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THE AMERICAN Screenplay by Rowan Joffe Based on the novel A ...

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"The American" June 21st, 2010 page 6A.<br />

We now cut to Jack at <strong>the</strong> car parked <strong>on</strong> <strong>the</strong> street, *<br />

(Previously hot.) as we hear Pavel. *<br />

PAVEL (V.O.) *<br />

You’ll find a dark blue Fiat Tempra *<br />

with Pescara plates. I’ve marked a *<br />

small town called Castelvecchio <strong>on</strong> *<br />

<strong>the</strong> map. Stay <strong>the</strong>re and lay low *<br />

‘till you get my call. *<br />

We cut back to <strong>the</strong> cafe. *<br />

PAVEL *<br />

D<strong>on</strong>’t talk to any<strong>on</strong>e. And Jack, *<br />

above all else d<strong>on</strong>’t make any *<br />

friends... you used to know that. *<br />

PAVEL rises. *<br />

JACK watches him go. *<br />

12A INT. BAR - DAY (ALTERNATE VERSION)<br />

12A *<br />

JACK waits. *<br />

PAVEL enters. *<br />

Sits at JACKS table. *<br />

He is older than JACK. Refined but tough. A man of few words *<br />

but much gravitas. *<br />

It’s clear <strong>the</strong>re’s a l<strong>on</strong>g history of mutual respect between *<br />

<strong>the</strong>se two men. *<br />

PAVEL *<br />

Who was <strong>the</strong> girl? *<br />

JACK *<br />

A friend. *<br />

PAVEL *<br />

A friend? *<br />

JACK *<br />

Who were <strong>the</strong> Swedes... *<br />

PAVEL *<br />

I’m working <strong>on</strong> that... It’s going *<br />

to take some time. Did she set you *<br />

up? *<br />

JACK *<br />

She had nothing to do with it. *<br />

PAVEL *<br />

A pity. *

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