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(comprehensive), The Thousand Holy Names of ... - Mandhata Global

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Çré Viñëusahasranäma<br />

Çréla Prabhupäda explains this point elaborately in his<br />

summary study <strong>of</strong> the Tenth Canto <strong>of</strong> Çrémad Bhägavatam: “In<br />

order to convince Brahmä that all those cows, calves and boys<br />

were not the original ones, the cows, calves, and boys who were<br />

playing with Kåñëa transformed into Viñëu forms. Actually, the<br />

original ones were sleeping under the spell <strong>of</strong> Brahmä's mystic<br />

power, but the present ones, seen by Brahmä, were all<br />

immediate expansions <strong>of</strong> Kåñëa, or Viñëu. Viñëu is the<br />

expansion <strong>of</strong> Kåñëa, so the Viñëu forms appeared before<br />

Brahmä. All the Viñëu forms were <strong>of</strong> bluish color and dressed<br />

in yellow garments; all <strong>of</strong> <strong>The</strong>m had four hands decorated with<br />

club, disc, lotus flower and conchshell. On <strong>The</strong>ir heads were<br />

glittering golden-jeweled helmets; <strong>The</strong>y were bedecked with<br />

pearls and earrings and garlanded with beautiful flowers. On<br />

<strong>The</strong>ir chests was the mark <strong>of</strong> Çrévatsa; <strong>The</strong>ir arms were<br />

decorated with armlets and other jewelry. <strong>The</strong>ir necks were<br />

smooth just like a conchshell, <strong>The</strong>ir legs were decorated with<br />

bells, <strong>The</strong>ir waists decorated with golden bells, and <strong>The</strong>ir<br />

fingers decorated with jeweled rings. Brahmä also saw that<br />

upon the whole body <strong>of</strong> Lord Viñëu, fresh tuläsé buds were<br />

thrown, beginning from His lotus feet up to the top <strong>of</strong> the<br />

head. Another significant feature <strong>of</strong> the Viñëu forms was that<br />

all <strong>of</strong> <strong>The</strong>m were looking transcendentally beautiful. <strong>The</strong>ir<br />

smiling resembled the moonshine, and <strong>The</strong>ir glancing<br />

resembled the early rising <strong>of</strong> the sun.”<br />

[Kåñëa, <strong>The</strong> Supreme Personality <strong>of</strong> Godhead, Chapter 13]<br />

That so many Viñëu forms expanded from Lord Kåñëa is a<br />

clear pro<strong>of</strong> that Kåñëa is the ultimate Supreme personality <strong>of</strong><br />

Godhead and the source even <strong>of</strong> Lord Viñëu. Çréla Baladeva<br />

Vidyäbhüñaëa wrote his translation <strong>of</strong> Çré Viñëusahasranäma<br />

from the understanding that Lord Çré Kåñëa is the Supreme<br />

Personality <strong>of</strong> Godhead, as accepted by both the author Çréla<br />

Vyäsadeva and the narrator Çré Bhéçma. Thus he has expanded<br />

upon the literal Sanskrit meanings <strong>of</strong> the <strong>Names</strong> to indicate<br />

their relation to Kåñëa’s incarnations, qualities and pastimes.<br />

He also compiled commentaries drawn from the Vedic<br />

literature to support these expansions, which we have not<br />

included herein. <strong>The</strong> philosophically inclined reader interested<br />

in an English translation <strong>of</strong> Baladeva’s complete commentary<br />

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