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ENG LYRIC POETRY.pdf - STIBA Malang

ENG LYRIC POETRY.pdf - STIBA Malang

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PATRIOTIC AND POPULAR POETS<br />

Yea, famine, sickness, fire, and sword,<br />

Stand ready to fulfil Thy word.<br />

And here among us for our sin,<br />

A strong infection lately reign’d:<br />

Whose rage hath so malignant been,<br />

As that it could not be restrain’d<br />

By any care, or art of our,<br />

Or by a less than heavenly power. 33<br />

Famine, sickness, fire, and sword: these were also the principal subjects of<br />

Wither’s later poetry. Beginning with Britain’s Remembrancer (1628), Wither<br />

gave his earlier satiric persona a prophetic strain and made England increasingly<br />

his theme, not the England of Drayton’s Poly-Olbion, however, an England of<br />

past and potentially future heroic deeds, but an England of the present racked<br />

by disease. While Drayton was still trying to encourage the gentry once more<br />

into the breach in The Battle of Agincourt (1627), Wither was reminding England<br />

of the recent ravages of the 1625 plague (in which some 41,000 perished) by<br />

becoming its voice of conscience:<br />

Yea, mark, mark London, and confesse with me,<br />

That God hath justly, thus afflicted thee,<br />

And that in ev’ry point this Plague hath been<br />

According to the nature of thy sin.<br />

In thy prosperity, such was thy pride<br />

That thou the Countries plainnesse didst deride<br />

Thy wanton children would oft straggle out,<br />

At honest husbandman to jeere and flout.<br />

Their homely garments, did offend thine eyes:<br />

They did their rurall Dialects despise. 34<br />

As the quotation suggests, Wither’s six-canto Jeremiad is never theologically or<br />

stylistically subtle. “In plaine expressions, and in words, that show/We love not,<br />

in affected paths, to goe” 35 might well serve as the motto of this and much of his<br />

later writings. And, indeed, it is the unaffected paths that make portions of<br />

Britain’s Remembrancer still worth remembering—its low Dantesque moments in<br />

which the voices generally excluded from modern appreciations of seventeenthcentury<br />

poetry make their appearance:<br />

Of these, and of their households, daily dy’d<br />

Twice more then did of all sorts else beside;<br />

An hungry Poverty (without reliefes)<br />

Did much inrage and [multiply] their griefes.<br />

The Rich could flye; or, if they staid, they had<br />

Such meanes that their disease the lesse was made,<br />

73

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