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product guide - M-Audio

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PRODUCT GUIDE 2009<br />

42<br />

SOFTWARE<br />

Virtual String Machine<br />

Virtual Vintage String Synthesizer Collection<br />

The Virtual String Machine from GForce puts the evocative tones of the fi nest retro string<br />

synthesizers of yesteryear at your fi ngertips. Far more than a preset device, Virtual String Machine<br />

makes it possible to layer two sample sets and apply an intuitive synthesis engine to each—<br />

creating different envelopes, fi lter settings, pitch LFO, pan positions, fi ne tune amounts and more.<br />

You can even apply a vintage-style phaser and/or ensemble to the fi nal patch. The result is a truly<br />

authentic and highly versatile range of textures, perfect for just about every musical genre.<br />

features over 3200 individual samples from over 60 sample sets<br />

includes emulations of Freeman String Symphonizer, Eminent<br />

310, ARP Omni II, ARP Quartet, Crumar Multiman, Polymoog,<br />

Elka Rhapsody, Korg PE2000, Logan String Melody,<br />

Eminent Solina, Roland RS202, Yamaha SS30 and more*<br />

fully programmable with 500+ factory patches<br />

standalone or host operation<br />

Pro Tools ® M-Powered compatible<br />

Oddity<br />

Virtual Vintage Analog Synthesizer<br />

The Oddity from GForce is a meticulous emulation of the classic ARP Odyssey synthesizer popularized by artists as diverse as Herbie Hancock, Styx, Tangerine Dream,<br />

Ultravox and Portishead.* This legendary dual-oscillator, duophonic vintage synth is back in all its glory, crafted with incredible realism. Modern improvements have been<br />

added including programmability, preset morphing, host-syncable LFO and automation along with velocity control of the amp and fi lter envelopes. You can use the Oddity in<br />

standalone mode (Mac/PC) or as a plug-in for most popular host applications. You simply can’t get this sound anywhere else today.<br />

“… a remarkable imitation of a classic synth. Given that Odysseys are rare, expensive,<br />

unreliable, often have damaged faders, always have scratchy faders, often drift out of tune, and<br />

are always a nightmare to tune… I very STRONGLY recommend you to try it.”<br />

—Gordon Reid, Sound On Sound<br />

“You guys did a fantastic job of getting every detail right, including incorporating some features<br />

that we couldn’t have even dreamed of at the time. Having [an Odyssey] completely emulated<br />

in software is really the ultimate! Thanks for this wonderful labor of love.”<br />

—David Friend (co-founder ARP Instruments and lead designer of the original ARP Odyssey)<br />

“… an afi cionado’s plug-in… a <strong>product</strong> for synth connoisseurs… a labor of love… somebody<br />

put a lot of time into getting the details right.” —Craig Anderton, EQ<br />

“GForce aim their hammer with unerring accuracy<br />

in realizing Virtual String Machine… VSM hits the<br />

nail squarely on the head, combining the immediacy<br />

of the original sampled instruments with some<br />

well chosen sound shaping tools that provide<br />

plenty of scope for creativity while still retaining<br />

the spirit of what string machines were all about.”<br />

—Sound On Sound<br />

“It’s quickly apparent that the sky’s truly the limit for<br />

sonic choices, fl exibility, and potential combinations.”<br />

—Remix<br />

“Virtual String Machine sounds wonderful and is a<br />

joy to use… There’s plenty of opportunity to be a<br />

purist and stick with single instruments and plenty<br />

more to ‘mess with history’ and create generationspanning<br />

hybrid sounds.” —Future Music<br />

Vintage Sound<br />

In the 1970s—well before polyphonic synthesis and digital sampling was<br />

commonplace—dozens of string machines evolved to emulate sections of<br />

violins. They changed the face of music in the hands of Pink Floyd, Stevie<br />

Wonder, The Cure, Parliament, Herbie Hancock, Air, Joy Division, Jean<br />

Michel Jarre, Thomas Dolby, Genesis, Lonnie Liston Smith and many others.*<br />

More recently, these vintage instruments have seen resurgence with artists<br />

like Kasabian and Goldfrapp. The Virtual String Machine puts those same<br />

sounds and much more right in your Mac or PC.<br />

extremely realistic analog modeling of classic ARP<br />

Odyssey* including:<br />

• 2 syncable oscillators<br />

• fully tunable across a 6-octave range<br />

• sawtooth, sine, square and variable pulse-width waveforms and sync<br />

• white and pink noise generators<br />

• monophonic and duophonic modes<br />

• ring modulator<br />

• resonant 24dB/octave low-pass fi lter<br />

• high-pass fi lter<br />

• sample-and-hold<br />

• portamento<br />

• 2 envelope generators<br />

• fl exible modulation routing<br />

host-syncable LFO<br />

programmable including 384 presets<br />

timed morphing between presets<br />

Flying Slider feature<br />

full automation support<br />

standalone or host operation<br />

Pro Tools ® M-Powered compatible<br />

*M-<strong>Audio</strong> is a trademark of Avid Technology, Inc. All other <strong>product</strong> names are trademarks of their respective owners, which are in no way associated or affi liated with Avid Technology, Inc. They are used solely to<br />

identify the <strong>product</strong>s of those manufacturers whose tones and sounds were studied during GForce’s sound model development. References to artists and bands are for informational purposes only and do not imply<br />

endorsement or sponsorship of these <strong>product</strong>s by these artists and bands.<br />

developed by<br />

“… totally authentic… I use [M-Tron] both in the<br />

studio and live.” —Rick Wakeman (keyboardist; Yes)<br />

“If you’re into retro sounds, the M-Tron is a must.”<br />

—Paul White, Sound On Sound<br />

Minimonsta:Melohman<br />

Virtual Vintage Analog Synthesizer<br />

The Minimonsta:Melohman from GForce is an expert emulation of the classic Minimoog that was<br />

at the forefront of the analog synth revolution and made famous by artists like Jan Hammer, Rick<br />

