ENG LYRIC POETRY.pdf - STIBA Malang

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BEN JONSON AND THE ART OF INCLUSION could serve Jonson as a hieroglyph for some other, greater reality. The fascination lies, rather, in the new authority Jonson gave to poetry in the early seventeenth century. No longer the exclusive property of either the rich or the inspired, of either a Sidney or a Spenser, it belonged also to the individual willing to “strike the second heat/Upon the muses’ anvil” and claim the work as his own. 53
3 PATRIOTIC AND POPULAR POETS In publishing this Essay of my Poeme, there is this great disadvantage against me; that it commeth out at this time, when Verses are wholly deduc’t to Chambers, and nothing esteem’d in this lunatique Age, but what is kept in Cabinets, and must only passe by Transcription. Michael Drayton, Poly-Olbion, 1612, “To The Generall Reader” Donne and Jonson were the most important and influential poets writing in the first quarter of the seventeenth century. They were the new voices, as the last two chapters have attempted to show. But their poetry was hardly “popular,” if we mean by that word a poetry either conceived with a large population of readers in mind or concerned with exploring issues that might be described as of broadly public or national interest. Donne’s poetry circulated widely but in manuscript and, initially at least, among a highly select group of aristocrats and educated friends. He saved his preaching for the pulpit and for prose. When financial circumstances forced him finally and for the only time to publish some verse, it is significant that the “First and Second Anniversaries,” the work he entitled An Anatomie of the World, appeared without his name on the title page and that the world he chose to anatomize has little to do with the particularities of daily life. In this regard, Eliot’s famous description of Donne as possessing the kind of mind that amalgamates experiences as disparate as falling in love and the smell of cooking is misleading. 1 Indeed, were it not for the fact that in his poetry, at least, Jonson wrote for an audience similar (in some cases identical) to Donne’s, the description might apply better to him, where there is more cooking and more of the world. But except when Jonson’s purpose is satirical, his sense of “society,” like Donne’s, does not extend very far downward; and though his route into print was very different from Donne’s, both ultimately sought to disguise the vulgar connections binding them to booksellers and stationers and ultimately to the public. It is not mere flattery that inspired Jonson to depict Donne as his ideal judge and reader in Epigram 96. “A man should seek great glory, and not broad” defines a credo the two men held in common. 54
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ENGLISH LYRIC POETRY English Lyric
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First published 1999 by Routledge 1
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CONTENTS Foreword ix Acknowledgemen
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FOREWORD period—indeed, probably
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FOREWORD “socially specified self
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ACKNOWLEDGEMENTS In thinking and wr
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A NOTE ON SOURCES AND SPELLING A si
Page 21 and 22: IRREMEDIABLY DONNE just that an act
Page 23 and 24: IRREMEDIABLY DONNE law, a path desi
Page 25 and 26: IRREMEDIABLY DONNE reluctantly ackn
Page 27 and 28: IRREMEDIABLY DONNE were considered
Page 29 and 30: IRREMEDIABLY DONNE less to do with
Page 31 and 32: IRREMEDIABLY DONNE between, below,
Page 33 and 34: IRREMEDIABLY DONNE Thine age askes
Page 35 and 36: IRREMEDIABLY DONNE measure fail, to
Page 37 and 38: IRREMEDIABLY DONNE mood of “low d
Page 39 and 40: IRREMEDIABLY DONNE To readers appro
Page 41 and 42: IRREMEDIABLY DONNE another poem in
Page 43 and 44: BEN JONSON AND THE ART OF INCLUSION
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Page 75 and 76: PATRIOTIC AND POPULAR POETS bald di
Page 77 and 78: PATRIOTIC AND POPULAR POETS suspici
Page 79 and 80: PATRIOTIC AND POPULAR POETS in the
Page 81 and 82: PATRIOTIC AND POPULAR POETS The uns
Page 83 and 84: PATRIOTIC AND POPULAR POETS the gre
Page 85 and 86: PATRIOTIC AND POPULAR POETS William
Page 87 and 88: PATRIOTIC AND POPULAR POETS Elizabe
Page 89 and 90: PATRIOTIC AND POPULAR POETS Wither
Page 91 and 92: PATRIOTIC AND POPULAR POETS And wit
Page 93 and 94: PATRIOTIC AND POPULAR POETS Yea, th
Page 95 and 96: PATRIOTIC AND POPULAR POETS now set
Page 97 and 98: PATRIOTIC AND POPULAR POETS straigh
Page 99 and 100: PATRIOTIC AND POPULAR POETS The pop
Page 101 and 102: PATRIOTIC AND POPULAR POETS antholo
Page 103 and 104: PATRIOTIC AND POPULAR POETS You hol
Page 105 and 106: PATRIOTIC AND POPULAR POETS and mad
Page 107 and 108: PATRIOTIC AND POPULAR POETS Taylor
Page 109 and 110: PATRIOTIC AND POPULAR POETS product
Page 111 and 112: CAROLINE AMUSEMENTS altogether the
Page 113 and 114: CAROLINE AMUSEMENTS difficult to es
Page 115 and 116: CAROLINE AMUSEMENTS Can we not forc
Page 117 and 118: CAROLINE AMUSEMENTS The wiser world
Page 119 and 120: CAROLINE AMUSEMENTS Queen heaped fa
Page 121 and 122: CAROLINE AMUSEMENTS pale, as Carew
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CAROLINE AMUSEMENTS Carew’s respo
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CAROLINE AMUSEMENTS Religion by Rea
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CAROLINE AMUSEMENTS no odd becommin
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CAROLINE AMUSEMENTS Suckling next w
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CAROLINE AMUSEMENTS with ceremony i
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CAROLINE AMUSEMENTS Anthea, Sappho)
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CAROLINE AMUSEMENTS metrically mono
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CAROLINE AMUSEMENTS “Liquefaction
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CAROLINE AMUSEMENTS his return to s
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CAROLINE AMUSEMENTS It is easy to r
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CAROLINE AMUSEMENTS against a darke
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CAROLINE AMUSEMENTS There your sad
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CAROLINE AMUSEMENTS empowered Purit
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CAROLINE AMUSEMENTS To spell out mo
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CAROLINE AMUSEMENTS As Lovelace mak
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CAROLINE AMUSEMENTS And always like
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SUBSTANCE AND STYLE IN GEORGE HERBE
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6 THE ONCE AND FUTURE POET Milton i
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THE ONCE AND FUTURE POET paraphrase
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THE ONCE AND FUTURE POET Music” t
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THE ONCE AND FUTURE POET are not of
