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The Poetical Works of - OUDL Home

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xlviii INTRODUCTION<br />

But Arthur, the stronger and more controlled nature, has no temptations<br />

like those <strong>of</strong> Timias, and his friendship with Amoret and Emilia,<br />

to which he is faithful under the inevitable revilings <strong>of</strong> the basest slander,<br />

casts no shadow on the love for Glonana to which his life is devoted<br />

So comprehensive a treatment <strong>of</strong> love and friendship would obviously<br />

have been impossible under the original scheme, and the intricate plot,<br />

attacked by critics as a series <strong>of</strong> irrelevant episodes, is fully justified by<br />

the deeper purpose <strong>of</strong> the poet<br />

In the fifth book, <strong>of</strong> Justice, Spenser reverts once more to the simpler<br />

plan with which he had started , for the interest is never diverted from<br />

the adventures <strong>of</strong> the main actors, Sir Artegall and Prince Arthur, though<br />

Bntomart, as Artegall's lover, and the central figure <strong>of</strong> Books III—V,<br />

still plays a prominent part But the peculiar nature <strong>of</strong> the theme seemed<br />

to demand a special treatment, and the allegory, which is to present the<br />

character necessary to him who would be his sovereign's ' instrument',<br />

and to expound Spenser's whole theory <strong>of</strong> government, finds its substance<br />

, not in legend or romance, but in those three great events which led up<br />

'to the final clash with the power <strong>of</strong> Spain—the suppression <strong>of</strong> rebellion<br />

in Ireland, encouraged and supported by Philip, the execution <strong>of</strong> Mary<br />

Queen <strong>of</strong> Scots, and the war in the Netherlands <strong>The</strong> first <strong>of</strong> these, <strong>of</strong><br />

which Spenser had himself personal experience, bulks the largest, and<br />

the several adventures which befall Sir Artegall are vivid illustrations <strong>of</strong><br />

points which he has emphasized in his prose indictment <strong>of</strong> the present<br />

state <strong>of</strong> Ireland. Before the Knight <strong>of</strong> Justice can subdue Grandtorto,<br />

the great enemy who keeps Irena in subjection, he meets with lawless<br />

outrage and deceit in Sir Sangher, with the venality <strong>of</strong> Pollente and<br />

Munera, by whom justice is bought and sold, with the misunderstandings<br />

<strong>of</strong> a mob ever ready to stir up civil faction at the specious bidding <strong>of</strong> the<br />

Giant <strong>of</strong> demagogy, with the insolence <strong>of</strong> Braggadocchio, who takes to<br />

himself credit for the deeds done by the knight that he defames Hardest<br />

<strong>of</strong> all he must subdue Malengin, type <strong>of</strong> that guile which will cross his<br />

path at every turn, and is capable <strong>of</strong> assuming any form if only it can<br />

elude his vigilance. And if for a moment he give way to womanish pity,<br />

however noble may seem to be its promptings, his work will be undone,<br />

and he will himself be enslaved to the Radegund whom he should destroy<br />

True Justice ' had need have mightie hands'<br />

For vame it is to deeme <strong>of</strong> things aright,<br />

And makes wrong doers justice to deride,<br />

Unlesse it be performed with dreadlesse might (v iv. I )<br />

Sir Artegall must have at his right hand Talus,<br />

made <strong>of</strong> yron mould,<br />

Immoueable, resistlesse, without end (v i 12)<br />

Even after rebellion has been crushed and Grandtorto is destroyed, his<br />

task is not complete <strong>The</strong>re is still need <strong>of</strong> a wise but relentless government,

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