

ukushima Daiichi nuclear plant will allow the disp<br />

laced to return home.<br />

===== notyet (2 pages)<br />

FUTABA, Japan — Futaba is a modern-day ghost town<br />

— not a boomtown gone bust, not even entirely a vi<br />

ctim of the devastating earthquake and tsunami tha<br />

t leveled other parts of Japan’s northeast coast.<br />

Its traditional wooden homes have begun to sag and<br />

collapse since they were abandoned in March by re<br />

sidents fleeing the nuclear plant on the edge of t<br />

own that began spiraling toward disaster. Roofs po<br />

ssibly damaged by the earth’s shaking have let rai<br />

n seep in, starting the rot that is eating at the<br />

houses from the inside.<br />

The roadway arch at the entrance to the empty town<br />

almost seems a taunt. It reads:<br />

“Nuclear energy: a correct understanding brings a p<br />

rosperous lifestyle.”<br />

Those who fled Futaba are among the nearly 90,000<br />

people evacuated from a 12-mile zone around the Fu<br />

kushima Daiichi plant and another area to the nort<br />

hwest contaminated when a plume from the plant sca<br />

ttered radioactive cesium and iodine.


Now, Japan is drawing up plans for a cleanup that<br />

is both monumental and unprecedented, in the hopes<br />

that those displaced can go home.<br />

The debate over whether to repopulate the area, if<br />

trial cleanups prove effective, has become a prox<br />

y for a larger battle over the future of Japan. Su<br />

pporters see rehabilitating the area as a chance t<br />

o showcase the country’s formidable determination<br />

and superior technical skills — proof that Japan i<br />

s still a great power.<br />

For them, the cleanup is a perfect metaphor for Jap<br />

an’s rebirth.<br />

Critics counter that the effort to clean Fukushima<br />

Prefecture could end up as perhaps the biggest of<br />

Japan’s white-elephant public works projects — an<br />

d yet another example of post-disaster Japan rever<br />

ting to the wasteful ways that have crippled econo<br />

mic growth for two decades.<br />

So far, the government is following a pattern set<br />

since the nuclear accident, dismissing dangers, of<br />

ten prematurely, and laboring to minimize the scop<br />

e of the catastrophe. Already, the trial cleanups<br />

have stalled: the government failed to anticipate<br />

communities’ reluctance to store tons of soil to b<br />

e scraped from contaminated yards and fields.<br />

And a radiation specialist who tested the results<br />

of an extensive local cleanup in a nearby city fou<br />

nd that exposure levels remained above internation<br />

al safety standards for long-term habitation.<br />

Even a vocal supporter of repatriation suggests th<br />

at the government has not yet leveled with its peo<br />

ple about the seriousness of their predicament.<br />

“I believe it is possible to save Fukushima,” said<br />

the supporter, Tatsuhiko Kodama, director of the<br />

Radioisotope Center at the University of Tokyo. “B


ut many evacuated residents must accept that it wo<br />

n’t happen in their lifetimes.”<br />

To judge the huge scale of what Japan is contempla<br />

ting, consider that experts say residents can retu<br />

rn home safely only after thousands of buildings a<br />

re scrubbed of radioactive particles and much of t<br />

he topsoil from an area the size of Connecticut is<br />

replaced.<br />

Even forested mountains will probably need to be d<br />

econtaminated, which might necessitate clear-cutti<br />

ng and literally scraping them clean.<br />

The Soviet Union did not attempt such a cleanup af<br />

ter the Chernobyl accident of 1986, the only nucle<br />

ar disaster larger than that at Fukushima Daiichi.<br />

The government instead relocated about 300,000 pe<br />

ople, abandoning vast tracts of farmland.<br />

Many Japanese officials believe that they do not h<br />

ave that luxury; the evacuation zone covers more t<br />

han 3 percent of the landmass of this densely popu<br />

lated nation.<br />

“We are different from Chernobyl,” said Toshitsuna<br />

Watanabe, 64, the mayor of Okuma, one of the town<br />

s that was evacuated. “We are determined to go bac<br />

k. Japan has the will and the technology to do thi<br />

s.”<br />

Such resolve reflects, in part, a deep attachment<br />

to home for rural Japanese like Mr. Watanabe, whos<br />

e family has lived in Okuma for 19 generations. Th<br />

eir heartfelt appeals to go back have won wide sym<br />

pathy across Japan, making it hard for people to o<br />

ppose their wishes.<br />

But quiet resistance has begun to grow, both among<br />

those who were displaced and those who fear the c<br />

ountry will need to sacrifice too much without gua<br />

rantees that a multibillion-dollar cleanup will pr


ovide enough protection.<br />

Soothing pronouncements by local governments and a<br />

cademics about the eventual ability to live safely<br />

near the ruined plant can seem to be based on lit<br />

tle more than hope.<br />

No one knows how much exposure to low doses of rad<br />

iation causes a significant risk of premature deat<br />

h. That means Japanese living in contaminated area<br />

s are likely to become the subjects of future stud<br />

ies — the second time in seven decades that Japane<br />

se have become a test case for the effects of radi<br />

ation exposure, after the bombings of Hiroshima an<br />

d Nagasaki.<br />

The national government has declared itself respon<br />

sible for cleaning up only the towns in the evacua<br />

tion zone; local governments have already begun cl<br />

eaning cities and towns outside that area.<br />

Inside the 12-mile ring, which includes Futaba, th<br />

e Environmental Ministry has pledged to reduce rad<br />

iation levels by half within two years — a relativ<br />

ely easy goal because short-lived isotopes will de<br />

teriorate. The bigger question is how long it will<br />

take to reach the ultimate goal of bringing level<br />

s down to about 1 millisievert per year, the annua<br />

l limit for the general public from artificial sou<br />

rces of radiation that is recommended by the Inter<br />

national Commission on Radiological Protection. Th<br />

at is a much more daunting task given that it will<br />

require removing cesium 137, an isotope that will<br />

remain radioactive for decades.<br />

Trial cleanups have been delayed for months by the<br />

search for a storage site for enough contaminated<br />

dirt to fill 33 domed football stadiums. Even eva<br />

cuated communities have refused to accept it.<br />

And Tomoya Yamauchi, the radiation expert from Kob<br />

e University who performed tests in Fukushima City


after extensive remediation efforts, found that r<br />

adiation levels inside homes had dropped by only a<br />

bout 25 percent. That left parts of the city with<br />

levels of radiation four times higher than the rec<br />

ommended maximum exposure.<br />

“We can only conclude that these efforts have so fa<br />

r been a failure,” he said.<br />

Minamisoma, a small city whose center sits about 1<br />

5 miles from the nuclear plant, is a good place to<br />

get a sense of the likely limitations of decontam<br />

ination efforts.<br />

The city has cleaned dozens of schools, parks and<br />

sports facilities in hopes of enticing back the 30<br />

,000 of its 70,000 residents who have yet to retur<br />

n since the accident. On a recent morning, a small<br />

army of bulldozers and dump trucks were resurfaci<br />

ng a high school soccer field and baseball diamond<br />

with a layer of reddish brown dirt. Workers burie<br />

d the old topsoil in a deep hole in a corner of th<br />

e soccer field. The crew’s overseer, Masahiro Saku<br />

ra, said readings at the field had dropped substan<br />

tially, but he remains anxious because many parts<br />

of the city were not expected to be decontaminated<br />

for at least two years.<br />

These days, he lets his three young daughters outd<br />

oors only to go to school and play in a resurfaced<br />

park. “Is it realistic to live like this?” he ask<br />

ed.<br />

The challenges are sure to be more intense inside<br />

the 12-mile zone, where radiation levels in some p<br />

laces have reached nearly 510 millisieverts a year<br />

, 25 times above the cutoff for evacuation.<br />

Already, the proposed repatriation has opened rift<br />

s among those who have been displaced. The 11,500<br />

displaced residents of Okuma — many of whom now li<br />

ve in rows of prefabricated homes 60 miles inland


— are enduring just such a divide.<br />

The mayor, Mr. Watanabe, has directed the town to<br />

draw up its own plan to return to its original loc<br />

ation within three to five years by building a new<br />

town on farmland in Okuma’s less contaminated wes<br />

tern edge.<br />

Although Mr. Watanabe won a recent election, his c<br />

hallenger found significant support among resident<br />

s with small children for his plan to relocate to<br />

a different part of Japan. Mitsue Ikeda, one suppo<br />

rter, said she would never go home, especially aft<br />

er a medical exam showed that her 8-year-old son,<br />

Yuma, had ingested cesium.<br />

“It’s too dangerous,” Ms. Ikeda, 47, said. “How ar<br />

e we supposed to live, by wearing face masks all t<br />

he time?”<br />

She, like many other evacuees, berated the governm<br />

ent, saying it was fixated on cleaning up to avoid<br />

paying compensation.<br />

Many older residents, by contrast, said they should<br />

be allowed to return.<br />

“Smoking cigarettes is more dangerous than radiati<br />

on,” said Eiichi Tsukamoto, 70, who worked at the<br />

Daiichi plant for 40 years as a repairman. “We can<br />

make Okuma a model to the world of how to restore<br />

a community after a nuclear accident.”<br />

But even Mr. Kodama, the radiation expert who supp<br />

orts a government cleanup, said such a victory wou<br />

ld be hollow, and short-lived if young people did<br />

not return. He suggested that the government start<br />

rebuilding communities by rebuilding trust eroded<br />

over months of official evasion.<br />

“Saving Fukushima requires not just money and effo<br />

rt, but also faith,” he said. “There is no point i


f only older people go back.”<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1207: DINING & WINE - SPIRITS <strong>OF</strong> <strong>THE</strong> TIMES<br />

From Scotland, Fog and Smoke and Mystery ... By ERI<br />

C ASIMOV<br />

The panel tasted 2o single malts from Islay, smoky<br />

whiskies that demand a sense of wonder.<br />

===== notyet<br />

TASTING whiskies can be a clinical, prosaic task,<br />

nosing and assessing, jotting notes, reconsidering<br />

, lips compressed in concentration, brow furrowed.<br />

Yet, as the spirits panel tasted 20 single malts<br />

from Islay, we reminded ourselves to step back a m<br />

oment, to contemplate with no small amount of awe<br />

the magic of what was in the glass. Islay demands<br />

a sense of wonder.<br />

I’ve never visited Islay, that island off Scotland<br />

’s western coast with the evocative pronunciation<br />

EYE-lah. But sipping a good Islay single malt, wit<br />

h its astounding range of complex expressions, tra<br />

nsports you to an Islay that seems as mythical as<br />

it is real.<br />

It’s a world unscarred by modernity’s claws, an is<br />

land of fog, smoke, brine and mystery, where ancie<br />

nt distilleries, after years of throbbing producti<br />

on, go dark when demand wanes. There they sit, aba<br />

ndoned on the green and craggy landscape, their di<br />

stinctive pagoda roofs intact, yet silent like pha<br />

ntom freighters.<br />

Some remain that way, their sites revered like anc<br />

ient stone circles by whisky lovers. For others co<br />

mes reincarnation when market conditions change ag<br />

ain. The ghostly cobwebs are cleared away, the pot<br />

stills rejuvenated, and once more they will yield<br />

the precious distilled vapors of malted barley, p<br />

eat, yeast, crystalline water and air.


If it seems odd to consider air an ingredient, you<br />

have to stick your nose in a glass of Islay singl<br />

e malt. Along with all the other components, a sav<br />

ory whiff of salty sea breeze is unmistakable.<br />

The sense of mystery in the terrain is palpable as<br />

well. “As you explore you can see how it compress<br />

es its secrets into tight parcels: dune-fringed be<br />

aches, remote hills, cliffs, caves, peat bogs, sta<br />

nding stones, lost parliaments, abandoned township<br />

s and Celtic memories,” Michael Jackson wrote in “<br />

Whiskey: The Definitive World Guide” (DK, 2005). “<br />

It is a tapestry of geographical and historical tr<br />

easures through which whiskey runs like a golden t<br />

hread.”<br />

It’s this air of mystery, along with a reputation<br />

for the smokiest, most robust and challenging malt<br />

s, that seems to set Islay apart from Scotland’s o<br />

ther whisky regions. Most experts, however, agree<br />

that whiskies can no longer be classified geograph<br />

ically. Production methods have become so homogeni<br />

zed that they no longer reflect local eccentriciti<br />

es as much as they do a distiller’s predilections.<br />

The smokiness comes from the tradition of using pe<br />

at — bog soil made of decomposed vegetable matter<br />

that was harvested to fuel kilns used for drying b<br />

arley. Assertive peating has long been a trait of<br />

famous Islay malts, like Laphroaig, Lagavulin and<br />

Ardbeg, but it is not exclusive to Islay. And just<br />

as much a part of the Islay tradition are gentler<br />

malts like Bunnahabhain (BUN-na-hah-ven) and Brui<br />

chladdich (brook-LAD-dy), which are lighter in bod<br />

y and more floral than peaty. Another tradition, s<br />

hared throughout Scotland, seems to be names that<br />

are impossible to sound out phonetically.<br />

Our 20 Islay single malts included bottles from ea<br />

ch of the eight working Islay distilleries. Indeed<br />

, two of the eight, Bruichladdich and Ardbeg, were<br />

dormant for years, only to be reawakened to disti


ll again. The revival of another distillery, Port<br />

Charlotte, is planned.<br />

With 20 whiskies, we tried to mix in widely availa<br />

ble, well-known bottles with some of each distille<br />

ry’s more esoteric malts. We also included one mys<br />

tery malt, a bottle packaged by a whisky merchant<br />

who does not reveal the actual distiller.<br />

For the tasting Florence Fabricant and I were join<br />

ed by Flavien Desoblin, an owner of the Brandy Lib<br />

rary in TriBeCa, which has more than 250 single ma<br />

lts on its list, including 50 from Islay. Also wit<br />

h us was Pete Wells, who next month takes over as<br />

the restaurant critic.<br />

The gathering of 20 samples from Islay made it as<br />

clear as a Scottish spring that whatever traits th<br />

e whiskies had in common were overshadowed by thei<br />

r differences.<br />

“To pull utterly different characters out of essen<br />

tially the same material is stunning,” Pete said.<br />

“It’s a wonderful demonstration of range and diver<br />

sity.”<br />

The tasting also testified to the high level of qu<br />

ality in Islay malts. Seven of the eight distiller<br />

ies were represented among our top 10, and the eig<br />

hth did not miss the cut by much. Islay malts are<br />

not cheap. With a cap at $100, our 20 bottles rang<br />

ed from $36 to $97, with 16 of them $50 or over.<br />

Our No. 1 bottle was one of the easiest Islay malt<br />

s to find, the Laphroaig 10-Year-Old. It was one o<br />

f the smokiest of the group yet one of the subtles<br />

t and most complex as well, with all of the rich m<br />

edicinal, waxy, savory and saline flavors that peo<br />

ple associate with Islay, but with an underlying s<br />

weetness, too. At $45, it was also our best value.<br />

By contrast, the Laphroaig 18-Year-Old, our No. 5


ottle, was less bracing and mellower. The smokine<br />

ss was more of an undercurrent, amplifying its flo<br />

ral, honey and meadowlike qualities.<br />

We found similar distinctions in comparing two oth<br />

er pairs of bottles that made our list. Our No. 2<br />

bottle, the Ardbeg Corryvreckan, was huge and robu<br />

st, with layers of complex flavors. Smokiness was<br />

only a small part of the majestic picture. Its 10year-old<br />

sibling, the No. 4 bottle, was likewise c<br />

omplex, but emphasized a briny, smoky, almost ocea<br />

nic quality.<br />

Our No. 3 bottle, the Lagavulin Distillers Edition<br />

1993, showed the warm, burnished complexity of ag<br />

e with a spicy, raisiny fruitcake quality that per<br />

haps attests to time spent in barrels previously u<br />

sed for sweet sherry. The basic Lagavulin 16 Years<br />

, our No. 10, though not appreciably younger, was<br />

much less complex, mildly smoky with both savory a<br />

nd sweet flavors. I must say that, as a fan of Lag<br />

avulin 16 Years, which I remember as so robust it<br />

demanded a bit of water for sipping, this example<br />

seemed a bit meek.<br />

The bottles rounding out our list show the range o<br />

f Islay. Bruichladdich, No. 7, was the gentlest, m<br />

ost delicate malt, with sweet notes of butterscotc<br />

h. Caol Ila, No. 9, was huge and oily in texture,<br />

smoky yet fresh, too. In the middle was Bowmore, N<br />

o. 8, rich, balanced, moderate, delicious nonethel<br />

ess.<br />

That leaves the new guy, Kilchoman, which began pr<br />

oduction in 2005. Its Spring 2011 Release was one<br />

of the youngest in our tasting, if you do the arit<br />

hmetic, yet it was superb, fresh and complex with<br />

plenty of smoke.<br />

Bunnahabhain was the only Islay distillery not on<br />

our top-10 list, and although Florence and Flavien<br />

loved the 18-year-old (the $97 bottle), it barely


missed the cut. Other bottles worth recommending<br />

that did not overcome the stiff competition includ<br />

e Bowmore’s 15-Years-Old Darkest, which Flavien an<br />

d Pete especially liked, and the Laphroaig Triple<br />

Wood, which we all liked.<br />

And the mystery malt? It was simply called Smokehe<br />

ad, a whisky that, judging by its busy graphics an<br />

d aggressive packaging, is being marketed to young<br />

single-malt newcomers. It was powerful and smoky,<br />

and Pete and I liked it more than Flavien and Flo<br />

rence did.<br />

“It’s for peat freaks,” Flavien said.<br />

Guilty. But I will allow that, while I liked it, I<br />

would not classify Smokehead among the more conte<br />

mplative malts in the bunch. No, for woolgathering<br />

and armchair voyaging, preferably in front of a f<br />

ire, I would be most happy with any of our favorit<br />

es. I prefer them straight, with maybe a spoonful<br />

of water and an equal amount of wonder. As the son<br />

g goes, thinking is the best way to travel.<br />

Tasting Report<br />

BEST VALUE<br />

Laphroaig Islay, $45, *** ?<br />

10 Years, 43%<br />

Heavily smoked, richly medicinal, savory, subtle,<br />

complex and deep. (Laphroaig Import, Deerfield, Il<br />

l.)<br />

Ardbeg Islay, $80, *** ?<br />

Corryvreckan, 57.1%<br />

Lightly smoky and sweet with rich citrus, soy and s<br />

aline flavors. (Moet Hennessy, New York)<br />

Lagavulin Islay, $90, *** ?<br />

Distillers Edition 1993 Double Matured, 43%<br />

Complex and mellow with flavors of smoke, wax, citr<br />

us and fruitcake. (Diageo, Norwalk, Conn.)


