Darstellungsmethoden - lamp.tugraz.at
Darstellungsmethoden - lamp.tugraz.at
Darstellungsmethoden - lamp.tugraz.at
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Augmented Architecture<br />
Wie Computer die Architektur<br />
erweitern<br />
Univ.-Prof. Dr. Urs Hirschberg<br />
Institut für Architektur und Medien TU Graz<br />
http://iam.<strong>tugraz</strong>.<strong>at</strong>/ hirschberg@<strong>tugraz</strong>.<strong>at</strong><br />
<strong>Darstellungsmethoden</strong><br />
03/10/12 11:30-12:30 HS 1<br />
Villa Savoye, Poissy, 1928-31 LeCorbusier<br />
Architektur beschreiben?<br />
Architektur beginnt im Kopf<br />
Ausstellung im AZ W 16. Oktober 2008 - 2. Feber 2009
Ghosts<br />
no_LAb<br />
Institute of Architecture and Media<br />
Institut für Architektur und Medien<br />
Prof. Urs Hirschberg<br />
Aalto<br />
Alvaar Aalto: Studien für ein Stadtzentrum Leonardo da Vinci: Studien für Festivalzelte Leonardo da Vinci: Skizzen
Paul Laseau:<br />
Graphic Thinking<br />
For Architects And<br />
Designers<br />
Paul Laseau<br />
nur ein Werkzeug?<br />
The power of the unaided mind is highly<br />
overr<strong>at</strong>ed. Without external aids, memory,<br />
thought and reasoning are all constrained. The<br />
real powers come from devising external aids<br />
th<strong>at</strong> enhance our cognitive abilities. How have<br />
we increased memory, thought, and reasoning?<br />
By the invention of external aids: it is the things<br />
th<strong>at</strong> make us smart.<br />
(Don Norman, 1993, p. 43)<br />
Bubble diagram<br />
Augmented Architecture:<br />
„Der Computer ist nur ein Werkzeug.“<br />
nur ein Werkzeug?<br />
Die Kraft des reinen Denkens wird stark<br />
überschätzt. Ohne äußere Hilfsmittel sind<br />
Erinnerungs- und Denkvermögen<br />
eingeschränkt. Die wirklichen Kräfte<br />
entstehen durch das Einsetzen äußerer<br />
Hilfsmittel, die unsere kognitiven Fähigkeiten<br />
verbessern. Wie haben wir Erinnerungs- und<br />
Denkvermögen erweitert? Indem wir äußere<br />
Hilfsmittel erfunden haben: Es sind die Dinge,<br />
die uns schlau machen.<br />
(Don Norman, 1993, p. 43)
SHoP<br />
Projekt von SHoP, New York<br />
Ghosts!<br />
IAM Mission!: Augmented Architecture Teaching fundamentals: computers as tools and as media!<br />
Teaching students of architecture about computer technology:!<br />
!<br />
Computers as tools (design explor<strong>at</strong>ion, simul<strong>at</strong>ion, programming)!<br />
Computers as media (networks, open source collabor<strong>at</strong>ion)!<br />
!<br />
Research (advanced teaching)!<br />
!<br />
Computers as part of construction (mass customiz<strong>at</strong>ion)!<br />
Computers as part of environment (ubiquitous computing)!<br />
!<br />
!<br />
no_LAb!<br />
Institute of Architecture and Media!<br />
research (advanced teaching):!<br />
mass customiz<strong>at</strong>ion + ubiquitous computing<br />
computers integr<strong>at</strong>ed in design and construction process<br />
and as part of our environment<br />
cre<strong>at</strong>ive collabor<strong>at</strong>ion / collective authorship:<br />
peer-to-peer exchange as efficient way to learn<br />
transparent exchange of ideas and expertise<br />
„To the first machine th<strong>at</strong> can<br />
appreci<strong>at</strong>e the gesture.“<br />
The Architecture Machine, Nicholas Negroponte, 1970
