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Cornwall's 105 to 107 Itchy FM - Ofcom Licensing

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0.35<br />

0.3<br />

0.25<br />

0.2<br />

0.15<br />

0.1<br />

0.05<br />

0<br />

Fifties<br />

Sixties<br />

Seventies<br />

Eighties<br />

Nineties<br />

2000-03<br />

Current<br />

Pirate <strong>FM</strong> – Moni<strong>to</strong>ring Day by year of music played.<br />

Series1<br />

In supporting a young format, we looked at our formal moni<strong>to</strong>ring study of 110 daytime tracks played by<br />

Pirate <strong>FM</strong> (Nov 29 th 2004), included in the appendices. This demonstrated the likely difficulty which<br />

would be faced by a new radio station attempting <strong>to</strong> appeal <strong>to</strong> an older market. A significant amount of<br />

Pirate <strong>FM</strong>’s daytime output (23%) is made up of music from the eighties. This decade is second only in<br />

its prevalence <strong>to</strong> recent music from this year (33 tracks, 30%). Additionally we highlight that of these<br />

tracks, <strong>Itchy</strong> <strong>FM</strong> would be likely <strong>to</strong> play only 10 tracks, or as a percentage of Pirate <strong>FM</strong>’s overall<br />

daytime output the likely cross-over from <strong>Itchy</strong> <strong>FM</strong> is just 9%. Furthermore, any station targeting an<br />

older age range would undoubtedly have <strong>to</strong> play significantly more music from the last forty years, and<br />

less current and pre-release tracks, thereby competing head-on with Pirate <strong>FM</strong>. We see <strong>Itchy</strong> <strong>FM</strong>’s<br />

minimal music cross-over as essential <strong>to</strong> reach the 63.3% of local 15-39 year olds identified in our NOP<br />

research who were ‘Not very satisfied’ or ‘Mostly satisfied but would consider switching’ with Pirate <strong>FM</strong>.<br />

Our moni<strong>to</strong>ring highlighted that half of Pirate <strong>FM</strong>’s music is pre-2000. Even though less than one third<br />

of Pirate <strong>FM</strong>’s output is ‘current’, there is only a small cross-over in the individual tracks that would be<br />

shared.<br />

Music Comparison Table – Pirate <strong>FM</strong> & <strong>Itchy</strong> <strong>FM</strong><br />

Pirate <strong>FM</strong> – Currents<br />

Lucie Silvas<br />

Daniel Bedingfield<br />

Bryan McFadden<br />

Dido<br />

Pirate <strong>FM</strong> - Classics<br />

Bananarama<br />

Brenda Russell<br />

Tina Turner<br />

Duran Duran<br />

<strong>Itchy</strong> <strong>FM</strong> – Currents<br />

Snow Patrol<br />

Usher<br />

The Streets<br />

Rasmus<br />

<strong>Itchy</strong> <strong>FM</strong> – Classics<br />

Basement Jaxx<br />

Fatboy Slim<br />

Faithless<br />

Armand van Helden<br />

Whereas a high proportion of <strong>Itchy</strong> <strong>FM</strong>’s output would be music from the past 10 years – proving a real<br />

and critical point of difference - we believe that, as in other markets, an older focussed second <strong>FM</strong><br />

service would simply end up as a “me <strong>to</strong>o” carbon copy of Pirate <strong>FM</strong>.<br />

47

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