product guide - M-Audio
product guide - M-Audio
product guide - M-Audio
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MICROPHONES / PREAMPS 74<br />
PRODUCT GUIDE 2009 ONES / PREAMPS<br />
M-<strong>Audio</strong> Microphone Applications<br />
Sputnik Solaris Pulsar II Pulsar II pair Luna II Aries Nova<br />
Voice *** ** * ** * *<br />
Voice (live) ***<br />
Grand Piano *** ** *** **<br />
Guitar/Bass Amp *** ** * ** * *<br />
Acoustic Guitar *** ** *** *** * * *<br />
Guitar (smashed on stage) * *** *<br />
Drum Overheads ** ** *** *<br />
Hi-Hat ** ** *** ** * *<br />
Snare ** * * * ** *<br />
Toms ** * * * * * *<br />
Kick * *<br />
Violin ** *** ***<br />
Viola/Cello *** ** *** *** **<br />
Double Bass *** ** ** ** **<br />
French Horn *** *<br />
Flute/Piccolo *** * *** *** *<br />
Oboe/English Horn *** ** *** *** **<br />
Clarinet *** * ** ** *<br />
Bassoon *** ** * * **<br />
Contrabassoon/Bass Clarinet *** *** **<br />
Tuba *** ** **<br />
Soprano Sax *** ** ** * *<br />
Alto & Tenor Sax *** *<br />
Vibraphone * ***<br />
Marimba/Xylophone *** ***<br />
Timpani *** ** **<br />
Choir (distant) *** ** *** *<br />
Congas/Bongos *** ** *** *** ** * *<br />
Tabla *** ** * * ** *<br />
Leslie Lower Rotor *** *** *** *<br />
Leslie Upper Rotor *** ** *** *** ** *<br />
Tree (falling in the woods) *** ** *** *** **<br />
DMP3<br />
Dual Microphone/Instrument Preamp and Direct Box<br />
Based on the M-<strong>Audio</strong> ® preamplifi er technology that won Pro <strong>Audio</strong> Review’s highest<br />
accolades, the DMP3 preamp is designed to provide a premium front end for today’s<br />
high-resolution digital recording systems. It features an amazing 20Hz to 80kHz frequency<br />
response, 67dB of gain and an exceptional dynamic range to capture all the nuances of<br />
your music. With pristine sound quality and a compact, rugged chassis, DMP3 has become<br />
the top choice of numerous audio professionals and a fi xture in studios around the world.<br />
Whether you use it for performance or <strong>product</strong>ion, the DMP3 two-channel microphone/<br />
instrument preamp is destined to be integral in defi ning your sound.<br />
2-channel preamp with XLR microphone<br />
inputs and 1/4” instrument inputs<br />
balanced outputs on TRS jacks<br />
low harmonic distortion (THD+N:<br />
.0005% @ 20Hz-20kHz)<br />
exceptional dynamic range<br />
2 channels, each including:<br />
• mic input (balanced XLR) with phantom power switch<br />
and indicator<br />
• high impedance instrument inputs (1/4”)<br />
• gain control<br />
“The DMP3 is shockingly transparent for a preamp with a<br />
$200 list price.” —Jazz Times<br />
20Hz to 80kHz frequency response (+/- 0.5dB)<br />
ideal for high-resolution recording<br />
high and low gain range controls<br />
offer up to 67dB of gain<br />
clip LED for visual feedback of detrimental levels<br />
low-cut fi lters remove unwanted rumble and hum<br />
“One of the quietest preamps available anywhere, regardless of price.<br />
For comparison’s sake, this tiny difference [between original source<br />
and mic pre output] is far less than the degradation I’ve heard in the<br />
most expensive world-class A/D converters.” —Pro <strong>Audio</strong> Review<br />
phantom power to accommodate<br />
all types of microphones<br />
phase reverse switch on each channel ensures<br />
optimal recordings<br />
<strong>Audio</strong> Buddy<br />
Microphone Preamp and Direct Box<br />
The <strong>Audio</strong> Buddy is one of the most popular mic preamps in home recording today. The reasons are easy to<br />
understand: Performance and value. You get professional microphone support along with instrument inputs–<br />
impedance matched for ideal performance with electric guitar and bass. Simply put, the <strong>Audio</strong> Buddy is a<br />
workhorse mic preamp that delivers great sound.<br />
• signal/clip LEDs<br />
• professional line output (balanced/unbalanced 1/4” TRS)<br />
super-small size/weight: 5.5” x 3.3” x 1.7”; less<br />
than .5 lbs.<br />
<br />
I NTRODUCING THE<br />
<br />
High-Definition 6-in/10-out FireWire <strong>Audio</strong> Interface with Octane Preamp Technology<br />
M-<strong>Audio</strong> revolutionized mobile music <strong>product</strong>ion with the<br />
FireWire 410—one of the best-selling FireWire interfaces<br />
ever. Now the legacy continues with ProFire 610, a powerful<br />
6-in/10-out mobile audio interface that incorporates technology<br />
from our critically acclaimed ProFire 2626. Premium digital<br />
converters ensure pristine 24-bit/192kHz audio throughout<br />
the entire signal path. Two preamps with award-winning<br />
Octane technology offer optimal headroom, superior<br />
sound quality and extremely low distortion. Standalone<br />
mode lets you use the unit as a self-contained, two-channel<br />
microphone preamp and A/D-D/A converter. ProFire 610 also<br />
offers dual headphone outputs and an advanced onboard<br />
DSP mixer—all in a compact, bus-powered enclosure.<br />
ProFire 610 back panel<br />
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The ProFire 610 control panel features a flexible DSP mixer that allows you to create, save<br />
and recall custom configurations for different recording setups. The control panel also<br />
facilitates instant access to driver updates, manual downloads, FAQ information and more.<br />
© 2008 Avid Technology, Inc. All rights reserved. Avid, M-<strong>Audio</strong>, the “>” logo, ProFire and Octane are either trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and in other countries. All other trademarks contained<br />
herein are the property of their respective owners. Product features, specifications, system requirements and availability are subject to change without notice. Use of the enclosed software is subject to a related license agreement.