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No. 237 Maritime Archaeology in the People's Republic of China ...

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Figure 79. The fore mast step at <strong>the</strong> time <strong>of</strong> excavation.<br />

Figure 80. The ma<strong>in</strong> mast step at time <strong>of</strong> excavation, note longitud<strong>in</strong>al<br />

braces.<br />

<strong>of</strong> this ancient and fairly massive hull.) The l<strong>in</strong>es have been<br />

redrawn with <strong>the</strong> misalignment corrected and some fair<strong>in</strong>g <strong>of</strong><br />

o<strong>the</strong>r irregularities.<br />

The keel<br />

The keel is constructed <strong>in</strong> three parts, <strong>the</strong> forward and aft<br />

portions are made <strong>of</strong> p<strong>in</strong>e, <strong>the</strong> central portion is made <strong>of</strong><br />

camphor wood. The forward and aft keel portions are scarfed<br />

to <strong>the</strong> central portion. The central keel portion is 12.57 m long<br />

by 420 mm wide and 270 mm deep. The aft portion slopes<br />

upwards 27˚ and <strong>the</strong> garboard strake runs parallel to this aft<br />

extension <strong>of</strong> <strong>the</strong> keel all <strong>the</strong> way aft to <strong>the</strong> transom. In <strong>the</strong> bow,<br />

<strong>the</strong> extension <strong>of</strong> <strong>the</strong> keel slopes upwards 35˚. The forward<br />

extension, 4.5 m long could be regarded as a strongly raked<br />

stem s<strong>in</strong>ce <strong>the</strong> lower plank<strong>in</strong>g does not run parallel to it, but<br />

term<strong>in</strong>ates <strong>in</strong> <strong>the</strong> rabbet. There is reason to suspect that <strong>the</strong><br />

extension was surmounted by a transom, so it is described<br />

here as a forward keel extension (if <strong>the</strong>re was a transom, <strong>the</strong>n<br />

whe<strong>the</strong>r it is correct to call this part a forward keel extension<br />

<strong>in</strong>stead <strong>of</strong> a stem is unclear and not readily answered by look<strong>in</strong>g<br />

at traditional Western usage).<br />

The mast steps<br />

The scarf jo<strong>in</strong>ts and good-luck baosongkong<br />

The forward and aft portions <strong>of</strong> <strong>the</strong> keel were scarfed to <strong>the</strong><br />

central portion with a complex jo<strong>in</strong>t 340 mm long. In <strong>the</strong><br />

vertical upper face <strong>of</strong> <strong>the</strong> forward scarf, seven iron co<strong>in</strong>s<br />

with traces <strong>of</strong> leaf decoration were found recessed <strong>in</strong>to holes<br />

(25 mm diameter and 28 mm deep). In <strong>the</strong> lower forward<br />

face, recessed <strong>in</strong> a hole (110 mm diameter and 20 mm deep)<br />

a copper alloy mirror was found (102 mm diameter, 17 mm<br />

thick and weigh<strong>in</strong>g 79 grams). In <strong>the</strong> aft scarf <strong>the</strong>re were 13<br />

copper co<strong>in</strong>s and a copper mirror (100 mm diameter 17 mm<br />

thick and weigh<strong>in</strong>g 31.5 grams). The co<strong>in</strong>s are known as<br />

Baosongkong or symbols for good-luck or longevity. In <strong>the</strong><br />

forward scarf <strong>the</strong>y were set <strong>in</strong> such a way as to represent <strong>the</strong><br />

constellation <strong>of</strong> Ursa Major, <strong>the</strong> mirror is thought to represent<br />

<strong>the</strong> Moon. It is not known what <strong>the</strong> 13 stars <strong>in</strong> <strong>the</strong> stern section<br />

represent. It was reported that <strong>the</strong> square holes <strong>in</strong> <strong>the</strong> centre<br />

<strong>of</strong> all <strong>of</strong> <strong>the</strong> co<strong>in</strong>s was fill with an unidentified substance.<br />

36<br />

This could possibly be <strong>the</strong> rema<strong>in</strong>s <strong>of</strong> iron nails used to hold<br />