Ardbeg Islay, $50, *** ?<br />

10 Years, 46%<br />

Multidimensional and oceanic with smoky, briny, med<br />

icinal flavors. (Moet Hennessy)<br />

Laphroaig Islay, $75, ***<br />

18 Years, 48%<br />

Like a meadow, with aromas of flowers, honey, spic<br />

es and a light touch of smoke and citrus. (Laphroa<br />

ig Import)<br />

Kilchoman Islay, $65, ***<br />

Spring 2011 Release, 46%<br />

Fresh yet complicated with aromas of smoke, butter<br />

cream and citrus. (Impex Beverages, Burlingame, C<br />

alif.)<br />

Bruichladdich Islay, $52, ***<br />

12 Years Second Edition, 46%<br />

Gentle and mild, with aromas and flavors of citrus<br />

, honey, flowers and butterscotch. (Winebow, New Y<br />

ork)<br />

Bowmore Islay, $45, ***<br />

12 Years, 40%<br />

Rich and well balanced with aromas of flowers, for<br />

est and beeswax, and an underlying smokiness. (Sky<br />

y Spirits, San Francisco)<br />

Caol Ila Islay, $57, ** ?<br />

12 Years, 43%<br />

Big, broad and almost oily in texture, with ample<br />

citrus and smokiness yet a freshness as well. (Dia<br />

geo, Norwalk, Conn.)<br />

Lagavulin Islay, $57, ** ?<br />

16 Years, 43%<br />

Pleasant and mildly smoky, with savory flavors but<br />

also a creamy sweetness. (Diageo, Norwalk, Conn.)<br />

~~~~~~~~~~


<strong>NYT</strong>-1207: DINING & WINE<br />

With Rude Names, Wine Stops Minding Its Manners ...<br />

By WILLIAM GRIMES<br />

A growing army of budget-priced wines with names l<br />

ike Bitch and Fat Bastard have shoved their way in<br />

to stores.<br />

===== notyet<br />

IT’S peppery and full of fight. The tannins have g<br />

rip. The nose takes no prisoners. This shiraz is a<br />

bitch.<br />

It says so on the label. Royal Bitch is the name o<br />

f the wine, one of a teeming sisterhood of caberne<br />

ts and chardonnays from a variety of producers wit<br />

h labels like Sassy Bitch, Jealous Bitch, Tasty Bi<br />

tch and Sweet Bitch. They’re reinforcements for a<br />

growing army of rude, budget-priced wines that hav<br />

e shoved their way into wine stores and supermarke<br />

ts in the past few years — most recently Happy Bit<br />

ch, a Hudson Valley rose that made its debut last<br />

month.<br />

The Alcohol and Tobacco Tax and Trade Bureau, an a<br />

gency of the Treasury Department, approves about 1<br />

20,000 applications for wine labels every year. Mo<br />

st names are traditional, often genteel, especiall<br />

y at the lower price points. It’s natural for a ch<br />

ardonnay or cabernet priced below $15 or even $10<br />

to buff the image a bit. Woodbridge, Coastal Estat<br />

es and Turning Leaf could be suburban subdivisions.<br />

Then there are the others. Wines like the Ball Bus<br />

ter, a beefy shiraz-cabernet-merlot blend from the<br />

Barossa Valley in Australia. Or BigAss Red, from<br />

Milano Family Winery in California. Or Stench, an<br />

Australian sparkler from R Winery, the company tha<br />

t collaborated with the American importer Dan Phil<br />

ips of the Grateful Palate in 2004 to get the post<br />

feminist ball rolling with a grenache named, simpl<br />

y, Bitch.<br />

Like a slap across the face, Bitch grabbed the att


ention of a certain type of consumer, primarily yo<br />

ung women en route to a bachelorette or divorce pa<br />

rty, or looking for a special way to say, “I love<br />

you” on Mother’s Day.<br />

“They can buy it and say, ‘Here, bitch, I bought y<br />

ou a present,’ ” said John F. Umbach, the owner of<br />

Joseph Victori Wines, which distributes Royal Bit<br />

ch and Sweet Bitch.<br />

Chatham Imports sensed the appeal of an irreverent<br />

women’s drink in 2005 when one of its distributor<br />

s developed a promotional rum cocktail called Jeal<br />

ous Bitch and shopped it around, diffidently, to b<br />

ars and nightclubs. The sales representatives were<br />

a little nervous about how the name might go over<br />

. But young women loved it, and the company develo<br />

ped a wine to match the name.<br />

“The thing is, if you come out with a conservative<br />

label, it’s hard to separate yourself from the he<br />

rd on the shelf,” Mr. Umbach said. “The competitio<br />

n is just brutal.”<br />

The competition is especially keen at the lower en<br />

d of the market, where winemakers clamor for the a<br />

ttention of consumers looking for a drinkable char<br />

donnay or cabernet for under $20.<br />

For years, winemakers and marketers have been fran<br />

tically popularizing their products, shedding the<br />

chateau image and embracing a blue-collar beer aes<br />

thetic. Last year, the top-selling wine brand in t<br />

he United States was Barefoot. The label shows not<br />

a stately mansion among the vines, but the footpr<br />

int of one of the winery’s former owners.<br />

That irreverence reflects an evolution in the cult<br />

ural presentation of wine that the San Francisco M<br />

useum of Modern Art mapped in the recent exhibitio<br />

n “How Wine Became Modern: Design and Wine 1976 to<br />

Now.” Traditionally, wine labels were purely info


mational. “Around 1980, however — earlier in the<br />

New World, somewhat later in Europe — labels becam<br />

e surfaces for communication, projecting a brand i<br />

dentity for the wine and trying to reach a target<br />

audience,” said Henry Urbach, an architectural cur<br />

ator who organized the exhibition with the archite<br />

cts Diller Scofidio & Renfro.<br />

Casual became cheeky. Now, cheeky has given way to<br />

saucy. In 2005, Brandever Strategy, a Vancouver b<br />

rand consultancy, was hired by Scherzinger Estates<br />

, a sleepy winery in British Columbia, to create a<br />

new image and name. It came up with Dirty Laundry<br />

Vineyard — an allusion to a Chinese laundry and b<br />

ordello that flourished nearby during the gold rus<br />

h era.<br />

“Your immediate reaction is, this is not a good na<br />

me for a wine, but that’s why it is a good name,”<br />

said Bernie Hadley-Beauregard, a principal in Bran<br />

dever. “It has a scratchy hook to it.”<br />

Highway workers posted a new sign along the local<br />

wine route. Traffic into the winery increased tenf<br />

old. “The owner called me and said, ‘We haven’t do<br />

ne any advertising, but suddenly we’re the toast o<br />

f the Okanagan Valley.’ ”<br />

The newer, racier-sounding wines are unlikely to d<br />

isplace Barefoot, but they all chase the same drea<br />

m. On the golden horizon, they see Fat Bastard, a<br />

line of wines from the Languedoc-Roussillon region<br />

that was introduced in the United States in 1998.<br />

Imported by Peter Click of Click Wine Group, the l<br />

ine sold just over 2,000 cases at $10 a bottle in<br />

its first year. By 2004, Fat Bastard was selling 4<br />

25,000 cases, making it one of the most popular Fr<br />

ench wines in the United States.<br />

The other wines do not come close to those numbers<br />

, but they have their little niche. Jim Knight, a


salesman and buyer at the Wine House in Los Angele<br />

s, which stocks about 7,000 labels, says he sells<br />

about five cases of Bitch and the Ball Buster ever<br />

y month. “We carry them because people ask for the<br />

m,” he said. “They’re good wines that people can g<br />

ive with a smile on their face.”<br />

John Gorman, the vice president of sales and marke<br />

ting at Southern Starz, which imports the Ball Bus<br />

ter, said, “The wine makes its way to a lot of law<br />

yers from their clients.”<br />

Under the rules of the federal alcohol bureau, lab<br />

els cannot contain incorrect or misleading informa<br />

tion, disparage a competitor’s product, or have a<br />

statement or image that is obscene or indecent. Bu<br />

t the agency routinely gives the go-ahead for tast<br />

eless or risque labels, which was not always the c<br />

ase.<br />

“It’s actually a good place to see the cultural fa<br />

ult lines shift,” said Robert C. Lehrman, whose co<br />

mpany, Lehrman Beverage Law, advises clients on go<br />

vernment regulations. “Because of a series of comm<br />

ercial speech decisions, not many things are off l<br />

imits anymore.”<br />

Winemakers have some way to go before equaling the<br />

shock value of Jersey’s Toxic Waste, a specialty<br />

spirit. But the bitch category may yield dividends<br />

. Take Rae-Jean Beach, a blended white wine. (The<br />

name needs to be said aloud.) She’s got a husband,<br />

a zinfandel. Sorry, but the name is not printable<br />

here.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1207: OP-ED<br />

A Reluctant Enemy ... By IAN W. TOLL<br />

The architect of the attack on Pearl Harbor had be<br />

en against going to war with the United States at<br />

all.<br />

===== notyet


San Francisco - ON a bright Hawaiian Sunday mornin<br />

g 70 years ago today, hundreds of Japanese warplan<br />

es appeared suddenly over Pearl Harbor and laid wa<br />

ste to the United States Pacific Fleet. The Americ<br />

an people boiled over in righteous fury, and Ameri<br />

ca plunged into World War II. The “date which will<br />

live in infamy” was the real turning point of the<br />

war, which had been raging for more than two year<br />

s, and it opened an era of American internationali<br />

sm and global security commitments that continues<br />

to this day.<br />

By a peculiar twist of fate, the Japanese admiral<br />

who masterminded the attack had persistently warne<br />

d his government not to fight the United States. H<br />

ad his countrymen listened, the history of the 20t<br />

h century might have turned out much differently.<br />

Adm. Isoroku Yamamoto foresaw that the struggle wo<br />

uld become a prolonged war of attrition that Japan<br />

could not hope to win. For a year or so, he said,<br />

Japan might overrun locally weak Allied forces —<br />

but after that, its war economy would stagger and<br />

its densely built wood-and-paper cities would suff<br />

er ruinous air raids. Against such odds, Yamamoto<br />

could “see little hope of success in any ordinary<br />

strategy.” His Pearl Harbor operation, he confesse<br />

d, was “conceived in desperation.” It would be an<br />

all-or-nothing gambit, a throw of the dice: “We sh<br />

ould do our best to decide the fate of the war on<br />

the very first day.”<br />

During the Second World War and for years afterwar<br />

d, Americans despised Yamamoto as an archvillain,<br />

the perpetrator of an ignoble sneak attack, a pers<br />

onification of “Oriental treachery.” Time magazine<br />

published his cartoon likeness on its Dec. 22, 19<br />

41, cover — sinister, glowering, dusky yellow comp<br />

lexion — with the headline “Japan’s Aggressor.” He<br />

was said to have boasted that he would “dictate t<br />

erms of peace in the White House.”


Yamamoto made no such boast — the quote was taken<br />

out of context from a private letter in which he h<br />

ad made precisely the opposite point. He could not<br />

imagine an end to the war short of his dictating<br />

terms in the White House, he wrote — and since Jap<br />

an could not hope to conquer the United States, th<br />

at outcome was inconceivable.<br />

In fact, Yamamoto was one of the most colorful, ch<br />

arismatic and broad-minded naval officers of his g<br />

eneration. He had graduated from the Japanese Nava<br />

l Academy in 1904, during the Russo-Japanese War.<br />

As a 21-year-old ensign, he fought in one of the m<br />

ost famous sea battles in history — the Battle of<br />

Tsushima, in 1905, a lopsided Japanese victory tha<br />

t shocked the world and forced Czar Nicholas II to<br />

sue for peace. Yamamoto was wounded in the action<br />

and wore the scars to prove it — his lower midsec<br />

tion was badly pockmarked by shrapnel, and he lost<br />

two fingers on his left hand.<br />

In the course of his naval career, he traveled wid<br />

ely through the United States and Europe, learning<br />

enough English — mostly during a two-year stint a<br />

t Harvard soon after World War I — to read books a<br />

nd newspapers and carry on halting conversations.<br />

He read several biographies of Lincoln, whom he ad<br />

mired as a man born into poverty who rose to becom<br />

e a “champion” of “human freedom.”<br />

From 1926 to 1928 he served as naval attache in Wa<br />

shington; while in America, he journeyed alone acr<br />

oss the country, paying his way with his own meage<br />

r salary, stretching his budget by staying in chea<br />

p hotels and skipping meals. His travels revealed<br />

the growing power of the American industrial machi<br />

ne. “Anyone who has seen the auto factories in Det<br />

roit and the oil fields in Texas,” he would later<br />

remark, “knows that Japan lacks the national power<br />

for a naval race with America.”<br />

Yamamoto didn’t drink; for vices, he preferred wom


en and gambling. He played shogi (Japanese chess),<br />

poker and bridge aggressively, and for high stake<br />

s. In Tokyo, Yamamoto spent his nights among the g<br />

eishas of the Shinbashi district, who nicknamed hi<br />

m 80 sen. (A manicure cost one yen, equivalent to<br />

100 sen; since he had only eight fingers he demand<br />

ed a discount.)<br />

When Yamamoto appeared in uniform, on the deck of<br />

his flagship or before Emperor Hirohito, he was th<br />

e picture of hatchet-faced solemnity. But in other<br />

settings he was prone to sentimentality, as when<br />

he freely wept at the death of a subordinate, or p<br />

oured out his heart in letters to his geisha lover.<br />

During the political turmoil of the 1930s, Yamamot<br />

o was a leading figure in the navy’s moderate “tre<br />

aty faction,” known for its support of unpopular d<br />

isarmament treaties. He criticized the mindlessly<br />

bellicose rhetoric of the ultranationalist right a<br />

nd opposed the radicals who used revolutionary vio<br />

lence and assassinations to achieve their ends. He<br />

despised the Japanese Army and its leaders, who s<br />

ubverted the power of civilian ministers and engin<br />

eered military adventures in Manchuria and other p<br />

arts of China.<br />

As navy vice minister from 1936 to 1939, Yamamoto<br />

staked his life on forestalling an alliance with N<br />

azi Germany. Right-wing zealots condemned him as a<br />

“running dog” of the United States and Britain an<br />

d vowed to assassinate him. A bounty was reportedl<br />

y placed on his head. He received letters warning<br />

him of an impending punishment “on heaven’s behalf<br />

,” and authorities discovered a plot to blow up a<br />

bridge as he passed over it.<br />

In August 1939, Yamamoto was named commander in ch<br />

ief of the Combined Fleet, the highest seagoing co<br />

mmand in the Japanese Navy. (As it placed him beyo<br />

nd the reach of his enemies, the appointment proba<br />

bly saved his life.) From his flagship, Nagato, us


ually anchored in Hiroshima Bay, Yamamoto continue<br />

d to warn against joining with the Nazis. He remin<br />

ded his government that Japan imported around four<br />

-fifths of its oil and steel from areas controlled<br />

by the Allies. To risk conflict, he wrote, was fo<br />

olhardy, because “there is no chance of winning a<br />

war with the United States for some time to come.”<br />

But Japan’s confused and divided government drifte<br />

d toward war while refusing to face the strategic<br />

problems it posed. It signed the Tripartite Pact w<br />

ith Germany and Italy in Berlin in September 1940.<br />

As Yamamoto had predicted, the American governmen<br />

t quickly restricted and finally cut off exports o<br />

f oil and other vital materials. The sanctions bro<br />

ught events to a head, because Japan had no domest<br />

ic oil production to speak of, and would exhaust i<br />

ts stockpiles in about a year.<br />

Yamamoto realized he had lost the fight to keep Ja<br />

pan out of war, and he fell in line with the plann<br />

ing process. But he continued to ask critical ques<br />

tions. Two decades of strategic planning for a war<br />

with the United States had envisioned a clash of<br />

battleships in the western Pacific — a decisive ba<br />

ttle like that at Tsushima. But Yamamoto now asked<br />

: What if the American fleet declined to play its<br />

part? What if the Americans instead chose to bide<br />

their time and build up their strength?<br />

IN 1940, President Franklin D. Roosevelt ordered t<br />

he fleet to Pearl Harbor. He had intended to signa<br />

l that the United States Navy was in striking dist<br />

ance of Japan — but “conversely,” Yamamoto observe<br />

d, “we’re within striking distance, too. In trying<br />

to intimidate us, America has put itself in a vul<br />

nerable position. If you ask me, they’re just that<br />

bit too confident.” Therein lay the germ of his p<br />

lan to launch a sudden carrier air attack on the H<br />

awaiian stronghold.<br />

Adm. Osami Nagano, chief of the Naval General Staf


f, stiffly resisted the proposed raid. His planner<br />

s worried that it would expose the Japanese aircra<br />

ft carriers to devastating counterstrikes. Yamamot<br />

o countered that the American Fleet was a “dagger<br />

pointed at Japan’s heart,” and surmised that the a<br />

ttack might even cause the Americans to recoil in<br />

shock and despair, “so that the morale of the U.S.<br />

Navy and the American people goes down to such an<br />

extent that it cannot be recovered.” At last, he<br />

threatened to resign unless his operation was appr<br />

oved, and Admiral Nagano capitulated: “If he has t<br />

hat much confidence, it’s better to let Yamamoto g<br />

o ahead.”<br />

Yamamoto appreciated the irony: having risked his<br />

life to prevent war with the United States, he was<br />

now its architect. “What a strange position I fin<br />

d myself in,” he wrote a friend, “having been assi<br />

gned the mission diametrically opposed to my own p<br />

ersonal opinion, with no choice but to push full s<br />

peed in pursuance of that mission. Alas, is that f<br />

ate?”<br />

And yet even in the final weeks of peace, Yamamoto<br />

continued to urge that the wiser course was not t<br />

o fight the United States at all. “We must not sta<br />

rt a war with so little a chance of success,” he t<br />

old Admiral Nagano. He recommended abrogating the<br />

Tripartite Pact and pulling Japanese troops out of<br />

China. Finally, he hoped that the emperor would i<br />

ntervene with a “sacred decision” against war. But<br />

the emperor remained silent.<br />

On Dec. 7, 1941, all eight battleships of the Paci<br />

fic Fleet were knocked out of action in the first<br />

half hour of the conflict. More than 180 American<br />

planes were destroyed, mostly on the ground, repre<br />

senting about two-thirds of the total American mil<br />

itary aircraft in the Pacific theater. The Japanes<br />

e carriers escaped with the loss of just 29 planes.<br />

The Japanese people exulted, and Yamamoto was lift


ed in their eyes to the status of a demigod. Now h<br />

e could dictate his wishes to the Tokyo admirals,<br />

and would continue to do so until his death in Apr<br />

il 1943, when American fighters shot down his airc<br />

raft in the South Pacific.<br />

And yet, Pearl Harbor aside, Yamamoto was not a gr<br />

eat admiral. His strategic blunders were numerous<br />

and egregious, and were criticized even by his own<br />

subordinate officers.<br />

Indeed, from a strategic point of view, Pearl Harb<br />

or was one of the most spectacular miscalculations<br />

in history. It aroused the American people to wag<br />

e total, unrelenting war until Japan was conquered<br />

. Yamamoto was also directly responsible for Japan<br />

’s cataclysmic defeat at the Battle of Midway, and<br />

for the costly failure of his four-month campaign<br />

to recapture the island of Guadalcanal.<br />

But perhaps the most important part of Yamamoto’s<br />

legacy was not his naval career at all, but the pa<br />

rt he played in the boisterous politics of prewar<br />

Japan. He was one of the few Japanese leaders of h<br />

is generation who found the moral courage to tell<br />

the truth — that waging war against the United Sta<br />

tes would invite a national catastrophe. As Japan<br />

lay in ashes after 1945, his countrymen would reme<br />

mber his determined exertions to stop the slide to<br />

ward war. In a sense, Isoroku Yamamoto was vindica<br />

ted by Japan’s defeat.<br />

Ian W. Toll is the author of “Pacific Crucible: War<br />

at Sea in the Pacific, 1941-1942.”<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1208: OPINION: OPINIONATOR - <strong>THE</strong> STONE<br />

Intellectuals and Politics ... By GARY GUTTING<br />

Good politicians don't need to be intellectuals, b<br />

ut they should at least have intellectual lives.<br />

===== notyet


The Stone is featuring occasional posts by Gary Gu<br />

tting, a professor of philosophy at the University<br />

of <strong>Not</strong>re Dame, that apply critical thinking to in<br />

formation and events that have appeared in the new<br />

s.<br />

The rise of Newt Gingrich, Ph.D.— along with the a<br />

pparent anti-intellectualism of many of the other<br />

Republican candidates — has once again raised the<br />

question of the role of intellectuals in American<br />

politics.<br />

In writing about intellectuals, my temptation is t<br />

o begin by echoing Marianne Moore on poetry: I, to<br />

o, dislike them. But that would be a lie: all els<br />

e equal, I really like intellectuals. Besides, I’<br />

m an intellectual myself, and their self-deprecati<br />

on is one thing I really do dislike about many int<br />

ellectuals.<br />

What is an intellectual? In general, someone seri<br />

ously devoted to what used to be called the “life<br />

of the mind”: thinking pursued not instrumentally,<br />

for the sake of practical goals, but simply for t<br />

he sake of knowing and understanding. Nowadays, u<br />

niversities are the most congenial spots for intel<br />

lectuals, although even there corporatism and care<br />

erism are increasing threats.<br />

Intellectuals tell us things we need to know: how<br />

nature and society work, what happened in our past<br />

, how to analyze concepts, how to appreciate art a<br />

nd literature. They also keep us in conversation<br />

with the great minds of our past. This conversat<br />

ion may not, as some hope, tap into a source of en<br />

