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The Poetical Works of - OUDL Home

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xl INTRODUCTION<br />

English poetic diction, lifting it from anarchy and stiffness, daring greatly,<br />

but triumphing whether in the simple or the ornate, widening its scope,<br />

but at the same time never failing to give it ease and flexibility, so that<br />

language became to him a willing servant, and could voice the subtlest<br />

shades <strong>of</strong> mood or fancy By means <strong>of</strong> this rich and varied style, fully<br />

expressive <strong>of</strong> his high seriousness, his spirituality, his inexhaustible sense<br />

<strong>of</strong> beauty, he has exercised a spell that has been potent for three centuries,<br />

and none has called so many poets to their vocation<br />

<strong>The</strong> greatness <strong>of</strong> Spenser was fully recognized in his own day, and he<br />

was accorded praise from writers widely differing from him in method<br />

and ideal To Shakespeare 1 his ' deep conceit' needed 'no defence'<br />

Even Ben Jonson, who disliked his style, ' would have him read for his<br />

matter' Nashe, the brilliant realist and sworn foe to Gabriel Harvey,<br />

could find ' no frailtie ' in the fame <strong>of</strong> ' immortall Spenser but the imputation<br />

<strong>of</strong> this Idiot's friendship', eulogized him as the ' sum tot <strong>of</strong><br />

whatsoever can be said <strong>of</strong> sharpe invention and schollership', and called<br />

him ' the Virgil <strong>of</strong> England \<br />

But the praise that would most have appealed to Spenser came from<br />

honest Dekker ' <strong>The</strong> abode <strong>of</strong> the poets in the Insulae For tuna tae,' he<br />

tells us, 2 * are full <strong>of</strong> pleasant bowers and queint Arboures in all their<br />

walkes. In one <strong>of</strong> which old Chaucer is circled around with all the makers<br />

or Poets <strong>of</strong> his time Grave Spenser was no sooner entered into this<br />

chapell <strong>of</strong> Apollo but these elders, Fathers <strong>of</strong> the divine Fune, gave him<br />

a Laurer and sung his welcome , Chaucer call de him his Sonne, and<br />

placde htm at his right hand All <strong>of</strong> them, closing up their lippes in silence<br />

and turning all their eares for attention, to heare him sing out the rest<br />

<strong>of</strong> his Faerie Queene's praises '<br />

<strong>The</strong> story <strong>of</strong> Spenser's life is the key to much in that poem which was<br />

his crowning achievement Written for the most part in the wild and<br />

solitary country <strong>of</strong> Ireland, the Faerie Queene is reminiscent <strong>of</strong> the world<br />

from which he was exiled, and expresses his yearning for a fuller life and<br />

for an abundance <strong>of</strong> all the good things that his spirit and senses lacked<br />

But it is also fully charged with his experience during those years (<strong>The</strong><br />

charm <strong>of</strong> the country-side and the desolation <strong>of</strong> mountain and forest,<br />

the difficulties and dangers he had to face, the ruffians and the heroes<br />

that he encountered, the friends he made, the woman he loved, all find<br />

their place in the intricate structure <strong>of</strong> his poem") Its idealism, heightened<br />

by his instinctive desire to escape from a narrow and sordid reality, is thus<br />

combined with a realism that bespeaks his sure sense <strong>of</strong> the imaginative<br />

value <strong>of</strong> all experience that is intensely lived<br />

1 If, indeed, the poem in the Passionate Pilgrim, ' If music and sweet poetry agree,'<br />

is by Shakespeare And it seems too good for Barnfield, to whom also it is attributed<br />

2 Dekker A Knights Conjuring

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