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product guide - M-Audio

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MICROPHONES / PREAMPS 74<br />

PRODUCT GUIDE 2009 ONES / PREAMPS<br />

M-<strong>Audio</strong> Microphone Applications<br />

Sputnik Solaris Pulsar II Pulsar II pair Luna II Aries Nova<br />

Voice *** ** * ** * *<br />

Voice (live) ***<br />

Grand Piano *** ** *** **<br />

Guitar/Bass Amp *** ** * ** * *<br />

Acoustic Guitar *** ** *** *** * * *<br />

Guitar (smashed on stage) * *** *<br />

Drum Overheads ** ** *** *<br />

Hi-Hat ** ** *** ** * *<br />

Snare ** * * * ** *<br />

Toms ** * * * * * *<br />

Kick * *<br />

Violin ** *** ***<br />

Viola/Cello *** ** *** *** **<br />

Double Bass *** ** ** ** **<br />

French Horn *** *<br />

Flute/Piccolo *** * *** *** *<br />

Oboe/English Horn *** ** *** *** **<br />

Clarinet *** * ** ** *<br />

Bassoon *** ** * * **<br />

Contrabassoon/Bass Clarinet *** *** **<br />

Tuba *** ** **<br />

Soprano Sax *** ** ** * *<br />

Alto & Tenor Sax *** *<br />

Vibraphone * ***<br />

Marimba/Xylophone *** ***<br />

Timpani *** ** **<br />

Choir (distant) *** ** *** *<br />

Congas/Bongos *** ** *** *** ** * *<br />

Tabla *** ** * * ** *<br />

Leslie Lower Rotor *** *** *** *<br />

Leslie Upper Rotor *** ** *** *** ** *<br />

Tree (falling in the woods) *** ** *** *** **<br />

DMP3<br />

Dual Microphone/Instrument Preamp and Direct Box<br />

Based on the M-<strong>Audio</strong> ® preamplifi er technology that won Pro <strong>Audio</strong> Review’s highest<br />

accolades, the DMP3 preamp is designed to provide a premium front end for today’s<br />

high-resolution digital recording systems. It features an amazing 20Hz to 80kHz frequency<br />

response, 67dB of gain and an exceptional dynamic range to capture all the nuances of<br />

your music. With pristine sound quality and a compact, rugged chassis, DMP3 has become<br />

the top choice of numerous audio professionals and a fi xture in studios around the world.<br />

Whether you use it for performance or <strong>product</strong>ion, the DMP3 two-channel microphone/<br />

instrument preamp is destined to be integral in defi ning your sound.<br />

2-channel preamp with XLR microphone<br />

inputs and 1/4” instrument inputs<br />

balanced outputs on TRS jacks<br />

low harmonic distortion (THD+N:<br />

.0005% @ 20Hz-20kHz)<br />

exceptional dynamic range<br />

2 channels, each including:<br />

• mic input (balanced XLR) with phantom power switch<br />

and indicator<br />

• high impedance instrument inputs (1/4”)<br />

• gain control<br />

“The DMP3 is shockingly transparent for a preamp with a<br />

$200 list price.” —Jazz Times<br />

20Hz to 80kHz frequency response (+/- 0.5dB)<br />

ideal for high-resolution recording<br />

high and low gain range controls<br />

offer up to 67dB of gain<br />

clip LED for visual feedback of detrimental levels<br />

low-cut fi lters remove unwanted rumble and hum<br />

“One of the quietest preamps available anywhere, regardless of price.<br />

For comparison’s sake, this tiny difference [between original source<br />

and mic pre output] is far less than the degradation I’ve heard in the<br />

most expensive world-class A/D converters.” —Pro <strong>Audio</strong> Review<br />

phantom power to accommodate<br />

all types of microphones<br />

phase reverse switch on each channel ensures<br />

optimal recordings<br />

<strong>Audio</strong> Buddy<br />

Microphone Preamp and Direct Box<br />

The <strong>Audio</strong> Buddy is one of the most popular mic preamps in home recording today. The reasons are easy to<br />

understand: Performance and value. You get professional microphone support along with instrument inputs–<br />

impedance matched for ideal performance with electric guitar and bass. Simply put, the <strong>Audio</strong> Buddy is a<br />

workhorse mic preamp that delivers great sound.<br />

• signal/clip LEDs<br />

• professional line output (balanced/unbalanced 1/4” TRS)<br />

super-small size/weight: 5.5” x 3.3” x 1.7”; less<br />

than .5 lbs.<br />

<br />

I NTRODUCING THE<br />

<br />

High-Definition 6-in/10-out FireWire <strong>Audio</strong> Interface with Octane Preamp Technology<br />

M-<strong>Audio</strong> revolutionized mobile music <strong>product</strong>ion with the<br />

FireWire 410—one of the best-selling FireWire interfaces<br />

ever. Now the legacy continues with ProFire 610, a powerful<br />

6-in/10-out mobile audio interface that incorporates technology<br />

from our critically acclaimed ProFire 2626. Premium digital<br />

converters ensure pristine 24-bit/192kHz audio throughout<br />

the entire signal path. Two preamps with award-winning<br />

Octane technology offer optimal headroom, superior<br />

sound quality and extremely low distortion. Standalone<br />

mode lets you use the unit as a self-contained, two-channel<br />

microphone preamp and A/D-D/A converter. ProFire 610 also<br />

offers dual headphone outputs and an advanced onboard<br />

DSP mixer—all in a compact, bus-powered enclosure.<br />

ProFire 610 back panel<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

The ProFire 610 control panel features a flexible DSP mixer that allows you to create, save<br />

and recall custom configurations for different recording setups. The control panel also<br />

facilitates instant access to driver updates, manual downloads, FAQ information and more.<br />

© 2008 Avid Technology, Inc. All rights reserved. Avid, M-<strong>Audio</strong>, the “>” logo, ProFire and Octane are either trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and in other countries. All other trademarks contained<br />

herein are the property of their respective owners. Product features, specifications, system requirements and availability are subject to change without notice. Use of the enclosed software is subject to a related license agreement.

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