during wisdom, but it at least provides a critical<br />

standpoint for assessing the limits of our curren<br />

t cultural assumptions.<br />

In his “Republic,” Plato put forward the ideal of<br />

a state ruled by intellectuals who combined compre<br />

hensive theoretical knowledge with the practical c


apacity for applying it to concrete problems. In<br />

reality, no one has theoretical expertise in more<br />

than a few specialized subjects, and there is no s<br />

trong correlation between having such knowledge an<br />

d being able to use it to resolve complex social a<br />

nd political problems. Even more important, our t<br />

heoretical knowledge is often highly limited, so t<br />

hat even the best available expert advice may be o<br />

f little practical value. An experienced and info<br />

rmed non-expert may well have a better sense of th<br />

ese limits than experts strongly invested in their<br />

disciplines. This analysis supports the traditio<br />

nal American distrust of intellectuals: they are n<br />

ot in general highly suited for political office.<br />

But it does not support the anti-intellectualism t<br />

hat tolerates or even applauds candidates who disd<br />

ain or are incapable of serious engagement with in<br />

tellectuals. Good politicians need not be intell<br />

ectuals, but they should have intellectual lives.<br />

Concretely, they should have an ability and inter<br />

est in reading the sorts of articles that appear i<br />

n, for example, Scientific American, The New York<br />

Review of Books, and the science, culture and op-e<br />

d sections of major national newspapers — as well<br />

as the books discussed in such articles.<br />

It’s often said that what our leaders need is comm<br />

on sense, not fancy theories. But common-sense id<br />

eas that work in individuals’ everyday lives are o<br />

ften useless for dealing with complex problems of<br />

society as a whole. For example, it’s common sens<br />

e that government payments to the unemployed will<br />

lead to more jobs because those receiving the paym<br />

ents will spend the money, thereby increasing dema<br />

nd, which will lead businesses to hire more worker<br />

s. But it’s also common sense that if people are<br />

paid for not working, they will have less incentiv<br />

e to work, which will increase unemployment. The<br />

trick is to find the amount of unemployment benefi<br />

ts that will strike the most effective balance bet<br />

ween stimulating demand and discouraging employmen


t. This is where our leaders need to talk to econ<br />

omists.<br />

Knowing how to talk to economists and other expert<br />

s is an essential skill of good political leaders.<br />

This in turn requires a basic understanding of h<br />

ow experts in various fields think and what they m<br />

ight have to offer for resolving a given problem.<br />

Leaders need to be intelligent “consumers” of expe<br />

rt opinions.<br />

Our current electoral campaigns are not very good<br />

at determining candidates’ understanding of releva<br />

nt intellectual issues. “Pop quizzes” from interv<br />

iewers on historical or geographical facts don’t t<br />

ell us much: those who know the answers may still<br />

have little grasp of fundamental policy questions,<br />

whereas a good grasp can be consistent with a lac<br />

k of quick factual recall. Nor does reading sophi<br />

sticated policy speeches that others have written<br />

or reciting pre-programmed talking points in inter<br />

views or news conferences tell us much about a can<br />

didate’s knowledge. Even quick-thinking responses<br />

in debates may indicate glibness rather than unde<br />

rstanding.<br />

The best evidence of how capable candidates are of<br />

fruitfully interacting with intellectuals would b<br />

e to see them doing just this. Concretely, I make<br />

the follow suggestion for the coming presidential<br />

election: Gather small but diverse panels of emi<br />

nent, politically uncommitted experts on, say, une<br />

mployment, the history of the Middle East, and cli<br />

mate science, and have each candidate lead an hour<br />

-long televised discussion with each panel. The c<br />

andidates would not be mere moderators but would b<br />

e expected to ask questions, probe disagreements,<br />

express their own ideas or concerns, and periodica<br />

lly summarize the state of discussion. Such engag<br />

ements would provide some of the best information<br />

possible for judging candidates, while also enormo<br />

usly improving the quality of our political discourse.


A utopian fantasy? Very likely — but imagine a ra<br />

ce between Barack Obama and Newt Gingrich, two for<br />

mer college professors, and who knows?<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1208<br />

Military Flexes Its Muscles as Islamists Gain in Eg<br />

ypt ... By DAVID D. KIRKPATRICK<br />

Gen. Mokhtar al-Molla of Egypt's ruling military c<br />

ouncil said it would manage the writing of the cou<br />

ntry's new constitution in order to insure against<br />

an Islamist takeover.<br />

<strong>NYT</strong>-1208<br />

Plot to Smuggle Qaddafi Son Into Mexico Is Disrupt<br />

ed, Government Official Says ... By RANDAL C. ARCH<br />

IBOLD<br />

Saadi el-Qaddafi and his family were going to rece<br />

ive false documents identifying them as Mexican, t<br />

he interior minister said.<br />

<strong>NYT</strong>-1208<br />

Drone Crash in Iran Reveals Secret U.S. Surveillan<br />

ce Effort ... By SCOTT SHANE and DAVID E. SANGER<br />

High-altitude flights of stealth C.I.A. drones fro<br />

m bases in Afghanistan had been among the most sec<br />

ret of many American intelligence-collection effor<br />

ts against Iran.<br />

<strong>NYT</strong>-1208<br />

New Orleans Struggles to Stem Homicides ... By CAMP<br />

BELL ROBERTSON<br />

The mayor says the problem is so bad that a studen<br />

t at a certain city high school was more likely to<br />

be killed than a soldier in Afghanistan.<br />

<strong>NYT</strong>-1208<br />

Democrats See a Two-Horse G.O.P. Race, Adding a Whi<br />

p ... By JEFF ZELENY and JIM RUTENBERG<br />

The White House and its allies hope to help stretc<br />

h the Republican presidential nominating contest i


nto a longer and bloodier battle between Mitt Romn<br />

ey and Newt Gingrich.<br />

<strong>NYT</strong>-1208<br />

2 Character Models for a Single Cinematic Point: W<br />

inning Elections at Any Cost ... By ADAM NAGOURNEY<br />

Two political movies seem likely to fuel debate ov<br />

er what is done in the name of winning elections.<br />

<strong>NYT</strong>-1208<br />

New Romney Ad Turns Up Heat on Gingrich ... By MICH<br />

AEL D. SHEAR<br />

Mitt Romney's campaign has shifted gears with a ne<br />

wly aggressive phase, less than a month before the<br />

Iowa caucuses.<br />

<strong>NYT</strong>-1208<br />

G.O.P. Candidates, at Jewish Coalition, Pledge to<br />

Be Israel's Best Friends ... By RICHARD A. OPPEL J<br />

r.<br />

Most candidates suggested they would differ substa<br />

ntially from previous Democratic and Republican ad<br />

ministrations on critical elements of the Middle E<br />

ast peace process.<br />

<strong>NYT</strong>-1208<br />

Frenzy of Year-End Activity for Congress ... By JEN<br />

NIFER STEINHAUER and ROBERT PEAR<br />

While the first session of the 112th Congress was<br />

defined by bruising fiscal battles, Democrats and<br />

Republicans have now moved to the election-year st<br />

age of governing.<br />

<strong>NYT</strong>-1208<br />

From Vacant to Vibrant ... By NICK BUNKLEY<br />

Developers, drawn by lower property values, have b<br />

een purchasing closed auto plants, which have help<br />

ed communities regain considerable tax revenue.<br />

<strong>NYT</strong>-1208<br />

Phones Get Game Power in the Cloud ... By NICK WING<br />

FIELD


The Silicon Valley start-up OnLive is introducing<br />

software to bring the power of its game service to<br />

mobile devices via so-called cloud computing.<br />

<strong>NYT</strong>-1208<br />

White House Pushes Vote on Consumer Agency Chief ..<br />

. By EDWARD WYATT<br />

President Obama is trying to sway enough Republica<br />

n Senators to allow a vote on the nomination of Ri<br />

chard Cordray to head the Consumer Financial Prote<br />

ction Bureau.<br />

<strong>NYT</strong>-1208<br />

Cellphones Test Strength of Gym Rules ... By CA<strong>THE</strong>R<br />

INE SAINT LOUIS<br />

The versatility of smartphones is a challenge to g<br />

yms, who seek to block users who want to make a ca<br />

ll, text or send e-mail.<br />

<strong>NYT</strong>-1208<br />

Central Park, the Soundtrack ... By JAMES C. McKINL<br />

EY Jr.<br />

The music duo Bluebrain created Central Park (List<br />

en to the Light), an app responding to a strolling<br />

visitor's location and movements.<br />

===== notyet<br />

Clamp on headphones, start up the iPhone app by th<br />

e musical duo Bluebrain and walk into Central Park<br />

. The music does not begin until you pass through<br />

an entrance and head into the trees. Then it sound<br />

s like an orchestra tuning up, a chaotic jumble of<br />

wind chimes, electronic moans and discordant stri<br />

ngs. Push farther into the park, and a sweet violi<br />

n melody emerges over languid piano chords.<br />

As you walk, new musical themes hit you every 20 o<br />

r 30 steps, as if they were emanating from statues<br />

, playgrounds, open spaces and landmarks. At the B<br />

ethesda Fountain a string quartet plays a hopeful<br />

march. The Kerbs Boathouse, with its tranquil pond<br />

full of model sailboats, triggers a soothing Pach<br />

elbel-like motif with a descending bass. Strolling


across Sheep Meadow you hear a pastoral piano the<br />

me with a bubbling undercurrent of electronic arpe<br />

ggios.<br />

The themes layer over one another, growing in volu<br />

me as you approach certain points on the map and f<br />

ading out as you move away. It’s a musical Venn di<br />

agram placed over the landscape, and at any time y<br />

ou might have two dozen tracks playing in your ear<br />

s, all meshing and colliding in surprising ways. T<br />

he path you take determines what you hear, and the<br />

biggest problem with what the composers call a “l<br />

ocation-aware album” is that you may get blisters<br />

on your feet trying to hear it all.<br />

“It’s like a choose-your-own-adventure album,” sai<br />

d Ryan Holladay, who forms this Washington electro<br />

-pop duo with his brother Hays.<br />

They released the app, called Central Park (Listen<br />

to the Light), for the iPhone and iPad in October<br />

. The app is free, but the brothers hope the music<br />

al format will become a commercially viable medium<br />

. It uses a global positioning network to activate<br />

different themes as the listener wanders through<br />

the park. The app contains more than 400 tracks, e<br />

ach tied to a location. They were written to fit t<br />

ogether harmonically like a sonic jigsaw puzzle.<br />

The Holladays are not the only musicians harnessin<br />

g such technology on iPhones, iPads and their imit<br />

ators. Bjork turned her most recent album, “Biophi<br />

lia,” into an audio-visual game of sorts for the i<br />

Phone, letting listeners rearrange and mix musical<br />

elements on some songs.<br />

A few others have experimented with music shaped b<br />

y the listener’s movements. In 2006 Jesse Stiles a<br />

nd Melissa St. Pierre of the Baltimore musical gro<br />

up Face Removal Services hitched a car’s global po<br />

sitioning system to a computer containing hundreds<br />

of dance beats on loops and created what they cal


led the Beatmap. As they drove the car across the<br />

Bonneville Salt Flats in Utah, the beats overlappe<br />

d, creating complex mash-ups.<br />

But Bluebrain’s project goes further, creating mus<br />

ic that not only must be listened to in a specific<br />

place but also is inspired by the landscape itsel<br />

f.<br />

“It’s not just that they are using this as a novel<br />

delivery mechanism,” said Peter Kirn, an electron<br />

ic composer who edits the Web site Create Digital<br />

Music. “It’s part of their musical process. They a<br />

re forcing you to go to a place because that place<br />

for them is musically meaningful.”<br />

The idea for such a project came to the Holladay b<br />

rothers more than two years ago, as they brainstor<br />

med about ways to use new applications available f<br />

or the iPhone. “Wouldn’t it be cool if there were<br />

an album that you would interact with in Central P<br />

ark?” Hays recalled saying. “Then we started think<br />

ing about what would you be controlling, and we ca<br />

me to the idea of: What if it were your movement?”<br />

It was easier said than done. It took months to fi<br />

nd Brian Feldman, a Brooklyn software developer wh<br />

o was willing to work for little money up front. T<br />

hey worked out bugs in the program as they compose<br />

d their first location-aware piece of music for th<br />

e National Mall in their hometown; they released t<br />

hat app in May.<br />

Mr. Feldman wrote a new software engine, which he<br />

named Sscape, for the application, borrowing ideas<br />

from video games that have different sound effect<br />

s and background music tied to places in their vir<br />

tual worlds. To use the program, the composers est<br />

ablish map coordinates for each track, and those t<br />

racks, usually loops of several minutes, are set o<br />

ff as the listener approaches. Last month the brot<br />

hers hired a second software firm, Zamtools, in To


onto, to improve and compress the program.<br />

“We didn’t want something to sound like a machine,<br />

” Mr. Feldman said. “We wanted it to sound like th<br />

ese guys were conducting an orchestra and watching<br />

where you are walking.”<br />

For Central Park the Holladays went for a classica<br />

l feeling. The melodies are mostly stately, slow m<br />

arches played on strings or the piano, usually inv<br />

olving a simple two- or four-chord progression, wi<br />

th some electronic chirps, loops and ambient sound<br />

s added in the higher registers or rumbling beneat<br />

h the melody.<br />

Josh Stewart, a 25-year-old publicist, who writes<br />

a blog about alternative music, was recently part<br />

of a group of 100 Bluebrain fans who came up from<br />

Washington to New York by chartered bus to try the<br />

new app.<br />

At the Lake, Mr. Stewart recalled, he heard paddle<br />

s in water keeping time to a string melody and had<br />

to take off the headphones to make sure the swish<br />

ing rhythm was on the recording and not coming fro<br />

m boaters.<br />

“You are walking around, and you are experiencing<br />

the park in your own way, and the music is kind of<br />

adapting to you,” he said. “I have never experien<br />

ced anything else like that.”<br />

The Holladay brothers grew up in Virginia, but say<br />

they fell in love with Central Park when they wer<br />

e going to college in New York in the late 1990s,<br />

Ryan at New York University and Hays at Columbia.<br />

While still students, they formed a five-piece ele<br />

ctro-pop band, the Epochs, and made two albums bef<br />

ore disbanding in 2008. In New York they were infl<br />

uenced by the works of the avant-garde composer Ph<br />

il Kline and participated in his boom-box walks in<br />

Greenwich Village, during which dozens of people


carry tape players carrying different recordings t<br />

hat complement one another.<br />

They moved back to Washington in the fall of 2009<br />

and began performing as Bluebrain, playing offbeat<br />

electronic music and pursuing experimental projec<br />

ts. They have financed the two location-aware albu<br />

ms — which together have been downloaded more than<br />

10,000 times — out of their own pockets, cajoling<br />

friends to play the string and percussion parts a<br />

nd recording the tracks at the Iguazu recording st<br />

udio in Arlington, Va., where Hays, 27, works. Rya<br />

n, 29, is an art curator.<br />

Mr. Feldman said the Central Park album only uses<br />

a fraction of his program’s potential. The program<br />

can create a virtual world of sound, with sources<br />

of music that move through the park and tracks th<br />

at change depending on factors like the weather an<br />

d the speed of the listener’s gait. “These guys ar<br />

e only scratching the surface,” he said.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1208<br />

BlackBerry Maker Changes New Operating System's Nam<br />

e ... By IAN AUSTEN<br />

Less than two months after Research in Motion anno<br />

unced that the new operating system to revive the<br />

BlackBerry brand would be called BBX, the company<br />

was ordered by a court not to use the name.<br />

===== notyet<br />

OTTAWA — Less than two months after Research In Mo<br />

tion announced that its new operating system to re<br />

vive the BlackBerry brand would be called BBX, the<br />

company has changed its mind. Now, it will be cal<br />

led BlackBerry 10.<br />

The late change followed the granting of a restrai<br />

ning order on Tuesday by a federal court in New Me<br />

xico to a small Albuquerque-based software maker,<br />

Basis International, that has long used the name B<br />

Bx.


In a statement on Wednesday about the name change,<br />

RIM did not address the trademark infringement ac<br />

tion by Basis International. “The BlackBerry 10 na<br />

me reflects the significance of the new platform a<br />

nd will leverage the global strength of the BlackB<br />

erry brand while also aligning perfectly with RIM’<br />

s device branding,” the statement said. RIM did no<br />

t respond to questions about whether it has abando<br />

ned the BBX name.<br />

The sudden rebranding is the latest in a series of<br />

setbacks, both small and large, for RIM recently,<br />

including having to restate its financial guidanc<br />

e for the current quarter because of steep discoun<br />

ts on its tablet computer as well as the firing of<br />

two executives whose drunken outbursts forced the<br />

return of a Toronto-to-Beijing flight and led to<br />

criminal charges. The new financial guidance furth<br />

er depressed RIM’s already battered stock price.<br />

The new phone operating system was developed by QN<br />

X Software Systems, a company based in Ottawa that<br />

RIM acquired last year. The BBX name appeared to<br />

be an attempt to meld the BlackBerry and QNX names.<br />

Basis has been using both the BBX and BBx names fo<br />

r several years on products that allow developers<br />

to create apps that can work on any operating syst<br />

em.<br />

“Even the more cursory search for the BBX trademar<br />

k would have shown that we hold it,” said Nico Spe<br />

nce, the chief executive of Basis.<br />

After RIM announced the BBX name at a developers’<br />

conference in San Francisco in October, Basis soug<br />

ht a permanent injunction under trademark laws. It<br />

also asked for the temporary order, which is vali<br />

d for only 14 days, to prevent RIM from using the<br />

name at its developers conference in Singapore thi<br />

s week.


Mr. Spence said Wednesday that he had not heard an<br />

ything from RIM or its lawyers about the company’s<br />

new brand. He said that Basis would continue to s<br />

eek a permanent injunction as well as damages from<br />

RIM. “Their announcement is certainly encouraging<br />

in that it looks like they are abandoning it, but<br />

it may only be temporary,” he said.<br />

The new name follows RIM’s traditional practice of<br />

naming operating systems using numbers. The opera<br />

ting system it will replace is called BlackBerry 7.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1208: REPORTER'S NOTEBOOK<br />

Constantly Checking In, Without Ever Checking In ..<br />

. By HOWARD BECK<br />

For Howard Beck, the Times reporter who covered th<br />

e N.B.A. lockout, the 149-day ordeal was spent ins<br />

ide and outside some of New York's finest hotels.<br />

===== notyet<br />

This summer and fall, I spent 156 hours in some of<br />

New York’s finest hotels. I did not sleep, or sho<br />

wer, or earn rewards points. I was not, in the ver<br />

nacular of the service industry, a “guest.” At tim<br />

es, I felt more like a hostage, subsisting on a di<br />

et of stale pizza, trail mix and anonymous sources.<br />

To be a reporter covering the N.B.A. lockout was t<br />

o enter a parallel universe, where normalcy was su<br />

spended, truth was pliable and time had no meaning<br />

. Absurdity reigned.<br />

There were news conferences at 4 in the morning, B<br />

etty White sightings, a Gregg Popovich jog-by and<br />

a cameo by former President Bill Clinton.<br />

Bargaining sessions stretched for 15 hours while w<br />

e stood on sidewalks or loitered in chilled lobbie<br />

s, or sweated in stuffy conference rooms with bad<br />

wallpaper.


Twitter turned into a newswire, a lifeline to the<br />

outside world and a catchphrase machine, all in on<br />

e. A player’s inadvertent text message became a un<br />

iversal lockout greeting: “How u?”<br />

For the dozen or so reporters who covered every me<br />

eting, it often felt like we were living in our ow<br />

n twisted reality show: “Survivor: Lockout Edition<br />

.”<br />

The show mercifully ended at 3 a.m. Nov. 26, when<br />

owners and players at last agreed to a new labor d<br />

eal, on the lockout’s 149th day. That deal is expe<br />

cted to be ratified Thursday, at yet another Midto<br />

wn hotel, the final chapter of a dizzying stakeout<br />

saga.<br />

To our great surprise, thousands of people joined<br />

us for the ride via Twitter, clicking and “retweet<br />

ing” every trivial nugget (“Talks have broken for<br />

dinner”), every news conference quote (“Enormous c<br />

onsequences”) and every punch-drunk riff by report<br />

ers (“Mutant pizza”), no matter the hour.<br />

During one late-night session at the Waldorf-Astor<br />

ia, I heard from a Twitter follower in Australia.<br />

He was just getting out of work. My friend David A<br />

ldridge of TNT said he received Twitter responses<br />

from six continents that night. Everywhere but Ant<br />

arctica, where I’m guessing the Wi-Fi is a little<br />

sketchy.<br />

Covering a professional sports labor battle can be<br />

a thankless task. No one wants to hear about mill<br />

