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No. 237 Maritime Archaeology in the People's Republic of China ...

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Figure 16. The Moko Shurai Ekotoba or Illustrations and Narrative <strong>of</strong> <strong>the</strong> Mongol Invasion <strong>of</strong> Japan, produced <strong>in</strong> 1292 show<strong>in</strong>g a Mongol<br />

vessel under attack by a small Japanese vessel.<br />

Figure 17. Large Mongol vessel (foreground) retreat<strong>in</strong>g two Mongol vessles advanc<strong>in</strong>g, from <strong>the</strong> Moko Shurai Ekotoba .<br />

head <strong>of</strong> one person shows just above <strong>the</strong> gunnel at <strong>the</strong> l<strong>in</strong>e<br />

<strong>of</strong> <strong>the</strong> stern post and is presumably <strong>the</strong> helmsman. The stem<br />

post is slightly concave and thicker at <strong>the</strong> top. There seem to<br />

be eight strakes, <strong>the</strong> stern top three strakes extend to form a<br />

counter over <strong>the</strong> sternpost. The sternpost is much narrower<br />

than <strong>the</strong> stem extend<strong>in</strong>g from <strong>the</strong> counter down two strakes<br />

where it comb<strong>in</strong>es <strong>in</strong>to an extended rudder which projects<br />

below <strong>the</strong> keel. The carv<strong>in</strong>g is unclear and some writers have<br />

suggested that it represents a quarter rudder ra<strong>the</strong>r than an<br />

axial rudder but this is unconv<strong>in</strong>c<strong>in</strong>g. Possibly <strong>the</strong> confusion<br />

is <strong>the</strong> result <strong>of</strong> <strong>the</strong> stone mason unfamiliarity with ships below<br />

<strong>the</strong> waterl<strong>in</strong>e.<br />

Large river vessels <strong>of</strong> <strong>the</strong> Song Dynasty are illustrated <strong>in</strong><br />

<strong>the</strong> famous scroll by Zhang Zeduan entitled Q<strong>in</strong>g M<strong>in</strong>g Shang<br />

Ho Tu (Go<strong>in</strong>g up <strong>the</strong> river <strong>the</strong> capital (Kaifeng) at <strong>the</strong> Spr<strong>in</strong>g<br />

Festival) and pa<strong>in</strong>ted with meticulous care sometime around<br />

1126 (Figs 10–15). It shows three separate groups <strong>of</strong> vessels,<br />

<strong>the</strong> down-stream group has six vessels, <strong>the</strong> middle group<br />

shows a large vessel, bows-on, negotiat<strong>in</strong>g, with difficulty,<br />

<strong>the</strong> passage under a bridge and <strong>the</strong> upstream group shows two<br />

vessels tied up to <strong>the</strong> river bank. The largest vessel is about 15<br />

metres long. The vessels all have no noticeable sternpost and<br />

<strong>the</strong> axial, semi-balanced rudders appear to be fixed on a h<strong>in</strong>ge<br />

system on <strong>the</strong> transom with cha<strong>in</strong>s so that <strong>the</strong>y can be raised<br />

and lowered. There are three different types <strong>of</strong> vessels:<br />

1. Vessels with <strong>the</strong> hull plank<strong>in</strong>g sweep<strong>in</strong>g up, <strong>in</strong> a uniform<br />

manner, to a small, high, vertical transom, rem<strong>in</strong>iscent <strong>of</strong><br />

<strong>the</strong> Dutch fluits <strong>of</strong> <strong>the</strong> early 17th century (Fig. 10 left).<br />

2. Vessels with a small counter overhang<strong>in</strong>g a small low<br />

transom and with a noticeable ch<strong>in</strong>e <strong>in</strong>dicat<strong>in</strong>g a flat bottomed<br />

vessel (Figs 11 & 14).<br />

3. Vessels with a large low transom and a considerable over-<br />

9

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