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Positional Neutralization - Linguistics - University of California ...

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The realization <strong>of</strong> */a/ as [a] in the stressed syllable can be seen above in (21)<br />

(e.g. tanom - to plant). Adding to the asymmetry, however, */a/ is also realized as TM [o]<br />

in final syllables <strong>of</strong> a certain shape. Since the most regularly attested <strong>of</strong> these seems to be<br />

word-final /a/ (and since a > [o] here makes little sense as a final strength effect), this<br />

appears to be the result <strong>of</strong> a final reduction process such as those discussed in 3.6.5.2, a<br />

hypothesis strengthened by Kroeger’s (1993: 38) observation that in Kimaragang, there<br />

are few vowel-final words, and what final non-high vowels ([a], [o]) there exist are<br />

realized with a “slight breathiness or aspiration”. The regularity <strong>of</strong> the change in some <strong>of</strong><br />

these environments (e.g. /_y#) is still uncertain, and /_h# could simply be the result <strong>of</strong> an<br />

earlier loss <strong>of</strong> final [h], leaving /a/ final:<br />

(25) *PAN /a/ > [o] in Timugon Murut posttonic syllables<br />

a. /_# *lima > limo ‘five’<br />

*duSa > duo ‘two’<br />

*kita > kito ‘see’<br />

*tuba > tuo ‘fish poison’<br />

*mata > mato ‘eye’<br />

b. /_j# *PMP m-atay ‘to die’ > patoy ‘die<br />

*PMP sakay-an ‘vehicle, ride in’ > sakoy ‘mount, ride’<br />

c. /_h# *qumah > umo ‘cultivated field’<br />

As for the pretonic syllables, the right-to-left harmony exhibited in Timugon<br />

Murut makes most sense in light <strong>of</strong> facts from other related languages, such as<br />

Kimaragang, in which Kroeger notes that pretonic /a/ and /o/ both “tend to reduce to<br />

186

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