ionaire athletes and billionaire owners fighting o<br />

ver a $4 billion pie, especially in a depressed ec<br />

onomy. The average fan wants to know only three th<br />

ings:<br />

Is it over?<br />

Who won?


How does it affect my team?<br />

The rest is just posturing and mind-numbing jargon<br />

: escrow tax, BRI, repeater tax, the cliff, nontax<br />

payer midlevel exception.<br />

Somehow, these issues and phrases found a dedicate<br />

d audience which, through the beauty of modern tec<br />

hnology, could respond to all of us in real time a<br />

s we drifted into a late-night stupor at the Waldo<br />

rf, or the Sheraton, or the Lowell Hotel.<br />

Twitter provided instant gratification — Look, peo<br />

ple care! — reassuring us in 140-character bursts<br />

that the endless stakeouts were worthwhile.<br />

The fans helped keep us sane — along with reruns o<br />

f “Seinfeld” streaming on the touchpad screens of<br />

Ken Berger of CBSSports.com and Alan Hahn of Newsd<br />

ay.<br />

The fans kept us fed, too. A network of generous b<br />

loggers, coordinated by the salary-cap savant Larr<br />

y Coon — out of pity or support — regularly sent u<br />

s stacks of pizza. Marc Cornstein, a New York-base<br />

d player agent, sent two massive deli platters (th<br />

us inspiring a new sandwich title, the Cornstein o<br />

n rye). The Brooklyn-bound Nets also sent pizza on<br />

e afternoon, to the chagrin of the Waldorf securit<br />

y staff, which harrumphed at the stack of cardboar<br />

d boxes in their pristine lobby. (That lobby was r<br />

outinely chilled to what felt like 55 degrees, whi<br />

ch at least helped keep us awake.)<br />

The various hotel staffs generally tolerated us as<br />

we gradually took over every couch, every table a<br />

nd every wall outlet, our own little Occupy moveme<br />

nt.<br />

It was while waiting in the Waldorf lobby, on Oct.<br />

26, that we had our Betty White sighting. She was


eing honored at the 21st annual Broadcasting & C<br />

able Hall Of Fame awards. She left around 5:15 a.m<br />

., presumably after a solid night of sleep. I was<br />

still typing.<br />

Clinton passed through after a Nov. 8 player meeti<br />

ng at the Sheraton. He stopped long enough to shak<br />

e hands, hug the union president Derek Fisher and<br />

hand out copies of his book, before heading to a “<br />

Daily Show” taping.<br />

Along the way, I learned that the Cole Porter pian<br />

o, in the Waldorf lobby, is a major tourist attrac<br />

tion. (We resisted the urge to plank it.) I learne<br />

d that the Lowell, a boutique hotel on East 63rd S<br />

treet, makes amazing chocolate-chip cookies. The L<br />

owell also provided my back rest, as I sat on the<br />

63rd Street sidewalk on the night of Oct. 4, and w<br />

rote that the N.B.A. had just canceled the first t<br />

wo weeks of the season.<br />

The hotels were chosen, often at the last minute,<br />

based on the availability of conference rooms. N.B<br />

.A. officials had a particular affinity for the Lo<br />

well, which had a tiny lobby, forcing us to wait o<br />

utside.<br />

Passers-by, many of them walking tiny dogs, often<br />

asked if we were waiting for someone famous. No, w<br />

e told them, just David Stern.<br />

During one of the early stakeouts, Popovich, the S<br />

an Antonio Spurs coach, jogged by and seemed start<br />

led to find N.B.A. reporters on the sidewalk. He c<br />

laimed to have no idea that negotiations, which in<br />

volved the Spurs owner Peter Holt, were going on n<br />

earby.<br />

On another night, I watched a man surreptitiously<br />

videotape a couple having dinner at the French bis<br />

tro across the street. Apparently, someone was abo<br />

ut to get divorced.


That same night, two TV cameramen fought – poorly<br />

— after angrily wrestling for position during Ster<br />

n’s sidewalk press conference. That was the last t<br />

ime the sides used the Lowell.<br />

We thought the odyssey would end much sooner. For<br />

a minute, we thought it had. On Sept. 8, Roger Mas<br />

on Jr., a member of the players’ executive board,<br />

sent out a Twitter message: “Looking like a season<br />

. How u.” Mason said the message was inadvertent a<br />

nd was not intended as a prediction.<br />

Mason’s misstep spawned a lockout meme, later join<br />

ed by “marathon session,” “mutant pizza” and “enor<br />

mous consequences” in the lockout lexicon. An N.B.<br />

A. blog, Outside the Arc, immortalized them in a l<br />

yrical tribute, put to the tune of Billy Joel’s “W<br />

e Didn’t Start the Fire.”<br />

The last night was the longest. I filed an article<br />

announcing the lockout’s end around 6:30 a.m. The<br />

sun was rising as a cab took me over the Manhatta<br />

n Bridge. The New York Times was already on my sto<br />

op. The most surreal chapter in my N.B.A. reportin<br />

g career had reached its weary conclusion.<br />

With a vote by N.B.A. owners on Thursday afternoon,<br />

a sense of normalcy will return.<br />

It is, finally, looking like a season. How u?<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1208<br />

Millions? Private Jet? Columbia Offers New York ...<br />

By ANDREW KEH<br />

Columbia, which is searching for a new coach after<br />

a 1-9 season, can't compete with the likes of Ohi<br />

o State, but it does have its advantages.<br />

===== notyet<br />

Early one morning last week, inside Columbia’s sub<br />

terranean athletic center in Upper Manhattan, M. D


ianne Murphy leaned over a conference table and wr<br />

apped her fingers around a disposable cup of coffe<br />

e. There was no time to sleep these days, she said<br />

.<br />

Murphy, the university’s athletic director, was in<br />

the midst of a nationwide hunt for a new football<br />

coach, a circumstance shared by a high number of<br />

top-flight programs this fall. Earlier that week,<br />

Ohio State made headlines by hiring Urban Meyer, t<br />

he former coach at Florida, enticing him with a co<br />

mpensation package that included a base salary of<br />

$4 million per year, a country club membership, a<br />

$12,000 automobile stipend and the use of a privat<br />

e jet.<br />

As Murphy, bleary-eyed yet cheerful, prepared for<br />

another day of telephone interviews, the situation<br />

in Columbus seemed a far cry from the situation a<br />

t Columbia. The quirks of coaching Ivy League foot<br />

ball — not to mention finding a coach in the first<br />

place — are well known, but the idiosyncrasies fe<br />

el multiplied at Columbia, a university in the hea<br />

rt of a bustling city with a football program famo<br />

us for losing 44 straight games in the 1980s. And,<br />

of course, Murphy does not have an airplane to us<br />

e as a bargaining chip.<br />

“Wouldn’t that be nice?” Murphy said with a laugh.<br />

“Yeah, that would be nice. But the right person f<br />

or us is probably sitting in coach somewhere.”<br />

Murphy arrived at Columbia in 2005 with the task o<br />

f revitalizing a floundering athletics department,<br />

and in many respects she has seen success. Sports<br />

at Columbia have found some new respectability. T<br />

his past season, the men’s cross-country team qual<br />

ified for the N.C.A.A. nationals for the first tim<br />

e and the men’s soccer team came within a goal of<br />

its first league title since 1993.<br />

Football, though, has continued to lag. This year,


the team did not win a game until the final day o<br />

f the season. The next morning, the coach, Norries<br />

Wilson, was fired. He finished with a record of 1<br />

7-43 in six seasons.<br />

For decades, the football team has been at best a<br />

punch line and at worst an object of scorn. Last w<br />

eek, the Columbia Spectator, the campus newspaper,<br />

ran a column questioning whether the team should<br />

exist at all, painting the program as antithetical<br />

to the university’s academic values.<br />

Jim Pagels, one of the newspaper’s sports editors,<br />

said the views did not represent the majority of<br />

the student body, but that the football team in hi<br />

s view was indeed marginalized. “There is not a re<br />

al resentment or a call to disband the football te<br />

am,” he said. “But I think in general there is wid<br />

espread apathy and indifference.”<br />

Taken together, these factors might at first glanc<br />

e afford Murphy’s search a measure of quaintness.<br />

Yet, there are indications that the vacant job — t<br />

hough lacking in outward glamour — might be an une<br />

xpectedly enviable one.<br />

The average salary for the head coaches of Columbi<br />

a’s 14 men’s teams last year was $93,984, accordin<br />

g to a report from the United States Department of<br />

Education. The same report showed the university<br />

had spent $2,670,238 — far less than Meyer’s new a<br />

nnual salary — to cover the combined expenses of t<br />

he entire football program.<br />

The football coach, however, is compensated at a l<br />

evel comparable to senior administration officials<br />

and top faculty members, according to people fami<br />

liar with the program, and his base salary is actu<br />

ally closer to $250,000. Other benefits can includ<br />

e an apartment in Manhattan and assistance in enro<br />

lling a coach’s children in the competitive, unive<br />

rsity-run elementary school on the Upper West Side.


And the bonuses, many say, run deeper than that.<br />

“The perks in the Ivy League are more intangible t<br />

han they are material,” said Tom Beckett, the athl<br />

etic director at Yale. “The perks and salaries at<br />

these other big schools, that’s not going to happe<br />

n. But there are wonderful things that do happen.”<br />

Ivy League universities emphasize the prestige of<br />

their institutions to coaching candidates. This ye<br />

ar, Columbia was No. 4 in U.S. News and World Repo<br />

rt’s annual ranking of national universities, and<br />

people at the university consider its alumni netwo<br />

rk to be particularly strong.<br />

The athletic department in 2007 received pledges o<br />

f $10 million from William V. Campbell, the chairm<br />

an of the board of Intuit, and $5 million from Rob<br />

ert K. Kraft, the chairman of the Kraft Group and<br />

the owner of the New England Patriots. Both played<br />

football at Columbia. Campbell is also the chairm<br />

an of Columbia’s trustees, giving the team a power<br />

ful advocate on campus.<br />

“Even successful alums from other areas of the sch<br />

ool don’t have the same affinity for the school th<br />

at athletes do,” said Jake Novak, a senior produce<br />

r at Fox Business who chronicles Columbia athletic<br />

s on a widely read blog. “They can open so many do<br />

ors for a coach and give him entree into a differe<br />

nt world in New York.”<br />

Novak and others said that for a savvy coach, the<br />

Columbia job was a sparkling opportunity. The admi<br />

nistration has shown a new commitment to athletics<br />

, as evidenced by recent increases in operating bu<br />

dgets, the opening next year of a new primary faci<br />

lity for the athletics department and efforts to h<br />

elp athletes in areas like class scheduling.<br />

“Fifteen years ago, there was a long list of thing


s needed for the program to even begin to be compe<br />

titive, and that list has now largely been elimina<br />

ted,” said Mike Griffin, who was an assistant athl<br />

etic director from 1996 to 2004.<br />

And the endless losing seasons, combined with thes<br />

e recent advances, creates a sort of job security,<br />

where a handful of victories would be a major suc<br />

cess and losses would not create undue pressure.<br />

“There’s a certain hope-springs-eternal quality wi<br />

thin the job,” said Jim McMenemin, the director of<br />

principal gifts and senior adviser to the dean of<br />

the college. “This is particularly true now, as u<br />

niversity leadership is fully behind the football<br />

program being successful and believes it to be com<br />

patible with the academic and intellectual culture<br />

of the university.”<br />

Murphy acknowledged the futility of Columbia footb<br />

all, pointing out that it had only five winning se<br />

asons since 1956. She disputed, though, the charac<br />

terization of Columbia as apathetic toward footbal<br />

l. As an example — one she said she was disappoint<br />

ed to see — she said Wilson’s wife had been subjec<br />

ted to rude comments from angry fans at recent hom<br />

e games.<br />

She believes steadfastly that football is a core e<br />

lement of the college experience, even in New York<br />

.<br />

Murphy said in the past she had been “naive” about<br />

the influence of the city on the job, discounting<br />

such factors like the cost of living and where a<br />

coach would send his children to school. Now, she<br />

said, the city was one of her strongest selling po<br />

ints and that a candidate’s enthusiasm for it woul<br />

d be a primary concern as she looks to hire a coac<br />

h before a self-imposed Dec. 15 deadline.<br />

“There’s nothing like New York,” Murphy said. “And


if you’re going to be frustrated because the subw<br />

ay is slow, you’re not going to do well here.”<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1208<br />

To Sleep on the Subway, Maybe, but to Dream? Poor C<br />

hance ... By CHRISTINE HAUGHNEY<br />

A sleep researcher, with the aid of a drowsy strap<br />

hanger, set out to discover whether dozing undergr<br />

ound was worth its while.<br />

===== notyet<br />

A ride on the New York subway can be a sensory ove<br />

rload: musicians perform for change; conductors pl<br />

ead to those who hold open train doors to relent;<br />

and passengers, often in unimaginably close proxim<br />

ity, subject one another to all sorts of sights, s<br />

ounds, smells and touches, preferably inadvertent.<br />

Amid all of that, some New Yorkers nevertheless ma<br />

nage to fall asleep. Seats are found, trains begin<br />

their rhythmic rattles of movement, and eyelids f<br />

lutter closed. Gritted jaws loosen, furrowed brows<br />

release and heads nod.<br />

People outside of New York may wonder how in a cit<br />

y that never sleeps, so many New Yorkers manage to<br />

doze on the subway. There is no law against it, b<br />

ut those who take subway catnaps do so at their ow<br />

n risk; a recent Metropolitan Transportation Autho<br />

rity committee meeting featured a presentation on<br />

how criminals seeking iPhones slice open the pocke<br />

ts of dozing passengers.<br />

So are these naps really worth the trouble?<br />

Dr. Carl Bazil, director of the Epilepsy and Sleep<br />

Division at New York-Presbyterian Hospital/Columb<br />

ia University Medical Center, offered to try to fi<br />

nd out.<br />

After Dr. Bazil stepped into an uptown A train on


a recent morning, he tried to guess what stage of<br />

sleep the nappers onboard were in. He said that to<br />

reach Stage 1 sleep, the least restorative of the<br />

five stages, riders must be able to slow down the<br />

ir eye movements. To get Stage 2 sleep, riders mus<br />

t relax their muscles and stop moving their eyes e<br />

ntirely.<br />

As Dr. Bazil watched the riders sitting across fro<br />

m him, the nappers’ eyelids fluttered when train d<br />

oors opened. The riders also seemed to clench thei<br />

r messenger bags and backpacks with death grips.<br />

“I suspect all you get is Stage 1 sleep; it’s not<br />

going to be restorative,” he said. “It’s kind of w<br />

asted sleep.”<br />

At a reporter’s request, Dr. Bazil wired up a slee<br />

py subway rider to study his brain waves as he tri<br />

ed to nap. He enlisted Dr. Brandon Foreman, a 30-y<br />

ear-old neurology fellow, whose 2-year-old son, Ju<br />

de, still does not sleep through the night. Neithe<br />

r does Dr. Foreman.<br />

But he has observed how the subway lulls his son t<br />

o sleep, so he tries to replicate the train’s stop<br />

s and jerks when he puts his son to bed. Dr. Forem<br />

an is no stranger to subway napping: He began doin<br />

g so when commuting from Brooklyn during his resid<br />

ency, and said he coveted any sleep he could get.<br />

“Lectures, classes, I can pretty much sleep anywhe<br />

re,” Dr. Foreman said. “But it’s not usually a gre<br />

at sleep. It’s more the nodding off.”<br />

Both doctors met at the end of a long workweek aft<br />

er Dr. Foreman had been up every night dealing wit<br />

h his son’s cold. As Dr. Foreman yawned, Dr. Bazil<br />

had a technician attach 25 multicolored plastic w<br />

ires to Dr. Foreman’s head, connecting them to a m<br />

onitor slightly larger than an iPod to track his b<br />

rain waves. Then Dr. Foreman covered the wires wit


h a long sock and a winter hat.<br />

The pair got onto a southbound A train at 207th St<br />

reet. After Dr. Foreman chose a corner seat, Dr. B<br />

azil sat across from him to take notes. When the t<br />

rain left the station at 6:09 p.m., it seemed unli<br />

kely that Dr. Foreman would get any sleep. The tra<br />

in’s operator screeched the cars along as if she w<br />

ere training for Formula One. She shouted into the<br />

loudspeakers that her train was late, and peeled<br />

from stop to stop.<br />

Dr. Foreman yawned, folded his arms, crossed his l<br />

egs and shut his eyes. He opened his eyes when the<br />

train stopped. His eyes fluttered when several ne<br />

urologists boarded and chatted over his shoulder.<br />

The train jostled. He opened his eyes and yawned d<br />

eeply.<br />

By 6:18 p.m., two minutes after Dr. Foreman left t<br />

he 168th Street station, he looked as if he was fa<br />

lling asleep. He first held his head up and kept h<br />

is arms crossed. But he let his head nod back and<br />

forth slightly. Then his head fell, and he dozed u<br />

ntil 59th Street — no doubt aided by the uninterru<br />

pted run from 125th Street. As the doors opened at<br />

59th Street, Dr. Foreman jumped up and hopped off<br />

the train.<br />

After they briefly celebrated what looked like a s<br />

uccessful subway nap, the doctors boarded an uptow<br />

n train to see if Dr. Foreman could fall asleep ag<br />

ain. Dr. Foreman found a seat lodged between two p<br />

assengers. He put on his jacket hood, crossed his<br />

legs, folded his arms and let his head fall. While<br />

the conductor was quieter on this train, Dr. Fore<br />

man could not get back to sleep. At 145th Street,<br />

when a vendor stood before him and shouted that he<br />

was selling four DVDs for $10, Dr. Foreman opened<br />

his eyes widely.<br />

“No luck,” he said.


Dr. Bazil was more pleased with the results. After<br />

downloading the data about Dr. Foreman’s brain wa<br />

ves, Dr. Bazil found that Dr. Foreman had slept fo<br />

r 10 minutes out of a 23.5-minute ride. For three<br />

and a half minutes, Dr. Foreman reached a Stage 2<br />

level of sleep.<br />

“It looks like it is definitely possible to get sm<br />

all amounts of restorative sleep on the subway, bu<br />

t only very small amounts,” Dr. Bazil said. He add<br />

ed that some studies show “even a brief nap that i<br />

ncludes Stage 2 sleep can improve performance.”<br />

But Dr. Foreman was less persuaded that he got any<br />

productive sleep.<br />

“I don’t feel rested,” he said. “It’s not like I to<br />

ok a nap in bed.”<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1208: EDITORIALS<br />

<strong>Not</strong> What Mr. Putin Planned<br />

The lesson of this week's election is that Russian<br />

s' patience is not unlimited and a surprising numb<br />

er can imagine a world after Vladimir Putin.<br />

===== notyet<br />

Prime Minister Vladimir Putin of Russia has cynica<br />

lly dominated his country’s politics for the last<br />

11 years and intends to do it for many more years<br />

to come. Given the way he has muzzled independent<br />

media and hobbled opponents, it looked as though n<br />

othing could challenge his reign. Then came Sunday<br />

’s parliamentary election in which a surprising nu<br />

mber of voters made clear that they are tired of t<br />

he status quo and Mr. Putin.<br />

Mr. Putin’s party, United Russia, received just un<br />

der 50 percent of the votes. By Russian standards,<br />

that’s a stunning rebuke. What makes the numbers<br />

even more extraordinary is that Western election o<br />

bservers reported blatant and widespread fraud by


Putin supporters, including brazen stuffing of bal<br />

lot boxes. <strong>Not</strong> only did United Russia barely secur<br />

e a legislative majority — 238 seats out of 450, d<br />

own from 315 now — it had to cheat to do it.<br />

The Organization for Security and Cooperation in E<br />

urope said election administrators lacked independ<br />

ence and there was no free media to cover the camp<br />

aign. Some opposition parties were barred, and Uni<br />

ted Russia was given huge advantages over those th<br />

at could run.<br />

The United States needs Russia’s cooperation on a<br />

host of issues, most notably Iran, and the Obama a<br />

dministration made the right decision to try to “r<br />

eset” the relationship. But that can’t mean giving<br />

Mr. Putin’s authoritarian ways a pass. So it was<br />

good to hear Secretary of State Hillary Rodham Cli<br />

nton express “serious concerns” that the voting wa<br />

s neither free nor fair.<br />

Since then, Washington has said nothing about the<br />

government crackdown on protestors who have turned<br />

out by the thousands to denounce the electoral fr<br />

aud. More than 1,000 people have been detained, am<br />

ong them a number of prominent opposition figures.<br />

The administration needs to keep speaking out. It<br />

would certainly help to have an American ambassad<br />

or in Moscow, but Senator Mark Kirk, a Republican<br />

of Illinois, is still blocking the confirmation of<br />

Michael McFaul.<br />

Mr. Putin has promised to shuffle the government n<br />

ext year. What he really needs to do is listen to<br />

voters who are demanding a real chance at politica<br />

l competition and economic opportunity. Unfortunat<br />

ely, he has long ago made clear his disdain for de<br />

mocracy. And while his approval ratings have decli<br />

ned, they remain, for now, above 60 percent. But t<br />

he lesson of this week’s election is that Russians<br />

’ patience is not unlimited — and a surprising num<br />

ber can imagine a world after Putin.


