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Positional Neutralization - Linguistics - University of California ...

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ounding or ATR contrasts are exceedingly rare, if not utterly unattested 7 . The<br />

neutralization <strong>of</strong> vowel height in UVR systems has commonly been attributed to the<br />

difficulty <strong>of</strong> reaching articulatory targets for non-high vowels in the shortened durations<br />

allowed vowels in unstressed syllables in most <strong>of</strong> the languages in question (Flemming<br />

2001). Compression <strong>of</strong> the vowel space along this dimension due to undershoot <strong>of</strong><br />

targets, together with a shorter window within which to correctly identify the unstressed<br />

vowel leads to the possibility <strong>of</strong> misperceptions by listeners leading to reinterpretation <strong>of</strong><br />

speakers’ intended pronunciations, In this way the neutralization <strong>of</strong> height contrasts is<br />

phonologized. Nearly identical patterns <strong>of</strong> vowel reduction are presented in their<br />

phonologized and unphonologized states, in some cases in different positions within a<br />

single language.<br />

In contrast to the relatively simple typological patterning found in stressed and<br />

unstressed syllables, Chapter 3 shows the array <strong>of</strong> effects found in final syllables to be<br />

substantially less uniform. There is robust crosslinguistic attestation <strong>of</strong> patterns <strong>of</strong> final<br />

syllable, and particularly final vowel resistance to neutralization processes for which the<br />

vowel <strong>of</strong> the final would otherwise be a legitimate target. The existence <strong>of</strong> these final<br />

resistance effects is attributed to the well-known phonetic pattern <strong>of</strong> domain-final<br />

7<br />

In the sense in which a UVR system reducing five vowels [i, e, a, o, u] to three vowels [i, , u] is<br />

unambiguously based on the neutralization <strong>of</strong> height contrasts, or palatal harmonies are unambiguously<br />

based on the neutralization <strong>of</strong> contrasts <strong>of</strong> frontness or backness.<br />

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