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national register nomination for boulevard park historic

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in neighborhoods that were once occupied by working class people. They conclude that<br />

the only defense against gentrification is the decommodification of housing, the<br />

assumption that housing and decent neighborhoods are a right, not a privilege. 42<br />

Nan Ellin, architecture professor and urban theorist, took a different approach to<br />

the problem of gentrification in Postmodern Urbanism, and tied <strong>historic</strong> preservation<br />

more explicitly to gentrification. Ellin defines postmodern urbanism in this way:<br />

“Whereas modern urbanism emulated the machine to accommodate an industrial society,<br />

postmodern urbanism seeks inspiration from pre-industrial townscapes to accommodate a<br />

43<br />

post-industrial fabric.”<br />

Like writers in <strong>historic</strong> preservation, Ellin begins her study with the history of<br />

urban design theory in Europe. She describes the effects of gentrification and<br />

displacement of the poor in Paris in the postwar era, accompanied by new schools of<br />

44<br />

architecture that juxtaposed modern architecture with <strong>historic</strong> buildings.<br />

42<br />

Smith and Williams, Gentrification of the City, p. 222<br />

43<br />

Ellin, Nan, Postmodern Urbanism, New York: Princeton Architectural Press, 1996<br />

44<br />

Ellin, Postmodern Urbanism, p. 46-50<br />

American<br />

postmodern architecture had similar aims, but added elements of <strong>historic</strong> styles to modern<br />

buildings, juxtaposing styles within a structure instead of between adjacent structures.<br />

Like the urban historians, Ellin attributes the growth of <strong>historic</strong> preservation to the<br />

negative reaction to urban renewal. She explicitly connects <strong>historic</strong> preservation to<br />

gentrification by identifying the ways that both filled a common need <strong>for</strong> centeredness,<br />

nostalgia, and the revalorization of the industrial past. Like Hamer, she criticizes the<br />

30

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