~~~~~~~~~~<br />

<strong>NYT</strong>-1208: OP-ED<br />

Bring the Iron Lady Back ... By RICHARD VINEN<br />

Margaret Thatcher was tough, decisive and widely d<br />

isliked. At a moment of crisis, Britain needs her<br />

type of adversarial politics, not consensus.<br />

===== notyet<br />

London<br />

MARGARET THATCHER has long been reviled by the Bri<br />

tish left, so much so that the singer Elvis Costel<br />

lo once fantasized about stomping on her grave in<br />

his 1989 song “Tramp the Dirt Down.” But Mrs. That<br />

cher achieved more than any other British peacetim<br />

e prime minister of the 20th century. It is rumore<br />

d that, when she dies, she will receive a state fu<br />

neral — an honor rarely accorded to anyone except<br />

monarchs. There are also plans for a public celebr<br />

ation.<br />

Her life is the inspiration for a new movie that o<br />

pens later this month, starring Meryl Streep as “T<br />

he Iron Lady.” It chronicles Mrs. Thatcher’s divis<br />

ive policies as prime minister as she led Britain<br />

through the economic doldrums of the 1980s. It was<br />

a time when the country faced financial ruin and<br />

politicians were compelled to make hard choices.<br />

Mrs. Thatcher was a tough, adversarial leader. She<br />

was never liked, even by those who supported her<br />

policies, and she was hated by those who opposed h<br />

er.<br />

Yet her political style may be just what Britain n<br />

eeds right now. The country is in the midst of an<br />

economic crisis that will force the government to<br />

make difficult, unpopular decisions. And that is w<br />

hat Mrs. Thatcher did so well. Facing long-term ec<br />

onomic decline and the brooding menace of the Sovi<br />

et Union, she broke the trade unions, sold off nat<br />

ionalized industries and helped imbue British capi


talists with a confidence that they had not felt s<br />

ince the death of Queen Victoria.<br />

She was at her best when the odds seemed against h<br />

er or when she had clear enemies. In 1982, she sen<br />

t an armada to fight the Argentines in the Falklan<br />

d Islands. And in 1984-85, she held out against a<br />

strike by the National Union of Mineworkers, which<br />

had been powerful enough to bring down a governme<br />

nt 10 years before.<br />

Although Mrs. Thatcher has become a respected symb<br />

ol of statesmanship outside Britain, she remains a<br />

reminder of social division within it. In 2008, t<br />

he future foreign secretary, William Hague, sought<br />

to reassure American officials that he and David<br />

Cameron, soon-to-be prime minister, were “Thatcher<br />

’s children.” When his comment leaked, the Labour<br />

opposition seized upon it, keen to circulate the q<br />

uote in the hopes that it would stir up old anti-T<br />

hatcher feelings. And despite being in power today<br />

, Conservative leaders still worry that they are a<br />

ssociated with the bitterness of the Thatcher year<br />

s. They speak of changing their image as “the nast<br />

y party” and the need to “detoxify the brand.”<br />

One reason British politicians feel uncomfortable<br />

with Thatcherism is that Britain has been relative<br />

ly prosperous in the last two decades, at least in<br />

part because of things the Thatcher government di<br />

d: tax cuts, financial-sector deregulation and wea<br />

ker unions all made Britain a more attractive plac<br />

e to do business.<br />

A new generation of politicians who grew up in an<br />

age of prosperity has ceased to think of politics<br />

in terms of hard choices and scarce resources; Mr.<br />

Cameron belongs to that generation. He was just 1<br />

2 years old when Mrs. Thatcher came to power in 19<br />

79 and he became leader of the Conservative Party<br />

in 2005, when the current economic storms seemed a<br />

lmost unimaginable. Even when Mr. Cameron became p


ime minister last year, the financial crisis stil<br />

l felt, to most of the British electorate, like so<br />

mething short-term and vaguely unreal.<br />

But British politics has lost something with its p<br />

ost-Thatcher embrace of consensus and optimism. Th<br />

atcherism was a galvanizing force. It mobilized ri<br />

ght-wingers to do things, such as selling off huge<br />

state-owned corporations, that many of them would<br />

once have considered impossible. It also mobilize<br />

d the left to develop radical alternatives: during<br />

the 1980s, the Labour Party veered toward support<br />

for unilateral nuclear disarmament and increased<br />

state intervention in the economy.<br />

Unlike today, voters in 1983 faced clear choices.<br />

A vote for Thatcher’s Tories was a vote for largescale<br />

privatization; a vote for Labour was a vote<br />

for socialism. A Conservative vote meant keeping B<br />

ritain in the European Economic Community; a Labou<br />

r vote meant withdrawal. A Tory vote meant station<br />

ing American cruise missiles in Britain; a Labour<br />

vote meant that they would be stopped.<br />

There are no longer such clear-cut choices. Explic<br />

it talk of class interests and inequality have bee<br />

n replaced by a vaguer and less divisive language<br />

of “fairness” and “equal opportunity.”<br />

The major political parties look remarkably simila<br />

r today. All are led by clean-cut 40-somethings wh<br />

o blend social liberalism (support for same-sex ma<br />

rriage and opposition to the death penalty) with a<br />

cceptance of the free market. Indeed, the Conserva<br />

tives now find themselves governing with strange b<br />

edfellows, in a coalition with the small Liberal D<br />

emocrat Party, whose president recently described<br />

Thatcherism as “organized wickedness.” Mrs. Thatch<br />

er hated coalitions. She most likely would have pr<br />

eferred to lose an election than to govern without<br />

an outright parliamentary majority.


