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"Chapter 1 - The Op Amp's Place in the World" - HTL Wien 10

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Amplitude — dB<br />

–20<br />

–40<br />

–60<br />

–80<br />

–<strong>10</strong>0<br />

–120<br />

–130<br />

Figure 14–6. Total Harmonic Distortion<br />

20<br />

0<br />

Fundamental<br />

F<br />

Harmonics<br />

H2 H3 H4 H5 H6 H7 H8 H9<br />

0 1 k 2 k 3 k 4 k 5 k 6 k 7 k 8 k<br />

Frequency – Hz<br />

D/A Converter Error Budget<br />

9 k <strong>10</strong> k<br />

Assum<strong>in</strong>g ideal D/A conversion, <strong>the</strong>re is a direct relationship between <strong>the</strong> number of bits<br />

and <strong>the</strong> THD caused by <strong>the</strong> resolution:<br />

14.4.3.2 Dynamic Range<br />

THD(%) 1<br />

<strong>10</strong>0<br />

2N Interfac<strong>in</strong>g D/A Converters to Loads<br />

(14–2)<br />

Where N is <strong>the</strong> number of converter bits. Of course, this is <strong>the</strong> limit for ideal conversion.<br />

<strong>The</strong>re is also a direct relationship between <strong>the</strong> number of bits (n) and <strong>the</strong> maximum dynamic<br />

range of <strong>the</strong> D/A (Equation 14–2 and Table 14–2):<br />

Dynamic Range 6.02 n 1.76<br />

(14–3)<br />

Notice that <strong>the</strong>re is approximately a 6-dB improvement <strong>in</strong> dynamic range per bit. This is<br />

an easy way to figure out what improvement can be realized by <strong>in</strong>creas<strong>in</strong>g <strong>the</strong> number<br />

of bits from one value to ano<strong>the</strong>r.<br />

14-9

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