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Positional Neutralization - Linguistics - University of California ...

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meaning that the contrast in question is neutralized whenever one <strong>of</strong> the terms involved<br />

comes to occupy a particular structural position in the word or phrase. This Trubetzkoy<br />

opposed to “contextually conditioned” neutralization, in which the collapse <strong>of</strong> contrasts is<br />

triggered by, for example, segmental environment through processes such as assimilation,<br />

dissimilation and the like. I will use the term positional neutralization throughout this<br />

work in its maximally generic sense, referring to any instance <strong>of</strong> an asymmetrical<br />

capacity <strong>of</strong> two positions (or sets <strong>of</strong> positions) in the representation to license<br />

phonological contrasts, such that one set <strong>of</strong> structural positions licenses a larger array <strong>of</strong><br />

contrasts than another. Specifically, one set <strong>of</strong> positions, termed “weak”, allows<br />

realization <strong>of</strong> only a subset <strong>of</strong> the range <strong>of</strong> contrasts available in another set <strong>of</strong> positions,<br />

termed “strong”. In this sense positional neutralization refers not only to instances in<br />

which contrasts are lost through mergers in weak positions, but also to cases in which<br />

licensing asymmetries arise through, for example, the emergence <strong>of</strong> new contrasts in<br />

strong positions.<br />

In my treatment <strong>of</strong> PN systems, I defend an approach to the phonetics-phonology<br />

interface recognizing a complete separation between a gradient phonetics and an abstract<br />

categorical phonology in a manner similar to that advocated in Keating (1996, inter alia).<br />

Functioning as they do with different sets <strong>of</strong> primitives, the only link between these two<br />

systems comes in diachrony, as naturally arising language-specific phonetic patterns are<br />

2

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