Augmented Architecture:<br />
digital media and intuition<br />
Intuition<br />
Bei Bergson sind Intellekt und Intuition zwei<br />
entgegengesetzte, sich ergänzende Funktionen<br />
unseres Bewusstseins, wobei Intellekt das starre,<br />
analytische Prinzip ist, das außerhalb der Zeit<br />
steht, wohingegen Intuition das Erkennen des<br />
handelnden Menschen in der Zeit meint.<br />
L‘évolution cré<strong>at</strong>rice, Henri Bergson, 1907<br />
„Computers are abstract<br />
and unsensual“<br />
Intuition<br />
For Bergson intellect and intuition are two opposite<br />
complementary functions of consciousness:<br />
intellect is the solidified, analytical principle, which<br />
stands outside of time, whereas intuition is wh<strong>at</strong><br />
allows us to act and perceive in real time.<br />
L‘évolution cré<strong>at</strong>rice, Henri Bergson, 1907<br />
Ivan Sutherland<br />
Think again!<br />
Man hört das immer wieder, aber stimmt es<br />
auch wirklich?<br />
"A display connected to a digital computer<br />
gives us a chance to gain familiarity with<br />
concepts not realizable in the physical world.<br />
It is a looking glass into a m<strong>at</strong>hem<strong>at</strong>ical<br />
wonderland."
Institut für Gebäude und Energie!<br />
Prof. Brian Cody!<br />
Graz Design Science Labs (GDSLabs):<br />
integr<strong>at</strong>ion of architectural simul<strong>at</strong>ion<br />
technology into the design process!<br />
European Central Bank, Frankfurt<br />
Coop Himmelb(l)au<br />
Ove Arup (Prof. Brian Cody, TU Graz)<br />
Coming soon:!<br />
Structureslab!<br />
Urbanismlab!<br />
Landscapelab!<br />
Digital and physical models as key to studying perform<strong>at</strong>ive aspects of<br />
architecture in a holistic way!<br />
„Only individuals can<br />
be cre<strong>at</strong>ive.“<br />
Space Syntax:<br />
Raumsoziologische Simul<strong>at</strong>ion<br />
B. Hillier, J. Hansson: The Social Logic of Space<br />
Tendency 1:<br />
Sensual Abstraction<br />
Mit dem Computer können<br />
Abstraktionen anschaulich und<br />
sinnlich erfahrbar gemacht werden.
Collective Authorship<br />
„Building doesn‘t change<br />
much because of the<br />
computer.“<br />
Tendency 2:<br />
Cre<strong>at</strong>ive Collabor<strong>at</strong>ion<br />
Das Internet eröffnet neue<br />
Formen der Zusammenarbeit<br />
Tragwerksentwurf<br />
St<strong>at</strong>ik Kunsthaus Graz (Bilder Harald Kloft)
MUMUTH<br />
•" • Raumwandlung?<br />
Graz Architecture Magazine: Topical, Peer-Reviewed, Bilingual<br />
GAM.01-08!<br />
Research Infrastructure Project:<br />
Ressource Efficient<br />
Non-Standard Structures<br />
Faculties of Architecture and Civil Engineering<br />
Non-standard Architecture Using<br />
Ornaments And Plane Elements<br />
Austrian Science Fund (FWF) grant L695<br />
Comput<strong>at</strong>ional Geometry & Architecture<br />
Project start: October 2009<br />
End in 2012
Univ.-Prof. Dr. Urs Hirschberg<br />
Institut für Architektur und Medien TU Graz<br />
http://iam.<strong>tugraz</strong>.<strong>at</strong>/ hirschberg@<strong>tugraz</strong>.<strong>at</strong><br />
„Mehrzeller“ diploma thesis !<br />
Christian Freissling & Theresa Kalteis!<br />
Doppelt gekrümmte Flächen, Diskretisierung, Optimierung<br />
mass-customized coffee table, Seminararbeit<br />
Markus Manahl
