Christian Theology - Media Sabda Org

Christian Theology - Media Sabda Org Christian Theology - Media Sabda Org

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person to raise the tunes; and then the congregation would learn to sing, the purpose of singing would be accomplished, every mouth would confess to God, and a horrible evil would be prevented—the bringing together in the house of God, and making them the almost only instruments of celebrating his praises, such a company of gay, airy, giddy, and ungodly men and women as are generally grouped in such choirs; for voice and skill must be had, let decency of behaviour and morality be where they will. Every thing must be sacrificed to a good voice, in order to make the choir complete and respectable. Many scandals have been brought into the church of God by choirs and their accompaniments. Why do not the Methodist preachers lay this to heart? The singing which is recommended, Col. iii, 16, is widely different from what is commonly used in most Christian congregations; a congeries of unmeaning sounds, associated to bundles of nonsensical and often ridiculous repetitions, which at once both deprave and disgrace the church of Christ. Melody, which is allowed to be the most proper for devotional music, is now sacrificed to an exuberant harmony, which requires not only many different kinds of voices, but different musical instruments to support it. And by these preposterous means the simplicity of the Christian worship is destroyed, and all edification totally prevented. And this kind of singing is amply proved to be very injurious to the personal piety of those employed in it: even of those who enter with a considerable share of humility and Christian meekness, how few continue to sing with grace in their hearts unto the Lord! It does appear that singing psalms or spiritual hymns was one thing that was implied in what is termed prophesying, in the Old Testament, as is evident from I Sam. x, 5, 6, 10, &c. And when this came through an immediate afflatus, or inspiration of God, there is no doubt that it was exceedingly edifying; and must have served greatly to improve and excite the devotional spirit of all that were present. But I rather suppose that their singing consisted in solemn, well measured recitative, than in the jingling and often foolish sounds which we use when a single monosyllable is sometimes shivered into a multitude of semiquavers!

Here it may not be improper to remark, that the spirit and the understanding are seldom united in our congregational singing. Those whose hearts are right with God have generally no skill in music; and those who are well skilled in music have seldom a devotional spirit, but are generally proud, self-willed, contentious, and arrogant. Do not these persons entirely overrate themselves? Of all the liberal arts, surely music is the least useful, however ornamental it may be. And should any thing be esteemed in the church of God but in proportion to its utility. A good singer among the people of God, who has not the life of God in his soul, is vox et praeterea nihil, as Heliogabalus said of the nightingale's brains, on which he desired to sup, "He is nothing but a sound." Some of those persons, I mean those who sing with the understanding without the spirit, suppose themselves of great consequence in the church of Christ; and they find foolish superficial people whom they persuade to be of their own mind, and soon raise parties and contentions, if they have not every thing their own way; and that way is generally as absurd as it is unscriptural and contrary to the spirit and simplicity of the gospel. It is very likely that the singing of the Jews was only a kind of recitative or chanting, such as we still find in the synagogues. It does not appear that God had especially appointed these singers, much less any musical instruments, the silver trumpets excepted, to be employed in his service. Musical instruments in the house of God are, at least, under the gospel, repugnant to the spirit of Christianity, and tend not a little to corrupt the worship of God. Those who are fond of music in the theatre are fond of it in the house of God, when they go thither; and some, professing Christianity, set up such a spurious worship, in order to draw people to hear the gospel. This is doing evil, that good may come of it; and, by this means, light and trifling people are introduced into the church of Christ; and, when in, are generally very troublesome, hard to be pleased, and difficult to be saved. Did ever God ordain instruments of music to be used in his worship? Can they be used in Christian assemblies according to the spirit of Christianity? Has Jesus Christ, or his apostles, ever commanded or

Here it may not be improper to remark, that the spirit and the<br />

understanding are seldom united in our congregational singing. Those<br />

whose hearts are right with God have generally no skill in music; and<br />

those who are well skilled in music have seldom a devotional spirit, but<br />

are generally proud, self-willed, contentious, and arrogant. Do not these<br />

persons entirely overrate themselves? Of all the liberal arts, surely music<br />

is the least useful, however ornamental it may be. And should any thing<br />

be esteemed in the church of God but in proportion to its utility. A good<br />

singer among the people of God, who has not the life of God in his soul,<br />

is vox et praeterea nihil, as Heliogabalus said of the nightingale's brains,<br />

on which he desired to sup, "He is nothing but a sound." Some of those<br />

persons, I mean those who sing with the understanding without the spirit,<br />

suppose themselves of great consequence in the church of Christ; and<br />

they find foolish superficial people whom they persuade to be of their<br />

own mind, and soon raise parties and contentions, if they have not every<br />

thing their own way; and that way is generally as absurd as it is<br />

unscriptural and contrary to the spirit and simplicity of the gospel.<br />

It is very likely that the singing of the Jews was only a kind of<br />

recitative or chanting, such as we still find in the synagogues. It does not<br />

appear that God had especially appointed these singers, much less any<br />

musical instruments, the silver trumpets excepted, to be employed in his<br />

service. Musical instruments in the house of God are, at least, under the<br />

gospel, repugnant to the spirit of <strong>Christian</strong>ity, and tend not a little to<br />

corrupt the worship of God. Those who are fond of music in the theatre<br />

are fond of it in the house of God, when they go thither; and some,<br />

professing <strong>Christian</strong>ity, set up such a spurious worship, in order to draw<br />

people to hear the gospel. This is doing evil, that good may come of it;<br />

and, by this means, light and trifling people are introduced into the church<br />

of Christ; and, when in, are generally very troublesome, hard to be<br />

pleased, and difficult to be saved.<br />

Did ever God ordain instruments of music to be used in his worship?<br />

Can they be used in <strong>Christian</strong> assemblies according to the spirit of<br />

<strong>Christian</strong>ity? Has Jesus Christ, or his apostles, ever commanded or

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