Unlike Mr. Cameron, Mrs. Thatcher came to power at<br />

a time when people felt desperate. This desperati<br />

on, and the sense that she might be the last chanc<br />

e to restore Britain’s fortunes, accounted for muc<br />

h of her success.<br />

Thatcherism was not an alien invasion. It reflecte<br />

d a consensus by many members of the British estab<br />

lishment that things could not go on as they were.<br />

This is why so many supported Mrs. Thatcher’s pol<br />

icies, even when they disliked her personally.<br />

Mr. Cameron is certainly a more likable figure tha<br />

n Mrs. Thatcher, but likability may not be enough<br />

when the British people realize that their current<br />

predicament — requiring government spending cuts<br />

at a time of rising unemployment and financial cha<br />

os in Europe — is actually worse than the crisis w<br />

hen Mrs. Thatcher came to power in 1979.<br />

In these circumstances, it will take a bracing dos<br />

e of Thatcherite ideological confrontation to revi<br />

ve British politics.<br />

Richard Vinen, a professor of history at King’s Co<br />

llege, London, is the author of “Thatcher’s Britai<br />

n: The Politics and Social Upheaval of the 1980s.”<br />

~~~~~~~~~<br />

<strong>NYT</strong>-1209: U.S.: VIDEO<br />

An Unexpected Debut<br />

Boyd Lee Dunlop found his musical talent during th<br />

e Great Depression. But after years of playing in<br />

bars and nightclubs, it took a damaged piano in a<br />

Buffalo nursing home for him to be discovered.<br />

---<br />

<strong>NYT</strong>-1209: U.S. - THIS LAND<br />

Rhythms Flow as Aging Pianist Finds New Audience ..<br />

. By DAN BARRY<br />

After a chance encounter, Boyd Lee Dunlop, living<br />

in a nursing home in Buffalo, got a chance to reco


d a CD and headline a concert.<br />

===== notyet<br />

BUFFALO - For years, the donated piano sat upright<br />

and unused in a corner of the nursing home’s cafe<br />

teria. Now and then someone would wheel or wobble<br />

over to pound out broken notes on the broken keys,<br />

but those out-of-tune interludes were rare. Day a<br />

fter surrendering day, the flawed piano remained m<br />

ercifully silent.<br />

Then came a new resident, a musician in his 80s wi<br />

th a touch of forgetfulness named Boyd Lee Dunlop,<br />

and he could play a little. Actually, he could pl<br />

ay a lot, his bony fingers dancing the mad dance o<br />

f improvised jazz in a way that evoked a long life<br />

’s all.<br />

The lean times and the flush. The Saturday night h<br />

op and the Sunday morning hymn. Those long drives<br />

in a Packard to the next gig. That fine woman Adel<br />

aide, oh Adelaide, down in North Carolina. The dea<br />

ths of a beloved aunt and a difficult marriage. So<br />

me things you don’t forget, so Mr. Dunlop keeps a<br />

white towel handy to wipe his eyes dry.<br />

And so Mr. Dunlop would have remained, summoning t<br />

ranscendence from a damaged piano in the Delaware<br />

Nursing and Rehabilitation Center, his audience a<br />

couple of administrators, a few nurses and many pa<br />

tients beset with dementia, loneliness and age — w<br />

ere it not for a chance encounter and some cheesec<br />

ake.<br />

Instead, Boyd Lee Dunlop, 85, is the featured perf<br />

ormer at a concert on Saturday night at the Hallwa<br />

lls Contemporary Arts Center in downtown Buffalo.<br />

Admission is $10. And if you want to buy his debut<br />

CD, that will cost you another $15.<br />

Sitting at Table 8, guarding the cafeteria piano b<br />

eside him like a jealous lover, Mr. Dunlop accepts<br />

all of this with boastful humility. He thanks God


for the talent, shares a few unprintable thoughts<br />

, and turns to play a soulful take of “Come Back t<br />

o Sorrento.”<br />

“I got to be Boyd,” he says, as aides scrape the r<br />

emnants of pork fried rice from plastic dinner pla<br />

tes. “If I die Boyd, I’m still Boyd.”<br />

Mr. Dunlop arrived at the brown-brick nursing home<br />

nearly four years ago, a strong-willed but slight<br />

ly bent half-note. He had 50 cents in his pocket,<br />

too much sugar in his blood, and a need to be arou<br />

nd others. He liked to sit in the lobby and greet<br />

people, especially the women.<br />

After a while, Mr. Dunlop let it be known that he<br />

was a musician. This did not distinguish him in a<br />

place where someone might claim to be a retired co<br />

ncert violinist or President Obama’s mother, and,<br />

in the first case at least, be telling the truth.<br />

Also, music here usually meant something to be end<br />

ured — the weekly sing-along, say, with a resident<br />

armed with his own electric keyboard.<br />

The broken cafeteria piano was a tease that Mr. Du<br />

nlop could not resist. He played when no one else<br />

was around, between meals, early and late. He lear<br />

ned how to dodge the piano’s flaws, how to elongat<br />

e the good notes and suffocate the bad.<br />

<strong>Not</strong>hing like his music had been heard in these cle<br />

anser-scented halls. The sounds of Boyd, including<br />

the occasional yowl, would flow from the empty ca<br />

feteria to greet Kate Wannemacher, the director of<br />

nursing, as she arrived early in the morning. “He<br />

plays right out of his heart,” she says.<br />

Life kept time to a nursing home’s beat. Breakfast<br />

lunch dinner, breakfast lunch dinner, with occasi<br />

onal riffs of bingo, sing-alongs, insulin shots, p<br />

aranoia, and more bingo. Mr. Dunlop had his bellic<br />

ose moments, but mostly he was charming away in th


e lobby or, more likely, entranced by the cafeteri<br />

a piano.<br />

Then came that chance encounter.<br />

In the spring of 2010, a freelance photographer na<br />

med Brendan Bannon arrived to discuss an art proje<br />

ct with nursing home administrators — and Mr. Dunl<br />

op greeted him at the door. Mr. Bannon is balding,<br />

so Mr. Dunlop assumed for some reason that he was<br />

a doctor. “Hey doc!” he shouted. “Take my tempera<br />

ture.”<br />

A bond quickly developed, and before long Mr. Dunl<br />

op invited his new friend to hear him play what he<br />

referred to as “that thing they call a piano.” Mr<br />

. Bannon, who knows his Mingus from his Monk, coul<br />

d not believe the distinctive, vital music emanati<br />

ng from a tapped-out piano missing a few keys.<br />

“He was a beautiful player,” Mr. Bannon says. “He<br />

was making it work even though it was out of tune.<br />

”<br />

Now for the cheesecake.<br />

Sensing Mr. Dunlop’s growing frustration with the<br />

damaged piano, two nursing managers, Pete Amodeo a<br />

nd Sue Cercone, came up with an idea: a bake sale.<br />

He made several Italian cheesecakes, she baked so<br />

me cookies and other staff members helped out to r<br />

aise more than $100 — enough to pay for a visit by<br />

Vinny Tagliarino, a blind piano tuner.<br />

The tuner healed the piano. “And that moved me,” M<br />

r. Dunlop says, which means his white towel got a<br />

good workout that day. “The notes by themselves —<br />

they were sharp.”<br />

The crisp sounds now rising from the cafeteria’s c<br />

orner, that haunting take on “The Man I Love,” wer<br />

e so distinctive that Mr. Bannon sent cellphone re


cordings to his childhood friend Allen Farmelo, no<br />

w a music producer in New York. His question: Is t<br />

his any good?<br />

What Mr. Farmelo heard were snippets from the ongo<br />

ing composition of a black man who was born poor i<br />

n Winston-Salem and raised poor on Buffalo’s East<br />

Side. Whose mother cleaned houses and whose father<br />

is mostly clean from memory. Whose younger brothe<br />

r, Frankie, would become a world-famous jazz drumm<br />

er whose work is featured in more than 100 recordi<br />

ngs.<br />

Young Boyd found his own calling in a discarded pi<br />

ano in a neighbor’s backyard (“I got to play you!”<br />

he remembers thinking). He learned his chords fro<br />

m a Czerny guide and took five lessons from a loca<br />

l teacher. By 15 he was playing in church and in a<br />

downtown nightclub, where crowds came to listen a<br />

nd prostitutes chipped in to buy him a new suit.<br />

He was cocky, but then the great, lightning-fast A<br />

rt Tatum stopped at the house while passing throug<br />

h Buffalo to hear the kid, drink some beer, and pl<br />

ay a little. “So many keys being sounded off at on<br />

e time,” Mr. Dunlop recalls, awed still, partly be<br />

cause Tatum could play with a beer bottle in one h<br />

and.<br />

Mr. Dunlop played in the Army, he played in long-g<br />

one Buffalo nightclubs, he played after his shift<br />

at Bethlehem Steel, the soot coming off his hands<br />

to stain the ivory. Then, after a gut-check moment<br />

— “What am I doing here?” — he decided to play fu<br />

ll-time, traveling to New York, Chicago, Los Angel<br />

es.<br />

“Mr. Boyd, you have to get your insulin,” interrup<br />

ts a young nurse, Portia Pratt, who jokes that she<br />

loves to hear him play because it means he’s stil<br />

l alive.


“There’s my girlfriend,” Mr. Dunlop shouts. “Stick<br />

it in!”<br />

Seattle, with Big Jay McNeely. Green Bay, Wis., wh<br />

ere he won a $500 bet with a customer who said he<br />

couldn’t play 50 songs the customer named. Above a<br />

nd below the Mason-Dixon line, where he didn’t tak<br />

e kindly to being called the n-word. Outside Jones<br />

ville, N.C., where Adelaide worked as a waitress:<br />

“The way she walked, the way she moved. She glided<br />

! ‘Oh God, can I glide with you?’ ”<br />

All this was in the music Mr. Farmelo heard. The d<br />

aughters. The broken marriage. The gunshot wound i<br />

nflicted by a nephew. Church. Diabetes. Old age. “<br />

Come Back to Sorrento.”<br />

“I was pretty blown away,” Mr. Farmelo says.<br />

So, in late February, Mr. Bannon and Mr. Farmelo r<br />

ented a recording studio and hired two first-rate<br />

musicians: the drummer Virgil Day and the bassist<br />

Sabu Adeyola, who knew Mr. Dunlop from the still-o<br />

pen Colored Musicians Club in downtown Buffalo. Wh<br />

en Mr. Dunlop arrived for the session, he didn’t e<br />

ven take off his coat. He went right to the Steinw<br />

ay, and started to play a riff that would become p<br />

art of the CD, called “Boyd’s Blues.”<br />

“What I remember is how happy he was,” Mr. Adeyola<br />

says. “How extremely happy he was.”<br />

At the nursing home the other day, the remains of<br />

another chicken lunch were scraped from plastic pl<br />

ates, and another round of bingo was played. But n<br />

ot for Boyd Lee Dunlop.<br />

He put on a black winter coat over the shirt and s<br />

weatpants he’s been wearing for days, walked past<br />

an honor guard of wheelchairs, and headed for the<br />

door. He had to get to rehearsal, for that gig he’<br />

s got Saturday night.


~~~~~~~~~~<br />

<strong>NYT</strong>-1209: EDITORIALS<br />

As Russians protest their fraudulent elections, th<br />

e prime minister wants to blame the United States<br />

instead of acknowledging voters' dissatisfaction.<br />

===== notyet<br />

Twenty years after the fall of communism, Prime Mi<br />

nister Vladimir Putin of Russia seems determined t<br />

o resurrect the Soviet playbook. His United Russia<br />

Party tried to steal a parliamentary election on<br />

Sunday, and, when the results still delivered a st<br />

inging rebuke, he claimed the United States was wh<br />

ipping up protests and demonstrations.<br />

Mr. Putin could have acknowledged voters’ dissatis<br />

faction — his party’s parliamentary majority plumm<br />

eted from 315 to 238 seats — and tried to address<br />

it, like democratic leaders might do. Instead, on<br />

Thursday, he accused Secretary of State Hillary Ro<br />

dham Clinton of instigating street protests. He wa<br />

rned that Russia must protect against “interferenc<br />

e” by foreign governments and hinted darkly at rep<br />

risals against demonstrators.<br />

The charges are bizarre. After international obser<br />

vers reported widespread fraud by Putin supporters<br />

, Mrs. Clinton expressed “serious concerns” on Mon<br />

day and Tuesday that the vote was neither free nor<br />

fair. It was ludicrous for Mr. Putin to claim tha<br />

t that was a “signal” that brought Russians to the<br />

streets three days running despite a heavy police<br />

presence and more than 1,000 detentions. The prot<br />

esters were clear what motivated them: They were o<br />

utraged by the fraud and tired of the status quo a<br />

nd Mr. Putin.<br />

It’s true that Golos, Russia’s only independent el<br />

ectoral monitoring group, receives grants from the<br />

United States and Europe. But, as a member of the<br />

Organization for Security and Cooperation in Euro


pe, Russia agreed that foreign and domestic electi<br />

on observers enhance the electoral process. The So<br />

viet Union also signed a series of agreements on h<br />

uman rights that it ignored.<br />

Mrs. Clinton and the White House did the right thi<br />

ng on Thursday by repeating their criticisms of th<br />

e vote. She also expressed support for the “rights<br />

and aspirations” of the Russian people. They will<br />

need to keep speaking out; government opponents p<br />

lan another protest for Saturday.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1209: OP-ED<br />

A United Russia? Far From It ... By VALERY PANYUSHK<br />

IN<br />

Strategies to protest what are viewed as skewed pa<br />

rliamentary elections: a cartoon pig and a vote fo<br />

r any party but Putin's.<br />

===== notyet<br />

Moscow<br />

A FEW months before this week’s parliamentary elec<br />

tions, around 10 of us gathered in a small room at<br />

the Andrei Sakharov Museum and Public Center, a p<br />

lace meant to honor freedom of thought, a place th<br />

at no one visits.<br />

Boris Nemtsov was there, a former deputy prime min<br />

ister whose opposition party was one of the many e<br />

xcluded from the elections. And so was Viktor Shen<br />

derovich, who hosted a popular satirical TV show a<br />

nd now performs only rarely in tiny clubs. There w<br />

ere entrepreneurs with no business opportunities a<br />

nd lawyers kept from the courtroom. And then there<br />

was me: a disenchanted former political reporter.<br />

During the many years of Vladimir V. Putin’s rule,<br />

we lost our jobs and so much more. So our luckles<br />

s gang had met to ponder what to do about the comi<br />

ng elections, all too aware that nothing could be<br />

done about them.


