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product guide - M-Audio

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PRODUCT GUIDE 2009<br />

16<br />

AUDIO INTERFACES<br />

ProjectMix I/O<br />

Control Surface with<br />

Motorized Faders and<br />

18 x 14 <strong>Audio</strong> Interface<br />

Today, more professional music is produced at home than<br />

ever before—and the ProjectMix I/O control surface delivers<br />

what you need to take your Mac- or PC-based studio and<br />

<strong>product</strong>ions to the next level. Seamless integration with<br />

all major DAW software. The ability to record directly into<br />

industry-standard Pro Tools ® sessions. Faders so you<br />

can feel the mix with your fi ngertips instead of dragging<br />

a mouse. Onboard display of critical parameters for<br />

intuitive operation. Motorized control to craft more<br />

accurate mixes. And professional multichannel I/O<br />

including mic/instrument preamps, Lightpipe and<br />

S/PDIF. ProjectMix I/O is the universal solution that combines<br />

the best of the hardware and software worlds for a new<br />

standard in streamlined <strong>product</strong>ion. Compatible with Pro<br />

Tools M-Powered 7, Ableton Live, Logic,* Cubase,* Digital<br />

Performer* and SONAR.*<br />

Complete Production Experience<br />

Computer-based DAWs seem to have virtually no limitations—<br />

except those imposed by using a mouse to do the job of<br />

dedicated hardware. ProjectMix I/O fi nally puts all that tactile<br />

control back under your fi ngertips. It also combines that<br />

control with M-<strong>Audio</strong>’s acclaimed FireWire audio interface<br />

technology, eliminating clutter while integrating everything<br />

you need to transform your computer-based music system<br />

into a full-fl edged digital audio workstation. ProjectMix I/O<br />

supports both audio and MIDI integration with most digital<br />

audio workstations. It also supports MIDI control only for all<br />

Pro Tools software.<br />

Total I/O<br />

ProjectMix I/O gives you just about every kind of I/O you might<br />

need for a session. Eight analog input channels all feature<br />

1/4” balanced and XLR microphone inputs with individual<br />

mic/line switches. Of course, phantom power is provided<br />

for up to eight condenser mics and input 1 even features a<br />

front-panel instrument input so you can easily plug a guitar<br />

or bass right in. ADAT Lightpipe I/O brings the simultaneous<br />

input total to 16 and allows you to expand your system with<br />

devices like M-<strong>Audio</strong>’s award-winning Octane preamp. This<br />

allows for eight more preamp channels via Lightpipe. S/PDIF<br />

handles all your other digital connectivity, and word clock<br />

synchronizes ProjectMix I/O with other digital devices.<br />

ProjectMix I/O also serves as a 1 x 1 MIDI interface, allowing<br />

your computer to connect with MIDI hardware. Monitoring<br />

options include two 1/4” headphone outputs with separate<br />

volume controls for working with a partner, as well as two<br />

stereo output pairs for routing to monitors, processors and<br />

mixdown devices. There’s even an A/B headphone source<br />

monitoring switch for cueing. ProjectMix I/O brings all of this<br />

to your computer with a single, simple FireWire connection.<br />

Control<br />

8 touch-sensitive motorized channel faders<br />

1 touch-sensitive motorized master fader<br />

8 assignable rotary encoders and large<br />

LCD for channel or plug-in functions<br />

mic/line, record enable, select, solo<br />

and mute buttons on each channel<br />

channel +/- and bank +/- keys<br />

illuminated transport controls for record,<br />

play, stop, fast forward and rewind<br />

jog/shuttle wheel with mode switch<br />

zoom key with 4 directional keys<br />

dedicated keys for in/out points, locate,<br />

region nudge, loop and more<br />

A/B headphone source switch<br />

for cue auditioning<br />

function LED display for each channel<br />

“… the ProjectMix’s cross-sequencer compatibilty, large LCD<br />

display and integrated audio interface make it a superior choice<br />

for project studios seeking a fl exible alternative to keyboardand-mouse<br />

