product guide - M-Audio
product guide - M-Audio
product guide - M-Audio
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PRODUCT GUIDE 2009<br />
16<br />
AUDIO INTERFACES<br />
ProjectMix I/O<br />
Control Surface with<br />
Motorized Faders and<br />
18 x 14 <strong>Audio</strong> Interface<br />
Today, more professional music is produced at home than<br />
ever before—and the ProjectMix I/O control surface delivers<br />
what you need to take your Mac- or PC-based studio and<br />
<strong>product</strong>ions to the next level. Seamless integration with<br />
all major DAW software. The ability to record directly into<br />
industry-standard Pro Tools ® sessions. Faders so you<br />
can feel the mix with your fi ngertips instead of dragging<br />
a mouse. Onboard display of critical parameters for<br />
intuitive operation. Motorized control to craft more<br />
accurate mixes. And professional multichannel I/O<br />
including mic/instrument preamps, Lightpipe and<br />
S/PDIF. ProjectMix I/O is the universal solution that combines<br />
the best of the hardware and software worlds for a new<br />
standard in streamlined <strong>product</strong>ion. Compatible with Pro<br />
Tools M-Powered 7, Ableton Live, Logic,* Cubase,* Digital<br />
Performer* and SONAR.*<br />
Complete Production Experience<br />
Computer-based DAWs seem to have virtually no limitations—<br />
except those imposed by using a mouse to do the job of<br />
dedicated hardware. ProjectMix I/O fi nally puts all that tactile<br />
control back under your fi ngertips. It also combines that<br />
control with M-<strong>Audio</strong>’s acclaimed FireWire audio interface<br />
technology, eliminating clutter while integrating everything<br />
you need to transform your computer-based music system<br />
into a full-fl edged digital audio workstation. ProjectMix I/O<br />
supports both audio and MIDI integration with most digital<br />
audio workstations. It also supports MIDI control only for all<br />
Pro Tools software.<br />
Total I/O<br />
ProjectMix I/O gives you just about every kind of I/O you might<br />
need for a session. Eight analog input channels all feature<br />
1/4” balanced and XLR microphone inputs with individual<br />
mic/line switches. Of course, phantom power is provided<br />
for up to eight condenser mics and input 1 even features a<br />
front-panel instrument input so you can easily plug a guitar<br />
or bass right in. ADAT Lightpipe I/O brings the simultaneous<br />
input total to 16 and allows you to expand your system with<br />
devices like M-<strong>Audio</strong>’s award-winning Octane preamp. This<br />
allows for eight more preamp channels via Lightpipe. S/PDIF<br />
handles all your other digital connectivity, and word clock<br />
synchronizes ProjectMix I/O with other digital devices.<br />
ProjectMix I/O also serves as a 1 x 1 MIDI interface, allowing<br />
your computer to connect with MIDI hardware. Monitoring<br />
options include two 1/4” headphone outputs with separate<br />
volume controls for working with a partner, as well as two<br />
stereo output pairs for routing to monitors, processors and<br />
mixdown devices. There’s even an A/B headphone source<br />
monitoring switch for cueing. ProjectMix I/O brings all of this<br />
to your computer with a single, simple FireWire connection.<br />
Control<br />
8 touch-sensitive motorized channel faders<br />
1 touch-sensitive motorized master fader<br />
8 assignable rotary encoders and large<br />
LCD for channel or plug-in functions<br />
mic/line, record enable, select, solo<br />
and mute buttons on each channel<br />
channel +/- and bank +/- keys<br />
illuminated transport controls for record,<br />
play, stop, fast forward and rewind<br />
jog/shuttle wheel with mode switch<br />
zoom key with 4 directional keys<br />
dedicated keys for in/out points, locate,<br />
region nudge, loop and more<br />
A/B headphone source switch<br />
for cue auditioning<br />
function LED display for each channel<br />
“… the ProjectMix’s cross-sequencer compatibilty, large LCD<br />
display and integrated audio interface make it a superior choice<br />