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THE ONCE AND FUTURE POET a classic
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THE ONCE AND FUTURE POET highly spe
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THE ONCE AND FUTURE POET sheep-and-
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These delights if thou canst give,
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THE ONCE AND FUTURE POET have appea
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THE ONCE AND FUTURE POET “Captain
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THE ONCE AND FUTURE POET of sexual
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THE ONCE AND FUTURE POET Thus I spr
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THE ONCE AND FUTURE POET the Bridge
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THE ONCE AND FUTURE POET As for Com
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THE ONCE AND FUTURE POET The great
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THE ONCE AND FUTURE POET irregular
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THE ONCE AND FUTURE POET (“Look h
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7 ARENAS OF RETREAT Blood, bread, a
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ARENAS OF RETREAT of identifying a
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ARENAS OF RETREAT dearest and neare
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ARENAS OF RETREAT Given the level o
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ARENAS OF RETREAT the speaker in re
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ARENAS OF RETREAT Under a Juniper,
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ARENAS OF RETREAT O how I long to t
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ARENAS OF RETREAT (Though single vo
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ARENAS OF RETREAT flies of hell”
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ARENAS OF RETREAT In focusing on Ni
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8 FROM WROTH TO PHILIPS Women poets
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FROM WROTH TO PHILIPS wrote but wro
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FROM WROTH TO PHILIPS century about
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FROM WROTH TO PHILIPS Butt O my hur
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FROM WROTH TO PHILIPS unfolds a min
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FROM WROTH TO PHILIPS Reader”). A
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FROM WROTH TO PHILIPS reality of th
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FROM WROTH TO PHILIPS vernacular li
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FROM WROTH TO PHILIPS Anne Bradstre
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FROM WROTH TO PHILIPS receive renew
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FROM WROTH TO PHILIPS Nonetheless,
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FROM WROTH TO PHILIPS Another Aunci
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FROM WROTH TO PHILIPS In the transc
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FROM WROTH TO PHILIPS For whose soc
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FROM WROTH TO PHILIPS For Collins,
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Figure 3 Poems by the most deserved
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FROM WROTH TO PHILIPS World,” is
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FROM WROTH TO PHILIPS Thinking that
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Figure 4 Margaret Cavendish, Duches
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FROM WROTH TO PHILIPS She owned a c
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FROM WROTH TO PHILIPS Nay, should w
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FROM WROTH TO PHILIPS remembering,
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ANDREW MARVELL reputation as a poet
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ANDREW MARVELL the greatest minor p
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ANDREW MARVELL after mourning the d
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ANDREW MARVELL Where the remote Ber
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ANDREW MARVELL In fact, “To his C
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ANDREW MARVELL Than languish in his
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ANDREW MARVELL sentimentalized in t
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ANDREW MARVELL signal at the outset
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ANDREW MARVELL difficult to know ex
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ANDREW MARVELL throne, his head sur
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ANDREW MARVELL Out of these scatter
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ANDREW MARVELL Tulips, in several C
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ANDREW MARVELL Nor would it, had th
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ANDREW MARVELL obvious being that D
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ANDREW MARVELL Paint then St. Alban
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ANDREW MARVELL thinking and rethink
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ANDREW MARVELL Him, valianst men, a
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NOTES TO PP. 4-17 12 On the connect
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NOTES TO PP. 31-36 Wilson, The Trip
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NOTES TO PP. 60-9 7 Newdigate, Mich
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NOTES TO PP. 77-90 46 Quoted from t
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NOTES TO PP. 102-15 the second, see
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NOTES TO PP. 135-45 5 SUBSTANCE AND
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NOTES TO PP. 165-84 10 Budick, The
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NOTES TO PP. 195-207 10 For a fulle
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NOTES TO PP. 213-24 Bucknell Univer
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NOTES TO PP. 241-50 University Pres
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NOTES TO PP. 256-73 7 Kenner (ed.),
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Abbot, Wilbur Cortez 308 Achinstein
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The” 242; “Hunting of the Hare,
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Du Bartas, Guillaume 86, 226 Dudley
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119; “Upon Julia’s Clothes” 1
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“Lucasta laughing” 131; Lucasta
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Porter, Peter 295 Post, Jonathan F.
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Van Dyck, Anthony 79, 99, 126 Van P
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