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The Poetical Works of - OUDL Home

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SPENSER'S MARRIAGE (1594) THE AMORETTI xxxv<br />

first work was Colin Clouts Come <strong>Home</strong> Agatne, 1 in which he recounted his<br />

recent experiences,—Ralegh's visit to him at Kilcolman, their journey<br />

to London, his reception at court, and his impressions <strong>of</strong> all he saw there<br />

In no other poem are we more keenly sensible <strong>of</strong> the subtle charm <strong>of</strong><br />

Spenser's personality than in this graceful piece <strong>of</strong> idealized autobiography<br />

<strong>The</strong> form is pastoral, the manner simple and without ornament, but never<br />

prosaic, touching the most trivial incident with grace, and capable <strong>of</strong><br />

rising without violence to express the deepest emotion It is the triumph<br />

<strong>of</strong> the familiar style in which so few writers have excelled To write thus<br />

is only possible to one who is both artist and gentleman Pope can do it<br />

occasionally, but he is not always a gentleman , so can Cowper, but he<br />

is not always an artist <strong>The</strong> masters in this kind are Shelley and Spenser<br />

At the same period Spenser collected a small volume <strong>of</strong> poems commemorative<br />

<strong>of</strong> Sidney, to which he contributed the first—Astrophel, A Pastor all<br />

Elegie—and probably the second, 2 and he was busy upon the second<br />

instalment <strong>of</strong> the Faerie Queene, <strong>of</strong> which three more books, written, it<br />

seems, at the rate <strong>of</strong> one a year, were practically complete in 1594<br />

On June 11, 1594, after rather more than twelve months' courtship,<br />

he married Elizabeth Boyle, whose home was at Kilcoran, near to the sea<br />

strand <strong>of</strong> Youghal She was a lady <strong>of</strong> good family, and kinswoman to<br />

Sit" Richard Boyle, afterwards created first Earl <strong>of</strong> Cork 3 <strong>The</strong> inner<br />

history <strong>of</strong> this courtship and its consummation is recorded, in„ .idealized<br />

form, in the Amoretti and Epthalamion<br />

Modern criticism, which has made so damaging an assault upon the<br />

sincerity <strong>of</strong> Elizabethan sonneteers, could hardly be expected to leave<br />

this beautiful sequence unassailed, and the view has lately been advanced<br />

that the Amoretti are addressed for the most part to Lady Carey, and<br />

hence were written during Spenser's residence in London 4 But whilst<br />

it is possible that some <strong>of</strong> the sonnets were in the first place inspired by<br />

Lady Carey, or indeed by Rosalind or some earlier 5 and still more elusive<br />

flame, there is no reason for suspecting the integrity <strong>of</strong> the series as a whole,<br />

and amid much that is borrowed from the stock-in-trade <strong>of</strong> the French<br />

sonneteers, and recounts the emotions incident to every courtship, real<br />

1 Colin Clouts Come <strong>Home</strong> Againe, dated in the dedication to Ralegh, December<br />

1591, was published with Astrophel in 1595, and contains passages which must have<br />

been added in that year<br />

2 <strong>The</strong> Lay <strong>of</strong> Clortnda, who laments her lost brother, is commonly attributed to<br />

the Countess <strong>of</strong> Pembroke But if she did write it, she had studied to some purpose<br />

the peculiarly Spenserian effects <strong>of</strong> rhythm and melody <strong>The</strong> poem is, moreover,<br />

like the introductory elegy, woven into the plan <strong>of</strong> the volume, and not a separate<br />

work, standing by itself, like those that follow It is more natural, therefore, to be­<br />

­ieve that Spenser wrote it in her name For criticism <strong>of</strong> Astrophel vide supra, p xII<br />

3 Spenser's wife was first identified by Grosart, vide Life, pp 198-201<br />

' 4Mr P W Long, Mod Lang Rev (April 1908), answered by Mr J C Smith<br />

in the same journal (July 1910)<br />

5 Thus e g Sonnet VIlI is Shakespearian form, which at least suggests very early<br />

composition.

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