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"Chapter 1 - The Op Amp's Place in the World" - HTL Wien 10

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D/A Converter Error Budget<br />

14-6<br />

ratio of <strong>the</strong> voltage out of <strong>the</strong> 1-bit D/A as <strong>the</strong> analog signal. As <strong>the</strong> pattern of 1s and 0s<br />

is presented to <strong>the</strong> 1-bit converter, <strong>the</strong>ir time average at <strong>the</strong> sample frequency recreates<br />

<strong>the</strong> analog waveform.<br />

DATA<br />

SAMPLE<br />

CLOCK<br />

(Fs)<br />

16<br />

PLL<br />

128 × Fs<br />

INTERPOLATION<br />

FILTER<br />

Figure 14–5. Sigma Delta D/A Converter<br />

16 DIGITAL<br />

MODULATOR<br />

1<br />

1-BIT<br />

D/A<br />

Sigma delta converters are popular for audio frequencies, particularly CD players. <strong>The</strong><br />

primary limit<strong>in</strong>g factor is <strong>the</strong> sample clock. CD players operate at a sample rate of 44.1<br />

kHz, which means that accord<strong>in</strong>g to Nyquist sampl<strong>in</strong>g <strong>the</strong>ory, <strong>the</strong> maximum audio frequency<br />

that can be reproduced is 22.05 kHz. If an audio frequency of 23.05 kHz is present<br />

<strong>in</strong> <strong>the</strong> recorded material, it will alias back <strong>in</strong>to <strong>the</strong> audio output at 1 kHz — produc<strong>in</strong>g an<br />

annoy<strong>in</strong>g whistle. This places a tremendous constra<strong>in</strong>t on <strong>the</strong> low-pass filter follow<strong>in</strong>g <strong>the</strong><br />

D/A <strong>in</strong> a CD player. It must reject all audio frequencies above 22.05 kHz while pass<strong>in</strong>g<br />

those up to 20 kHz, <strong>the</strong> commonly accepted upper limit of human hear<strong>in</strong>g. While this can<br />

be done <strong>in</strong> conventional filter topologies, <strong>the</strong>y are extremely complex (9 or more poles).<br />

Inevitably, phase shift and amplitude rolloff or ripple will start far below 20 kHz. <strong>The</strong> orig<strong>in</strong>al<br />

CD players often sounded a bit “harsh” or “dull” because of this.<br />

<strong>The</strong> solution was to overclock <strong>the</strong> sample clock. To keep th<strong>in</strong>gs simple, designers made<br />

it a b<strong>in</strong>ary multiple of <strong>the</strong> orig<strong>in</strong>al sampl<strong>in</strong>g frequency. Today, 8× or even higher oversampl<strong>in</strong>g<br />

is standard <strong>in</strong> CD players. Little do <strong>the</strong> audio enthusiasts know that <strong>the</strong> primary reason<br />

why this was done was to substantially reduce <strong>the</strong> cost of <strong>the</strong> CD player! A faster sample<br />

clock is very cheap. N<strong>in</strong>e-pole audio filters are not. At 8× oversampl<strong>in</strong>g, <strong>the</strong> CD player<br />

only needs to achieve maximum rolloff at 352.8 kHz — a very easy requirement. Instead<br />

of <strong>the</strong> filter hav<strong>in</strong>g to roll off <strong>in</strong> a mere 2 kHz of bandwidth, now it has 332 kHz of bandwidth<br />

to accomplish <strong>the</strong> rolloff. <strong>The</strong> sound of an oversampled CD player really is better, but it<br />

comes at <strong>the</strong> cost of <strong>in</strong>creased radiated RFI, com<strong>in</strong>g from <strong>the</strong> sample clock.<br />

Sigma delta converters <strong>in</strong>troduce a great deal of noise onto <strong>the</strong> power rails, because <strong>the</strong><br />

<strong>in</strong>ternal digital circuitry is cont<strong>in</strong>ually switch<strong>in</strong>g to <strong>the</strong> power supply rails at <strong>the</strong> sample<br />

clock frequency F S.<br />

14.4 D/A Converter Error Budget<br />

<strong>The</strong> system designer must do an error budget to know how many bits are actually needed<br />

to meet <strong>the</strong> system requirements — how much “gra<strong>in</strong><strong>in</strong>ess” or what step size is acceptable<br />

<strong>in</strong> <strong>the</strong> output signal.

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