for project studios seeking a fl exible alternative to keyboardand-mouse<br />
mixing.” –Future Music<br />
I/O<br />
8 analog mic/line inputs (1/4” TRS and<br />
XLR balanced) with signal/peak indicators<br />
4 analog outputs (1/4” TRS balanced)<br />
8 x 8 ADAT Lightpipe I/O<br />
front-panel instrument input (1/4” TS)<br />
switchable for input 1<br />
2 x 2 S/PDIF digital I/O<br />
1 x 1 MIDI I/O with activity LEDs<br />
FireWire (IEEE 1394) connectivity<br />
word clock I/O (BNC)<br />
phantom power<br />
2 stereo headphone outputs (1/4” TRS)<br />
with independent level controls<br />
Kensington lock slot<br />
compatible with Pro Tools M-Powered 7,<br />
Ableton Live, Logic,* Cubase,* Digital<br />
Performer* and SONAR*<br />
includes Live Lite<br />
*DAW software version must support Mackie Control, Logic<br />
Control or HUI protocol.<br />
Total I/O<br />
ProjectMix I/O gives you just about<br />
every kind of I/O you might need for<br />
a session—and at the same price<br />
as many control surfaces lacking<br />
audio altogether.<br />
Channel Strip<br />
Simply press the bank +/- and channel +/- controls to map the eight channel strips<br />
to as many channels as your project requires. Each channel strip features all of<br />
the functions you’d expect to help you zip through sessions, including buttons for<br />
mic / line, record enable, mute, solo and select. In addition to a touch-sensitive motorized<br />
fader, each strip has an endless rotary encoder knob whose function is assigned<br />
by one of 15 dedicated buttons for EQ, aux send and more. Related information is<br />
displayed in the LCD window directly above each encoder. The encoders and LCD<br />
double to control assigned plug-in parameters as well.<br />
software control panel<br />
“It’s hard to thumb your nose at a 30-pound<br />
machine that functions like a baby SSL.”<br />
—Scratch<br />
Easy to Use<br />
M-<strong>Audio</strong>’s design team spent much time considering which features<br />
would provide the most value. They knew that high-resolution<br />
10-bit touch-sensitive moving faders, large LCD display and<br />
mic/line switches on all channels were important. They also<br />
discovered that much of the expense of other units on<br />
the market owed to a dizzying number of controls that<br />
many users found daunting. Our engineers opted for<br />
a streamlined design that places some functions<br />
under the control of the keyboard and mouse,<br />
where they are best suited. The result is a<br />
controller that doesn’t have much of a learning<br />
curve and is more intuitive to use. Check out<br />
ProjectMix I/O at your local M-<strong>Audio</strong> dealer—<br />
we think you’ll agree.<br />
“ProjectMix makes the recording process feel less like<br />
programming a computer and more like performing a little<br />
back-in-the-day… magic.” —Jazz Times<br />
10-Bit Touch-Sensitive Moving Faders<br />
The motorized touch-sensitive faders on each of the eight channel strips and master strip<br />
record and play back your changes, making for seamless mix automation. And touch<br />
sensitivity means that when you touch a fader in motion, it immediately disengages for<br />
manual control and re-engages automation when you release. This provides for both<br />
smoother operation and the elimination of motor burnout prevalent in older technologies.<br />
The ProjectMix I/O faders also feature higher resolution than other control surfaces in<br />
the same class.<br />
It’s the box to buy if you use multiple<br />
applications, especially if you want to have<br />
Pro Tools as one of your options. It handles<br />
and sounds thoroughly professional.”<br />
—Keyboard<br />
Transport Control<br />
Dedicated transport controls are another feature that makes sessions with ProjectMix I/O<br />
a breeze. You get illuminated controls for record, play, stop, fast forward and rewind, plus<br />
a jog/shuttle wheel and locate buttons for easy project navigation. Sets of keys for in/out<br />
points, zoom, region nudge, looping and more will having you fl ying through sessions with<br />
incredible effi ciency.<br />
PRODUCT GUIDE 2009<br />
AUDIO INTERFACES INTERFACES 17