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The Poetical Works of - OUDL Home

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THE FAERIE QUEENE PLOT AND ALLEGORY xlvii<br />

to expel from his nature the evil which makes him unworthy to gain his<br />

quest It is significant, too, <strong>of</strong> his reading <strong>of</strong> life, that Belphoebe, the<br />

fancy free, has no masculine counterpart Mannell's avoidance <strong>of</strong> woman<br />

is from fear, not natural instinct, and leads only to his overthrow For<br />

man, at least, it is<br />

A lesson too too hard for huing clay,<br />

From loue in course <strong>of</strong> nature to refraine (in IV 26 )<br />

And how love may best be ordered is best taught in the study <strong>of</strong> its<br />

manifestation in different characters—in Arthur, who is stirred to a<br />

restless desire for noble deeds, and Timias, who allows the strength <strong>of</strong><br />

a noble passion to confuse his mind and paralyse his whole nature, in<br />

Malbecco and Braggadocchio, in whom lust is overmastered by two<br />

stronger and baser passions, greed and fear , in the witch's son and the<br />

fisherman in whom mere animalism is uncontrolled by higher impulses,<br />

in Sir Pandell, the accomplished seducer, who degrades the nobler qualities<br />

<strong>of</strong> a keen and subtle intellect to pander to his lust, and in the Squire <strong>of</strong><br />

Dames, the contemptible <strong>of</strong>fspring <strong>of</strong> a social decadence, who delights in<br />

recording<br />

his aduentures vaine,<br />

<strong>The</strong> which himselfe, then Ladies more defames, (III vIII 44)<br />

and who is significantly presented as in the clutches <strong>of</strong> Argante, the<br />

Giauntess <strong>of</strong> prostitution<br />

<strong>The</strong> whole book is charged with the subtlest moral significance It is<br />

a mirror <strong>of</strong> the world that Spenser knew on its ideal and on its sordid sides,<br />

a world <strong>of</strong> which he recognized the temptations as surely as he saw the<br />

beauty And his treatment <strong>of</strong> friendship follows the same lines He<br />

presents what he feels to be the ideal as seen in contrast with more<br />

or less counterfeit imitations <strong>of</strong> it As a centre to the book is the perfect<br />

friendship <strong>of</strong> Cambell and Tnamond, and parallel to it a perfect friendship<br />

<strong>of</strong> a different kind between two women, Britomart and Amoret <strong>The</strong>se<br />

are founded on virtue, and on absolute devotion <strong>of</strong> self to the friend<br />

As a contrast to them is the friendship <strong>of</strong> the baser knights, Pandell and<br />

Blandamour, who are only friends as long as it suits their private interests,<br />

but are ready to fight directly those interests diverge, and the still baser<br />

Braggadocchio, whose nature is incapable <strong>of</strong> either friendship or enmity<br />

And the second half <strong>of</strong> the book deals suggestively with that most delicate<br />

<strong>of</strong> problems, the friendship between the sexes, thus bearing a close<br />

relationship in theme with the previous book Timias represents that<br />

type <strong>of</strong> man who lacks the self-restraint demanded by such a friendship<br />

Even in his defence <strong>of</strong> Amoret he wounds her , and his well-intentioned<br />

protection <strong>of</strong> her only leads him to be faithless to his sworn allegiance to<br />

Belphoebe, whose<br />

noble heart with sight there<strong>of</strong> was fild<br />

With deepe disdame, and great indignity, (iv vu 36)

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