Tendenz 3:<br />
Mass Customiz<strong>at</strong>ion<br />
Inform<strong>at</strong>ionstechnologie macht<br />
Einzelanfertigungen wirtschaftlicher<br />
Augmented Reality: Eichholzer Ausstellung!<br />
Augmented Architecture:<br />
4 Tendencies<br />
„Media have no influence on<br />
our sp<strong>at</strong>ial experience.“<br />
Stefan Zedlacher: Spacensing
Sensitive Voxel<br />
Diplomarbeit Ingrid Pohl
Tendency 4:<br />
Hybrid Environments<br />
/ Sensual Abstraction<br />
/ Mass Customiz<strong>at</strong>ion<br />
Die physische und die virtuelle Welt<br />
durchdringen sich immer mehr<br />
/ Hybrid Environment<br />
/ Cre<strong>at</strong>ive Collabor<strong>at</strong>ion<br />
4 Tendencies:<br />
/ Sensual Abstraction<br />
/ Cre<strong>at</strong>ive Collabor<strong>at</strong>ion<br />
/ Mass Customiz<strong>at</strong>ion<br />
/ Hybrid Environments<br />
Raw<br />
no_LAb<br />
Institute of Architecture and Media
Dark Curtain<br />
no_LAb<br />
Institute of Architecture and Media<br />
Technology expanding perception and influencing art:<br />
Stefan Zedlacher: Spacensing<br />
Eadward Muybridge + Marcel Duchamps<br />
Harold Edgerton<br />
Fly<br />
no_LAb<br />
Institute of Architecture and Media<br />
http://iam.<strong>tugraz</strong>.<strong>at</strong>/wks3/
day_01<br />
Analyze and Develop a Scenario of a Mundane Everyday Body Movement<br />
* Teambuilding, two students each<br />
* Storyboard of Scenario * Pinup & Discussion<br />
* Submission of Scenario-Concept-Drawings<br />
* Alias Maya-Import-Demonstr<strong>at</strong>ion of Tracking-D<strong>at</strong>a<br />
* Prepar<strong>at</strong>ion for Final Tracking on Tuesday<br />
day_02<br />
Trace and Track the Scenarios<br />
* Final Scenario Tracking with Vicon System<br />
* FBX-Import into Maya, Gener<strong>at</strong>ion of Motion Trails<br />
* Pinup & Discussion<br />
* Refining of Scenario-Track, Retracking if necessary<br />
* Submission of Maya-Screenshots, Description of Tracking-Process<br />
day_04<br />
Build a Suspended Wooden 'Action‘<br />
* Buildung the final Section-Model with the Laser-Cutter<br />
* Assembling of the Model Parts * Pinup & Discussion<br />
* Submission of Model-Pictures (real and digital)<br />
day_03<br />
Transl<strong>at</strong>e the 'action' d<strong>at</strong>a into a 3D Form in Maya*<br />
* Startup & Discussion<br />
* Maya Modeling & MEL Tutorials if necessary<br />
* Pinup & Discussion<br />
* Submission of Renderings (selected Model and analogue Section-Diagram)<br />
day_05<br />
Final Present<strong>at</strong>ion<br />
* Assembling of the Model Parts<br />
* Submission of Model-Pictures (real and digital)<br />
•"Submission of Project Description<br />
* Final Review
‚clap your hands…‘<br />
Formotions
Atlas Zersiedelung Steiermark<br />
IAM Studio SS 2010
Pendlerströme in der Steiermark (P. Erkinger / P. Sackl)<br />
Architektur beschreiben?<br />
•" Entwurfsprozess<br />
•" Bauprozess<br />
•" Code als Prozessbeschreibung
Parametric Wood Joints<br />
Studio WS 2011/12
Augmented Architecture<br />
Wie Computer die Architektur<br />
erweitern<br />
Univ.-Prof. Dr. Urs Hirschberg<br />
Institut für Architektur und Medien TU Graz<br />
http://iam.<strong>tugraz</strong>.<strong>at</strong>/ hirschberg@<strong>tugraz</strong>.<strong>at</strong>
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