Cornwall's 105 to 107 Itchy FM - Ofcom Licensing
Cornwall's 105 to 107 Itchy FM - Ofcom Licensing
Cornwall's 105 to 107 Itchy FM - Ofcom Licensing
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0.35<br />
0.3<br />
0.25<br />
0.2<br />
0.15<br />
0.1<br />
0.05<br />
0<br />
Fifties<br />
Sixties<br />
Seventies<br />
Eighties<br />
Nineties<br />
2000-03<br />
Current<br />
Pirate <strong>FM</strong> – Moni<strong>to</strong>ring Day by year of music played.<br />
Series1<br />
In supporting a young format, we looked at our formal moni<strong>to</strong>ring study of 110 daytime tracks played by<br />
Pirate <strong>FM</strong> (Nov 29 th 2004), included in the appendices. This demonstrated the likely difficulty which<br />
would be faced by a new radio station attempting <strong>to</strong> appeal <strong>to</strong> an older market. A significant amount of<br />
Pirate <strong>FM</strong>’s daytime output (23%) is made up of music from the eighties. This decade is second only in<br />
its prevalence <strong>to</strong> recent music from this year (33 tracks, 30%). Additionally we highlight that of these<br />
tracks, <strong>Itchy</strong> <strong>FM</strong> would be likely <strong>to</strong> play only 10 tracks, or as a percentage of Pirate <strong>FM</strong>’s overall<br />
daytime output the likely cross-over from <strong>Itchy</strong> <strong>FM</strong> is just 9%. Furthermore, any station targeting an<br />
older age range would undoubtedly have <strong>to</strong> play significantly more music from the last forty years, and<br />
less current and pre-release tracks, thereby competing head-on with Pirate <strong>FM</strong>. We see <strong>Itchy</strong> <strong>FM</strong>’s<br />
minimal music cross-over as essential <strong>to</strong> reach the 63.3% of local 15-39 year olds identified in our NOP<br />
research who were ‘Not very satisfied’ or ‘Mostly satisfied but would consider switching’ with Pirate <strong>FM</strong>.<br />
Our moni<strong>to</strong>ring highlighted that half of Pirate <strong>FM</strong>’s music is pre-2000. Even though less than one third<br />
of Pirate <strong>FM</strong>’s output is ‘current’, there is only a small cross-over in the individual tracks that would be<br />
shared.<br />
Music Comparison Table – Pirate <strong>FM</strong> & <strong>Itchy</strong> <strong>FM</strong><br />
Pirate <strong>FM</strong> – Currents<br />
Lucie Silvas<br />
Daniel Bedingfield<br />
Bryan McFadden<br />
Dido<br />
Pirate <strong>FM</strong> - Classics<br />
Bananarama<br />
Brenda Russell<br />
Tina Turner<br />
Duran Duran<br />
<strong>Itchy</strong> <strong>FM</strong> – Currents<br />
Snow Patrol<br />
Usher<br />
The Streets<br />
Rasmus<br />
<strong>Itchy</strong> <strong>FM</strong> – Classics<br />
Basement Jaxx<br />
Fatboy Slim<br />
Faithless<br />
Armand van Helden<br />
Whereas a high proportion of <strong>Itchy</strong> <strong>FM</strong>’s output would be music from the past 10 years – proving a real<br />
and critical point of difference - we believe that, as in other markets, an older focussed second <strong>FM</strong><br />
service would simply end up as a “me <strong>to</strong>o” carbon copy of Pirate <strong>FM</strong>.<br />
47