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The Poetical Works of - OUDL Home

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THE FAERIE QUEENE • CHARACTERIZATION IIx<br />

He is deeply sensitive to the beauty <strong>of</strong> light upon the water. <strong>The</strong><br />

armour <strong>of</strong> Pyrochles glitters<br />

as the Sunny beames do glaunce and glide<br />

Vpon the trembling waue (II v 2)<br />

<strong>The</strong> moistened eyes <strong>of</strong> Acrasia are like the starry light<br />

Which sparckhng on the silent waues, does seeme more bright (II xii 78 )<br />

<strong>The</strong> beauty <strong>of</strong> women again and again suggests to him imaginative effects<br />

<strong>of</strong> light and shade <strong>The</strong> ' angel face' <strong>of</strong> Una ' makes a sunshine in the<br />

shady place', the damsells who dance before Colin have faces * glancing<br />

like evening lights ', Bntomart, as her hair falls to her feet, is creasted all<br />

with lines <strong>of</strong> fiene light,' like the sky upon a summer evening<br />

<strong>The</strong> conventions <strong>of</strong> the life <strong>of</strong> chivalry which have dictated the outward<br />

actions <strong>of</strong> his dramatis personae should not blind our eyes to the truthful<br />

simplicity <strong>of</strong> their emotions <strong>The</strong> heroic career <strong>of</strong> the warrior maid<br />

Britoimart," may have little in common with ordinary life, But the manner<br />

in which her inner life is revealed, in all its subtle changes <strong>of</strong> mood,<br />

might well excite the envy <strong>of</strong> a realistic novelist Spenser's knowledge <strong>of</strong><br />

a woman's heart and a woman's ways finds constant and subtle expression<br />

With a touch <strong>of</strong> vivid detail he can invest with lirving interest a-wholly<br />

subordinate character Clarinda, asked for news <strong>of</strong> her prisoner for whom<br />

she has a secret love, is taken <strong>of</strong>f her guard and thrown into confusion, but,<br />

so soone<br />

As she her face had wypt, to fresh her blood, (v v 45 )<br />

she recovers herself, and is able to invent a plausible tale <strong>The</strong> anxious<br />

care <strong>of</strong> the aged nurse Glauce over her sick mistress is depicted m many<br />

delicate strokes <strong>of</strong> humour and pathos, and the stanza that closes the<br />

midnight scene between them would be hard to surpass in its homeliness,<br />

its dramatic truth <strong>of</strong> detail, and its climax <strong>of</strong> tenderness<br />

Her chearefull words much cheard the feeble spnght<br />

Of the sicke virgin, that her downe she layd<br />

In her warme bed to sleepe, if that she might,<br />

And the old-woman carefully displayd<br />

<strong>The</strong> clothes about her round with busie ayd,<br />

So that at last a little creeping sleepe<br />

Surpnsd her sense She therewith well apayd,<br />

<strong>The</strong> drunken lampe downe in the oyle did steepe,<br />

And set her by to watch, and set her by to weepe (in ll.47)<br />

Spenser's love <strong>of</strong> children is quickened by a rare sympathy with the experience<br />

<strong>of</strong> woman He realizes by an intuition, in which he comes 4 near<br />

to Wordsworth, her passionate tenderness for the child unborn, for, the<br />

child that is her living care, for the child that is not hers. When Britomart

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