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No. 237 Maritime Archaeology in the People's Republic of China ...

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Figure 18. Two medium sized Mongol vessels under attack, from <strong>the</strong> Moko Shurai Ekotoba .<br />

Figure 19. A fragment from <strong>the</strong> Moko Shurai Ekotoba show<strong>in</strong>g<br />

medium sized Mongol vessel.<br />

hang<strong>in</strong>g counter. The plank<strong>in</strong>g is uniform with no ch<strong>in</strong>e<br />

(Fig. 10 right).<br />

The vessels all show very clearly <strong>the</strong> nail pattern on <strong>the</strong><br />

lower part <strong>of</strong> each strake, except where <strong>the</strong> vessel has a flat<br />

bottom (type 2) where <strong>the</strong> nail<strong>in</strong>g is on both sides <strong>of</strong> <strong>the</strong> strake.<br />

It is uncerta<strong>in</strong> if <strong>the</strong> vessels are cl<strong>in</strong>ker- or carvel-built, but at<br />

<strong>the</strong> transom <strong>the</strong>re is no evidence <strong>of</strong> cl<strong>in</strong>ker, suggest<strong>in</strong>g carvel<br />

construction with skew nails. The masts which are used to<br />

attach <strong>the</strong> track<strong>in</strong>g l<strong>in</strong>es are bipod. While <strong>the</strong>se vessels are<br />

obviously river-craft, <strong>the</strong>ir construction is <strong>of</strong> great <strong>in</strong>terest<br />

because <strong>of</strong> <strong>the</strong> detail <strong>of</strong> <strong>the</strong> illustration.<br />

The Moko Shurai Ekotoba or Illustrations and Narrative<br />

<strong>of</strong> <strong>the</strong> Mongol Invasion <strong>of</strong> Japan, produced <strong>in</strong> 1292 and<br />

preserved <strong>in</strong> <strong>the</strong> Imperial Household Museum illustrates <strong>the</strong><br />

Second Mongolian <strong>in</strong>vasion <strong>of</strong> Japan <strong>in</strong> 1281 (<strong>the</strong> first was <strong>in</strong><br />

1274) (Figs 16–20). The scroll illustrates <strong>the</strong> adventures <strong>of</strong> <strong>the</strong><br />

nobleman Takezaki Suenaga and it has been suggested that he<br />

was responsible for illustrat<strong>in</strong>g part <strong>of</strong> <strong>the</strong> scroll. The central<br />

part <strong>of</strong> <strong>the</strong> maritime scenes from <strong>the</strong> scroll show two large<br />

Ch<strong>in</strong>ese or Mongolian vessels retreat<strong>in</strong>g to <strong>the</strong> left. From <strong>the</strong><br />

right (<strong>in</strong> <strong>the</strong> direction <strong>of</strong> read<strong>in</strong>g and chronology) come <strong>the</strong><br />

Japanese <strong>in</strong> small vessels to attack <strong>the</strong> Ch<strong>in</strong>ese fleet (Fig. 16).<br />

At <strong>the</strong> left come some vessels to counter this attack and some<br />

<strong>in</strong> retreat. The scroll has been damaged and possibly repaired,<br />

but it is lively, and suggests an active engagement between a<br />

small lightly armed Japanese force aga<strong>in</strong>st a larger and more<br />

unwieldy Ch<strong>in</strong>ese force. The two large Ch<strong>in</strong>ese vessels have<br />

several <strong>in</strong>terest<strong>in</strong>g features. Because <strong>of</strong> <strong>the</strong> complexity <strong>of</strong><br />

<strong>the</strong>se illustrations and <strong>the</strong>ir significance, <strong>the</strong>ir features are<br />

11

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