Astrological Mythology The Meaning of ... - Mandhata Global
Astrological Mythology The Meaning of ... - Mandhata Global
Astrological Mythology The Meaning of ... - Mandhata Global
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signs <strong>of</strong> the zodiac. Almost every planet has some portion <strong>of</strong> the circle<br />
attached to it. <strong>The</strong> cross appears prominently in regard to Venus, Mercury,<br />
Jupiter, and Saturn. <strong>The</strong> arrow is associated with Mars. In the case <strong>of</strong> the<br />
zodiac the arrow appears relative to Scorpio and Sagittarius, and among the<br />
asterisms it symbolizes Ardra and Purvashadha. <strong>The</strong> significance <strong>of</strong> these<br />
astrological entities becomes clear if the implications <strong>of</strong> their geometrical<br />
designs are understood.<br />
<strong>The</strong> Symbol <strong>of</strong> the Cross<br />
Geometrical symbols represent different aspects <strong>of</strong> cosmic evolution. <strong>The</strong>y<br />
Indicate the dynamic movement in nature's creative impulse. Beginning at<br />
the point where soul breaks <strong>of</strong>f and ending where it unites again with the<br />
Original Flame, the total movement is represented by a circle, the most<br />
primary geometrical design. <strong>The</strong> circle has several components. <strong>The</strong><br />
formation <strong>of</strong> the cross is also based upon it.<br />
<strong>The</strong> point is the basic constituent <strong>of</strong> the all-pervading circle that represents<br />
the cosmic life. Every point receives vertical as well as horizontal thrusts to<br />
give it circularity in shape and direction. <strong>The</strong>se two directional movements<br />
are inherent in every point. <strong>The</strong> point in movement becomes an arc. From<br />
one view, a portion <strong>of</strong> the grand circular movement can be perceived as a<br />
vertical arc, almost like a straight vertical line. Another arc similarly<br />
perceived, if the length is considered infinitely small, becomes a straight<br />
horizontal line. A cross is composed <strong>of</strong> two such lines intersecting in the<br />
middle. As each point is a center <strong>of</strong> horizontal and vertical impulses, while<br />
every point flows from an earlier point and further merges into a later one,<br />
the whole sequence <strong>of</strong> the grand cosmic design can be conceived as the<br />
movement <strong>of</strong> a very rapidly whirling cross usually represented as a<br />
Swastika.<br />
When the beginning <strong>of</strong> manifestation appears as a geometrical point it is<br />
already in motion producing a line. Every point is attracted to the central<br />
subjective source from which it has arisen. This provides the onward<br />
impulse, a central direction expressed as circularity <strong>of</strong> movement. At this<br />
cosmic beginning, however, the splintering <strong>of</strong> the Original Fire produces not<br />
just one spark or scintilla. Innumerable such fragmented points <strong>of</strong> energy<br />
arise. Each contains within itself the nature <strong>of</strong> holding together or passivity,<br />
as well as that <strong>of</strong> externalization or activity. <strong>The</strong>se two polarized aspects <strong>of</strong><br />
the Divine Spark become the two arms <strong>of</strong> the Swastika which represents the<br />
creative principle in nature. It has the original status in the cosmic<br />
evolutionary process, all subsequent stages <strong>of</strong> manifestation being produced<br />
by the interplay <strong>of</strong> its dual forces. This stage appears allegorically as the