<strong>the</strong> co<strong>in</strong>s <strong>in</strong> place or ano<strong>the</strong>r substance, perhaps related to<br />

an unknown symbolic function (for example, <strong>in</strong> Indonesia<br />

rice or o<strong>the</strong>r food stuff is <strong>of</strong>ten put <strong>in</strong> <strong>the</strong> keel scarf to ensure<br />

prosperity). The symbols have Daoist significance, br<strong>in</strong>g<strong>in</strong>g<br />

ei<strong>the</strong>r good luck and fair w<strong>in</strong>ds, or represent<strong>in</strong>g <strong>the</strong> Seven Star<br />

Ocean where <strong>the</strong>re are many dangerous rocks, <strong>the</strong> mirror is<br />

<strong>the</strong>re to reflect light and ensure a safe journey. This tradition<br />

is apparently cont<strong>in</strong>ued today <strong>in</strong> traditional shipbuild<strong>in</strong>g, <strong>the</strong><br />

stars represented by nails and <strong>the</strong> Moon by a silver co<strong>in</strong>. The<br />

scarf jo<strong>in</strong>t is shown <strong>in</strong> figure ?.<br />

There are knees re<strong>in</strong>forc<strong>in</strong>g <strong>the</strong> short scarf jo<strong>in</strong>s <strong>of</strong> <strong>the</strong><br />

extensions to <strong>the</strong> keel. These knees are fairly light, sawn from<br />

small pieces <strong>of</strong> timber and left half-round <strong>in</strong> section. They are<br />

fastened to <strong>the</strong> keel with a few nails which are driven through<br />

<strong>of</strong>f-centre. They would appear to have been used to position<br />

<strong>the</strong> keel extensions dur<strong>in</strong>g assembly ra<strong>the</strong>r than as an important<br />

part <strong>of</strong> <strong>the</strong> ship’s ma<strong>in</strong> longitud<strong>in</strong>al structure.<br />

Plank Structure<br />

The hull is double planked up to <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> <strong>the</strong> turn <strong>of</strong><br />

<strong>the</strong> bilge, where it becomes triple planked. The plank<strong>in</strong>g is<br />

made <strong>of</strong> cedar, constructed <strong>in</strong> a complex manner, <strong>in</strong> a mixture<br />

<strong>of</strong> carvel and cl<strong>in</strong>ker design. In order to describe this structure<br />

adequately, some liberties have been taken with conventional<br />

Western shipbuild<strong>in</strong>g terms. The terms that have been used<br />

relat<strong>in</strong>g to <strong>the</strong> hull are def<strong>in</strong>ed here purely for <strong>the</strong> sake <strong>of</strong><br />

convenience.<br />

Inner or <strong>in</strong>side refers to <strong>the</strong> surface or side fac<strong>in</strong>g <strong>the</strong> <strong>in</strong>terior<br />

<strong>of</strong> <strong>the</strong> hull; conversely, outer or outside refers to <strong>the</strong> side fac<strong>in</strong>g<br />

<strong>the</strong> water. Upper refers to <strong>the</strong> part (edge or strake) away from<br />

<strong>the</strong> keel, lower refers to <strong>the</strong> part towards <strong>the</strong> keel.<br />

Carvel seam: (as <strong>in</strong> <strong>the</strong> conventional def<strong>in</strong>ition), <strong>the</strong> edge-toedge<br />

seam between two adjacent strakes is a flat seam made at<br />

right angles to <strong>the</strong> surface <strong>of</strong> <strong>the</strong> strakes, and produc<strong>in</strong>g a smooth<br />

(carvel) surface on <strong>the</strong> <strong>in</strong>side and outside <strong>of</strong> <strong>the</strong> hull.<br />

Rabbeted carvel seam: (unconventional def<strong>in</strong>ition), <strong>the</strong><br />

edge-jo<strong>in</strong>t between two adjacent strakes is rabbeted along <strong>the</strong><br />

whole <strong>of</strong> <strong>the</strong> seam by a type <strong>of</strong> step-jo<strong>in</strong>t.<br />

Cl<strong>in</strong>ker seam: (as <strong>in</strong> <strong>the</strong> conventional def<strong>in</strong>ition), <strong>the</strong> strakes<br />

overlap one ano<strong>the</strong>r, so that (<strong>in</strong> this case) <strong>the</strong> upper strake

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