Wakeman, Keith Emerson, Chick Corea, Gary Numan and Kraftwerk.* Every component of the<br />

triple-oscillator vintage synth has been faithfully modeled with stunning realism—and then some.<br />

Minimonsta is fully programmable, ships with over 6000 presets and can dynamically morph<br />

between 12 patches within a meta-patch bank for unprecedented control. There’s also an additional<br />

LFO and ADSR that can be applied to just about any parameter, as well as delay. You can even<br />

play Minimonsta in monophonic, polyphonic or unison modes. This true players’ instrument runs as<br />

a standalone application (Mac/PC) or as a plug-in for most popular host applications.<br />

all original Minimoog* features:<br />

• 3 VCOs<br />

• pink/white noise generator<br />

• famous Moog 4-pole 24dB/octave low-pass VCF<br />

• 2 ADSRs<br />

• external input<br />

• mixer<br />

• glide<br />

• additional LFO and ADSR for matrix modulation of almost<br />

every parameter<br />

• monophonic, polyphonic, legato and unison trigger modes<br />

delay effect<br />

“… an extremely powerful soft synth—one of the most powerful,<br />

honestly, that I’ve ever come across. A brilliantly designed, greatsounding<br />

virtual OSCar. Buy it today.” —Future Music<br />

extremely faithful analog modeling<br />

2 digitally controlled oscillators, 13 waveforms<br />

user-programmable Additive Wave Matrix<br />

mono, duo and 4 polyphonic arpeggiator modes<br />

5 keyboard triggering modes<br />

6 portamento modes<br />

9 fi lter types with overdrive,<br />

cutoff, Q and separation<br />

2 envelope generators<br />

extensive LFO section with sync<br />

powerful effects section<br />

programmable velocity response<br />

M-Tron Pro<br />

Virtual Vintage Keyboard<br />

The GForce M-Tron Pro virtual instrument is an incredible emulation of the classic Mellotron—<br />

the unique tape-playback keyboard used by such luminaries as The Beatles, Yes, David<br />

Bowie, Led Zeppelin, The Moody Blues and Radiohead.* The 2.5GB sound library features<br />

over 160 tape banks (sample sets) including 19 of the original GForce M-Tron tape banks,<br />

which have been remastered at London’s legendary Abbey Road Studios. M-Tron Pro also<br />

delivers 45 brand-new tape banks and over 500 patches, many created by world-class<br />

recording artists and programmers. Select from the patches or open the lid to access<br />

G:sampler’s easy editing controls for layers, splits, reverse, half-speed and more. Use it in<br />

standalone mode (Mac/PC) or as a plug-in for most popular host applications.<br />

incredible emulation of vintage<br />

Mellotron—and beyond*<br />

160+ tape banks including remasters,<br />

loops and all-new libraries<br />

500+ presets featuring many from<br />

acclaimed artists and programmers<br />

fully programmable with over 6000 factory patches<br />

real-time morphing between up to 12<br />

patches via keyboard control<br />

external input allows fi lter to be<br />

used as plug-in effect<br />

MIDI Learn with storable<br />

Continuous Controller maps<br />

full automation support<br />

standalone or host operation<br />

Pro Tools ® M-Powered compatible<br />

developed by<br />

new layer, split, synth and editing<br />

features for custom sounds<br />

standalone or plug-in operation<br />

Pro Tools ® M-Powered compatible<br />

“There’s simply nothing out there<br />

that comes close.” —Rick Wakeman<br />

(keyboardist; Yes)<br />

“I closed my eyes and could not<br />

believe it was not the real thing.”<br />

—Steve Winwood (singer/songwriter,<br />

multi-instrumentalist; Traffi c, Blind Faith)<br />

“The ability to sculpt the sound using<br />

both hands makes the Minimonsta<br />

a real musical instrument, rather<br />

than just a programming tool.”<br />

—Will Gregory (keyboardist; Goldfrapp)<br />

impOSCar<br />

Virtual Vintage Analog Synthesizer<br />

The impOSCar from GForce is a faithful re<strong>product</strong>ion of the classic OSCar synthesizer<br />

used by artists including Stevie Wonder, Billie Currie (Ultravox), BT, Keith Emerson and<br />

Geoff Downes (Yes and Asia).* Unique for its digital oscillators with Additive Wave Matrix,<br />

dual fi lters and onboard sequencer, this legendary vintage synth has been faithfully<br />

reproduced to the last detail—along with some new innovations such as additional LFO<br />

and fi lter modes, polyphony, user-defi nable waveforms, effects and over 500 designer<br />

presets. Use it in standalone mode or as a plug-in for most popular host applications.<br />

MIDI Learn with storable<br />

Continuous Controller maps<br />

500+ designer patch library<br />

full automation support<br />

standalone or host operation<br />

Pro Tools ® M-Powered compatible<br />

*M-<strong>Audio</strong> is a trademark of Avid Technology, Inc. All other <strong>product</strong> names are trademarks of their respective owners, which are in no way associated or affi liated with Avid Technology, Inc. They are used solely to<br />

identify the <strong>product</strong>s of those manufacturers whose tones and sounds were studied during GForce’s sound model development. References to artists and bands are for informational purposes only and do not imply<br />

endorsement or sponsorship of these <strong>product</strong>s by these artists and bands.<br />

PRODUCT GUIDE 2009<br />

SOFTWARE 43

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