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The Aramaic Bible: Targums in their Historical Context

The Aramaic Bible: Targums in their Historical Context

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ALEXANDER <strong>The</strong> Targum of the Song of Songs 333<br />

Songs: shir ha-shirim asher li-shelomoh; but more obliquely it helps<br />

to establish the historical framework for the subsequent exposition. It<br />

cleverly strikes a note of imm<strong>in</strong>ent eschatological hope, which will be<br />

heard aga<strong>in</strong> and aga<strong>in</strong> throughout the Targum: Solomon's song is the<br />

n<strong>in</strong>th song; the only song that rema<strong>in</strong>s to be sung is the song which the<br />

exiles will s<strong>in</strong>g when they are redeemed from captivity.<br />

<strong>The</strong> first major section of the Targum runs from 1.4 to 3.4 and<br />

covers the exodus, the wilderness wander<strong>in</strong>gs and the sett<strong>in</strong>g up of the<br />

Tabernacle. <strong>The</strong> same chronological period is covered, <strong>in</strong> effect, three<br />

times over, <strong>in</strong> 1.4-8, <strong>in</strong> 1.9-2.7 and <strong>in</strong> 2.8-3.4. Each of these subsections<br />

explores the pattern of deliverance (the exodus), s<strong>in</strong> (the <strong>in</strong>cident<br />

of the Golden Calf) and atonement (the sett<strong>in</strong>g up of the Tabernacle).<br />

<strong>The</strong> second major section runs from 3.5 to 5.1. After a brief allusion<br />

to the entry <strong>in</strong>to the land (<strong>in</strong>spired, no doubt, by Song 3.6, 'Who<br />

is this com<strong>in</strong>g up from the wilderness?'), the targumist jumps to the<br />

time of Solomon. <strong>The</strong> account of Solomon's 'litter' and his 'palanqu<strong>in</strong>'<br />

made 'from the wood of Lebanon' (3.7-11) is read as a cryptic<br />

description of the build<strong>in</strong>g and dedication of the Temple. This account<br />

of the Temple balances and echoes the account of the Tabernacle <strong>in</strong><br />

the previous section of the Targum. <strong>The</strong> praises of the bride <strong>in</strong> 4.1-15<br />

are <strong>in</strong>terpreted as an elaborate description of the ideal, theocratic<br />

polity of Israel, <strong>in</strong> which the targumist depicts the k<strong>in</strong>g, the commoners,<br />

the priests and the scholars as liv<strong>in</strong>g <strong>in</strong> harmony under the<br />

rule of Torah. This is, arguably, the pivot of the targumist's read<strong>in</strong>g<br />

of the Song. For him Israel as a polity reached near perfection <strong>in</strong> the<br />

early years of Solomon's reign. Echoes of the language which he uses<br />

here can be found earlier <strong>in</strong> his account of Israel under Moses <strong>in</strong><br />

Tabernacle times, and later <strong>in</strong> his account of the Second Temple and<br />

of the messianic age.<br />

<strong>The</strong> third major section runs from 5.2-7.9 and corresponds to the<br />

Babylonian exile, the return under Cyrus, and the rebuild<strong>in</strong>g of the<br />

Temple. Once aga<strong>in</strong> the pattern of s<strong>in</strong>, exile, repentance and restoration<br />

of communion is uncovered. <strong>The</strong> two long descriptions of the<br />

beauties of the bride <strong>in</strong> 6.4-10 and 7.1-9 are exploited (follow<strong>in</strong>g the<br />

repetition of 4.1-2 at 6.5-6) to assert the re-establishment of the ideal<br />

Solomonic polity <strong>in</strong> the post-exilic period. This leads him, somewhat<br />

surpris<strong>in</strong>gly, to a flatter<strong>in</strong>g and positive evaluation of the Hasmoneans.<br />

<strong>The</strong> f<strong>in</strong>al major section runs from 7.12-8.14. It covers the 'exile of<br />

Edom' and the com<strong>in</strong>g of the messiah, who will, so it is h<strong>in</strong>ted,

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