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playS and MuSicalS - Contemporary Drama Service

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Shakespeare’s Got Talent!<br />

by LAVINIA ROBERTS<br />

A parody of “America’s Got Talent”<br />

Cast: 8F, 8M, 13 M or F (13 with doubling)<br />

Playing time: About 40 minutes<br />

Complete playkit with 10 scripts <strong>and</strong><br />

rights to reproduce copies: $22.95<br />

Order #R-P1788<br />

Shakespeare<br />

New!<br />

Shakespeare’s characters come to life in this TV talent<br />

show parody! Hosted by Puck, the mischievous fairy from<br />

A Midsummer Night’s Dream, <strong>and</strong> the Fool,<br />

Shakespeare’s characters are silly <strong>and</strong> humorous when<br />

seen from a contemporary perspective. The judges, King<br />

Duncan, Romeo, <strong>and</strong> Portia (Brutus’ wife) are even funnier.<br />

Hamlet mocks <strong>and</strong> threatens the judges, but is challenged<br />

to a pillow fight by Laertes. Macbeth’s three witches refuse<br />

to be voted off stage <strong>and</strong> predict that Macbeth will become<br />

a judge. Soon after, King Duncan disappears. MacDuff<br />

wants to fight Macbeth to the death with rubber chickens.<br />

None of the contestants are able to finish their acts, so the<br />

hosts <strong>and</strong> judges do their own dance act <strong>and</strong> vote<br />

themselves the winners. A fun <strong>and</strong> entertaining way to<br />

introduce students to Shakespeare. Easy to perform in the<br />

classroom or on stage. One scene, minimal costumes <strong>and</strong><br />

props.<br />

Shakespeare’s<br />

Romeo <strong>and</strong> Juliet<br />

by ROBERT HEROLD<br />

An adaptation of Shakespeare’s<br />

classic for student performance<br />

Cast: 21 to 35 roles, mixed (doubling possible)<br />

Playing time: About 90 minutes<br />

Performance rights for stage or classroom<br />

granted with purchase of 15 or more scripts.<br />

Order #R-R128 Script: $5.95<br />

This modern English adaptation provides a literate <strong>and</strong><br />

exciting introduction to Shakespeare. No other play<br />

deals better with the universal concerns of youth:<br />

romantic love, physical desire, conflicts with civil<br />

authorities, impulsive behavior, gangs, honor,<br />

depression <strong>and</strong> suicide. A bare stage can be enough for<br />

this play of action. Costumes <strong>and</strong> props can also be<br />

simple. Production notes explain staging <strong>and</strong><br />

discussion possibilities for this play, Shakespearean<br />

theatre, suicide <strong>and</strong> related topics. Shortened <strong>and</strong><br />

simplified language makes this version an excellent text<br />

for classroom use.<br />

Shakespeare’s<br />

A Midsummer Night’s Dream<br />

by DR. CAROLYN HARPER<br />

A shortened version of Shakespeare’s<br />

most popular comedy<br />

Cast: 22 players, mixed, plus<br />

optional number of fairies<br />

Playing time: About 90 minutes, 1 act<br />

Performance rights for stage or classroom<br />

granted with purchase of 15 or more scripts.<br />

Order #R-R151 Script: $5.95<br />

Twelfth Night<br />

adapted by CHERYL CAPSHAW<br />

A student’s version of Shakespeare’s<br />

delightful situation comedy<br />

Cast: 10F, 8M<br />

Playing time: About 60 minutes, 2 acts<br />

Performance rights for stage or classroom<br />

granted with purchase of 15 or more scripts.<br />

Order #R-R292 Script: $5.95<br />

www.contemporarydrama.com • toll-free 800-937-5297 • toll-free 24-hour fax 888-594-4436<br />

49<br />

The rollicking good fun of Shakespeare’s famous<br />

comedy remains though a narrator serves to simplify the<br />

lengthy original. Puck’s play-within-a-play <strong>and</strong> his cast of<br />

silly fellows provide delightful stage action to accompany<br />

the magical mixed-up love affairs of Lys<strong>and</strong>er <strong>and</strong><br />

Hermea <strong>and</strong> Demetrius <strong>and</strong> Helena. A fast-moving<br />

adaptation that keeps the flavor of Elizabethan dialog but<br />

without confusion or loss of meaning. The cast may be<br />

tailored to suit the availability of performers. The fairies<br />

may be as few as four actors or exp<strong>and</strong>ed to many. Most<br />

of the parts can optionally be male or female. Costumes<br />

<strong>and</strong> staging may be easily simplified as written.<br />

(also available as a one act musical on page 12)<br />

Mistaken identities <strong>and</strong> mixed-up love affairs!<br />

Shakespeare was more than a writer of beautiful<br />

dialog – he made audiences laugh with comical stage<br />

action, too. Two narrators make this delightful two-act<br />

comedy shorter <strong>and</strong> more manageable. After a<br />

shipwreck, twins Olivia <strong>and</strong> Sebastian wash up on the<br />

shore of Illyria. Each thinks the other perished. Viola<br />

disguises herself as a man <strong>and</strong> becomes the favorite of<br />

Duke Orsino <strong>and</strong> Countess Olivia. The Duke wants to<br />

marry the Countess, but she prefers Cesario (Viola’s<br />

disguised male identity). Later, Sebastian arrives, <strong>and</strong><br />

no one knows who anyone is! Add to this many<br />

hilarious buffoon characters, <strong>and</strong> you’ll see why this<br />

farce is another Shakespeare classic. Simplified staging<br />

possible.

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