mixing.” –Future Music<br />

I/O<br />

8 analog mic/line inputs (1/4” TRS and<br />

XLR balanced) with signal/peak indicators<br />

4 analog outputs (1/4” TRS balanced)<br />

8 x 8 ADAT Lightpipe I/O<br />

front-panel instrument input (1/4” TS)<br />

switchable for input 1<br />

2 x 2 S/PDIF digital I/O<br />

1 x 1 MIDI I/O with activity LEDs<br />

FireWire (IEEE 1394) connectivity<br />

word clock I/O (BNC)<br />

phantom power<br />

2 stereo headphone outputs (1/4” TRS)<br />

with independent level controls<br />

Kensington lock slot<br />

compatible with Pro Tools M-Powered 7,<br />

Ableton Live, Logic,* Cubase,* Digital<br />

Performer* and SONAR*<br />

includes Live Lite<br />

*DAW software version must support Mackie Control, Logic<br />

Control or HUI protocol.<br />

Total I/O<br />

ProjectMix I/O gives you just about<br />

every kind of I/O you might need for<br />

a session—and at the same price<br />

as many control surfaces lacking<br />

audio altogether.<br />

Channel Strip<br />

Simply press the bank +/- and channel +/- controls to map the eight channel strips<br />

to as many channels as your project requires. Each channel strip features all of<br />

the functions you’d expect to help you zip through sessions, including buttons for<br />

mic / line, record enable, mute, solo and select. In addition to a touch-sensitive motorized<br />

fader, each strip has an endless rotary encoder knob whose function is assigned<br />

by one of 15 dedicated buttons for EQ, aux send and more. Related information is<br />

displayed in the LCD window directly above each encoder. The encoders and LCD<br />

double to control assigned plug-in parameters as well.<br />

software control panel<br />

“It’s hard to thumb your nose at a 30-pound<br />

machine that functions like a baby SSL.”<br />

—Scratch<br />

Easy to Use<br />

M-<strong>Audio</strong>’s design team spent much time considering which features<br />

would provide the most value. They knew that high-resolution<br />

10-bit touch-sensitive moving faders, large LCD display and<br />

mic/line switches on all channels were important. They also<br />

discovered that much of the expense of other units on<br />

the market owed to a dizzying number of controls that<br />

many users found daunting. Our engineers opted for<br />

a streamlined design that places some functions<br />

under the control of the keyboard and mouse,<br />

where they are best suited. The result is a<br />

controller that doesn’t have much of a learning<br />

curve and is more intuitive to use. Check out<br />

ProjectMix I/O at your local M-<strong>Audio</strong> dealer—<br />

we think you’ll agree.<br />

“ProjectMix makes the recording process feel less like<br />

programming a computer and more like performing a little<br />

back-in-the-day… magic.” —Jazz Times<br />

10-Bit Touch-Sensitive Moving Faders<br />

The motorized touch-sensitive faders on each of the eight channel strips and master strip<br />

record and play back your changes, making for seamless mix automation. And touch<br />

sensitivity means that when you touch a fader in motion, it immediately disengages for<br />

manual control and re-engages automation when you release. This provides for both<br />

smoother operation and the elimination of motor burnout prevalent in older technologies.<br />

The ProjectMix I/O faders also feature higher resolution than other control surfaces in<br />

the same class.<br />

It’s the box to buy if you use multiple<br />

applications, especially if you want to have<br />

Pro Tools as one of your options. It handles<br />

and sounds thoroughly professional.”<br />

—Keyboard<br />

Transport Control<br />

Dedicated transport controls are another feature that makes sessions with ProjectMix I/O<br />

a breeze. You get illuminated controls for record, play, stop, fast forward and rewind, plus<br />

a jog/shuttle wheel and locate buttons for easy project navigation. Sets of keys for in/out<br />

points, zoom, region nudge, looping and more will having you fl ying through sessions with<br />

incredible effi ciency.<br />

PRODUCT GUIDE 2009<br />

AUDIO INTERFACES INTERFACES 17

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