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Orgon's Obsession in Moliere's Tartuffe

Orgon's Obsession in Moliere's Tartuffe

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16<br />

Viewpo<strong>in</strong>ts Fall 2010<br />

In Act IV, Elmire devises a plan <strong>in</strong> which Orgon will hide under a table while she and<br />

<strong>Tartuffe</strong> have a conversation that will expose <strong>Tartuffe</strong>’s hypocrisy. It is the ultimate plan—one<br />

based on the age-old adage that “see<strong>in</strong>g is believ<strong>in</strong>g”—to put a f<strong>in</strong>al stop to Orgon’s mad<br />

obsession with the false fiend. With a little conv<strong>in</strong>c<strong>in</strong>g, Elmire causes <strong>Tartuffe</strong> to come onto her<br />

once aga<strong>in</strong> <strong>in</strong> a sexual advance, thereby prov<strong>in</strong>g that he is a fraud. However, <strong>in</strong> Act IV, Scene V,<br />

Moliere’s humor is quite apparent as Elmire coughs several times, warn<strong>in</strong>g her husband that he<br />

should come out of hid<strong>in</strong>g immediately and reprimand <strong>Tartuffe</strong>. Because of his bl<strong>in</strong>d faith <strong>in</strong><br />

<strong>Tartuffe</strong>, though, Orgon still refuses to believe what he hears and does not come out after the<br />

first or even second time his wife coughs. <strong>Tartuffe</strong>’s hypocrisy must be fully exposed <strong>in</strong> order<br />

for Orgon to work his way out from under the table. When he f<strong>in</strong>ally comes out of hid<strong>in</strong>g, he<br />

exclaims, “That man’s a perfect monster, I must admit! I’m simply stunned. I can’t get over it”<br />

(129).<br />

Although the play focuses on <strong>Tartuffe</strong>’s deception of Orgon, <strong>Tartuffe</strong> greatly affects the<br />

other characters of the play. Cleante, who represents the voice of rationality and reason<br />

throughout the play, is constantly <strong>in</strong> a struggle to help Orgon come to his senses. In Scene 1,<br />

Act IV, as Cleante talks with <strong>Tartuffe</strong>, Cleante uses logic to po<strong>in</strong>t out the hypocrisies of<br />

<strong>Tartuffe</strong>’s actions. Cleante argues, “Your reason<strong>in</strong>g is badly warped and stretched, and these<br />

excuses, Sir, are most far-fetched” (110). As <strong>Tartuffe</strong> tries to justify his tak<strong>in</strong>g Damis’s money<br />

and estate, he expostulates, “Lest so much wealth fall <strong>in</strong>to wicked hands, lest those to whom it<br />

might descend <strong>in</strong> time turn it to purposes of s<strong>in</strong> and crime” (111). This quote, of course, is<br />

extremely ironic: There can be no more wicked hands that the money could fall <strong>in</strong>to than<br />

<strong>Tartuffe</strong>’s. Cleante then reasons that Damis, be<strong>in</strong>g Orgon’s son, should be the first <strong>in</strong> control of<br />

the family’s money, and also, po<strong>in</strong>ts that it is not a pious action to be the cause of a son’s<br />

dis<strong>in</strong>heritance. Cleante advances the argument skillfully by evok<strong>in</strong>g the pr<strong>in</strong>ciple of piety, “Does<br />

true religion teach that lawful heirs may freely be deprived of what is theirs?” (112). Cleante’s<br />

po<strong>in</strong>t is valid, especially given that <strong>Tartuffe</strong> has no claim to the family’s wealth and is merely a<br />

stranger who manipulates those around him. Cleante’s logical reason<strong>in</strong>g proves to be<br />

overwhelm<strong>in</strong>g, and consequently, <strong>Tartuffe</strong> <strong>in</strong>terrupts him to say that he has “certa<strong>in</strong> pious<br />

duties to attend to” (112), thus leav<strong>in</strong>g the scene. <strong>Tartuffe</strong> realizes that his scheme is <strong>in</strong> danger<br />

and thus makes this hypocritical statement to escape the power of reason.<br />

Through the character of Cleante, Moliere expresses his own view of true Christian<br />

virtue as opposed to religious hypocrisy. Cleante expla<strong>in</strong>s to Orgon that many people lead lives<br />

of virtue but they do not constantly need to prove to everyone how devout they are. He makes<br />

the po<strong>in</strong>t that truly religious people do not make a big show, not<strong>in</strong>g, “True piety isn’t hard to<br />

recognize…their virtue is acknowledged; who could doubt it? But you won’t hear them beat the<br />

drum about it. They’re never ostentatious, never va<strong>in</strong>, and their religion’s moderate and<br />

humane” (29). Towards the end of the play, Cleante demonstrates his deep devotion to

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