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A History Of The Rise Of Methodism In America - Media Sabda Org

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It seems that it was on his first visit to Mount Holly, in the spring of this year, that the young<br />

soldier Thomas Ware became so interested in him, which led him to the Saviour and to the<br />

Methodists. As Mr. Ware, in his Autobiography, has not said what year he was converted in, and as<br />

there are several difficulties in fixing it in 1780, as in his Memoir in the Minutes, we assume that it<br />

was in 1781. As Mr. Pedicord was entering Mount Holly, with his heart uplifted to heaven, singing,<br />

"Still, out of the deepest abyss," God was pleased to own it by drawing one to himself, who, in his<br />

day, turned many to the Saviour. Eternity alone will disclose the amount of good that has been done<br />

by his servants.<br />

Sometimes, the Methodists have accomplished as much by their singing as by their preaching and<br />

praying. <strong>The</strong> power of music has been acknowledged from time immemorial. Fable teaches, that<br />

Amphion, by the power of music, charmed both animate and inanimate creatures; that he built the<br />

city of <strong>The</strong>bes by the music of his lyre -- the stones dancing to it, and taking their place in the walls.<br />

<strong>The</strong> poet of <strong>Methodism</strong> has left us a fine parody on this fable, in these words: --<br />

"Thine own musician, Lord, inspire,<br />

And may my consecrated lyre<br />

Repeat the psalmists part.<br />

His Son and Thine, reveal in me,<br />

And fill with sacred melody,<br />

<strong>The</strong> fibers of my heart.<br />

So shall I charm the listening throng,<br />

And draw the living stones along,<br />

By Jesus tuneful name.<br />

<strong>The</strong> living stones shall dance, shall rise,<br />

And form a city in the skies<br />

<strong>The</strong> new Jerusalem."<br />

Can we conjecture what tune Pedicord was singing that so enraptured young Ware? We know,<br />

from testimony, that the hymn, "Still, out of the deepest abyss," was a great favorite with Mr.<br />

Asbury; we know, by the same means, that Light Street was his favorite tune to sing to it; and it is<br />

probable that he brought the tune, if not the hymn, with him from England. <strong>In</strong> 1781, when Father<br />

Ellsworth led him into the caves of New Virginia, in one of the chambers, that seemed to be<br />

supported by basaltic pillars, beneath the stalactites, he sung, "Still, out of the deepest abyss," and<br />

the sound was wonderful, in that temple of nature. -- This was in June of this year; and if we are right<br />

in our date of Mr. Ware's conversion, there is coincidence as to time, in Mr. Asbury's and Mr.<br />

Pedicord's use of the same hymn and tune (as we suppose). It was in the same year; it may have been<br />

at the same time that this music echoed in the cave, and in the soul of Ware.<br />

Mr. Asbury was a remarkably good singer, and has been heard to say, "That he had raised up<br />

many a son in the gospel that could out preach him, but never one that could outsing him;" and he<br />

might have added, never one that could out pray him.<br />

Methodist hymns, and Methodist tunes, like Methodist doctrine, have been common property with<br />

Methodists; they have learned to sing of each other, and it is not unlikely that Mr. Pedicord had

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