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playS and MuSicalS - Contemporary Drama Service

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76<br />

The Ultimate<br />

Improv Book<br />

by EDWARD J. NEVRAUMONT<br />

NICHOLAS P. HANSON <strong>and</strong><br />

KURT SMEATON<br />

A guide to comedy<br />

improvisation<br />

Paperback (280 pages): $17.95<br />

Order #R-B248<br />

This comprehensive manual shows the who, what,<br />

when, why <strong>and</strong> how of comedy improv. A complete<br />

improv curriculum program divided into 24 classlength<br />

units in four parts: Introduction explains<br />

what improv is <strong>and</strong> how to create an improv team;<br />

Improv Skills gives some basic rules,<br />

physicalization, characterization, teamwork, use of<br />

suggestion; Structuring describes who, what <strong>and</strong><br />

how to make improv structures; Strategies gives<br />

hints <strong>and</strong> tips for evaluating performance <strong>and</strong><br />

putting on a show. Unlike other improv books, this<br />

book shows how to start an improv team or club at<br />

your school. Includes a lesson plan <strong>and</strong> a unique<br />

section on how to structure your own improv games.<br />

More Theatre Games<br />

for Young Performers<br />

by SUZI ZIMMERMAN<br />

Improvisations <strong>and</strong> exercises<br />

for developing acting skills<br />

Paperback: $17.95<br />

(240 pages)<br />

Order #R-B268<br />

By popular dem<strong>and</strong>, we offer a follow-up book of theatre<br />

games specifically for young acting students. Written<br />

especially for those who coach adolescent actors, this<br />

delightfully fresh updated workbook tells you the how,<br />

when, what <strong>and</strong> why of theatre games for young<br />

performers. Starter scenes allow first-time performers to<br />

ease onto the stage in baby steps. Spontaneity is<br />

encouraged along with etiquette <strong>and</strong> basic acting<br />

principles. The concepts of pantomime, improvisation,<br />

character development, voice <strong>and</strong> body control are all<br />

presented in game formats with exercises. Nine chapters<br />

include: Before You Begin, Preparing, Starter<br />

Scenes, Exercises, Games, Improvisation,<br />

Pantomime, Nonacting Theatre Games <strong>and</strong><br />

Activities, Developing Your Program plus a Target<br />

Areas Index. An exceptionally helpful acting text.<br />

Theatre Games<br />

<strong>and</strong> Activities<br />

by LYNDA A. TOPPER<br />

Games for building<br />

confidence <strong>and</strong> creativity<br />

Paperback (152 pages): $17.95<br />

Order #R-B304<br />

How can a teacher without theatrical experience teach a<br />

course in theatre arts? How can a teacher inspire selfconscious<br />

students to perform before an audience? This<br />

book of activities is designed to build confidence in each<br />

student with non-threatening evaluations along the way.<br />

It begins with basic group games <strong>and</strong> gradually exp<strong>and</strong>s<br />

to more challenging exercises. Emphasis on group <strong>and</strong><br />

individual activity builds both verbal <strong>and</strong> nonverbal<br />

communication skills. Chapters include: 1. The<br />

Planning Process, 2. The Challenge of the First<br />

Meeting, 3. Getting Acquainted <strong>and</strong> Acclimated,<br />

4. Nonverbal Group Activities, 5. Nonverbal<br />

Individual Activities, 6. Verbal Individual Activities,<br />

7. Verbal Pair Activities, 8. Verbal Group Activities,<br />

9. Written Activities, 10. Evaluation, Assessment,<br />

Rewards, 11. Grab Bag — Miscellaneous Scene Topics.<br />

Theatre <strong>and</strong> <strong>Drama</strong> Books<br />

Tough Acts to Follow<br />

by SHIRLEY ULLOM<br />

Seventy-five monologs<br />

for teens<br />

Paperback: $15.95<br />

(168 pages)<br />

Order #R-B237<br />

Award-winning writer, Shirley Ullom, shows us why<br />

teens give us hope for the future. These short,<br />

perceptive monologs reveal the humor <strong>and</strong> strength of<br />

teens as they deal with a wide range of situations <strong>and</strong><br />

dilemmas both poignant <strong>and</strong> funny. Death, divorce,<br />

dating <strong>and</strong> dieting — violence in schools, gangs, dreams<br />

<strong>and</strong> dumb stuff — it’s all included in a mixed collection<br />

of monologs for performers of all types. Excellent for<br />

classroom or speech contests, auditions or discussion<br />

starters. The monologs are divided into three<br />

sections: Guys, Girls <strong>and</strong> Girls or Guys. Sample<br />

titles include: To Tell or Not to Tell, Fast Food<br />

Junkie, TV Addicts <strong>and</strong> Shaping Up.<br />

The Theatre<br />

Audition Book<br />

by GERALD LEE RATLIFF<br />

Playing monologs from<br />

contemporary, modern,<br />

period, Shakespeare<br />

<strong>and</strong> classical plays<br />

Paperback: $17.95<br />

(240 pages)<br />

Order #R-B224<br />

The most comprehensive book of monologs ever! With<br />

127 audition pieces, this h<strong>and</strong>book has a monolog for<br />

almost any audition situation. It’s important that the<br />

actor be inventive <strong>and</strong> imaginative in performing a<br />

monolog. This book shows students how to investigate<br />

dramatic <strong>and</strong> theatrical elements. Each monolog also<br />

includes a character analysis. The monologs selected for<br />

audition performance are conveniently grouped in<br />

historical periods from classical to contemporary. All are<br />

competitive material. A valuable resource.<br />

The Theatre<br />

Audition Book 2<br />

by GERALD LEE RATLIFF<br />

Playing monologues from<br />

contemporary, modern,<br />

period, Shakespearean<br />

<strong>and</strong> classical plays<br />

Paperback: $17.95<br />

(256 pages)<br />

Order #R-B309<br />

This sequel to the popular The Theatre Audition Book<br />

features more than 130 monologues from classical,<br />

Shakespearean, period, modern, <strong>and</strong> contemporary<br />

plays <strong>and</strong> a new chapter on musical theatre <strong>and</strong> the<br />

medium, including commercial <strong>and</strong> film auditions. The<br />

monologues – some taken from non-dramatic sources<br />

like novels <strong>and</strong> poems – are organized by historical<br />

times <strong>and</strong> provide an overview of acting styles <strong>and</strong><br />

audition expectations for playing each time period. The<br />

collection features well-known playwrights including<br />

Ntozake Shange, Athol Fugard, Christopher Durang,<br />

John Patrick Shanley, Edward Albee, August Wilson,<br />

Beth Henley, Terrence McNally, Paula Vogel – <strong>and</strong> a<br />

number of exciting new writers who have contributed<br />

original monologues written especially for classroom<br />

study <strong>and</strong> performance. There are also a number of<br />

original duologues <strong>and</strong> musical monologues.<br />

www.contemporarydrama.com • toll-free 800-937-5297 • toll-free 24-hour fax 888-594-4436

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