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249<br />

greedy, cunning, unreliable and slavish. The verb aigyptiazein denotes sly, crafty, malicious<br />

behavior.’ 600 Assmann then goes on to characterize and label the Ptolemaic and early Roman<br />

period (320 BCE-50 CE) as one of ‘scientific’ Greek texts about Egypt. 601 Of course, there is<br />

a good reason for this: After having conquered the country and initiated massive immigration<br />

into it, the Greeks learned more about Egypt than ever before. But here Assmann ignores the<br />

strong ideological aspects of these texts, which will explain the Greek aversion towards<br />

Egyptians, which appears ‘strange’ to him, and also why religion became the focus and the<br />

only important locus of intercultural mixing. The first explanation will inevitably involve<br />

what Peter Green called the ‘rampant’, ‘imperial racism’ of Greeks and Macedonians. 602 The<br />

second will involve a short digression.<br />

The one thousand years that Egypt remained under Greek and Roman rule was perhaps<br />

the most de-secularized time in human history. It led up to and saw the birth of Christianity<br />

and Islam, the two most intolerant and indeed brutal missionary religions the world has ever<br />

seen. But the scene was being set from long before the birth of Jesus:<br />

From the beginning of the Ptolemaic period innumerable temples,<br />

shrines and priesthoods developed, celebrating some of the traditional<br />

gods of old Greece, Zeus, Dionysus, Aphrodite, the Egyptian or<br />

Graeco-Egyptian deities, Isis, Sarapis and Anubis, as well as the<br />

deified members of the ruling house and Alexander in particular,<br />

whose priesthoods carried great prestige. 603<br />

Sarapis, the Graeco-Egyptian god, was created by Ptolemy I in order to combine the<br />

religions of the two ethnic groups, to secure control over the favored Egyptians (the priests –<br />

who were still often the ones that started armed uprisings and resistance movements), and<br />

further to divert and distract the working population during its minimized free time. 604 With<br />

the exceptions of the cults of the deified kings and queens and their families, the sanctioned<br />

practice and content of religion (and of philosophy) had also become more de-politicized than<br />

ever. The new god’s main temple, the great Serapeum, was erected in the crowded Egyptian<br />

township in Alexandria, Rhakotis. The huge temple was built on top of a largely artificial hill<br />

and ‘…dominated the southern part of the city like an Acropolis.’ Since the Egyptian living<br />

quarters were confined to the southwest of the city, the Serapeum thus became a Greek and<br />

royal presence among the indigenous, and at the same time a perpetually broken promise of<br />

proximity. The closest a normal Egyptian could come to Greekness was through the contrived<br />

religion imposed on him or her by the Greek elites. The Museum, on the other hand, was in<br />

the royal palace district, where the monarchs followed closely how the ideology and the<br />

technologies progressed. The Egyptians were to be controlled with a crude, state-concocted<br />

opium for the people, whereas the Greeks needed to be reinforced and reminded of their own<br />

cultural superiority (through Homer and the other greatest poets, along with the reintroduction<br />

and use of Attic Greek), as well as of the perceived material needs for military and<br />

600 Assmann 2000: 10: („Das im Ganzen positive, von Bewunderung geprägte Bild der Griechen von Ägypten,<br />

dem Land und der Kultur, kontrastiert eigentümlich mit ihrer Abneigung gegen die Ägypter, die ihnen als<br />

geldgierig, verschlagen, unzuverlässig und sklavisch galten. Das Verb aigyptiazein bezeichnet schlaues,<br />

durchtriebenes, hinterhältiges Verhalten.”)<br />

601 Ibid: 24. The Roman literary depiction of Egyptians was similarly ambivalent. ‘There are essentially two<br />

traditional portrayals of Egypt and Egyptians. One emphasizes the irrational, ferocious, uncontrollably passionate<br />

peasants, devoted to their incomprehensible deities, rejecting civil authority and prone to extreme violence and<br />

banditry. The other is of an old culture of learning, religion and philosophy which goes back beyond even Greek<br />

civilization.’ Alston 2002: 248<br />

602 See footnote 115, above.<br />

603 Bowman 1996 (1986): 216. See also Koch 1993: 497ff.<br />

604 See, however, Huß 2001: 246ff, where the author argues that the cult of Sarapis was introduced to ‘unify’ the<br />

Greek ruling class and that the new era needed a new god. Huß does concede that his is a minority opinion. Ibid:<br />

245

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