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The Upanishads - Mandhata Global

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1<br />

Chapter XXII<br />

<strong>The</strong> different notes employed in the Chanting<br />

of the Saman<br />

An Udgatri priest thinks thus: "I choose the deepsounding<br />

note of the Saman, which is good for the cattle<br />

and which belongs to fire (Agni). <strong>The</strong> undefined note<br />

belongs to Prajapati, the defined note to Soma (the<br />

moon), the soft and smooth note to Vayu (the air), the<br />

smooth and strong note to Indra, the heron-like note to<br />

Brihaspati and dull note to Varuna." Let a man cultivate<br />

all these, avoiding, however, the note of Varuna.<br />

2<br />

A man should sing, wishing that by his song he may<br />

secure immortality for the gods: "May I obtain by my<br />

song oblations (svadha) for the Manes, hope for men,<br />

grass and water for cattle, heaven for the sacrificer and<br />

food for myself." Thus reflecting on all these in his<br />

mind, he (the udgatri priest) should chant the praises<br />

without making mistakes in pronunciation etc.<br />

3<br />

All vowels belong to the different parts of Indra's body,<br />

459

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