This is how parliamentary elections work in Russia<br />

: Mr. Putin’s party, United Russia, faces off agai<br />

nst collaborating parties — which would never dare<br />

to criticize him. And the real opposition parties<br />

are banned. But one cannot simply vote against ev<br />

ery party involved. Nor is there any use in boycot<br />

ting, because the election would be considered leg<br />

itimate even if no one but the prime minister and<br />

president showed up.<br />

The only solution, we decided, was irreverent prot<br />

est. And so we came up with a cartoon pig called N<br />

ah-Nah, a name that, in Russian, evokes an unprint<br />

able version of “get lost!” — an expletive for wha<br />

t we’d like to say to those in power. We made post<br />

ers and animated cartoons depicting Nah-Nah at the<br />

polls, destroying the ballot. He would check the<br />

box for every party running and draw an X across t<br />

he ballot. He would do this not in hopes of changi<br />

ng anything, but to illustrate how nauseating thes<br />

e pretend elections are. We posted them online and<br />

called on real voters to follow Nah-Nah’s lead. M<br />

ostly, we wanted to laugh and misbehave a little,<br />

even as United Russia kept its throne.<br />

At the same time, a young activist and very well-k<br />

nown blogger, Aleksei Navalny, offered a different<br />

protest strategy for the elections. He proposed v<br />

oting for any of the collaborating parties in orde<br />

r to avoid casting a vote for United Russia — for<br />

the Communists, for A Just Russia, for Yabloko.<br />

These two protests — Nah-Nah and Navalny — gained<br />

attention, and for the first time in the history o<br />

f the anti-Putin movement, there was a real debate<br />

about methods, a conversation with substance and<br />

without enmity, taking place on the Internet, in c<br />

afes, in Moscow and the suburbs.<br />

Mr. Navalny’s supporters argued that destroying th<br />

e ballot would simply split the anti-Putin vote, g


iving United Russia a bigger victory.<br />

“Nonsense!” Nah-Nah’s fans insisted. “<strong>Not</strong>hing depe<br />

nds on the vote. Our only option is protest.”<br />

The Navalny faction thought there was hope for the<br />

collaborating parties. “If they could get enough<br />

seats in Parliament, you would see how quickly the<br />

y would move away from Putin.”<br />

The Nah-Nah enthusiasts disagreed. “The moment the<br />

y get to Parliament, they will obey Putin like wel<br />

l-trained puppies.”<br />

Though no one could convince anyone else, more and<br />

more people entered the conversation, more and mo<br />

re people abandoned the apathy that is the very fo<br />

undation of the Putin government.<br />

A few days before the election, I heard a rumor th<br />

at United Russia would be satisfied with only a si<br />

mple majority, as opposed to the two-thirds majori<br />

ty it has now — the party’s main concern is that t<br />

he presidential election in March appear legitimat<br />

e, so that Mr. Putin can replace Dmitri Medvedev,<br />

his underling and the current president, and stay<br />

in power until 2024. But in the end, when the gove<br />

rnment said that United Russia received half of th<br />

e vote, most Russians knew the results were manipu<br />

lated, and suspected the party got even less.<br />

That is because voters, fueled by the debate betwe<br />

en Nah-Nah and Navalny, came to the polls armed wi<br />

th cameras. There was footage of abuses and many a<br />

ccounts of corruption: witnesses said that the hea<br />

d of the Election Commission had thrown packaged b<br />

allots into a voting bin and that pro-Putin youth<br />

voted multiple times with fraudulent IDs; impossib<br />

ly different results from incredibly similar polli<br />

ng stations have been posted online. And the gover<br />

nment-controlled television stations said nothing.


On Monday, the day after the election, there was a<br />

protest in the center of Moscow; despite the rain<br />

, thousands assembled — a sight unseen since the t<br />

ime of Perestroika. The leaders of the Nah-Nah mov<br />

ement and Mr. Navalny’s supporters stood together.<br />

The police arrested nearly 300 people. Among them<br />

was one of the authors of the Nah-Nah strategy, I<br />

lya Yashin, as well as Aleksei Navalny himself. Th<br />

ey were held by the police all night, prevented fr<br />

om meeting with their lawyers. In the morning, the<br />

y were brought to court and sentenced to 15 days f<br />

or disobeying police orders and obstructing traffi<br />

c, respectively.<br />

An even larger protest is planned for Saturday. It<br />

seems that the government has decided to turn the<br />

two into heroes.<br />

Valery Panyushkin is the author of “12 Who Don’t A<br />

gree: The Battle for Freedom in Putin’s Russia.” T<br />

his essay was translated by Yevgeniya Traps from t<br />

he Russian.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1210: <strong>THE</strong> SATURDAY PR<strong>OF</strong>ILE<br />

Rousing Russia With a Phrase ... By ELLEN BARRY<br />

Aleksei Navalny has aroused Russians angry over wh<br />

at they say were fraudulent parliamentary election<br />

s, rebranding Vladimir V. Putin's United Russia pa<br />

rty as "the party of swindlers and thieves."<br />

===== notyet<br />

MOSCOW — The man most responsible for the extraord<br />

inary burst of antigovernment activism here over t<br />

he past week will not speak at a rally planned for<br />

Saturday, or even attend it, because he is in pri<br />

son.<br />

Cut off from the Internet, Russia’s best-known blo<br />

gger will have to wait until the next morning, whe<br />

n his lawyer will take him a stack of printouts te<br />

lling him what happened — whether the protest fizz


led, exploded into violence or made history. At a<br />

final coordinating meeting for the protest on Frid<br />

ay evening, where a roomful of veteran organizers<br />

were shouting to make themselves heard, a young en<br />

vironmental activist turned toward the crowd, sudd<br />

enly grave.<br />

“I’d like to thank Aleksei Navalny,” she said. “Th<br />

anks to him, specifically because of the efforts o<br />

f this concrete person, tomorrow thousands of peop<br />

le will come out to the square. It was he who unit<br />

ed us with the idea: all against ‘the Party of Swi<br />

ndlers and Thieves,’ ” the name Mr. Navalny coined<br />

to refer to Vladimir V. Putin’s political party,<br />

United Russia.<br />

A week ago, Mr. Navalny, 35, was famous mainly wit<br />

hin the narrow context of Russia’s blogosphere. Bu<br />

t after last Sunday’s parliamentary elections, he<br />

channeled accumulated anger over reported violatio<br />

ns into street politics, calling out to “nationali<br />

sts, liberals, leftists, greens, vegetarians, Mart<br />

ians” via his Twitter feed (135,750 followers) and<br />

his blog (61,184) to protest.<br />

If Saturday’s protest is as large as its organizer<br />

s expect — the city has granted a permit for 30,00<br />

0 — Mr. Navalny will be credited for mobilizing a<br />

generation of young Russians through social media,<br />

a leap much like the one that spawned Occupy Wall<br />

Street and youth uprisings across Europe this year.<br />

The full measure of Mr. Navalny’s charisma became<br />

clear after protests on Monday night; an estimated<br />

5,000 people materialized, making it the largest<br />

anti-Kremlin demonstration in recent memory, and M<br />

r. Navalny was arrested on charges of resisting th<br />

e police and sentenced to 15 days in prison.<br />

All that night, as temperatures dipped below freez<br />

ing, Mr. Navalny’s disciples stood vigil outside t<br />

he precinct where he was being held, their eyes on


their Twitter feeds. Someone had spread a rumor t<br />

hat he was dead, and even his lawyers were unsure<br />

of his whereabouts, adding to the sense that Mr. N<br />

avalny — who has been reluctant to present himself<br />

as a political leader — was at the center of ever<br />

ything that was happening.<br />

“He is the only man who can take all the common hi<br />

psters and make them go onto the street,” said Ant<br />

on Nikolayev, 35, who spent much of Tuesday outsid<br />

e courtrooms hoping to see Mr. Navalny. “He is a f<br />

igure who could beat Putin if he was allowed.”<br />

This assertion may sound far-fetched. Mr. Putin, n<br />

ow in his 12th year as the paramount leader, has a<br />

pproval ratings of above 60 percent, according to<br />

the independent Levada Center. As recently as two<br />

weeks ago, Levada found that 60 percent of Russian<br />

s surveyed were not willing to consider any figure<br />

from the anti-Putin opposition as a presidential<br />

candidate. Only 1 percent named Mr. Navalny, whose<br />

exposure is through Twitter and his blogs, Navaln<br />

y.ru and Rospil.info.<br />

But the aftermath of last Sunday’s parliamentary e<br />

lections has shaken political assumptions, largely<br />

because the authorities seem unable to regain con<br />

trol of the public discourse. For a decade, Russia<br />

’s political agenda has been determined inside the<br />

Kremlin, where strategists selected and promulgat<br />

ed themes for public discussion, said Konstantin R<br />

emchukov, editor of the daily newspaper Nezavisima<br />

ya Gazeta.<br />

“And now, just a few days after the elections, the<br />

political agenda is being determined by other peo<br />

ple,” like the longtime opposition leader Boris Y.<br />

Nemtsov and Mr. Navalny, he said. “This is shocki<br />

ng, and totally unpredictable.”<br />

MR. NAVALNY has Nordic good looks, a caustic sense<br />

of humor and no political organization.


Five years ago, he quit the liberal party Yabloko,<br />

frustrated with the liberals’ infighting and isol<br />

ation from mainstream Russian opinion. Liberals, m<br />

eanwhile, have deep reservations about him, becaus<br />

e he espouses Russian nationalist views. He has ap<br />

peared as a speaker alongside neo-Nazis and skinhe<br />

ads, and once starred in a video that compares dar<br />

k-skinned Caucasus militants to cockroaches. While<br />

cockroaches can be killed with a slipper, he says<br />

that in the case of humans, “I recommend a pistol.”<br />

What attracts people to Mr. Navalny is not ideolog<br />

y, but the confident challenge he mounts to the sy<br />

stem. A real estate lawyer by training, he employs<br />

data — on his Web sites he documents theft at sta<br />

te-run companies — and relentless, paint-stripping<br />

contempt. “Party of Swindlers and Thieves” has ma<br />

de its way into the vernacular with breathtaking s<br />

peed and severely damaged United Russia’s politica<br />

l brand.<br />

He projects a serene confidence that events are co<br />

nverging, slowly but surely, against the Kremlin.<br />

“Revolution is unavoidable,” he told the Russian e<br />

dition of Esquire, in an interview published this<br />

month. “Simply because the majority of people unde<br />

rstand that the system is wrong. When you are in t<br />

he company of bureaucrats you hear them talking ab<br />

out who has stolen everything, why nothing works a<br />

nd how horrible everything is.”<br />

He was less definitive about the future he envisio<br />

ned for the country, saying only that he hoped it<br />

would “resemble a huge, irrational, metaphysical C<br />

anada.”<br />

Mr. Navalny had become less obscure by the end of<br />

the week. On Wednesday, the former mayor of Moscow<br />

, Yuri M. Luzhkov, said he would consider appearin<br />

g at a protest if Mr. Navalny invited him. A few h


ours later, a blindingly profane reference to Mr.<br />

Navalny was reposted from President Dmitri A. Medv<br />

edev’s Twitter account, prompting his press office<br />

to release a statement explaining that the messag<br />

e had been sent out by a member of the technical s<br />

upport staff “during a routine password change.”<br />

On Thursday, United Russia published an attack on<br />

Mr. Navalny, describing his activism as “typical d<br />

irty self-promotion,” and Secretary of State Hilla<br />

ry Rodham Clinton issued a statement about his cas<br />

e. The consulting firm Medialogia documented a sud<br />

den leap in the number of mentions of Mr. Navalny<br />

in the Russian news media, from several hundred a<br />

day to around 3,000. On Friday, people started cir<br />

culating a Web site promoting him as a candidate i<br />

n the March presidential election. Mr. Navalny, ev<br />

en skeptics admit, managed to knit together a crow<br />

d that had not previously existed.<br />

“They had never gathered anywhere together before,<br />

” wrote Grigory Tumanov, a reporter for Gazeta.ru.<br />

“They just read Twitter, and to them it was clear<br />

that in this situation you have to go somewhere,<br />

do something, unite around someone, because it was<br />

intolerable. Let this be Navalny, with all his pl<br />

uses and minuses.”<br />

BY his appeals hearing on Wednesday, Mr. Navalny l<br />

ooked tired and disgusted. His supporters had foun<br />

d amateur video showing that he had not resisted a<br />

rrest, and that the officers who testified against<br />

him were not the ones who had arrested him, but t<br />

he judge refused to review it. A photograph taken<br />

from outside the detention center showed him gripp<br />

ing the bars on his window and staring out with a<br />

fierce, fixed gaze.<br />

“There are people standing here who were not recru<br />

ited by anyone,” said Viktor Masyagin, 28, outside<br />

a courtroom earlier in the week. “No one drove us<br />

here in buses, no one paid us anything, but here


we are anyway, and we have been here for more than<br />

a day.”<br />

“That should tell you something,” he said.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1210<br />

Tracing a Mother's Vagabond Path to Murder and Suic<br />

ide in Texas ... By MANNY FERNANDEZ<br />

Denied food stamps, Rachelle Grimmer, who had live<br />

d a wandering existence in recent months, took a h<br />

ostage at gunpoint at a social services office bef<br />

ore shooting her two children and herself.<br />

===== notyet<br />

LAREDO, Tex. — Months after being denied food stam<br />

ps, Rachelle Grimmer grabbed her two children, a .<br />

38-caliber revolver and 50 rounds of ammunition an<br />

d walked into the state social services office her<br />

e on Monday to demand answers.<br />

But Ms. Grimmer’s troubles were far deeper than a<br />

lack of food stamps, and neither the police nor th<br />

e employee she held hostage could resolve them.<br />

Divorced and living a vagabond existence in Texas<br />

in recent months, Ms. Grimmer, 38, told the police<br />

she was frustrated that she had been denied benef<br />

its in other states. She said that her former husb<br />

and was affiliated with the Russian mob and the Ku<br />

Klux Klan, a situation she said led to government<br />

harassment that prevented her from receiving publ<br />

ic assistance.<br />

Her hostage, Robert Reyes, a supervisor who had of<br />

fered himself in trade for two other employees Ms.<br />

Grimmer had taken hostage, granted her the food s<br />

tamp benefits she had requested — $3,050 worth, re<br />

troactive to July, the month she had first applied<br />

. The police slipped the paperwork under the door<br />

to show Ms. Grimmer it was for real. But she refus<br />

ed to leave the small office in the Texas Health a


nd Human Services building, at times sitting in a<br />

chair with her daughter on her lap and communicati<br />

ng with the police on an office phone.<br />

About 10 minutes before midnight, about seven hour<br />

s into the standoff, she hung up on hostage negoti<br />

ators. Moments later, three shots were heard. Ms.<br />

Grimmer had shot both of her children in the head,<br />

and then herself. She died at the scene. The chil<br />

dren were taken to University Hospital in San Anto<br />

nio. Her daughter, Ramie Marie Grimmer, 12, died o<br />

n Wednesday. Her son, Timothy Donald Grimmer, 10,<br />

died a day later.<br />

Carlos R. Maldonado, Laredo’s police chief, said t<br />

hat the denial of benefits was only one of a serie<br />

s of issues that had been troubling Ms. Grimmer, b<br />

ut that investigators had more questions than answ<br />

ers about her motive. The police were not certain<br />

if she was being treated for mental health problem<br />

s and did not know why she moved several months ag<br />

o to Laredo, a border city of 236,000, where she h<br />

ad no family.<br />

“Unfortunately in these situations, there’s a lot<br />

of questions that we have and a lot of those quest<br />

ions may never be answered,” Chief Maldonado said.<br />

“I think we did everything that we possibly could<br />

to resolve the situation. We heard people say, wh<br />

y didn’t the tactical team intervene and do someth<br />

ing about the mother and save the children? There<br />

was never any inclination, any information availab<br />

le to us, that the children were in any danger at<br />

all.”<br />

But Ramie appeared to have known her life was in d<br />

anger. At one point during the standoff, using an<br />

office computer, she updated her Facebook page, wr<br />

iting “may die 2day” in the section for posting wh<br />

ere she worked. Later, she wrote, “tear gas serias<br />

ly,” though none was used by the police.


Ms. Grimmer grew up in Montana and had been living<br />

in Ohio in 2005 when she divorced her husband and<br />

the children’s father, Dale R. Grimmer. By 2010 s<br />

he had moved to Texas, and in recent months she an<br />

d her children seemed to have no permanent address.<br />

In September 2010, the family was staying in a ten<br />

t on a beach on the South Texas coast. In Laredo,<br />

they lived at a mobile home park in a small traile<br />

r with a cracked wall. Neighbors and park workers<br />

would help them with groceries and cash. Ms. Grimm<br />

er sold her truck, forcing the family to walk long<br />

distances around town.<br />

Janie Rodriguez, the manager of Towne North Mobile<br />

Home and RV Park, said that Ms. Grimmer often tol<br />

d her she was frustrated by the state’s refusal to<br />

give her benefits and that, one day weeks ago, sh<br />

e showed her a fax receipt for documents she had s<br />

ent the social services office. “I do blame the st<br />

ate,” Ms. Rodriguez said. “She was a very intellig<br />

ent person and a very wonderful person, a very goo<br />

d mother. She was not mentally ill. The state neve<br />

r came to see how she was living.”<br />

The children were not enrolled in local schools, b<br />

ut were being home-schooled. The state’s child wel<br />

fare agency, the Department of Family and Protecti<br />

ve Services, had come in contact with the family a<br />

t least twice before.<br />

After receiving a report of possible neglect, inve<br />

stigators from the agency checked on the family in<br />

September 2010, when they were living on the beac<br />

h. But the children appeared to be taken care of,<br />

and Ms. Grimmer had food and money, so the case wa<br />

s closed, a department spokesman said. In June, Ms<br />

. Grimmer told the police in Corpus Christi that s<br />

he had been a victim of domestic violence. The age<br />

ncy checked on her and the children but had no con<br />

cerns, said the spokesman, Patrick Crimmins.


