14.07.2013 Views

playS and MuSicalS - Contemporary Drama Service

playS and MuSicalS - Contemporary Drama Service

playS and MuSicalS - Contemporary Drama Service

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Teens Have<br />

Feelings, Too!<br />

by DEBORAH KARCZEWSKI<br />

100 monologs for<br />

young performers<br />

Paperback: $15.95<br />

(136 pages)<br />

Order #R-B238<br />

A collection of original monologs for young people<br />

from eleven to fifteen years of age. The book offers<br />

characters that talk like, think like <strong>and</strong> feel like real-life<br />

teens. Each monolog runs from one to three minutes in<br />

length. The individual monologs are perfect for acting<br />

exercises or audition pieces. Mixed <strong>and</strong> matched, they<br />

may be combined to make a show filled with moments<br />

both humorous <strong>and</strong> profound. Any young person will<br />

relate to the topics of these monologs. The monologs<br />

are divided into four sections: Girls Humorous,<br />

Boys Humorous, Girls Serious <strong>and</strong> Boys<br />

Serious. Sample titles include: Braces, Ditz,<br />

Gross Habits, Romeo, Two-Faced, Report Card<br />

<strong>and</strong> Con Artist.<br />

Improvisations in<br />

Creative <strong>Drama</strong><br />

by BETTY KELLER<br />

<strong>Drama</strong>tic sketches<br />

for student actors<br />

Paperback: $15.95<br />

(192 pages)<br />

Order #R-B138<br />

Your students will learn both improvisational <strong>and</strong><br />

structured drama by using the sequential workshops <strong>and</strong><br />

plays included in the lesson plans of this book. A two-part<br />

book with fourteen dramatic sketches that can be done in<br />

the classroom. The creative drama workshops include:<br />

“No Audience” Activities, Sound Patterns: Rhythm<br />

<strong>and</strong> <strong>Drama</strong>, Group Poetry Production, Group<br />

Activities <strong>and</strong> Improvisations with Large Groups.<br />

The sketches allow the students to apply the basics they<br />

have learned. A class of 25 to 30 students can all<br />

participate simultaneously. A basic text for any class or<br />

may be used as a supplemental acting resource.<br />

Get in the Act!<br />

by SHIRLEY ULLOM<br />

Monologs, dialogs<br />

<strong>and</strong> skits for teens<br />

Paperback: $15.95<br />

(184 pages)<br />

Order #R-B104<br />

Laughter is the most effective technique for teenage<br />

survival. These monologs, dialogs <strong>and</strong> short skits allow<br />

teenage performers a chance to laugh at the system,<br />

their teachers, their parents <strong>and</strong> most importantly,<br />

themselves! These are scripts for laughter <strong>and</strong> pathos.<br />

They create an awareness of the perils of drinking <strong>and</strong><br />

driving, teenage parties, smoking, alcoholic parents<br />

<strong>and</strong> much more. Sixty superb, short scripts! For<br />

speech contests, acting exercises, auditions, variety<br />

shows <strong>and</strong> classroom use. Sample titles include:<br />

What’s Wrong with Teenage Girls?, Designated<br />

Driver <strong>and</strong> Parting Is “Just” Sorrow.<br />

The Best in Theatre Books<br />

Comedy<br />

Improvisation<br />

by DELTON T. HORN<br />

A program of improv<br />

structures <strong>and</strong> exercises<br />

for young actors<br />

Paperback: $14.95<br />

(144 pages)<br />

Order #R-B175<br />

www.contemporarydrama.com • toll-free 800-937-5297 • toll-free 24-hour fax 888-594-4436<br />

79<br />

Students will learn the basics of improvisation — characters,<br />

setting, conflict <strong>and</strong> action. Over thirty-five tried <strong>and</strong> true<br />

improv structures are included in this book. Also includes<br />

advanced acting exercises such as voiceless acting, faceless<br />

acting <strong>and</strong> creating scripts through improvisation. The basic<br />

structures can be performed in the classroom or on stage. A<br />

basic text for acting students <strong>and</strong> professionals. The nine<br />

chapters include: Basics of Improvisation <strong>and</strong> Comedy,<br />

Improvisation in the Classroom, Simple Improv<br />

Structures, Character Improv Structures, Advanced<br />

Improv Structures, Advanced Acting Exercises,<br />

Forming a Comedy/Improv Show, Putting on an<br />

Improv Show <strong>and</strong> Protecting Yourself <strong>and</strong> Your Work.<br />

Acting Games for<br />

Individual Performers<br />

by GAVIN LEVY<br />

A comprehensive workbook<br />

of 110 acting exercises<br />

Paperback (248 pages): $17.95<br />

Order #R-B297<br />

A student actor or professional performer will use this<br />

book again <strong>and</strong> again for self-discovery exercises<br />

designed to enhance acting skills. It is a “doing” book<br />

which challenges the actor with every exercise. The<br />

book is divided into twenty-one sections: 1. Creative<br />

State, 2. Imagination, 3. Observation, 4. Balance<br />

<strong>and</strong> Neutrality, 5. Concentration <strong>and</strong> Focus,<br />

6. Nonverbal Communication, 7. Voice, 8. Sensory<br />

Awareness, 9. Body Awareness, 10. Physical<br />

Attention, 11. Unlimited Possibilities, 12. Act <strong>and</strong><br />

React, 13. Underst<strong>and</strong>ing Your Objective,<br />

14. Think Outside the Box, 15. Characterization,<br />

16. Improvisation, 17. Prop Exploration,<br />

18. Retention <strong>and</strong> Underst<strong>and</strong>ing, 19. Research,<br />

20. Auditions <strong>and</strong> Casting, 21. Performance.<br />

50 Great Monologs<br />

for Student Actors<br />

by BILL MAJESKI<br />

A workbook of comedy<br />

characterizations<br />

for students<br />

Paperback: $14.95<br />

(144 pages)<br />

Order #R-B197<br />

These are professional-level comedy monologs, but<br />

they can be easily performed by talented high school<br />

actors. Most of the characterizations can be effectively<br />

performed by either sex. The emphasis is on comedy<br />

<strong>and</strong> social satire. Nothing is sacred, yet all monologs<br />

are within the boundaries of good taste. In most<br />

instances, the monologist is making fun of his/her own<br />

dilemmas of everyday living. Sample monologs<br />

include: History of New York City, The Fanatical<br />

Spectator, Mr. Know-It-All <strong>and</strong> Miss Weirdo.<br />

Good contest material. Excellent for classroom use.<br />

Each monolog is three to five minutes long.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!