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Positional Neutralization - Linguistics - University of California ...

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1.1.2. Phonetically-driven Phonology<br />

Observations like these form the basis <strong>of</strong> the influential Licensing-by-Cue theory<br />

advanced by Steriade (1997) and implemented in numerous works <strong>of</strong> other authors<br />

adopting versions <strong>of</strong> this approach, such as Bradley 2001, Côté 2000, Crosswhite 2001,<br />

and Zhang 2001. Steriade observes that in positional neutralization patterns, the same<br />

features appear correlated again and again crosslinguistically with the same positions, and<br />

argues furthermore, that this correlation follows from the specific phonetic characteristics<br />

<strong>of</strong> each position. More precisely, Steriade’s claim is that features are licensed<br />

preferentially in positions in which phonetic conditions make them maximally<br />

perceptually robust, and are likewise eschewed in positions where they would be less<br />

robust perceptually, and hence easily overlooked. It is not then the position itself which<br />

licenses or bans features, but rather the concrete phonetic cues which are important for<br />

those features’ perception. For example, potentially hard-to-perceive laryngeal contrasts,<br />

such as those involving voice, aspiration or glottality could be licensed on stops only in<br />

the presence <strong>of</strong> release bursts and following CV transitions, wherever those may happen<br />

to occur in a given language. Likewise certain vowel height contrasts, such as mid vs.<br />

high or low, could be permitted exclusively on vowels with sufficient phonetic duration<br />

for their accurate perception. That voiced, aspirated, or glottalized consonants happen to<br />

contrast in one or another structural position within the syllable, or that the vowels with<br />

11

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