Ms. Grimmer had first applied for food stamps at t<br />

he Laredo social services office on July 7. She di<br />

d not meet the criteria to receive benefits within<br />

24 hours because she was receiving child support.<br />

But an employee scheduled a time with Ms. Grimmer<br />

for someone to call her the next day to review he<br />

r case, a spokeswoman for the Texas Health and Hum<br />

an Services Commission said. A caseworker called t<br />

wice but was unable to reach her, the spokeswoman<br />

said.<br />

A letter was sent to Ms. Grimmer asking her to res<br />

chedule, and the appointment was set for July 22.<br />

On that day, a caseworker interviewed Ms. Grimmer<br />

by phone and explained what information was needed<br />

, said the spokeswoman, Stephanie Goodman. Though<br />

Ms. Grimmer turned in some of the paperwork, she d<br />

id not supply materials verifying the amount of ch<br />

ild support she had been receiving monthly, Ms. Go<br />

odman said.<br />

On Aug. 8, the case was closed, and Ms. Grimmer wa<br />

s sent a letter informing her that she had been de<br />

nied food stamp benefits because of the missing in<br />

formation, Ms. Goodman said.<br />

In Texas, benefits applications are approved more<br />

often than they are denied: in the past six months<br />

, 85 percent of cases statewide were approved, and<br />

the median number of days to process an applicati<br />

on was 12, the agency said.<br />

In mid-November, Ms. Grimmer called the agency’s o<br />

mbudsman office, saying that she disagreed with th<br />

e reason she was denied benefits. A supervisor cal<br />

led her on Dec. 1 but could not reach her. No one<br />

in the Laredo office heard from her until she walk<br />

ed in on Monday.<br />

The agency is reviewing its handling of Ms. Grimme<br />

r’s case. “I think we did everything we could,” sa<br />

id Thomas M. Suehs, the commissioner of health and


human services. “It’s a tragic situation.”<br />

Outside the Grimmers’ trailer on Thursday, neighbo<br />

rs gathered to pray for the family. Standing next<br />

to a memorial of balloons and teddy bears, one mot<br />

her spoke of the sunflower bookmark Ms. Grimmer ha<br />

d drawn for her. Santiago Morantes Jr., 16, recall<br />

ed seeing Ms. Grimmer, Ramie and Tim walking to th<br />

e post office one morning. He remembered it becaus<br />

e he noticed all three of them were barefoot.<br />

~~~~~~~~~~<br />

<strong>NYT</strong>-1210: VENTURES<br />

Everyone Speaks Text Message ... By TINA ROSENBERG<br />

Is technology killing indigenous languages or savi<br />

ng them? Well, you may soon be able to text in N'K<br />

o.<br />

===== notyet (long)<br />

When Ibrahima Traore takes his sons to a park in M<br />

ontclair, N.J., he often sits on a bench and reads<br />

. He reads English, French and Arabic, but most of<br />

the time he reads N’Ko, a language few speakers o<br />

f those languages would recognize. N’Ko is the sta<br />

ndardized writing system for Mande languages, a fa<br />

mily of closely related tongues — among them Traor<br />

e’s language of Mandinka, but also Jula, Bamana, K<br />

oyaga, Marka — spoken, for the most part, in eight<br />

West African countries, by some 35 million people<br />

. N’Ko looks like a cross between Arabic and ancie<br />

nt Norse runes, written from right to left in a bl<br />

ocky script with the letters connected underneath.<br />

Traore types e-mail to his family on his laptop i<br />

n N’Ko, works on his Web site in N’Ko, tweets in N<br />

’Ko on his iPhone and iPad and reads books and new<br />

spapers written in N’Ko to prepare for the N’Ko cl<br />

asses he teaches in the Bronx and for his appearan<br />

ces on an Internet radio program to discuss cultur<br />

al issues around the use of N’Ko.<br />

For years, the Web’s lingua franca was English. Sp<br />

eakers of French, Hindi and Urdu, Arabic, Chinese


and Russian chafed at the advantage the Internet g<br />

ave not only American pop culture but also its lan<br />

guage. For those who lived at the intersection of<br />

modern technology and traditional cultures, the pr<br />

oblem was even worse. “For a long time, technology<br />

was the enemy,” says Inee Slaughter, executive di<br />

rector of the New Mexico-based Indigenous Language<br />

Institute, which teaches Native Americans and oth<br />

er indigenous peoples how to use digital technolog<br />

ies to keep their languages vital. Heritage langua<br />

ges were being killed off by increasing urbanizati<br />

on, the spread of formal education and the shift t<br />

o cash crops, which ended the isolation of indigen<br />

ous communities. Advances in technology seemed to<br />

intensify the decline. “Even in 1999 or 2000, peop<br />

le were saying technology killed their language,”<br />

Slaughter says. “Community elders worried about it<br />

. As television came into homes, English became pe<br />

rvasive 24/7. Mainstream culture infiltrated, and<br />

young kids want to be like that. It was a huge, hu<br />

ge problem, and it’s still there. But now we know<br />

ways technology can be helpful.”<br />

For many tiny, endangered languages, digital techno<br />

logy has become a lifeline.<br />

When Traore was born, N’Ko had already been in use<br />

for several years. But growing up, he did not kno<br />

w it existed. At 6, he was sent from his village o<br />

f Kiniebakoro in rural Guinea to live with a broth<br />

er in Ivory Coast, where he learned to read and wr<br />

ite in French, the language taught in school in bo<br />

th countries. He never saw a book, newspaper, medi<br />

cine label, store name or street sign in N’Ko.<br />

And yet, N’Ko was invented to allow Mande speakers<br />

like Traore to read and write in the languages th<br />

ey spoke at home. In 1943, Solomana Kante, a teach<br />

er’s son who worked as a merchant in Ivory Coast,<br />

resolved to develop a written form for the Mande l<br />

anguage family. (N’Ko means “I say” in Manden lang<br />

uages; speakers of Manden languages can typically


understand one another even if they don’t use all<br />

the same words for the same things.) He tried usin<br />

g the Arabic alphabet, then the Roman alphabet, bu<br />

t found that neither one could express the tonal v<br />

ariations of spoken Manden languages. So in 1949,<br />

he invented his own script — one flexible enough t<br />

o capture any Manden language in writing. Among th<br />

e first books he translated into N’Ko was the Kora<br />

n. He later compiled a history of Manden languages<br />

and culture.<br />

At the time, Guinea had a close relationship with<br />

the Soviet Union, and Kante managed to have two ty<br />

pewriters made in Eastern Europe with N’Ko letters<br />

. (He was given another one by the president of Gu<br />

inea, according to a Guinean newspaper.) “If there<br />

was a typewriter, ink and ribbons were hard to fi<br />

nd,” says Baba Mamadi Diane, a student of Kante’s<br />

who now teaches N’Ko at Cairo University. Almost a<br />

ll of the books and papers in N’Ko in Guinea were<br />

copied by hand by Kante’s students, like medieval<br />

monks, but with several sheets of carbon paper below.<br />

Designed as a language for the common man, N’Ko se<br />

emed destined to remain a code used by an elite. T<br />

hen came the digital revolution.<br />

Heritage languages like N’Ko are taking on new lif<br />

e thanks to technology. An Internet discussion gro<br />

up, Indigenous Languages and Technology, is full o<br />

f announcements for new software to build sound di<br />

ctionaries and a project to collect tweets in Tok<br />

Pisin, a creole language spoken throughout Papua N<br />

ew Guinea, or Pipil, an indigenous language of El<br />

Salvador. “It’s the amplification of Grandma’s voi<br />

ce,” Slaughter says.<br />

Whether a language lives or dies, says K. David Ha<br />

rrison, an associate professor of linguistics at S<br />

warthmore College, is a choice made by 6-year-olds<br />

. And what makes a 6-year-old want to learn a lang<br />

uage is being able to use it in everyday life. “La


nguage is driven from the ground up,” says Don Tho<br />

rnton, a software developer in Las Vegas who speci<br />

alizes in making video games and mobile apps in Na<br />

tive American languages. “It doesn’t matter if you<br />

have a million speakers — if your kids aren’t lea<br />

rning, you’re in big trouble.”<br />

Of 6,909 catalogued languages, hundreds are unlike<br />

ly to be passed on to the next generation. Thornto<br />

n, who has worked with more than 100 Native Americ<br />

an tribes, says that some are already using sophis<br />

ticated programs to preserve their languages. “Oth<br />

er groups,” he says, “we ask about their language<br />

program, and they say, ‘You’re it.’ We look at it<br />

from their standpoint — what are the coolest techn<br />

ologies out there? We start programming for that.”<br />

For the vast majority of the world, the cellphone,<br />

not the Internet, is the coolest available techno<br />

logy. And they are using those phones to text rath<br />

er than to talk. Though most of the world’s langua<br />

ges have no written form, people are beginning to<br />

transliterate their mother tongues into the alphab<br />

et of a national language. Now they can text in th<br />

e language they grew up speaking. Harrison tells o<br />

f traveling in Siberia, where he met a truck drive<br />

r who devised his own system for writing the endan<br />

gered Chulym language, using the Cyrillic alphabet<br />

. “You find people like him everywhere,” Harrison<br />

said. “We are getting languages where the first wr<br />

iting is not the translation of the Bible — as it<br />

has often happened — but text messages.”<br />

Traore, who left Guinea for New York in November 1<br />

988, did not discover N’Ko until a 2007 trip to vi<br />

sit his parents in his native village. When his wi<br />

fe, Greta, a software developer, went into his bro<br />

ther’s room, she noticed books in N’Ko on his shel<br />

ves. Puzzled, she called her husband in. “You said<br />

your language was not written. So what are these<br />

books?” Traore was shocked. (He and Traore did not<br />

grow up together.) When he came back to New York,


he googled N’Ko. “That was the big wow,” he said.<br />

He found a teacher in Queens. “When I listened to<br />

the alphabet, I listened to our history. Now I ca<br />

n read the same words my mother would say to me.”<br />

N’Ko first moved from hand-copied manuscripts into<br />

the digital age two decades ago. In the early 199<br />

0s, Diane, the teacher of N’Ko at Cairo University<br />

, was collating an N’Ko text in a copy shop when h<br />

e was approached by an employee. “Why are you kill<br />

ing yourself?” the man asked him. “Don’t you know<br />

about DOS?” The employee explained to Diane that u<br />

sing computer software, he could write a new scrip<br />

t and generate as many copies as he wished. Togeth<br />

er with information-technology experts at Cairo Un<br />

iversity, Diane developed a rudimentary font to us<br />

e on his own computer. But creating a font that an<br />

yone could use was a much more complicated task.<br />

First, it meant getting N’Ko into Unicode — the in<br />

ternational standard that assigns a unique number<br />

to each character in a given writing system. Then<br />

Microsoft picked up N’Ko for its local language pr<br />

ogram — sort of. N’Ko was included in Windows 7, b<br />

ut the ligatures were misaligned, and the letters<br />

were not linked from below as they should have bee<br />

n. “The original plan was to fully support it, but<br />

we just didn’t have the resources,” said Peter Co<br />

nstable, a senior program manager at Microsoft. Fo<br />

r Windows 8, which is still being tested, Microsof<br />

t has fixed the problem. Most writers of N’Ko down<br />

load the font for use with Open Office’s Graphite<br />

program, developed by SIL International, a Christi<br />

an group with an interest in seeing the Bible reac<br />

h every hut and yurt on the planet.<br />

Digital technology has already transformed how Tra<br />

ore communicates with his family. When his father<br />

died in 1994, his family in Kiniebakoro sent news<br />

of the death to cousins in Ivory Coast by going to<br />

the bus station and looking for a passenger headi<br />

ng toward their city; the cousins then mailed a le


tter to Traore in New York. It took two months. No<br />

w communication with Kiniebakoro takes a day: Trao<br />

re sends an e-mail in N’Ko. His nephew, who works<br />

in the nearby town of Siguiri, checks his e-mail a<br />

t the town’s Internet cafe, prints Traore’s letter<br />

and then goes down to the dock where canoes ferry<br />

people across the Niger River to Kiniebakoro. He<br />

asks someone on the boat to take the letter to Tra<br />

ore’s family’s house.<br />

For Traore and others, the most pressing reason fo<br />

r making N’Ko available to Mande speakers is that<br />

only a small percentage of Guineans can read and w<br />

rite. The United Nations puts the rate of adult li<br />

teracy at 39 percent, but that figure counts mostl<br />

y those who live in major cities — in rural areas,<br />

it is much lower. Schooling in rural Guinea is of<br />

ten conducted in the open air, with no chairs, per<br />

haps a blackboard, maybe one book. But most discou<br />

raging to students, it takes place in French, a la<br />

nguage they don’t speak at home.<br />

“The only hope for literacy in Guinea is N’Ko lite<br />

racy,” Traore says. For Mande speakers, he says, N<br />

’Ko is extremely simple to learn. He and his fello<br />

w N’Ko advocates have sponsored hundreds of inform<br />

al schools throughout Guinea that teach in Manden<br />

languages and N’Ko. This year, for the first time,<br />

N’Ko will be taught side by side with French in a<br />

n official school — the pilot program will be in K<br />

iniebakoro, Traore’s hometown.<br />

People had been working on breathing life into N’K<br />

o for years, but they found out about one another<br />

only when they began to put up N’Ko Web sites. The<br />

re is Traore’s site, kouroussaba.com, Diane’s kanj<br />

amadi.com and fakoli.net, the project of Mamady Do<br />

umbouya, a Guinean who worked as a software engine<br />

er in Philadelphia and is devoting his retirement<br />

to N’Ko. He also runs a small organization called<br />

the N’Ko Institute of America. Diane’s students in<br />

Cairo are subtitling DVDs for West Africa in N’Ko


. Among the first was a season of the TV show “24.”<br />

If you have an iPhone, tweeting and e-mailing in N<br />

’Ko is now easy. Eatoni, a company based in Manhat<br />

tan that has created software for cellphone keyboa<br />

rds in some 300 languages, released an N’Ko app ea<br />

rlier this year. The iPhone keyboard app works on<br />

the iPad too. Eatoni’s C.E.O., Howard Gutowitz, de<br />

veloped it after months of tests and advice from T<br />

raore, Diane and other N’Ko users. But iPhones are<br />

too expensive to be widely used in rural Africa.<br />

Almost every African villager owns or aspires to o<br />

wn a conventional cellphone (equipped with only a<br />

number pad) — even if he or she has to travel to t<br />

own to charge it.<br />

Africa is the world’s fastest-growing cellphone ma<br />

rket. Texting allows farmers to check crop prices.<br />

Nurses can send health information. People can do<br />

their banking. With airtime prohibitively expensi<br />

ve, texting is the preferred mode of communication<br />

. “Text messages would be a lifesaving tool for us<br />

in Guinea,” Traore said. He also says he believes<br />

that the ability to text in their own language wo<br />

uld give people a powerful reason to learn to read<br />

. “Before, men in my village used to brag about th<br />

eir wristwatches,” Traore said. “Now they brag abo<br />

ut their cellphones.” When he shows N’Ko speakers<br />

his iPhone and tells them, “This is your language,<br />

” they are dumbstruck. An N’Ko newspaper published<br />

in Conakry, Guinea’s capital, recently crowed: “D<br />

on’t look for N’Ko under a cabbage leaf any more.<br />

It’s on the iPhone now.”<br />

Those old cellphones don’t have apps, of course. Y<br />

ou use the language the phone comes with; in West<br />

Africa, that is French. The market for an N’Ko pho<br />

ne would be, potentially, tens of millions of peop<br />

le. But getting manufacturers to add new alphabets<br />

to cellphones isn’t easy. Gutowitz has had a long<br />

and frustrating experience trying to do so. “Most<br />

manufacturers roll their eyes,” he said. “I spent


a decade running around the world talking to cell<br />

phone manufacturers — everyone I could think of —<br />

saying, ‘Look, we can support 100 languages, it’s<br />

a big market.’ They didn’t care. People say, ‘Why<br />

don’t you go talk to Nokia?’ I have talked to Noki<br />

a. Again and again and again.”<br />

Lamine Dabo and Nouhan Sano, Guineans who live in<br />

Bangkok, where there is a prosperous and close-kni<br />

t Guinean community, have had a similar experience<br />

. They have been trying to persuade manufacturers<br />

to develop an N’Ko cellphone since 2007. Dabo and<br />

Sano’s gem-importing businesses take them all over<br />

Asia, and all over Asia they bring their list of<br />

more than 17,000 N’Ko words. Dabo says it’s possib<br />

le to build a cheap cellphone with N’Ko as its lan<br />

guage, a camera and slots for two SIM cards — a ne<br />

cessity in Africa, where reception is often spotty<br />

. When he went to Guinea and Mali to discuss the p<br />

hone with distributors, he said, he was mobbed wit<br />

h interest. But his briefcase was filled with reje<br />

ctions from manufacturers. Some asked him to put u<br />

p the money himself. “Everyone says it’s possible,<br />

but the money is not enough for them to make it a<br />

priority,” he said.<br />

Dabo and Sano are still trying. It might seem stra<br />

nge that the fortunes of N’Ko and of indigenous la<br />

nguages around the world should depend on the abil<br />

ity to subtitle “24,” to write with Windows and, a<br />

bove all, to text. But for hundreds of heritage la<br />

nguages, a four-inch bar of plastic and battery an<br />

d motherboard is the future of the past.<br />

~~~~~~~~~~

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