LL Spring05.indd - Lehman College
LL Spring05.indd - Lehman College
LL Spring05.indd - Lehman College
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• • • • • • • • • • • • • • • CAMPUS • • • • • • NEWS • • • • • • • • • • • • • • • • • • • • •<br />
Helping Teachers Helps Their<br />
Students, Study Shows<br />
4<br />
A new initiative of the New York<br />
City Mathematics Project—a<br />
program of the <strong>Lehman</strong>-based<br />
CUNY Institute for Literacy<br />
Studies—has shown dramatic<br />
results in improving student<br />
math skills.<br />
The five-year initiative,<br />
called “Teacher Leaders<br />
for Mathematics Success”<br />
(TL=MS), was funded by the<br />
National Science Foundation<br />
and evaluated in a longitudinal<br />
study by the Academy for<br />
Educational Development, a<br />
national educational assessment<br />
organization.<br />
TL=MS involved 280 K–8<br />
teachers in over 20 low-income<br />
schools throughout the<br />
Bronx, who received ongoing<br />
professional development that<br />
improved their understanding<br />
of math and how to teach it.<br />
The program, in turn, had a<br />
positive impact on students,<br />
with almost 90 percent showing<br />
increases in math performance,<br />
regardless of their gender, race,<br />
ethnicity or English-language<br />
skills.<br />
“It’s possible,” concludes Marcie<br />
Wolfe, the Institute’s Executive<br />
Director, “to increase children’s<br />
opportunities for success in<br />
mathematics if their teachers<br />
expand their content knowledge,<br />
develop more enthusiasm<br />
for teaching math, and use a<br />
range of instructional strategies<br />
that are both engaging and<br />
rigorous.” ◆<br />
Theatre Legends Drop By Carman Hall<br />
For ‘Conversations’ with Professor Bill Hoffman<br />
When award-winning<br />
playwright Edward Albee<br />
last visited <strong>Lehman</strong> <strong>College</strong>,<br />
as a guest professor in an English<br />
drama course, his hair was considerably<br />
longer, and TV cameras<br />
weren't rolling. This time<br />
around, his appearance not only<br />
was captured for television but it<br />
was also part of an ongoing series<br />
of “Conversations” being held at<br />
<strong>Lehman</strong> with theatre legends.<br />
Creator and host of the<br />
program is <strong>Lehman</strong> Professor<br />
William M. Hoffman, well-known<br />
in the theatre world in his own<br />
right. Winner of a Drama Desk<br />
Award and an Obie for his 1985<br />
Broadway play As Is, as well as<br />
Tony Award and Pulitzer Prize<br />
nominations, he has also won<br />
both a Writers Guild award and<br />
an Emmy nomination for his<br />
work in television.<br />
In his interview on “Conversations,”<br />
Albee fondly recounted the<br />
numerous odd jobs he held in Manhattan in his<br />
youth, including work as a Western Union messenger.<br />
He also discussed why each one of his<br />
plays is unique.<br />
Perhaps best known for Who’s Afraid of<br />
Virginia Woolf?—the play that won him the Tony<br />
Award in 1962—Albee also won the Pulitzer<br />
Prize for A Delicate Balance (1966), Seascape<br />
(1975) and Three Tall Women (1994). His play<br />
The Zoo Story first placed him in the public<br />
eye in 1959 and is credited with giving birth to<br />
American absurdist drama.<br />
Among other recent guests on “Conversations”<br />
have been Metropolitan Opera star<br />
Regina Resnik, caberet legend Barbara Cook,<br />
composer and librettist Mark Adamo, theatre<br />
critic Michael Feingold and playwright Lanford<br />
Wilson—and coming up this spring, famed<br />
playwright, novelist and screenwriter Arthur<br />
Laurents.<br />
Professor Hoffman has also brought his own<br />
original works to the <strong>Lehman</strong> campus, including<br />
this spring's debut of “The Stench of Art.” This<br />
is his third play in a series that has turned into a<br />
trilogy of comic/tragic works critically examining<br />
current American life.<br />
The first play, “Chico De Jazzzz,” examined<br />
the excesses of our criminal justice system, while<br />
Edward Albee on his first visit to <strong>Lehman</strong> (left)<br />
and appearing on the “Conversations” series<br />
(above), which is taped before a live audience in<br />
Room C-14 of Carman Hall (below).<br />
the second, “Cyberian Nights,” looked at how the<br />
Internet has impacted our lonely, isolated existences.<br />
The third play, he says, “will discuss how the<br />
arts have come to replace other spiritual values<br />
in America. We have come to literally worship art<br />
and artists, building museum after museum that<br />
contain wildly overpriced works that mystify the<br />
masses. Artists often feel under no obligation to<br />
communicate with their audiences.<br />
“In ‘The Stench of Art’ I raise the question if<br />
it is right to worship Art, as the ancient Israelites<br />
worshipped the Golden Calf, before being brought<br />
back to their senses by Moses.” ◆<br />
Coming to <strong>Lehman</strong> This Spring<br />
Friday, May 6, 8 pm<br />
A<strong>LL</strong> -STAR LATIN JAZZ TRIBUTE TO<br />
TITO PUENTE<br />
(in <strong>Lehman</strong> Center for the Performing Arts)<br />
Friday, May 13, and Saturday, May 14, 8 pm<br />
LA BOHÈME (in the Lovinger Theatre)<br />
Saturday, May 21, 12 pm<br />
ATHLETIC HA<strong>LL</strong> OF FAME INDUCTION<br />
LUNCHEON<br />
Sunday, May 22, 2 pm<br />
DRAGONS, DRUMS AND DAGGERS:<br />
ARTS OF IMPERIAL CHINA<br />
(in <strong>Lehman</strong> Center for the Performing Arts)