- Page 1: FLORIDA STATE UNIVERSITY COLLEGE OF
- Page 5 and 6: TABLE OF CONTENTS List of Figures .
- Page 7 and 8: LIST OF FIGURES FIGURE I.1. Pan-Ame
- Page 9 and 10: LIST OF MUSICAL EXAMPLES EXAMPLE 1.
- Page 11 and 12: EXAMPLE 4.5. Amadeo Roldán, “Sig
- Page 13 and 14: INTRODUCTION Friendly cultural and
- Page 15 and 16: of America, and [to] stimulate comp
- Page 17 and 18: United States, because of its wonde
- Page 19 and 20: Figure I.1. Pan-American Exposition
- Page 21 and 22: the New Music Quarterly Recordings
- Page 23 and 24: CHAPTER 1 1930s PAN-AMERICAN PERCUS
- Page 25 and 26: publication composed for percussion
- Page 27 and 28: of scientific and technological adv
- Page 29 and 30: In his Tecumseh, or the Battle of t
- Page 31 and 32: percussion ensemble, eight pianos a
- Page 33 and 34: in those popular dance genres. The
- Page 35 and 36: concertmaster of the New York Philh
- Page 37 and 38: Example 1.1. William Russell, Percu
- Page 39 and 40: instruments that contributed to the
- Page 41 and 42: Example 1.4. Amadeo Roldán, Rítmi
- Page 43 and 44: Rítmica No. 5 separates rhythmic e
- Page 45 and 46: Paris, “there is nothing more con
- Page 47 and 48: of decadence and collapse.” 44 Ne
- Page 49 and 50: Example 1.7. Ionisation, mm. 9-12 S
- Page 51 and 52: Example 1.8b. Edgard Varèse, Ionis
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Example 1.9b. Amadeo Roldán, Rítm
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coquettes neither with academies no
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Rhythms and general direction of pi
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No. 1 conducted by Fritz Reiner wit
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against-three cross-rhythm (Example
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knowledge of it. Certainly, the sam
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with both Roldán and Caturla in th
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fortissimo 83 and are immediately f
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wrote in 1932, “I am convinced th
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subject of his early percussion wor
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societies, the PAAC presented at le
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their own PAAC concerts in Havana a
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in Berlin was unsuccessful in Cowel
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This music congress never took plac
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most likely in the hope that he wou
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from Fabini - and Cotapos did not e
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sponsored by the League of Composer
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neither Cuban nor American, nor eve
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Figure 2.1. Concert program, Carneg
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Figure 2.3. Concert program, Slonim
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and somewhat soporific.” 39 With
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Figure 2.4. Concert program, New Sc
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composers of the Pan American, amon
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voz, who stated unequivocally of Ge
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Caturla’s insightful description
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modern American music to these citi
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organizer and financier, and Slonim
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Paris, June 6 and 11, 1931 Paris in
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Example 3.1. Adolph Weiss, American
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elated to Cowell, “the final gong
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however, attributed to the work a m
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of American popular culture in the
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Example 3.4. Wallingford Riegger, T
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musicians seem to turn their invent
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July,” with its quotations from t
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as a medium. Slonimsky described To
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a generation of older composers inc
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the twelve-tone system. Roldán’s
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sponsored many concerts of new Fren
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Figure 3.2. Concert program. Madrid
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in collaboration with Cowell’s Ne
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which I gave the names of Ives, Rug
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Figure 3.5. Concert program. Budape
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talent.” 81 In January 1933 Varè
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The evening consisted of Ruggles’
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on four Latin American PAAC members
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having been governed by Spain (1764
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God’s America, Spanish America.
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Blues and Son: Pan-American Literar
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example is “I, Too, Sing America,
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cultural expressions that defined a
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the repeated lines “tú no sabe i
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Example 4.2. Alejandro García Catu
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Example 4.3. Amadeo Roldán, “Neg
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Example 4.6. Amadeo Roldán, “Sig
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in Havana. Mexican composers Cháve
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Revueltas . . . asked me if I had o
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Example 4.11. Silvestre Revueltas,
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applying Marxist social theory to t
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present in the preceding stanza, le
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Figure 4.1. Carlos Chávez, “Nort
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A slave—under the whip, Beaten an
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may be mistaken for Blacks). Each s
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however, the logo was changed to re
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as well as other musical heritages.
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Henry Brant, Two Sarabandes Adolph
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Charles Weidman assisted by José L
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JUNE 6, 1932 Hause des Rundfunks, B
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Claude Debussy, La fille aux cheveu
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Alejandro García Caturla, La Rumba
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Paul Dambly, A Paris June 26, 1931.
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Oscar Bie, Stuttgarter Neues Tagebl
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BIBLIOGRAPHY Aharonián, Coriún.
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___, ed. Yearbook for Inter-America
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García Canclini, Nestor. Hybrid Cu
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Kuss, Malena. "Leitmotive de Charle
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“Nuts! to Europe: Swell Stuff by
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___. “The Newest American Compose
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Unruh, Vicky. Latin American Vangua